--
-- Host: blancalidbnew.mysql.db    Database: blancalidbnew
-- ------------------------------------------------------


--
-- Table structure for table `__chmod`
--

CREATE TABLE `__chmod` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_user` int unsigned NOT NULL DEFAULT '0',
  `id_table` int unsigned NOT NULL DEFAULT '0',
  `show` tinyint(1) NOT NULL DEFAULT '0',
  `create` tinyint(1) NOT NULL DEFAULT '0',
  `modify` tinyint(1) NOT NULL DEFAULT '0',
  `delete` tinyint(1) NOT NULL DEFAULT '0',
  `administrator` tinyint(1) NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_user_2` (`id_user`,`id_table`),
  KEY `id_user` (`id_user`),
  KEY `id_table` (`id_table`)
) ENGINE=MyISAM AUTO_INCREMENT=31 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `__chmod`
--

INSERT INTO `__chmod` VALUES (1,1,1,1,1,1,1,1),(2,1,2,1,1,1,1,1),(3,1,3,1,1,1,1,1),(4,1,4,1,1,1,1,1),(5,1,5,1,1,1,1,1),(6,1,6,1,1,1,1,1),(7,1,7,1,1,1,1,1),(8,1,8,1,1,1,1,1),(9,1,9,1,1,1,1,1),(10,1,10,1,1,1,1,1),(11,1,11,1,1,1,1,1),(12,1,12,1,1,1,1,1),(13,1,13,1,1,1,1,1),(14,1,14,1,1,1,1,1),(15,2,1,1,0,1,0,1),(16,2,2,1,1,1,1,1),(17,2,3,1,1,1,1,1),(18,2,4,1,1,1,1,1),(19,2,5,0,0,0,0,0),(20,2,6,1,1,1,1,1),(21,2,7,1,1,1,1,1),(22,2,8,1,1,1,1,1),(23,2,9,1,1,1,1,1),(24,2,11,1,1,1,1,1),(25,2,12,0,0,0,0,0),(26,2,10,1,1,1,1,1),(27,2,13,1,1,1,1,1),(28,2,14,1,1,1,1,1),(29,1,15,1,1,1,1,1),(30,2,15,0,0,0,0,0);

--
-- Table structure for table `__field`
--

CREATE TABLE `__field` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_table` int NOT NULL DEFAULT '0',
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  `is_visible` tinyint(1) NOT NULL DEFAULT '0',
  `allow_sort` tinyint(1) NOT NULL DEFAULT '0',
  `is_i18n` tinyint(1) NOT NULL DEFAULT '0',
  `is_required` tinyint(1) NOT NULL DEFAULT '0',
  `type` varchar(255) NOT NULL,
  `length` varchar(255) NOT NULL,
  `default` varchar(255) NOT NULL,
  `form_type` varchar(255) NOT NULL,
  `id_table_link` int unsigned NOT NULL DEFAULT '0',
  `position` smallint NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_table` (`id_table`,`field`)
) ENGINE=MyISAM AUTO_INCREMENT=65 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `__field`
--

INSERT INTO `__field` VALUES (1,1,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(2,1,'controller',0,1,0,0,'TINYTEXT','0','','text',0,3),(5,1,'url',0,0,1,0,'TINYTEXT','0','','text',0,7),(6,2,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(7,2,'text',1,0,1,0,'TEXT','0','','wysiwyg',0,3),(8,2,'id_section',1,1,0,1,'INT','0','','listfield',1,2),(9,3,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(10,3,'date',1,1,0,1,'DATE','0','','date',0,2),(11,3,'header',1,0,1,0,'TEXT','0','','wysiwyg',0,5),(12,3,'text',1,0,1,0,'TEXT','0','','wysiwyg',0,7),(13,3,'image',1,0,0,0,'TINYTEXT','0','','image',0,8),(14,4,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(15,5,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(16,3,'id_entity',1,1,0,1,'INT','0','','listfield',5,3),(17,6,'place',1,1,1,1,'TINYTEXT','0','','text',0,1),(18,6,'id_event',1,1,0,1,'INT','0','','listfield',3,2),(19,6,'date_start',1,1,0,1,'DATE','0','','date',0,3),(21,6,'city',1,1,1,1,'TINYTEXT','0','','text',0,5),(22,6,'country',1,0,1,1,'TINYTEXT','0','','text',0,6),(23,7,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(24,7,'image',1,0,0,0,'TINYTEXT','0','','thumbnail',0,2),(25,8,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(26,8,'image',1,0,0,0,'TINYTEXT','0','','image',0,2),(27,8,'thumbnail',1,0,0,0,'TINYTEXT','0','','thumbnail',0,3),(28,8,'text',1,0,1,0,'TEXT','0','','wysiwyg',0,4),(30,9,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(31,9,'embed',1,0,1,0,'TEXT','0','','paragraph',0,2),(32,9,'image',1,0,0,0,'TINYTEXT','0','','thumbnail',0,3),(34,1,'is_spacing',0,1,0,0,'TINYINT','1','','checkbox',0,9),(35,1,'id_entity',0,0,0,0,'INT','0','','listfield',5,8),(36,3,'thumbnail',1,0,0,0,'TINYTEXT','0','','thumbnail',0,9),(37,3,'embed',1,0,0,0,'TEXT','0','','header',0,6),(38,6,'information',1,0,1,0,'TINYTEXT','0','','text',0,4),(39,10,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(40,10,'image',1,0,0,0,'TINYTEXT','0','','image',0,2),(41,10,'thumbnail',1,0,0,0,'TINYTEXT','0','','thumbnail',0,3),(42,11,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(43,11,'file',1,0,1,0,'TINYTEXT','0','','pdf',0,3),(44,1,'text',1,0,1,0,'TEXT','0','','wysiwyg',0,2),(46,12,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(47,11,'id_category',1,1,0,1,'INT','0','','listfield',12,2),(48,13,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(49,13,'date',1,1,0,1,'DATE','0','','date',0,2),(50,13,'text',1,0,1,0,'TEXT','0','','wysiwyg',0,3),(51,14,'name',1,1,1,1,'TINYTEXT','0','','text',0,1),(52,14,'text',1,0,1,0,'TEXT','0','','wysiwyg',0,3),(53,14,'image',1,0,0,0,'TINYTEXT','0','','image',0,4),(54,14,'id_newsletter',1,1,0,1,'INT','0','','listfield',13,2),(55,2,'embed',1,0,1,0,'TINYTEXT','0','','paragraph',0,4),(56,15,'name',1,1,0,1,'TINYTEXT','0','','text',0,1),(57,15,'date_start',1,1,0,1,'DATE','0','','date',0,2),(58,15,'date_end',1,1,0,1,'DATE','0','','date',0,3),(59,1,'keywords',1,0,1,0,'TEXT','0','','header',0,10),(60,1,'description',1,0,1,0,'TEXT','0','','header',0,11),(61,4,'is_spacing',1,1,0,0,'TINYINT','0','','checkbox',0,2),(62,3,'description',1,0,1,0,'TINYTEXT','0','','header',0,4),(63,3,'tag',1,0,1,0,'TINYTEXT','0','','header',0,10),(64,1,'action',0,1,0,0,'TINYTEXT','0','','text',0,4);

--
-- Table structure for table `__lang`
--

CREATE TABLE `__lang` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `lang` varchar(255) NOT NULL DEFAULT '',
  `name` varchar(255) NOT NULL,
  `code` varchar(255) NOT NULL,
  `position` smallint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `lang` (`lang`)
) ENGINE=MyISAM AUTO_INCREMENT=5 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `__lang`
--

INSERT INTO `__lang` VALUES (1,'fr','Français','fr',1),(2,'en','English','en',2),(3,'es','Español','es',3);

--
-- Table structure for table `__table`
--

CREATE TABLE `__table` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `table` varchar(255) NOT NULL,
  `position` smallint NOT NULL DEFAULT '0',
  `id_field_default` int unsigned NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `table` (`table`)
) ENGINE=MyISAM AUTO_INCREMENT=16 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `__table`
--

INSERT INTO `__table` VALUES (1,'section',1,1),(2,'page',2,6),(3,'event',3,9),(4,'event_type',11,14),(5,'event_entity',12,15),(6,'tour',20,17),(7,'gallery',30,23),(8,'image',35,25),(9,'movie',40,30),(10,'background',70,39),(11,'pdf',50,42),(12,'pdf_category',55,46),(13,'newsletter',100,48),(14,'newsletter_post',110,51),(15,'tour_season',25,56);

--
-- Table structure for table `__table_link`
--

CREATE TABLE `__table_link` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_table_from` int unsigned NOT NULL DEFAULT '0',
  `id_table_to` int unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_table_from` (`id_table_from`,`id_table_to`),
  KEY `id_tbl1` (`id_table_from`),
  KEY `id_tbl2` (`id_table_to`)
) ENGINE=MyISAM AUTO_INCREMENT=11 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `__table_link`
--

INSERT INTO `__table_link` VALUES (6,1,3),(4,2,7),(5,2,9),(8,2,11),(9,3,4),(2,3,7),(3,3,9),(7,3,11),(1,7,8),(10,1,10);

--
-- Table structure for table `_link_event_event_type`
--

CREATE TABLE `_link_event_event_type` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=493 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_event_event_type`
--

INSERT INTO `_link_event_event_type` VALUES (97,45,3,54),(4,43,3,51),(289,55,4,19),(9,35,3,27),(12,44,3,53),(166,104,12,3),(15,36,3,33),(17,26,3,36),(144,19,14,16),(19,42,3,50),(21,41,3,47),(22,37,3,34),(25,40,3,46),(152,94,17,16),(27,39,3,45),(28,34,3,26),(29,38,3,39),(31,33,12,6),(32,45,12,2),(484,145,14,1),(38,32,4,8),(40,28,4,4),(165,104,3,35),(43,31,4,20),(44,30,4,21),(47,27,4,6),(254,93,4,12),(253,100,4,11),(51,6,1,10),(141,18,14,15),(54,8,1,12),(57,4,1,9),(59,1,1,6),(279,82,27,1),(164,103,3,14),(143,22,14,14),(64,2,1,7),(65,7,1,15),(162,100,17,11),(161,99,1,5),(68,12,1,11),(69,5,1,14),(70,13,1,18),(71,3,1,8),(151,93,17,12),(73,11,1,17),(150,90,17,22),(75,10,1,16),(148,89,18,6),(288,90,4,24),(79,9,1,13),(80,26,4,7),(142,33,3,24),(255,94,4,13),(90,17,14,12),(292,58,4,22),(272,29,26,8),(271,25,26,7),(291,56,4,25),(290,57,4,26),(285,89,4,16),(287,54,4,18),(118,32,12,1),(119,28,12,5),(120,31,12,7),(121,26,12,4),(122,30,12,8),(125,24,14,17),(127,23,14,13),(128,21,14,8),(129,20,14,9),(130,16,14,11),(131,77,14,19),(132,76,14,18),(133,75,14,10),(134,15,14,7),(280,73,27,3),(136,60,17,27),(138,58,17,24),(139,57,17,23),(140,56,17,18),(167,103,16,2),(384,90,32,11),(169,33,16,3),(383,94,32,7),(171,34,16,4),(172,35,16,5),(174,26,16,9),(381,100,32,5),(176,39,16,11),(177,41,16,12),(178,44,16,15),(179,45,16,16),(180,38,16,10),(181,42,16,13),(382,93,32,6),(183,43,16,14),(184,36,16,6),(185,37,16,7),(186,104,16,8),(270,55,26,10),(188,46,18,7),(189,47,18,8),(190,48,18,3),(191,50,18,9),(192,49,18,4),(193,51,18,2),(194,52,18,10),(195,86,17,17),(196,62,17,19),(197,63,17,20),(198,64,17,21),(199,66,17,25),(200,67,17,26),(201,70,17,28),(269,54,26,9),(203,29,3,25),(413,119,29,3),(407,117,4,9),(208,49,3,41),(411,114,25,5),(414,119,31,0),(406,117,26,2),(213,51,3,48),(214,58,3,38),(400,25,4,5),(422,124,3,6),(286,29,4,17),(218,67,3,43),(219,48,3,37),(295,97,25,10),(296,96,25,11),(223,86,3,22),(224,63,3,30),(225,89,3,23),(226,47,3,28),(227,52,3,49),(293,59,4,23),(415,119,3,7),(230,62,3,29),(299,80,25,19),(404,115,32,2),(410,118,25,4),(403,115,29,2),(398,99,26,3),(294,102,25,8),(420,123,16,0),(417,121,14,3),(239,66,3,42),(240,70,3,52),(242,64,3,31),(301,84,25,12),(244,50,3,40),(412,98,25,9),(298,88,25,18),(399,1,26,4),(305,78,25,14),(251,60,3,44),(421,124,17,5),(276,17,26,5),(277,21,26,6),(281,65,27,2),(282,61,27,4),(283,71,27,5),(359,27,29,6),(405,116,18,1),(419,123,29,1),(418,122,25,3),(397,14,14,6),(416,121,1,4),(331,92,25,20),(395,112,25,6),(473,139,14,4),(393,31,29,9),(391,109,17,9),(390,108,17,10),(389,107,16,1),(360,28,29,8),(361,55,29,7),(362,26,29,5),(363,30,29,10),(364,32,29,4),(365,33,30,2),(366,28,30,5),(367,104,30,3),(368,26,30,1),(369,30,30,8),(370,31,30,7),(371,32,30,6),(372,42,30,9),(373,44,30,10),(374,45,30,4),(375,89,31,0),(376,14,28,1),(377,15,28,2),(378,77,28,3),(379,23,28,4),(380,22,28,5),(385,57,32,13),(386,58,32,8),(387,59,32,9),(388,60,32,12),(423,125,25,2),(437,126,3,20),(425,126,32,3),(426,126,17,15),(427,127,30,0),(428,127,32,1),(429,127,17,2),(430,127,4,2),(431,123,4,1),(432,119,4,10),(433,115,4,3),(434,129,17,1),(435,130,17,3),(436,131,17,4),(438,132,17,13),(439,133,17,14),(440,133,32,4),(441,133,3,19),(442,132,3,18),(443,132,18,5),(444,128,17,7),(445,128,3,11),(446,134,17,6),(447,134,3,10),(448,136,17,8),(449,136,3,12),(450,137,32,10),(451,135,25,1),(452,135,14,5),(453,121,26,1),(454,133,4,15),(455,126,4,14),(456,111,25,7),(457,75,25,15),(458,76,25,16),(459,77,25,17),(460,123,3,1),(461,129,3,2),(462,130,3,3),(463,127,3,4),(464,131,3,5),(465,116,3,8),(466,115,3,9),(467,107,3,13),(468,108,3,15),(469,100,3,16),(470,93,3,17),(471,94,3,21),(472,54,3,32),(474,140,17,0),(475,140,3,0),(476,108,18,0),(477,109,18,0),(478,109,3,0),(479,141,18,0),(480,141,31,0),(481,142,1,2),(482,144,14,2),(483,143,1,3),(485,146,1,1),(486,146,4,0),(487,146,25,0),(488,147,1,0),(489,147,25,0),(492,150,25,0),(491,151,17,0);

--
-- Table structure for table `_link_event_gallery`
--

CREATE TABLE `_link_event_gallery` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=49 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_event_gallery`
--

INSERT INTO `_link_event_gallery` VALUES (1,1,3,0),(2,6,5,0),(3,8,6,0),(4,5,7,0),(5,13,8,0),(6,19,9,0),(7,9,10,0),(8,14,11,0),(9,75,13,0),(10,98,14,0),(11,98,15,0),(12,98,16,0),(13,98,17,0),(14,1,20,0),(15,1,19,0),(16,1,18,0),(17,11,23,0),(18,11,24,0),(19,10,25,0),(20,10,26,0),(21,13,27,0),(22,13,28,0),(23,2,1,0),(24,4,2,0),(25,3,4,0),(26,12,30,0),(27,7,31,0),(28,18,32,0),(29,106,33,0),(30,106,34,0),(31,106,36,0),(32,82,36,0),(33,82,34,0),(34,82,33,0),(35,99,37,0),(36,99,38,0),(37,99,39,0),(38,120,44,0),(39,121,45,0),(40,121,46,0),(41,121,47,0),(42,121,48,0),(43,121,49,0),(44,121,50,0),(45,142,51,0),(46,143,52,0),(47,145,55,0),(48,146,56,0);

--
-- Table structure for table `_link_event_movie`
--

CREATE TABLE `_link_event_movie` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=117 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_event_movie`
--

INSERT INTO `_link_event_movie` VALUES (1,25,1,0),(67,103,76,0),(3,2,3,0),(6,5,6,0),(7,3,7,0),(8,6,8,0),(9,6,9,0),(10,6,10,0),(86,21,88,0),(12,4,12,0),(92,99,101,0),(14,75,14,0),(83,20,87,0),(60,27,44,0),(22,65,22,0),(24,65,23,0),(28,65,24,0),(30,65,25,0),(31,1,26,3),(33,65,27,0),(35,82,28,7),(36,82,21,6),(37,82,18,14),(38,82,20,13),(39,82,19,14),(40,82,25,12),(41,82,23,10),(42,82,24,11),(43,82,22,9),(44,82,27,8),(45,51,29,0),(46,51,30,0),(47,82,31,5),(48,82,32,3),(49,82,33,4),(50,82,34,2),(51,82,35,0),(52,82,36,1),(53,1,37,2),(55,26,57,0),(56,26,59,0),(57,26,60,0),(58,26,62,0),(59,26,61,0),(61,1,67,1),(62,98,72,0),(63,100,73,0),(66,103,77,0),(65,104,75,0),(68,1,78,0),(69,1,79,0),(70,109,80,0),(71,99,81,0),(72,109,82,0),(73,106,35,1),(74,106,33,5),(75,106,34,2),(76,106,32,4),(77,106,31,3),(114,144,125,0),(79,106,36,6),(81,99,85,0),(82,1,86,0),(87,14,93,0),(115,145,126,0),(90,15,96,0),(91,99,97,0),(93,99,99,0),(94,117,100,0),(95,99,100,0),(96,119,102,0),(97,117,103,0),(98,119,104,0),(99,120,108,0),(100,124,109,0),(101,124,110,0),(102,121,111,4),(103,121,112,5),(104,121,113,6),(105,121,114,3),(106,125,116,0),(107,122,117,0),(108,1,118,0),(109,121,119,2),(110,121,120,1),(111,121,121,0),(112,2,122,0),(113,143,123,0),(116,148,127,0);

--
-- Table structure for table `_link_event_pdf`
--

CREATE TABLE `_link_event_pdf` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=95 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_event_pdf`
--

INSERT INTO `_link_event_pdf` VALUES (1,6,84,0),(2,6,12,0),(3,6,13,0),(4,6,14,0),(5,8,87,0),(6,8,77,0),(7,8,78,0),(8,4,91,0),(9,4,45,0),(10,4,46,0),(11,4,47,0),(12,4,48,0),(13,4,49,0),(14,4,51,0),(15,4,52,0),(16,4,53,0),(17,4,54,0),(18,4,55,0),(19,4,56,0),(20,4,57,0),(21,4,58,0),(22,1,89,0),(23,2,82,0),(24,2,34,0),(25,2,35,0),(26,2,36,0),(27,2,37,0),(28,2,38,0),(29,2,39,0),(30,2,40,0),(31,2,41,0),(32,2,42,0),(33,2,43,0),(34,5,81,0),(35,5,61,0),(36,5,62,0),(37,13,93,0),(38,13,64,0),(39,13,65,0),(40,13,66,0),(41,13,67,0),(42,13,68,0),(43,13,69,0),(44,3,90,0),(45,3,27,0),(46,3,28,0),(47,3,29,0),(48,3,30,0),(49,9,86,0),(50,9,24,0),(51,9,25,0),(52,7,92,0),(53,7,6,0),(54,7,8,0),(55,12,85,0),(56,11,88,0),(57,11,17,0),(58,11,18,0),(59,11,19,0),(60,10,83,0),(61,10,72,0),(62,10,74,0),(63,10,75,0),(64,82,94,0),(65,96,96,0),(66,99,99,0),(67,99,100,0),(68,99,101,0),(70,106,94,0),(71,73,103,0),(73,99,109,0),(74,99,115,0),(75,99,114,0),(76,117,119,0),(77,99,119,0),(80,119,121,0),(81,119,122,0),(82,99,123,0),(84,121,126,0),(85,99,127,0),(86,121,128,0),(87,121,129,0),(88,123,130,0),(89,123,132,0),(90,142,133,0),(91,142,134,0),(92,142,135,0),(93,143,136,0),(94,147,141,0);

--
-- Table structure for table `_link_gallery_image`
--

CREATE TABLE `_link_gallery_image` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=546 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_gallery_image`
--

INSERT INTO `_link_gallery_image` VALUES 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--
-- Table structure for table `_link_page_gallery`
--

CREATE TABLE `_link_page_gallery` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=15 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_page_gallery`
--

INSERT INTO `_link_page_gallery` VALUES (3,36,43,0),(4,34,39,0),(5,34,38,0),(6,34,37,0),(7,8,39,0),(8,36,39,0),(9,36,38,0),(10,8,38,0),(11,36,37,0),(12,8,37,0),(13,36,44,0),(14,8,44,0);

--
-- Table structure for table `_link_page_movie`
--

CREATE TABLE `_link_page_movie` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=58 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_page_movie`
--

INSERT INTO `_link_page_movie` VALUES (1,25,37,18),(2,25,1,11),(15,25,57,16),(4,25,38,9),(5,25,39,19),(6,25,40,22),(7,25,41,20),(8,25,42,23),(9,25,43,12),(10,25,44,10),(11,25,52,26),(12,25,51,28),(14,25,55,25),(17,25,59,17),(18,25,60,13),(19,25,62,14),(20,25,61,15),(21,25,63,21),(22,25,65,24),(23,25,66,27),(24,6,67,0),(25,25,70,6),(26,25,71,7),(27,25,74,5),(28,25,77,3),(29,25,76,4),(30,25,82,2),(31,25,80,1),(32,25,73,8),(33,8,91,3),(34,8,97,2),(35,8,98,1),(36,34,85,0),(37,8,85,0),(38,36,85,0),(39,8,101,0),(40,34,101,0),(41,36,101,0),(42,8,99,0),(43,34,99,0),(44,36,99,0),(45,8,100,0),(46,34,100,0),(47,36,100,0),(48,2,15,0),(49,2,105,0),(50,2,91,0),(51,2,97,0),(52,2,106,0),(53,8,106,0),(54,8,107,0),(55,8,108,0),(56,36,108,0),(57,2,118,0);

--
-- Table structure for table `_link_page_pdf`
--

CREATE TABLE `_link_page_pdf` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=35 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_page_pdf`
--

INSERT INTO `_link_page_pdf` VALUES (34,2,140,0),(11,8,111,0),(12,8,100,0),(13,8,118,0),(17,34,114,0),(15,34,109,0),(16,34,115,0),(18,8,119,0),(19,34,119,0),(20,36,119,0),(24,36,123,0),(25,34,123,0),(26,8,123,0),(27,8,124,0),(28,34,124,0),(29,36,124,0),(30,8,127,0),(31,2,139,0),(32,2,138,0),(33,2,137,0);

--
-- Table structure for table `_link_section_background`
--

CREATE TABLE `_link_section_background` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=11 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_section_background`
--

INSERT INTO `_link_section_background` VALUES (4,2,2,2),(8,7,6,0),(6,2,6,1),(9,15,8,0),(10,16,8,0);

--
-- Table structure for table `_link_section_event`
--

CREATE TABLE `_link_section_event` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `id_from` int NOT NULL,
  `id_to` int NOT NULL,
  `position` tinyint NOT NULL,
  PRIMARY KEY (`id`),
  UNIQUE KEY `id_from` (`id_from`,`id_to`)
) ENGINE=MyISAM AUTO_INCREMENT=221 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `_link_section_event`
--

INSERT INTO `_link_section_event` VALUES (134,5,11,21),(37,2,99,7),(198,14,138,3),(17,3,82,0),(172,13,124,9),(195,5,121,6),(136,5,23,31),(135,5,22,30),(43,5,99,9),(44,5,1,10),(45,5,14,23),(46,5,15,24),(47,5,78,34),(210,2,145,4),(49,5,2,11),(50,5,75,32),(51,5,3,12),(52,5,4,13),(53,5,6,16),(54,5,16,25),(55,5,17,26),(56,5,8,17),(57,5,19,27),(58,5,20,28),(59,5,9,19),(60,5,5,14),(61,5,7,18),(62,5,10,20),(63,5,13,22),(64,13,103,23),(65,13,100,13),(66,13,93,15),(67,13,94,14),(68,13,86,16),(69,13,89,27),(70,13,73,28),(71,13,25,29),(72,13,27,30),(73,13,33,31),(74,13,28,32),(75,13,35,35),(76,13,46,36),(77,13,47,37),(78,13,62,38),(79,13,63,39),(80,13,64,40),(81,13,37,46),(82,13,104,47),(83,13,26,48),(84,13,30,49),(85,13,58,51),(86,13,50,54),(87,13,49,56),(88,13,66,57),(89,13,67,59),(90,13,51,65),(91,13,70,69),(92,13,44,70),(93,13,45,71),(94,14,102,11),(95,14,98,12),(96,14,97,13),(97,14,96,15),(98,14,82,16),(99,14,73,17),(100,14,80,22),(102,14,65,18),(103,14,61,19),(104,14,71,20),(105,14,88,21),(106,13,42,67),(107,13,43,68),(108,13,40,63),(109,13,41,64),(110,13,52,66),(196,13,115,3),(112,13,32,61),(113,13,39,62),(114,13,60,60),(199,5,139,8),(142,13,109,10),(117,13,31,55),(118,13,59,53),(119,13,38,52),(120,13,48,50),(121,13,36,45),(141,13,17,44),(123,13,55,43),(124,13,54,41),(125,13,90,42),(140,13,21,58),(127,13,29,33),(128,13,34,34),(129,14,106,7),(130,14,105,10),(158,14,118,4),(133,13,107,22),(137,5,21,29),(138,5,12,15),(139,5,77,33),(145,13,108,8),(200,13,140,4),(147,14,111,9),(149,14,112,6),(208,2,144,5),(151,13,116,7),(209,5,144,3),(154,7,99,0),(204,2,142,2),(157,13,117,12),(161,14,114,5),(163,13,119,11),(205,5,142,4),(165,7,120,0),(166,4,120,0),(167,2,121,6),(206,2,143,3),(169,2,123,8),(170,13,123,1),(207,5,143,5),(174,14,125,2),(182,13,133,25),(176,13,126,26),(178,13,127,2),(179,13,129,5),(180,13,130,6),(181,13,131,17),(183,13,132,24),(184,13,128,20),(185,14,128,8),(186,13,134,18),(187,13,136,21),(188,13,137,19),(189,5,135,7),(203,13,141,0),(211,5,145,2),(212,2,146,1),(213,5,146,1),(214,2,147,0),(215,5,147,0),(216,14,148,1),(217,13,151,0),(218,2,151,0),(219,2,148,0),(220,14,150,14);

--
-- Table structure for table `background`
--

CREATE TABLE `background` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `_modified` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `_position` smallint NOT NULL DEFAULT '0',
  `_is_visible` tinyint NOT NULL DEFAULT '0',
  `_is_folder` tinyint(1) NOT NULL DEFAULT '0',
  `_parent` int NOT NULL DEFAULT '0',
  `_user` varchar(255) NOT NULL DEFAULT 'root',
  `image` tinytext,
  `thumbnail` tinytext,
  PRIMARY KEY (`id`),
  KEY `_position` (`_position`),
  KEY `_is_visible` (`_is_visible`),
  KEY `_parent` (`_parent`),
  KEY `_is_folder` (`_is_folder`),
  KEY `_user` (`_user`)
) ENGINE=MyISAM AUTO_INCREMENT=9 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `background`
--

INSERT INTO `background` VALUES (1,'2011-03-29 12:01:56','2011-03-29 12:02:16',0,0,0,0,'root','background_1_image_fr.jpg','background_1_thumbnail_fr.jpg'),(2,'2011-03-30 14:02:49','2015-01-08 17:18:07',0,0,0,0,'root','background_2_image_fr.jpg','background_2_thumbnail_fr.jpg'),(3,'2011-12-01 17:15:11','2011-12-01 17:26:35',0,0,0,0,'production','background_3_image_fr.jpg','background_3_thumbnail_fr.jpg'),(4,'2013-02-27 23:30:37','2015-01-08 17:37:37',0,0,0,0,'production','background_4_image_fr.jpg','background_4_thumbnail_fr.jpg'),(6,'2015-01-08 17:25:26','2015-01-08 17:36:04',0,1,0,0,'production','background_6_image_fr.jpg','background_6_thumbnail_fr.jpg'),(8,'2017-04-10 20:10:59','2017-04-10 20:13:05',0,0,0,0,'production','background_8_image_fr.jpg','background_8_thumbnail_fr.jpg');

--
-- Table structure for table `background_i18n`
--

CREATE TABLE `background_i18n` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `_id_record` int unsigned NOT NULL,
  `_lang` varchar(255) NOT NULL DEFAULT '',
  `name` tinytext,
  PRIMARY KEY (`id`),
  UNIQUE KEY `_id_record` (`_id_record`,`_lang`)
) ENGINE=MyISAM AUTO_INCREMENT=7 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `background_i18n`
--

INSERT INTO `background_i18n` VALUES (1,1,'fr','Background 01'),(2,2,'fr','Background 02'),(3,3,'fr','Background 03'),(4,4,'fr','Background 04'),(5,6,'fr','Robot'),(6,8,'fr','Calentito134');

--
-- Table structure for table `event`
--

CREATE TABLE `event` (
  `id` int unsigned NOT NULL AUTO_INCREMENT,
  `_created` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `_modified` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `_position` smallint NOT NULL DEFAULT '0',
  `_is_visible` tinyint NOT NULL DEFAULT '0',
  `_is_folder` tinyint(1) NOT NULL DEFAULT '0',
  `_parent` int NOT NULL DEFAULT '0',
  `_user` varchar(255) NOT NULL DEFAULT 'root',
  `date` date DEFAULT NULL,
  `image` tinytext,
  `id_entity` int DEFAULT NULL,
  `thumbnail` tinytext,
  `embed` text,
  PRIMARY KEY (`id`),
  KEY `_position` (`_position`),
  KEY `_is_visible` (`_is_visible`),
  KEY `_parent` (`_parent`),
  KEY `_is_folder` (`_is_folder`),
  KEY `_user` (`_user`)
) ENGINE=MyISAM AUTO_INCREMENT=152 DEFAULT CHARSET=utf8mb3;

--
-- Dumping data for table `event`
--

INSERT INTO `event` VALUES (1,'2011-02-18 16:32:31','2013-11-05 14:43:23',0,1,0,0,'root','2010-12-01','event_1_image_fr.jpg',1,'event_1_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/61810170\" width=\"560\" height=\"480\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/61810170\">TEASER ELEKTRO KIF CIE BLANCA LI</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(2,'2011-02-18 16:36:57','2013-05-16 14:39:47',0,1,0,0,'root','2009-06-01','event_2_image_fr.jpg',1,'event_2_thumbnail_fr.jpg',''),(3,'2011-02-18 16:39:07','2022-10-23 16:36:31',0,1,0,0,'root','2007-07-01','event_3_image_fr.jpg',1,'event_3_thumbnail_fr.jpg',''),(4,'2011-02-18 16:41:43','2015-01-23 16:08:09',0,1,0,0,'root','2007-01-01','event_4_image_fr.jpg',1,'event_4_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117494864\" width=\"720\" height=\"576\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(5,'2011-02-18 16:44:54','2015-01-23 16:10:08',0,1,0,0,'root','1999-01-01','event_5_image_fr.jpg',1,'event_5_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117494584\" width=\"560\" height=\"425\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(6,'2011-02-18 16:49:47','2015-01-23 07:13:18',0,1,0,0,'root','2004-09-01','event_6_image_fr.jpg',1,'event_6_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117559850\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(7,'2011-02-18 16:52:07','2020-10-03 17:42:55',0,1,0,0,'root','1998-09-01','event_7_image_fr.jpg',1,'event_7_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117560355\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(8,'2011-02-18 16:53:15','2015-01-23 07:14:43',0,1,0,0,'root','2002-06-01','event_8_image_fr.jpg',1,'event_8_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117560044\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(9,'2011-02-18 16:54:04','2015-01-23 07:49:20',0,1,0,0,'root','2000-04-01','event_9_image_fr.jpg',1,'event_9_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117562589\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(10,'2011-02-18 16:55:00','2015-01-23 07:45:35',0,1,0,0,'root','1997-01-01','event_10_image_fr.jpg',1,'event_10_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117559292\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(11,'2011-02-18 16:55:57','2015-01-23 07:43:28',0,1,0,0,'root','1995-10-01','event_11_image_fr.jpg',1,'event_11_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117559238\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(12,'2011-02-18 16:55:57','2015-01-23 07:11:24',0,1,0,0,'root','2004-01-01','event_12_image_fr.jpg',1,'event_12_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117559752\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(13,'2011-02-18 16:58:27','2015-01-23 07:42:02',0,1,0,0,'root','1993-06-01','event_13_image_fr.jpg',1,'event_13_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117559177\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(14,'2011-02-18 17:04:28','2013-04-25 14:24:27',0,1,0,0,'root','2010-06-19','event_14_image_fr.jpg',1,'event_14_thumbnail_fr.jpg',''),(15,'2011-02-18 17:05:12','2015-01-23 07:46:31',0,1,0,0,'root','2010-03-31','event_15_image_fr.jpg',1,'event_15_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117560640\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(16,'2011-02-18 17:05:46','2013-04-26 16:06:38',0,1,0,0,'root','2003-03-01','event_16_image_fr.jpg',1,'event_16_thumbnail_fr.jpg',''),(17,'2011-02-18 17:06:30','2013-04-26 16:09:11',0,1,0,0,'root','2003-03-01','event_17_image_fr.jpg',1,'event_17_thumbnail_fr.jpg',''),(18,'2011-02-18 17:06:52','2015-01-23 07:35:19',0,1,0,0,'root','2002-06-01','event_18_image_fr.jpg',1,'event_18_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117560044\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(19,'2011-02-18 17:09:47','2015-01-23 07:40:16',0,1,0,0,'root','2002-02-01','event_19_image_fr.jpg',1,'event_19_thumbnail_fr.jpg','l<iframe src=\"//player.vimeo.com/video/117560355\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(20,'2011-02-18 17:10:28','2015-01-23 07:44:39',0,1,0,0,'root','2001-12-01','event_20_image_fr.jpg',1,'event_20_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117560659\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(21,'2011-02-18 17:11:09','2015-01-23 07:33:57',0,1,0,0,'root','1999-09-01','event_21_image_fr.jpg',1,'event_21_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/117560632\" width=\"560\" height=\"330\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(22,'2011-02-18 17:12:01','2013-04-11 16:04:36',0,1,0,0,'root','1997-05-01',NULL,1,NULL,''),(23,'2011-02-18 17:12:01','2013-04-11 16:02:41',0,1,0,0,'root','1998-12-01','event_23_image_fr.jpg',1,'event_23_thumbnail_fr.jpg',''),(24,'2011-02-18 17:14:06','2013-04-11 16:14:21',0,1,0,0,'root','1994-01-01',NULL,1,NULL,''),(25,'2011-03-24 12:53:11','2013-04-25 14:51:06',0,1,0,0,'root','2009-01-01','event_25_image_fr.jpg',2,'event_25_thumbnail_fr.jpg',''),(26,'2011-03-24 12:55:39','2013-06-04 13:54:00',0,1,0,0,'root','2002-01-01','event_26_image_fr.jpg',2,'event_26_thumbnail_fr.jpg',''),(27,'2011-03-24 13:01:52','2013-04-25 14:52:37',0,1,0,0,'root','2009-01-01','event_27_image_fr.jpg',2,'event_27_thumbnail_fr.jpg',''),(28,'2011-03-24 13:06:06','2013-06-24 19:32:01',0,1,0,0,'root','2007-01-01','event_28_image_fr.jpg',2,'event_28_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/68969234\" width=\"560\" height=\"448\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/68969234\">Home Fitness</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(29,'2011-03-24 13:08:18','2013-04-25 15:16:44',0,1,0,0,'root','2006-01-01','event_29_image_fr.jpg',2,'event_29_thumbnail_fr.jpg','<iframe frameborder=\"0\" width=\"560\" height=\"315\" src=\"http://www.dailymotion.com/embed/video/x6tj34?width=560\"></iframe>'),(30,'2011-03-24 13:08:57','2013-06-24 19:33:35',0,1,0,0,'root','2002-01-01','event_30_image_fr.jpg',2,'event_30_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/68969235\" width=\"560\" height=\"320\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/68969235\">le Poulet</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(31,'2011-03-24 13:09:32','2013-06-24 19:39:27',0,1,0,0,'root','2000-01-01','event_31_image_fr.jpg',2,'event_31_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/68969236\" width=\"560\" height=\"448\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/68969236\">La Paella</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(32,'2011-03-24 13:10:16','2013-04-11 16:03:20',0,1,0,0,'root','1998-01-01','event_32_image_fr.jpg',2,'event_32_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/32093799?title=0&byline=0&portrait=0\" width=\"560\" height=\"420\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>'),(33,'2011-03-24 14:10:56','2013-04-25 14:58:14',0,1,0,0,'root','2009-01-01','event_33_image_fr.jpg',2,'event_33_thumbnail_fr.jpg',''),(34,'2011-03-24 14:11:59','2013-04-25 15:17:33',0,1,0,0,'root','2006-01-01','event_34_image_fr.jpg',2,'event_34_thumbnail_fr.jpg',''),(35,'2011-03-24 14:12:46','2013-04-25 15:19:43',0,1,0,0,'root','2005-01-01','event_35_image_fr.jpg',2,'event_35_thumbnail_fr.jpg',''),(36,'2011-03-24 14:15:11','2013-04-26 16:09:49',0,1,0,0,'root','2003-01-01','event_36_image_fr.jpg',2,'event_36_thumbnail_fr.jpg',''),(37,'2011-03-24 14:16:12','2013-04-26 16:51:32',0,1,0,0,'root','2003-01-01','event_37_image_fr.jpg',2,'event_37_thumbnail_fr.jpg',''),(38,'2011-03-24 14:18:06','2013-04-11 15:56:23',0,1,0,0,'root','2001-01-01','event_38_image_fr.jpg',2,'event_38_thumbnail_fr.jpg',''),(39,'2011-03-24 14:19:23','2013-04-11 16:03:47',0,1,0,0,'root','1998-01-01','event_39_image_fr.jpg',2,'event_39_thumbnail_fr.jpg',''),(40,'2011-03-24 14:37:13','2013-04-11 16:05:34',0,1,0,0,'root','1997-01-01','event_40_image_fr.jpg',2,'event_40_thumbnail_fr.jpg',''),(41,'2011-03-24 14:37:57','2013-04-11 16:07:23',0,1,0,0,'root','1997-01-01','event_41_image_fr.jpg',2,'event_41_thumbnail_fr.jpg',''),(42,'2011-03-24 14:38:39','2013-04-11 16:10:52',0,1,0,0,'root','1996-01-01','event_42_image_fr.jpg',2,'event_42_thumbnail_fr.jpg',''),(43,'2011-03-24 14:39:12','2013-04-11 16:11:17',0,1,0,0,'root','1996-01-01','event_43_image_fr.jpg',2,'event_43_thumbnail_fr.jpg',''),(44,'2011-03-24 14:39:46','2013-04-11 16:14:00',0,1,0,0,'root','1995-01-01','event_44_image_fr.jpg',2,'event_44_thumbnail_fr.jpg',''),(45,'2011-03-24 14:41:01','2013-04-11 16:14:46',0,1,0,0,'root','1994-01-01','event_45_image_fr.jpg',2,'event_45_thumbnail_fr.jpg',''),(46,'2011-03-24 14:53:01','2013-04-25 15:21:08',0,1,0,0,'root','2005-01-01','event_46_image_fr.jpg',2,'event_46_thumbnail_fr.jpg','<iframe width=\"560\" height=\"450\" src=\"http://www.youtube.com/embed/xTNXrkBSp_o?rel=0\" frameborder=\"0\" allowfullscreen></iframe>'),(47,'2011-03-24 14:55:05','2016-10-26 14:17:55',0,1,0,0,'root','2005-01-01','event_47_image_fr.jpg',2,'event_47_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/31068801\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/31068801\">Heard &#039;Em Say [Version 1]</a> from <a href=\"https://vimeo.com/user2341063\">Sir Popozion</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(128,'2016-06-30 21:38:24','2016-10-24 22:52:41',0,1,0,0,'production','2013-09-03','event_128_image_fr.jpg',2,'event_128_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/119687282\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/119687282\">Target New York event and film 2013</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(48,'2011-03-24 14:56:01','2016-10-24 21:56:03',0,1,0,0,'root','2002-01-01','event_48_image_fr.jpg',2,'event_48_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/50533583\" width=\"560\" height=\"420\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/50533583\">GOLDFRAPP &quot;TRAIN&quot;</a> from <a href=\"https://vimeo.com/user13690878\">DAWN SHADFORTH</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(89,'2011-11-11 17:13:39','2013-04-25 13:52:39',0,1,0,0,'production','2011-03-01','event_89_image_fr.jpg',2,'event_89_thumbnail_fr.jpg','<iframe width=\"560\" height=\"315\" src=\"http://www.youtube.com/embed/mNaxr72iV6s\" frameborder=\"0\" allowfullscreen></iframe>'),(49,'2011-03-24 14:59:12','2013-04-11 15:58:54',0,1,0,0,'root','2000-01-01','event_49_image_fr.jpg',2,'event_49_thumbnail_fr.jpg','<iframe width=\"560\" height=\"460\" src=\"http://www.youtube.com/embed/49FeYz2JpHo?rel=0\" frameborder=\"0\" allowfullscreen></iframe>'),(50,'2011-03-24 15:00:46','2013-04-11 15:58:14',0,1,0,0,'root','2000-03-01','event_50_image_fr.jpg',2,'event_50_thumbnail_fr.jpg','<iframe frameborder=\"0\" width=\"480\" height=\"360\" src=\"http://www.dailymotion.com/embed/video/x20jfx?theme=none&wmode=direct\"></iframe>'),(51,'2011-03-24 15:03:31','2019-05-20 00:31:17',0,1,0,0,'root','1997-01-01','event_51_image_fr.jpg',2,'event_51_thumbnail_fr.jpg','<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/LKYPYj2XX80\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>'),(52,'2011-03-24 15:04:53','2013-04-11 16:08:30',0,1,0,0,'root','1997-01-01','event_52_image_fr.jpg',2,'event_52_thumbnail_fr.jpg',''),(53,'2011-03-24 15:06:14','2013-04-11 16:08:48',0,1,0,0,'root','1997-01-01',NULL,2,NULL,''),(54,'2011-03-24 16:44:23','2013-04-25 15:41:37',0,1,0,0,'root','2004-01-01','event_54_image_fr.jpg',2,'event_54_thumbnail_fr.jpg',''),(55,'2011-03-24 16:47:32','2013-04-26 16:03:11',0,1,0,0,'root','2003-07-01','event_55_image_fr.jpg',2,'event_55_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/62660589\" width=\"560\" height=\"420\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/62660589\">Un après midi</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(56,'2011-03-24 17:05:50','2013-04-11 15:42:48',0,0,0,0,'root','2006-01-01',NULL,2,NULL,''),(57,'2011-03-24 17:06:55','2011-05-21 17:59:32',0,0,0,0,'root','2003-06-01',NULL,2,NULL,NULL),(58,'2011-03-24 17:08:07','2016-10-24 21:39:20',0,1,0,0,'root','2001-10-01','event_58_image_fr.jpg',2,'event_58_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/51928043\" width=\"560\" height=\"343\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/51928043\">Dim Pride</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(59,'2011-03-24 17:19:19','2013-04-11 15:57:22',0,1,0,0,'root','2000-08-01','event_59_image_fr.jpg',2,'event_59_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/32437119?title=0&byline=0&portrait=0\" width=\"560\" height=\"343\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>'),(60,'2011-03-24 17:20:35','2013-04-11 16:01:20',0,1,0,0,'root','1999-03-01','event_60_image_fr.jpg',2,'event_60_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/32484303?title=0&byline=0&portrait=0\" width=\"560\" height=\"343\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>'),(61,'2011-03-24 17:22:51','2013-04-25 15:02:15',0,1,0,0,'root','2008-03-01','event_61_image_fr.jpg',3,'event_61_thumbnail_fr.jpg',''),(62,'2011-03-24 17:27:52','2016-10-24 21:59:24',0,1,0,0,'root','2005-01-01','event_62_image_fr.jpg',2,'event_62_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/51927680\" width=\"560\" height=\"342\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/51927680\">Lancome</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(63,'2011-03-24 17:29:48','2016-10-24 21:57:02',0,1,0,0,'root','2004-12-01','event_63_image_fr.jpg',2,'event_63_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/84531931\" width=\"560\" height=\"341\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/84531931\">Gaultier puissance 2</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(64,'2011-03-24 17:31:18','2016-10-24 22:01:52',0,1,0,0,'root','2004-11-01','event_64_image_fr.jpg',2,'event_64_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/33938978\" width=\"560\" height=\"342\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/33938978\">Thunder Perfect Mind</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(65,'2011-03-24 17:31:34','2013-04-25 14:39:09',0,1,0,0,'root','2009-09-19','event_65_image_fr.jpg',3,'event_65_thumbnail_fr.jpg','<iframe frameborder=\"0\" width=\"560\" height=\"420\" src=\"http://www.dailymotion.com/embed/video/xbs32k?width=560\"></iframe>'),(66,'2011-03-24 17:34:19','2016-10-25 04:16:03',0,1,0,0,'root','1999-11-01','event_66_image_fr.jpg',2,'event_66_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188724584\" width=\"560\" height=\"420\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188724584\">Perrier Momies version 45 secondes</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(67,'2011-03-24 17:36:01','2011-05-21 17:54:52',0,1,0,0,'root','1999-09-01','event_67_image_fr.jpg',2,'event_67_thumbnail_fr.jpg','<object width=\"480\" height=\"360\"><param name=\"movie\" value=\"http://www.dailymotion.com/swf/video/x78y1?theme=none\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowScriptAccess\" value=\"always\"></param><param name=\"wmode\" value=\"transparent\"></param><embed type=\"application/x-shockwave-flash\" src=\"http://www.dailymotion.com/swf/video/x78y1?theme=none\" width=\"480\" height=\"360\" wmode=\"direct\" allowfullscreen=\"true\" allowscriptaccess=\"always\"></embed></object>'),(68,'2011-03-24 17:36:15','2011-05-21 17:54:17',0,0,0,0,'root','1997-10-01',NULL,2,NULL,NULL),(69,'2011-03-24 17:36:28','2011-05-21 17:49:50',0,0,0,0,'root','1997-09-01',NULL,2,NULL,NULL),(70,'2011-03-24 17:36:41','2016-10-25 04:16:42',0,1,0,0,'root','1995-07-01','event_70_image_fr.jpg',2,'event_70_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/33939018?title=0&byline=0&portrait=0\" width=\"560\" height=\"343\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><p><a href=\"http://vimeo.com/33939018\">Perrier Sensations</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(71,'2011-03-25 12:01:40','2013-04-25 15:05:06',0,1,0,0,'root','2008-01-04','event_71_image_fr.jpg',3,'event_71_thumbnail_fr.jpg',''),(72,'2011-03-25 12:16:25','2013-04-23 09:13:16',0,0,0,0,'root','2010-01-01',NULL,1,NULL,''),(73,'2011-03-25 12:23:45','2013-04-25 14:26:52',0,1,0,0,'root','2010-03-05','event_73_image_fr.jpg',3,'event_73_thumbnail_fr.jpg',''),(75,'2011-03-25 14:18:18','2013-04-25 15:01:25',0,1,0,0,'root','2008-10-01','event_75_image_fr.jpg',1,'event_75_thumbnail_fr.jpg',''),(76,'2011-03-25 14:51:15','2017-01-20 17:22:39',0,1,0,0,'root','2006-02-01','event_76_image_fr.jpeg',1,'event_76_thumbnail_fr.jpeg',''),(77,'2011-03-25 14:52:23','2013-04-25 15:18:53',0,1,0,0,'root','2005-10-01','event_77_image_fr.jpg',1,'event_77_thumbnail_fr.jpg',''),(78,'2011-03-25 14:55:13','2017-01-20 16:50:12',0,1,0,0,'root','2010-01-16','event_78_image_fr.jpg',1,'event_78_thumbnail_fr.jpg','<iframe width=\"544\" height=\"306\" src=\"//embedftv-a.akamaihd.net/64e4032d4f8fd2fe398b08d288b536e7\" frameborder=\"0\" scrolling=\"no\" allowfullscreen></iframe><br /><a href=\"http://culturebox.francetvinfo.fr/danse/blanca-li-et-jeux-de-jambes-font-leur-cirque-a-suresnes-cites-danse-23011\" target=\"_blank\">Blanca Li et Jeux de Jambes font leur cirque à Suresnes Cités Danse</a>'),(140,'2017-05-21 12:12:36','2017-05-21 12:22:52',0,1,0,0,'production','2017-05-07','event_140_image_fr.jpg',2,'event_140_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/218336754\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(145,'2020-02-28 20:55:45','2020-10-03 14:06:31',0,1,0,0,'production','2020-03-08','event_145_image_fr.jpg',1,'event_145_thumbnail_fr.jpg',''),(80,'2011-03-25 15:02:06','2013-04-10 12:18:45',0,1,0,0,'root','2000-01-01','event_80_image_fr.jpg',3,'event_80_thumbnail_fr.jpg',''),(82,'2011-09-08 17:52:40','2014-11-10 18:47:56',0,1,0,0,'production','2011-09-23','event_82_image_fr.jpg',3,'event_82_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/31678602?title=0&byline=0&portrait=0\" width=\"560\" height=\"315\" frameborder=\"0\" webkitAllowFullScreen allowFullScreen></iframe>'),(84,'2011-08-21 21:12:28','2013-04-25 14:20:37',0,1,0,0,'production','2011-01-27','event_84_image_fr.jpg',1,'event_84_thumbnail_fr.jpg',''),(88,'2011-10-15 10:47:21','2023-01-28 21:15:42',0,1,0,0,'production','2002-04-01','event_88_image_fr.jpg',3,'event_88_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/793698068?h=e7347f9420&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Gorillaz - Clint Eastwood (Live BRITs Performance).mp4\"></iframe>'),(86,'2011-09-11 14:07:20','2013-04-25 13:50:55',0,1,0,0,'production','2011-08-29','event_86_image_fr.jpg',2,'event_86_thumbnail_fr.jpg','<iframe width=\"560\" height=\"345\" src=\"http://www.youtube.com/embed/G1e-PGNmSeQ?rel=0\" frameborder=\"0\" allowfullscreen></iframe>'),(90,'2011-11-22 02:57:43','2013-04-25 17:31:53',0,1,0,0,'production','2004-01-01','event_90_image_fr.jpg',2,'event_90_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/32242073?title=0&byline=0&portrait=0\" width=\"560\" height=\"343\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>'),(91,'2011-11-29 00:44:09','2013-04-23 09:25:59',0,1,0,0,'production','1984-01-01',NULL,1,NULL,''),(92,'2011-11-29 00:46:20','2011-11-29 00:47:26',0,1,0,0,'production','1984-01-01',NULL,1,NULL,''),(93,'2012-04-19 17:16:34','2017-05-21 12:04:06',0,1,0,0,'production','2012-03-07',NULL,2,'event_93_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/218336686\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n'),(94,'2012-04-19 17:25:46','2017-05-21 12:02:13',0,1,0,0,'production','2012-01-04',NULL,2,'event_94_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/218336669\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(96,'2012-06-17 01:01:12','2013-06-26 11:25:47',0,1,0,0,'production','2012-02-18','event_96_image_fr.jpg',3,'event_96_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/44171026\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/44171026\">Stella Mc Cartney \'s fashion event London, april 2012</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(97,'2012-06-17 19:04:19','2013-04-25 13:41:54',0,1,0,0,'production','2012-06-04','event_97_image_fr.jpg',3,'event_97_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/44184272\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>'),(98,'2012-06-17 19:13:10','2013-04-25 13:39:51',0,1,0,0,'production','2012-06-30','event_98_image_fr.jpg',3,'event_98_thumbnail_fr.jpg','<iframe width=\"640\" height=\"360\" src=\"http://www.youtube.com/embed/WmSeOcl6P4E?rel=0\" frameborder=\"0\" allowfullscreen></iframe>'),(99,'2012-08-31 14:11:44','2022-10-23 16:35:35',0,1,0,0,'production','2013-07-04','event_99_image_fr.jpg',1,'event_99_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/73267626?title=0&byline=0&portrait=0\" width=\"560\" height=\"420\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(100,'2012-09-14 10:26:43','2017-05-21 11:57:30',0,1,0,0,'production','2012-09-06','event_100_image_fr.jpg',2,'event_100_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/218336728\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(103,'2012-12-16 22:33:43','2013-04-25 13:34:39',0,1,0,0,'production','2013-03-09','event_103_image_fr.jpg',2,'event_103_thumbnail_fr.jpg','<iframe width=\"560\" height=\"315\" frameborder=\"0\" marginwidth=\"0\" marginheight=\'0\' scrolling=\"no\" src=\"http://hub.video.msn.com/embed/f573a185-1d01-4cf4-86ff-cd08b72ffb8a/?vars=Y29uZmlnTmFtZT1zeW5kaWNhdGlvbnBsYXllciZmcj1zaGFyZWVtYmVkLXN5bmRpY2F0aW9uJm1rdD1lcy1lcyZsaW5rb3ZlcnJpZGUyPWh0dHAlM0ElMkYlMkZ2aWRlby5lcy5tc24uY29tJTJGJTNGbWt0JTNEZXMtZXMlMjZ2aWQlM0QlN0IwJTdEJTI2ZnJvbSUzRGVzLWVzLVZpZGVvJTI1MjUyY2Rlc3RfZXMtZXMmbGlua2JhY2s9aHR0cCUzQSUyRiUyRnZpZGVvLmVzLm1zbi5jb20lMkYmc3luZGljYXRpb249dGFnJmNvbmZpZ0NzaWQ9TVNOVmlkZW8mYnJhbmQ9djUlNUU4MDB4NDUw\">\r\n  <A href=\"http://video.es.msn.com/?mkt=es-es&vid=f573a185-1d01-4cf4-86ff-cd08b72ffb8a&from=shareembed-syndication&src=v5:embed:syndication:\" target=\"_new\" title=\"Flashmob para \'Los amantes pasajeros\'\">Vídeo: Flashmob para \'Los amantes pasajeros\'</A>\r\n</iframe>\r\n'),(102,'2012-11-18 15:15:38','2013-08-19 12:03:35',0,1,0,0,'production','2012-09-29','event_102_image_fr.jpg',3,'event_102_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/53776847?badge=0\" width=\"560\" height=\"360\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> '),(104,'2012-12-17 00:48:34','2013-04-26 16:56:56',0,1,0,0,'production','2002-11-25','event_104_image_fr.jpg',2,'event_104_thumbnail_fr.jpg',''),(105,'2013-04-23 11:23:10','2013-04-25 13:35:57',0,1,0,0,'root','2013-01-23','event_105_image_fr.jpg',3,'event_105_thumbnail_fr.jpg',''),(106,'2013-04-23 11:36:12','2013-07-11 01:48:24',0,0,0,0,'root','2013-09-20','event_106_image_fr.jpg',3,'event_106_thumbnail_fr.jpg',''),(107,'2013-04-23 11:58:21','2013-08-19 11:57:16',0,1,0,0,'root','2013-04-24','event_107_image_fr.jpg',2,'event_107_thumbnail_fr.jpg','<iframe width=\"560\" height=\"315\" src=\"http://www.youtube.com/embed/kkgtLs0W8SI?rel=0\" frameborder=\"0\" allowfullscreen></iframe>'),(108,'2013-04-25 15:19:03','2016-10-24 22:57:14',0,1,0,0,'production','2013-02-28','event_108_image_fr.jpg',2,'event_108_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/63432470\" width=\"560\" height=\"420\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/63432470\">O2 Beyonce Jonas Akerlund\'s directors cut</a> from <a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(109,'2013-04-25 15:32:12','2013-06-14 15:48:36',0,1,0,0,'production','2013-04-25','event_109_image_fr.jpg',2,'event_109_thumbnail_fr.jpg','<iframe src=\"http://player.vimeo.com/video/64804134\" width=\"560\" height=\"480\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe> <p><a href=\"http://vimeo.com/64804134\">Beyonce in H&M Summer collection choreographed by </a><a href=\"http://vimeo.com/blancali\">Blanca Li</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>'),(111,'2013-06-26 10:06:20','2016-10-25 03:44:41',0,1,0,0,'production','2013-05-22','event_111_image_fr.jpg',3,'event_111_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188758384\" width=\"560\" height=\"420\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188758384\">Shanghai Nights for Stella McCartney</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(114,'2014-01-02 15:18:34','2015-03-01 15:40:44',0,1,0,0,'production','2014-03-01','event_114_image_fr.jpg',3,'event_114_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/120913954\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(115,'2014-07-17 09:38:17','2014-07-17 11:58:00',0,1,0,0,'production','2014-07-07','event_115_image_fr.jpg',2,'event_115_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/100448575\" width=\"560\" height=\"380\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(112,'2013-09-29 16:13:15','2014-01-13 11:10:33',0,1,0,0,'production','2013-09-28','event_112_image_fr.jpg',3,'event_112_thumbnail_fr.jpg','<iframe frameborder=\"0\" width=\"560\" height=\"320\" src=\"http://www.dailymotion.com/embed/video/x15bsy3\"></iframe><br /><a href=\"http://www.dailymotion.com/video/x15bsy3_jean-paul-gaultier-defile-printemps-ete-2014_lifestyle\" target=\"_blank\">Jean Paul Gaultier, défilé printemps-été 2014</a> <i>par <a href=\"http://www.dailymotion.com/lemondefr\" target=\"_blank\">lemondefr</a></i>'),(116,'2014-10-08 16:39:53','2016-10-24 21:21:42',0,1,0,0,'production','2014-08-22','event_116_image_fr.jpeg',2,'event_116_thumbnail_fr.jpeg','<iframe src=\"https://player.vimeo.com/video/188691713\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188691713\">Coldplay True Love</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(117,'2015-01-30 16:06:55','2015-01-30 17:58:08',0,1,0,0,'production','2015-02-02','event_117_image_fr.jpg',2,'event_117_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/116940057\" width=\"720\" height=\"405\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(118,'2015-02-15 19:46:54','2015-03-01 03:56:08',0,1,0,0,'production','2014-09-27','event_118_image_fr.jpg',3,'event_118_thumbnail_fr.jpg','<iframe src=\"//player.vimeo.com/video/120903813\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(119,'2015-03-12 14:10:15','2017-06-14 10:59:15',0,1,0,0,'production','2015-03-19','event_119_image_fr.jpeg',2,'event_119_thumbnail_fr.jpeg',''),(120,'2015-06-03 08:01:56','2015-06-03 08:13:14',0,1,0,0,'production','2015-06-01','event_120_image_fr.jpeg',1,'event_120_thumbnail_fr.jpeg',''),(121,'2015-08-18 21:37:08','2019-05-20 01:13:35',0,1,0,0,'production','2015-12-22','event_121_image_fr.jpg',1,'event_121_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/196179869?autoplay=1\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(141,'2017-05-21 16:52:18','2017-05-21 17:02:06',0,1,0,0,'production','2017-03-22','event_141_image_fr.jpeg',2,'event_141_thumbnail_fr.jpeg','<iframe src=\"https://player.vimeo.com/video/218352617\" width=\"550\" height=\"413\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n'),(122,'2015-08-18 22:47:13','2015-08-18 23:09:39',0,1,0,0,'production','2015-07-11','event_122_image_fr.jpeg',3,'event_122_thumbnail_fr.jpeg',''),(123,'2015-08-20 17:09:28','2020-01-11 19:59:33',0,1,0,0,'production','2016-08-24','event_123_image_fr.jpg',2,'event_123_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188694364\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188694364\">Elektro Mathematrix Bande annonce 1m40</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(124,'2015-11-28 19:15:15','2015-11-28 19:21:18',0,1,0,0,'production','2015-11-23','event_124_image_fr.jpg',2,'event_124_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/147184534\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(125,'2016-01-08 00:21:28','2016-01-08 00:25:26',0,1,0,0,'production','2015-10-29','event_125_image_fr.jpg',3,'event_125_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/145645881?color=a17d4e&title=0&byline=0&portrait=0\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/145645881\">La Perla Hong Kong Event</a> from <a href=\"https://vimeo.com/laperla\">La Perla</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(126,'2016-06-01 00:19:34','2016-10-24 21:50:28',0,1,0,0,'production','2012-02-01','event_126_image_fr.jpg',2,'event_126_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/97750617\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/97750617\">Bourjois par Blanca Li et Vincent Chazal</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(127,'2016-06-01 00:28:12','2016-10-24 21:22:33',0,1,0,0,'production','2016-05-31','event_127_image_fr.jpg',2,'event_127_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/173160400\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/173160400\">Christian Louboutin La Repetition AW16</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(129,'2016-10-24 21:11:03','2016-10-24 21:19:31',0,1,0,0,'production','2016-08-01','event_129_image_fr.jpg',2,'event_129_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188691690\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188691690\">Old Navy Denim Honor Roll Skater 30s</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(130,'2016-10-24 21:23:41','2016-10-24 21:33:11',0,1,0,0,'production','2016-07-01','event_130_image_fr.jpg',2,'event_130_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188691662\" width=\"560\" height=\"320\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188691662\">Gucci Pre-Fall 2016 Campaign 1min</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(131,'2016-10-24 21:33:15','2016-10-26 17:25:55',0,1,0,0,'production','2016-03-01','event_131_image_fr.jpg',2,'event_131_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188691146\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188691146\">READMYLIPS - Infaillible Lip Battle -  with Barbara Soo Joo Liya Juliana Xiao Ebonee</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(132,'2016-10-24 22:02:53','2016-10-24 22:43:44',0,1,0,0,'production','2012-02-15','event_132_image_fr.jpg',2,'event_132_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/41497872?color=b6b7b8&title=0&byline=0&portrait=0\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/41497872\">Givenchy - Need You Tonight feat. Liv Tyler</a> from <a href=\"https://vimeo.com/intrepidlondon\">Intrepid London</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(133,'2016-10-24 22:02:56','2016-10-24 22:05:16',0,1,0,0,'production','2012-02-02','event_133_image_fr.jpg',2,'event_133_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/97755957\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/97755957\">Bourjois vernis &agrave; ongles par Blanca Li et Vincent Chazal</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(134,'2016-10-24 22:44:12','2016-10-24 22:56:51',0,1,0,0,'production','2014-01-12','event_134_image_fr.jpg',2,'event_134_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/97734327\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/97734327\">Target Pilotto Ooh</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(135,'2016-10-24 22:57:48','2016-10-24 23:24:38',0,1,0,0,'production','2016-06-03','event_135_image_fr.jpg',1,'event_135_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/167156570\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/167156570\">C&rsquo;est Rouge!</a> from <a href=\"https://vimeo.com/user13910845\">faena.com</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(136,'2016-10-24 22:57:52','2016-10-24 23:03:03',0,1,0,0,'production','2013-05-01','event_136_image_fr.jpg',2,'event_136_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/97752881\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/97752881\">Kenzo Homme Night</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(137,'2016-10-24 23:03:19','2016-10-24 23:12:33',0,1,0,0,'production','2013-09-30','event_137_image_fr.jpg',2,'event_137_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/97757313\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/97757313\">Kookai</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(138,'2016-10-25 03:28:44','2016-10-25 03:37:40',0,1,0,0,'production','2014-12-05','event_138_image_fr.jpg',3,'event_138_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/188691780\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/188691780\">Just One Eye SurvivalKit event 60sec</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(139,'2016-10-25 03:49:45','2016-10-25 04:12:24',0,1,0,0,'production','2016-09-17','event_139_image_fr.jpg',1,'event_139_thumbnail_fr.jpg',''),(142,'2017-08-25 17:18:18','2022-10-23 16:41:46',0,1,0,0,'production','2017-09-21','event_142_image_fr.jpg',1,'event_142_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/234755450\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>\r\n<p><a href=\"https://vimeo.com/234755450\">Solstice - Compagnie Blanca Li</a> from <a href=\"https://vimeo.com/blancali\">Blanca Li</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>'),(143,'2017-11-14 10:57:16','2022-10-23 16:37:14',0,1,0,0,'production','2017-11-14','event_143_image_fr.jpg',1,'event_143_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/252414908\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>'),(144,'2018-11-01 19:03:50','2018-12-20 15:31:20',0,1,0,0,'production','2018-10-25','event_144_image_fr.jpg',1,'event_144_thumbnail_fr.jpg',''),(146,'2020-10-03 13:37:44','2022-02-20 12:59:32',0,1,0,0,'production','2021-10-06','event_146_image_fr.jpg',1,'event_146_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/531343221\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>'),(147,'2022-02-20 00:09:22','2022-10-17 06:35:04',0,1,0,0,'production','2022-02-11','event_147_image_fr.jpg',1,'event_147_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/679580293?h=feeaeef40b\" width=\"640\" height=\"564\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>'),(148,'2022-11-06 17:37:01','2022-11-06 18:13:40',0,1,0,0,'production','2022-06-16','event_148_image_fr.jpg',3,'event_148_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/767634086?h=923b9fb624&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"The Dior Cruise 2023 Show\"></iframe>'),(149,'2022-11-06 18:20:12','2022-11-06 18:20:12',0,0,0,0,'production',NULL,NULL,0,NULL,NULL),(150,'2022-11-06 18:25:15','2023-01-28 21:27:03',0,1,0,0,'production','2010-02-16','event_150_image_fr.jpg',3,'event_150_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/44162083?h=82eb74b3c7&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Lily Allen&amp;#039;s Fear live performance at the Brit Awards 2010\"></iframe>'),(151,'2022-11-06 18:25:20','2022-11-06 18:26:02',0,1,0,0,'production','2022-10-20','event_151_image_fr.jpg',2,'event_151_thumbnail_fr.jpg','<iframe src=\"https://player.vimeo.com/video/767633788?h=f1937296c4&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" width=\"1920\" height=\"1080\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen title=\"La Capitana for Dior Cruise 2023\"></iframe>');

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INSERT INTO `event_i18n` VALUES (1,1,'fr','Elektro Kif','<p>Pi&egrave;ce chor&eacute;graphique pour 8 danseurs \"electro\" <br />Actuellement en tourn&eacute;e<br />Cr&eacute;&eacute;e en d&eacute;cembre 2010 &agrave; L&rsquo;Avant-Seine de Colombes <br />Spectacle tout public &agrave; partir de 3 ans. Dur&eacute;e&nbsp;: 1h10</p>','<p><strong>Mise en sc&egrave;ne, chor&eacute;graphie</strong>&nbsp;: Blanca Li.. <br /><strong>Danseurs</strong>&nbsp;: Kevin Bago, Mamadou Bathily, J&eacute;r&ocirc;me Fidelin, Romain Guillermic, Th&eacute;ophile Landji, Adrien Larrazet, Lenny Louves, Ismaila N\'diaye <a href=\"/fr/e/5/la-compagnie/27/danseurs-elektro-kif\">(plus d\'infos)</a><br /><strong>Musique originale</strong>&nbsp;: Tao Gutierrez <br /><strong>Cr&eacute;ation lumi&egrave;res</strong>&nbsp;: Jacques Chatelet <br /><strong>Assistantes chor&eacute;graphie</strong>&nbsp;: Glyslein Lefever, G&eacute;raldine Fournier et Pascale Pedalan<br /><strong>Costumes</strong>&nbsp;: Fran&ccedil;oise Yapo <br /><strong>R&eacute;gie g&eacute;n&eacute;rale et lumi&egrave;re</strong>&nbsp;: Sylvie Debare <br /><strong>R&eacute;gie plateau</strong>&nbsp;: Pascal Dibilio</p>\n<p>Apr&egrave;s <em>Macadam Macadam</em>, dont le succ&egrave;s avait ouvert de nouveaux espaces de repr&eacute;sentation au hip-hop, et plus r&eacute;cemment <em>Quel Cirque&nbsp;!</em> pour le Collectif Jeu de Jambes, pionnier du jazz-rock en France, Blanca Li poursuit sa mise en sc&egrave;ne des formes de la &ldquo;street culture&rdquo; en investissant l&rsquo;Electro Dance.</p>\n<p>Il y a des <a href=\"http://www.oulfa.fr/\">rencontres</a> qui sonnent comme d&rsquo;excitants d&eacute;fis, et donnent un coup d&rsquo;acc&eacute;l&eacute;rateur &agrave; l&rsquo;imagination. <br />Avec <em>Elektro Kif</em>, la chor&eacute;graphe se plonge &agrave; nouveau dans l&rsquo;univers de la danse urbaine, sa diversit&eacute; stylistique, son inventivit&eacute; cr&eacute;ative constamment renouvel&eacute;e.</p>\n<p>Aujourd&rsquo;hui Blanca Li fait sortir la &laquo;&nbsp;danse electro&nbsp;&raquo; de la performance pure pour l&rsquo;installer sur la sc&egrave;ne d&rsquo;un th&eacute;&acirc;tre, au travers d&rsquo;un projet chor&eacute;graphique contemporain.</p>\n<p><em>&laquo;&nbsp;J&rsquo;ai toujours aim&eacute; l&rsquo;exercice stimulant et inventif de soumettre une de mes cr&eacute;ations &agrave; une contrainte musicale ou gestuelle pourvoyeuse de sens et de cr&eacute;ativit&eacute;, de faire na&icirc;tre un spectacle &agrave; la fronti&egrave;re de diff&eacute;rents univers, susceptible de renouveler des genres a priori cloisonn&eacute;s.&nbsp;&raquo;</em> (Blanca Li)</p>\n<p><strong>Coproduction</strong>&nbsp;: Compagnie Blanca Li, Ville de Cr&eacute;teil, L&rsquo;Avant-Seine/Th&eacute;&acirc;tre de Colombes, avec le soutien de la DRAC Ile-de-France (Minist&egrave;re de la Culture et de la Communication)....</p>','Pour 8 danseurs « electro ». L\'Avant-Seine de Colombes','elektro, kif, colombes, cigale, électro, électronique, spectacle, jeune, chorégraphie, nouvelle, danse, urbaine, dance, tecktonik'),(306,112,'fr','Défilé Jean Paul Gaultier','<p>Mise en sc&egrave;ne, performance et chor&eacute;graphie de Blanca Li pour Le D&eacute;fil&eacute; Jean Paul Gaultier&nbsp; au Paradis Latin<br />Pret a Porter Printemps 2014<br />Paris Fashion Week</p>','','Défilé de la collection Pret à Porter de Jean Paul Gaultier printemps 2014',''),(2,2,'fr','Le Jardin des Délices','<p><strong>Pi&egrave;ce chor&eacute;graphique pour 9 danseurs et un pianiste</strong> <br />les 30 et 31 mai 2013 au <a href=\"http://www.theatrejeanvilar.com/la-saison/detail/fiche/le-jardin-des-delices\" target=\"_blank\">Th&eacute;&acirc;tre de Vitry sur Seine</a><br /><em>Inspir&eacute;e du tableau de J&eacute;r&ocirc;me Bosch</em> <br />Cr&eacute;&eacute;e en juin 2009 (Festival Montpellier Danse) <br />Dur&eacute;e : 1h25</p>','<p><strong>Mise en sc&egrave;ne et chor&eacute;graphie</strong> : Blanca Li <br /><strong>Film &laquo; Jardin des d&eacute;lices &raquo;</strong> : Eve Ramboz, assist&eacute;e de Claudio Cavallari <br /><strong>Musique</strong> : Tao Guti&eacute;rrez <br />Sc&eacute;nographie : Pierre Attrait, assist&eacute; d&rsquo;Elisabeth Dallier - Lumi&egrave;re : Jacques Ch&acirc;telet - Vid&eacute;o : Charles Carcopino, assist&eacute; de Simon Frezel - Costumes : Laurent Mercier, Fran&ccedil;oise Yapo - Sculptures corporelles : Tilmann Grawe - Perruques : Jean-Jacques Puchu - Conseiller vocal : Jeff Cohen - Ma&icirc;tre de ballet : Antonio Alvarado - Assistante chor&eacute;graphe : Deborah Torres</p>\r\n<p><strong>Pianiste</strong> : Jeff Cohen (ou David Saliamonas) <br /><strong>Danseurs</strong> : Jean-G&eacute;rald Dorseuil, G&eacute;raldine Fournier, Yan Giraldou, Glyslein Lefever, Blanca Li, Rafa Linares, Bruno Pere, Margalida Riera, Ga&ecirc;l Rougegrez<br /><em>(Ont particip&eacute; &agrave; la tourn&eacute;e et/ou la cr&eacute;ation : Amin Benassa, Anthony Cazaux, St&eacute;phane Lavall&eacute;e)</em></p>\r\n<p>R&eacute;gie g&eacute;n&eacute;rale : Sylvie Debare - R&eacute;gie plateau : Enriqu&eacute; Gutierrez / Luigi Totaro / St&eacute;phane Loizeau - R&eacute;gie lumi&egrave;res : Sylvie Debare / Mathieu Roy - Son : Antoine Imbert / Philippe Calvet - R&eacute;gie vid&eacute;o : Olivier Heinry / Thomas Pachoud / Eric Da Gra&ccedil;a Neves - Transport d&eacute;cors : Transc&eacute;nic <br /><em>Ont particip&eacute; &agrave; la cr&eacute;ation : Olivier Beauchet-Filleau (r&eacute;gie g&eacute;n&eacute;rale) - Boris Burasovitch (lumi&egrave;res)</em></p>\r\n<p><strong>Production</strong> : Compagnie Blanca Li - <strong>Coproductions</strong> : Festival Montpellier Danse 09, le Th&eacute;&acirc;tre-Sc&egrave;ne Nationale de Narbonne, Altstadtherbst Kulturfestival (D&uuml;sseldorf), DRAC Ile-de-France, CCN de Cr&eacute;teil et du Val-de-Marne (Accueil Studio), Studio de la Maison des Arts de Cr&eacute;teil / Film produit par &laquo; La Maison &raquo;. <br />Avec le soutien de CulturesFrance pour certaines des tourn&eacute;es &agrave; l&rsquo;&eacute;tranger (Serbie, Espagne).</p>\r\n<p>&nbsp;</p>\r\n<p>&laquo; <em>J&rsquo;ai toujours &eacute;t&eacute; tent&eacute;e de faire na&icirc;tre une chor&eacute;graphie de cette &oelig;uvre, o&ugrave; l&rsquo;enfer se m&ecirc;le au paradis, le plaisir au vice, et le satirique &agrave; la morale&hellip; Choisissant une esth&eacute;tique d&eacute;lib&eacute;r&eacute;ment pop, j&rsquo;ai situ&eacute; mon spectacle au sein d&rsquo;un espace public contemporain, en parall&egrave;le avec les images du tableau. Un aller-retour entre deux univers ; l&rsquo;un, celui de Bosch, onirique, empreint de po&eacute;sie et de fantastique, l&rsquo;autre, ma vision du monde, dans ce qu&rsquo;il peut avoir de concret, de banalement r&eacute;el. Les deux s&rsquo;entrelacent, se m&eacute;tamorphosent. J&rsquo;ai voulu un spectacle &agrave; l&rsquo;image du tableau : plein de surprises et de fantaisie, sans logique apparente, noir et color&eacute;, plein d&rsquo;&eacute;nergie, d&rsquo;ironie et d&rsquo;humour</em> &raquo;. Blanca Li</p>\r\n<p><em>&nbsp;</em></p>','d\'après l\'œuvre de Jérôme Bosch. Festival Montpellier Danse','spectacle, chorégraphie, jérôme, bosch , festival, montpellier, jardin, délices, tao, gutierrez, ramboz, attrait, chatelet, carcopino, cohen, jeff, festival montpellier danse'),(3,3,'fr','Poète à New York','<p><strong>Spectacle de musique et danse pour 21 danseurs, 2 chanteurs, 8 musiciens.</strong> <br />Cr&eacute;&eacute; en juillet <strong>2007</strong> &agrave; Grenade (Espagne), Jardins de l&rsquo;Alhambra. <br />Dur&eacute;e&nbsp;: 90 mn</p>','<p><strong>Mise en sc&egrave;ne et Chor&eacute;graphie&nbsp;:</strong> Blanca Li <br /><strong>Musique originale et direction musicale&nbsp;:</strong> Tao Guti&eacute;rrez <br />Dramaturgie&nbsp;: Blanca Li, Pierre Attrait &amp; Tao Guti&eacute;rrez - Sc&eacute;nographie&nbsp;: Pierre Attrait - Lumi&egrave;res&nbsp;: Jacques Chatelet - Vid&eacute;o&nbsp;: Charles Carcopino - Costumes&nbsp;: Paco Delgado</p>\r\n<p><strong>Danseurs solistes&nbsp;:</strong> Blanca Li &amp; Andr&eacute;s Mar&iacute;n <br /><strong>Chant&nbsp;:</strong> Carmen Linares ou Encarnita Anillo &amp; Rob-Li <br /><strong>Po&egrave;mes r&eacute;cit&eacute;s par&nbsp;:</strong> Javier Viana <br /><strong>Assistante chor&eacute;graphe</strong> : Glyslein Lefever<br /><strong>Danseurs&nbsp;:</strong> Vanesa Aibar, Salim Begayoko, Grishka Caruge, Javier Cobo, Aurora Mar&iacute;a Colmenero, Juan Pedro Delgado, Jean-Gerald Dorseuil, Mar&iacute;a Fern&aacute;ndez, Steve Guimaraes, Ahmed Karetti, Louya Kounkou, Stephane Lavall&eacute;e, Ana Maci&aacute;, Jos&eacute; Maldonado, Yana Maltseva Le Gac, Sergio Moya, Pascale Peladan, Pedro Ram&iacute;rez, Deborah Torres <br /><strong>Musiciens&nbsp;:</strong> Saxophone et fl&ucirc;te&nbsp;: Rafael &Aacute;guila - Basse&nbsp;: Pablo B&aacute;ez - Clavier&nbsp;: Gherardo Catanzaro - Guitare&nbsp;: Salvador Guti&eacute;rrez - Percussions&nbsp;: Tao Guti&eacute;rrez - Violoncelle&nbsp;: Nicasio Moreno - Guitare&nbsp;:David Tabares - Percussions&nbsp;: Javier Viana</p>\r\n<p>Spectacle cr&eacute;&eacute; avec la participation de l&rsquo;Empresa Publica de Gestion de Programas Culturales, Consejeria de Cultura, Junta de Andalucia. Remerciements &agrave; Marcad&eacute;, Aquatic Show, Studio de la MAC Cr&eacute;teil, Variafrance, ainsi qu&rsquo;&agrave; Manuel Fern&aacute;ndez Montesinos Garc&iacute;a (h&eacute;ritiers de F.G. Lorca).</p>\r\n<p>Poeta en Nueva York s&rsquo;inspire des po&egrave;mes et de l&rsquo;exp&eacute;rience v&eacute;cue par Federico Garc&iacute;a Lorca de 1929 &agrave; 1930 &agrave; New York. Confront&eacute; &agrave; un univers totalement &eacute;tranger &agrave; son Andalousie natale, Garc&iacute;a Lorca y donnera naissance &agrave; son &oelig;uvre future. <br />Rayon d&rsquo;espoir, la d&eacute;couverte de la Havane conclut ce voyage initiatique. <br />Accompagn&eacute;e sur sc&egrave;ne de la &laquo;&nbsp;cantaora&nbsp;&raquo; Carmen Linares, du &laquo;&nbsp;bailaor&nbsp;&raquo; Andr&eacute;s Mar&iacute;n, d&rsquo;une vingtaine de danseurs hip-hop, contemporains et flamenco et de dix musiciens, Blanca Li se rapproche de la com&eacute;die musicale, pour donner corps aux images et aux mots, pour une &eacute;vocation du monde int&eacute;rieur de Lorca entre jazz et flamenco... Pr&egrave;s de 60 000 spectateurs ont d&eacute;couvert ce spectacle &agrave; sa cr&eacute;ation, lors de la s&eacute;rie de repr&eacute;sentation au dans les Jardins du Palais de l&rsquo;Alhambra (Th&eacute;&acirc;tre de verdure du Generalife).</p>','Théâtre du Generalife, Jardins de l\'Alhambra (Commande du Programme Lorca et Grenade) Ministère de la Culture d\'Andalousie, Espagne. Prix et Distinctions : « Premios Max de las Artes Escenicas » pour Meilleure Chorégraphie. « Chivas Télon »,  « ','Federico, García, Lorca, poète, poème, oeuvre, new, york, carmen, linares, andrés, marín, chorégraphie, musique, comédie, musicale, tao, gutierrez, attrait, chatelet, carcopino'),(4,4,'fr','Corazón Loco','<p><strong>Spectacle chor&eacute;graphique et musical pour 6 danseurs, 8 chanteurs, 1 percusionniste.</strong> <br />Cr&eacute;&eacute; en janvier 2007. Dur&eacute;e&nbsp;: 1h20 <br />(Odyssud-Blagnac et Th&eacute;&acirc;tre national de Chaillot).</p>','<p><strong>Chrog&eacute;graphie et mise en sc&egrave;ne</strong>&nbsp;: Blanca Li <br /><strong>Musique et texte</strong>&nbsp;: &Eacute;dith Canat de Chizy <br />Ensemble vocal Sequenza 9.3 dirig&eacute; par Catherine Simonpietri. <br />Cr&eacute;ation lumi&egrave;res&nbsp;: Jacques Ch&acirc;telet, assist&eacute; de Sylvie Debare - Sc&eacute;nographie&nbsp;: Pierre Attrait, assist&eacute; d&rsquo;Elisabeth Dallier - Cr&eacute;ation vid&eacute;o&nbsp;: Charles Carcopino, assist&eacute; de Julien Nesme - Costumes&nbsp;: Laurent Mercier assist&eacute; de Fran&ccedil;oise Yapo.</p>\r\n<p><strong>Danseurs</strong>&nbsp;: Jean-G&eacute;rald Dorseuil, Matthew Hawkins, <br />Ahmed Karetti, Blanca Li, Yana Malsteva, Deborah Torres <br /><strong>Ensemble vocal Sequenza 9.3</strong>&nbsp;: Philippe Froeliger, Virginie Lefebvre, <br />Christophe Grapperon, Claudine Margely, Donatienne Milpied, Christophe Sam, <br />Thi Lien Truong, Etienne Vandier <br /><strong>Percussions</strong>&nbsp;: B&eacute;atrice R&eacute;p&eacute;caud</p>\r\n<p><strong>Production</strong>&nbsp;: Th&eacute;&acirc;tre National de Chaillot / Compagnie Blanca Li / Sequenza 9.3 / Odyssud-Blagnac / Maison de la Musique de Nanterre / Op&eacute;ra de Massy / Th&eacute;&acirc;tre 71 Malakoff / Studio de la Maison des arts de Cr&eacute;teil. <br />- La Caisse des D&eacute;p&ocirc;ts et Consignations, la DRAC Ile-de-France et le Conseil g&eacute;n&eacute;ral de Haute Garonne soutiennent la Cie Blanca Li pour la cr&eacute;ation de Coraz&oacute;n Loco. <br />- La Fondation France T&eacute;l&eacute;com et la Spedidam soutiennent Sequenza 9.3 pour la cr&eacute;ation de Coraz&oacute;n Loco. Sequenza 9.3 est soutenu financi&egrave;rement par le Conseil G&eacute;n&eacute;ral de Seine-St-Denis, la SACEM, et est en r&eacute;sidence &agrave; Pantin.</p>\r\n<p><strong>\"Corps &agrave; choeur\"</strong> <br />Coraz&oacute;n Loco permet &agrave; Blanca Li de renouer avec le monde du chant, apr&egrave;s ses d&eacute;buts chor&eacute;graphiques &agrave; l&rsquo;Op&eacute;ra de Paris. Cet \"op&eacute;ra-danse\", jouant sur l&rsquo;exp&eacute;rience de la fusion-d&eacute;sint&eacute;gration amoureuse, associe les danseurs de la Compagnie aux chanteurs lyriques de l&rsquo;Ensemble vocal Sequenza 9.3 sur une partition musicale contemporaine d&rsquo;Edith Canat de Chizy. <br />&laquo;&nbsp;<em>Je voulais que le travail sur la voix et le corps ne fasse qu&rsquo;un. Nous avons explor&eacute; les deux univers pour que s&rsquo;estompent les fronti&egrave;res, jusqu&rsquo;&agrave; oublier la sp&eacute;cificit&eacute; de chaque acteur-interpr&egrave;te-danseur. J&rsquo;ai voulu que la musique naisse du mouvement, dans un jeu d&rsquo;accord et de d&eacute;saccord, d&rsquo;union ou de contradiction des voix et des corps, pour que s&rsquo;invente et s&rsquo;&eacute;crive un parcours contrast&eacute; &agrave; travers le th&egrave;me de l&rsquo;amour</em>.&nbsp;&raquo; Blanca Li</p>','Odyssud (Blagnac) et Théâtre National de Chaillot à Paris','corazon, loco, spectacle, film, pas à pas, chorégraphie, sequenza, Canat de Chizy, '),(5,5,'fr','Macadam Macadam','<p><strong>Nouvelle version cr&eacute;&eacute;e au GREC 2011 &agrave; Barcelone<br />En tourn&eacute;e en France le 16 mai au <a href=\"http://www.festival-perspectives.de/index.php?id=280&amp;no_cache=1&amp;L=1&amp;tx_sst_pi1[uid]=202\" target=\"_blank\">Festival Perspectives &agrave; Forbach</a><br /></strong></p>\r\n<p><strong>-nouvelles musiques, nouveaux danseurs-<br />Spectacle chor&eacute;graphique et musical pour 11 danseurs hip-hop, rollers et biker</strong><br />Cr&eacute;&eacute; en janvier <strong>1999</strong> au Festival Suresnes Cit&eacute; Danse. <br />Recr&eacute;&eacute; en janvier <strong>2006</strong> au Th&eacute;&acirc;tre Mogador.<br />Dur&eacute;e&nbsp;: 70 mn.</p>','<p><em><a href=\"http://www.globesdecristal.com/\" target=\"_blank\">Globe de Cristal</a> 2007 du Meilleur spectacle dans la cat&eacute;gorie Op&eacute;ra/Danse.</em></p>\r\n<p>Macadam Macadam fait se c&ocirc;toyer les rythmes hip-hop et le music-hall, la danse et le roller, le bike et l&rsquo;acrobatie, allie l&rsquo;univers urbain de la g&eacute;n&eacute;ration &laquo;&nbsp;street culture&nbsp;&raquo; et la cr&eacute;ation contemporaine.</p>\r\n<p><strong>Chor&eacute;graphie et mise en sc&egrave;ne</strong>&nbsp;: Blanca Li. <br /><strong>Musique originale</strong>&nbsp;: Antoine Herv&eacute; <br />Musiques additionnelles&nbsp;: <em>Singing in the rain</em> et <em>Get happy</em> (avec l&rsquo;aimable autorisation de EMI France). Autres musiques additionnelles de Tao Gutierrez. <br />Lumi&egrave;res&nbsp;: Sylvie Debare - Costumes&nbsp;: Laurent Mercier, avec le soutien de ADIDAS - D&eacute;cors&nbsp;: Bernard Michel et Elsa Ejchenrand.</p>\r\n<p><strong>Danseurs</strong> 2006: Amin Benassa, Malika Benjelloun, Andrea Bescond, Grichka Caruge, Karlos Da Silva, Ahmed Karetti, Fran&ccedil;ois Lamargot, Esp&eacute;rance Mi&eacute;zi <br /><strong>Rollers</strong> 2006 : Lamine Fathi et Mohamed Sylla <br /><strong>Biker (BMX)</strong> 2006 : Alex Jumelin</p>\r\n<p><strong>Production</strong>&nbsp;: Compagnie Blanca Li - <strong>Remerciements</strong>&nbsp;: Th&eacute;&acirc;tre Jean Vilar (festival Suresnes Cit&eacute;s danse), Op&eacute;ra de Massy, Th&eacute;&acirc;tre Mogador. Cr&eacute;&eacute; avec le soutien de la Caisse des D&eacute;p&ocirc;ts et Consignations, repris avec le soutien du Conseil G&eacute;n&eacute;ral de l&rsquo;Essonne et de la DRAC Ile-de-France.</p>\r\n<p>Cr&eacute;&eacute; en 1999 dans le cadre du Festival Suresnes Cit&eacute; Danse, Macadam Macadam a rencontr&eacute; le succ&egrave;s d&eacute;s sa cr&eacute;ation, aupr&egrave;s du public, des m&eacute;dia, et au Festival d&rsquo;Avignon. Connaissant une diffusion sans pr&eacute;c&eacute;dent parmi les productions de Suresnes, en tourn&eacute;e en France, en Europe et aux Etats-Unis (100 repr&eacute;sentations en 2 ans), ce spectacle est devenu une r&eacute;f&eacute;rence du genre hip-hop. Recr&eacute;&eacute; en janvier 2006 avec une nouvelle &eacute;quipe, il est de nouveau disponible en tourn&eacute;e.</p>\r\n<p><em>&laquo;&nbsp;Pour moi, le spectacle vivant n&rsquo;est vivant que lorsqu&rsquo;il est sur sc&egrave;ne. Lorsqu&rsquo;une de mes cr&eacute;ations ne tourne plus, elle cesse de vivre et elle se met &agrave; me manquer. C&rsquo;est comme un ami tr&egrave;s cher qu&rsquo;on a perdu de vue pendant quelque temps. C&rsquo;est ce qui m&rsquo;est arriv&eacute; avec Macadam Macadam. Mais pour faire revivre ce spectacle, il fallait aussi lui insuffler une nouvelle &eacute;nergie et l&rsquo;enrichir de nouveaux apports en tenant compte de l&rsquo;&eacute;volution de la &laquo;&nbsp;street culture&nbsp;&raquo; et de ses formes d&rsquo;expression constamment r&eacute;invent&eacute;es. <br />J&rsquo;ai r&eacute;uni une nouvelle &eacute;quipe associant des danseurs pr&eacute;sents lors de la cr&eacute;ation et des nouveaux venus. J&rsquo;ai aussi renouvel&eacute; certains aspects de la chor&eacute;graphie tant pour les solos que pour les mouvements de groupe. Ce que j&rsquo;ai cherch&eacute;, ce n&rsquo;est pas &agrave; mettre l&rsquo;accent sur la virtuosit&eacute; des danseurs, tous excellents, mais &agrave; privil&eacute;gier la rencontre de styles et de personnalit&eacute;s tr&egrave;s contrast&eacute;s. <br />La re-cr&eacute;ation est le fruit de cette rencontre&nbsp;: elle raconte comment des personnes venues d&rsquo;univers tr&egrave;s diff&eacute;rents peuvent traverser leurs propres fronti&egrave;res, unir leurs &eacute;nergies et inventer ensemble un alphabet commun.&nbsp;&raquo;</em> Blanca Li</p>','Festival Suresnes Cités Danses (Recréé en 2006,Théâtre Mogador). « Globe de Cristal » du Meilleur spectacle dans la catégorie Opéra/Danse/ France',''),(6,6,'fr','Alarme','<p><strong>Spectacle chor&eacute;graphique pour 8 danseurs</strong> <br />Cr&eacute;&eacute; &agrave; la Biennale de la danse de Lyon en <strong>2004</strong> <br />Dur&eacute;e&nbsp;: 90 mn</p>','<p><strong>Chor&eacute;graphie et mise en sc&egrave;ne</strong>&nbsp;: Blanca Li <br /><strong>Musique originale</strong>&nbsp;: Tao Gutierrez et Fran&ccedil;ois Eudes Chanfrault <br />Assistante chor&eacute;graphique&nbsp;: Ana Guffanti <br />Costumes&nbsp;: Mr&nbsp;Pearl, Laurent Mercier, Fran&ccedil;oise Yapo <br />Lumi&egrave;res&nbsp;: Jacques Ch&acirc;telet <br />Cr&eacute;ation vid&eacute;o&nbsp;: Charles Carcopino <br />Direction technique&nbsp;: Antoine Garry</p>\r\n<p><strong>Danseurs</strong>&nbsp;: St&eacute;phanie Andrieu, Geraldine Fournier, Marjorie Hannoteaux, Emmanuelle Huybrechts, Cyril Lot, Pascale P&eacute;ladan, Bruno P&eacute;r&eacute;, Raphael Rodriguez.</p>\r\n<p><strong>Coproduction</strong>&nbsp;: Biennale de la danse de Lyon, Studio technologique de la MAC Cr&eacute;teil, Th&eacute;&acirc;tre de Ch&acirc;tillon, Op&eacute;ra de Massy. Spectacle cr&eacute;&eacute; avec le soutien de la DRAC Ile de France, Minist&egrave;re de la Culture et de la Communication et du M&eacute;c&eacute;nat de la Caisse des D&eacute;p&ocirc;ts et consignations. La Compagnie Blanca Li est en r&eacute;sidence &agrave; l&rsquo;Op&eacute;ra de Massy.</p>\r\n<p>Une succession de vignettes, des instantan&eacute;s de vie, un collage d&rsquo;&eacute;motions. La vie&hellip; comme un film. Blanca Li s&rsquo;adonne cette fois &agrave; la forme de pi&egrave;ces courtes, composant une mosa&iuml;que de petites histoires, des courts m&eacute;trages chor&eacute;graphi&eacute;s. La chor&eacute;graphe puise son inspiration dans des instants, des images, des objets, des histoires, des musiques, des morceaux d&rsquo;actualit&eacute;, toutes ces rencontres impr&eacute;visibles qui font le tissu de sa vie quotidienne.</p>\r\n<p>Quelques unes de ces id&eacute;es donnent ici naissance &agrave; des pi&egrave;ces ayant comme titre &eacute;vocateur Doblepaso, Alarme, Pochette Surprise&hellip; La dur&eacute;e de ces pi&egrave;ces, tout comme leur forme (solos, duos, trios, chor&eacute;graphies de groupes&hellip;) refl&egrave;tent la l&eacute;g&egrave;ret&eacute;, la bri&egrave;vet&eacute; de ces flashes d&rsquo;inspiration. Instants &eacute;ph&eacute;m&egrave;res transcrits avec humour, po&eacute;sie ou &eacute;nergie, ils r&eacute;pondent au besoin de donner libre cours &agrave; l&rsquo;inspiration vagabonde de la chor&eacute;graphe en dehors des contraintes d&rsquo;une dur&eacute;e impos&eacute;e.</p>\r\n<p>Dans son contenu, ce programme va questionner notre facult&eacute; &agrave; nous &eacute;tonner, nous &eacute;mouvoir et garder nos sens &eacute;veill&eacute;s devant les d&eacute;tails de notre quotidien. Au sein d&rsquo;un environnement de plus en plus technologique, de plus en plus civilis&eacute;, le naturel de l&rsquo;homme et de l&rsquo;enfant se fait de plus en plus incongru et d&eacute;plac&eacute; lorsque notre spontan&eacute;it&eacute; refait surface &agrave; improviste. A l&rsquo;aff&ucirc;t de ces moments o&ugrave; le corps reprend le dessus, o&ugrave; les sentiments se lib&egrave;rent de leur contrainte sociale, et o&ugrave; l&rsquo;adulte retrouve l&rsquo;enfant qu&rsquo;il a en lui, Blanca Li s&eacute;lectionne des images fortes et &eacute;vocatrices. En les repla&ccedil;ant dans un cadre de sc&egrave;ne, en les transformant au sein de son imaginaire spectaculaire, elle leur redonne toute leur noblesse, leur beaut&eacute; et leur valeur humaine, sans perdre le sens de la d&eacute;rision qui accompagne toujours son observation sur notre condition humaine.</p>\r\n<p><strong>Alarme est une mosa&iuml;que de huit pi&egrave;ces ind&eacute;pendantes&nbsp;:</strong></p>\r\n<p><strong>Alarme</strong> <br />Interpr&eacute;t&eacute; par l&rsquo;ensemble de la compagnie <br />Musique&nbsp;: Fran&ccedil;ois Eudes Chanfrault <br />Costumes Fran&ccedil;oise Yapo <br />Dans notre univers actuel, malgr&eacute; le d&eacute;veloppement de la communication, la peur rend les &ecirc;tres humains de plus en plus contr&ocirc;l&eacute;s et isol&eacute;s par les cat&eacute;gories g&eacute;ographiques, politiques, ethniques, sociales ou &eacute;conomiques. Une image symbolique de la libert&eacute; &agrave; laquelle nous r&ecirc;vons, pour ne pas faire de notre plan&egrave;te un monde hostile et mena&ccedil;ant.</p>\r\n<p><strong>Doble paso</strong> <br />Interpr&eacute;t&eacute; par G&eacute;raldine Fournier et Pascale P&eacute;ladan <br />Musique&nbsp;:Tao Gutierrez et WA Mozart, interpr&eacute;t&eacute;e par Florence Foster Jenkins <br />Costumes&nbsp;: Laurent Mercier <br />La vie professionnelle de nombreuses femmes modernes repose sur un leitmotiv essentiel&nbsp;: ne jamais perdre les apparences, quelles que soient les circonstances. Une fantaisie sur ce que nous devenons gr&acirc;ce au regard des autres&hellip;</p>\r\n<p><strong>Electron</strong> <br />Interpr&eacute;t&eacute; par Cyril Lot, Bruno P&eacute;r&eacute; et Rapha&euml;l Rodriguez <br />Musique Tao Gutierrez <br />Costumes&nbsp;: Fran&ccedil;oise Yapo <br />La nuit, sous les &eacute;clairages urbains et dans l&rsquo;ombre, circulent les &eacute;nergies au contact desquels les corps se renouvellent, se ressourcent. Une ode &agrave; la ville nocturne, aux pulsions et aux courants souterrains.</p>\r\n<p><strong>Pochette Surprise</strong> <br />Interpr&eacute;t&eacute; par l&rsquo;ensemble de la compagnie <br />Costumes&nbsp;: Fran&ccedil;oise Yapo <br />Parce que nous ne devons pas oublier que nous avons &eacute;t&eacute; enfants, et qu&rsquo;on est encore capables de jouer.</p>\r\n<p><strong>Made in China</strong> <br />Interpr&eacute;t&eacute; par St&eacute;phanie Andrieu et G&eacute;raldine Fournier <br />Costumes&nbsp;: Fran&ccedil;oise Yapo <br />La technologie n&rsquo;a pas besoin d&rsquo;&ecirc;tre avanc&eacute;e et sophistiqu&eacute;e pour nous fasciner et nous &eacute;mouvoir.</p>\r\n<p><strong>Promenade</strong> <br />Interpr&eacute;t&eacute; par Marjorie Hannoteaux, Emmanuelle Huybrechts, Cyril Lot et Rapha&euml;l Rodriguez <br />Musique&nbsp;: Fran&ccedil;ois Eudes Chanfrault et Tao Gutierrez <br />Costumes&nbsp;: Mr&nbsp;Pearl <br />Images&nbsp;: Michael O&rsquo;Brien <br />Une plong&eacute;e dans l&rsquo;univers de la s&eacute;duction, l&agrave; o&ugrave; s&rsquo;ancrent les sources ineffa&ccedil;ables de nos souvenirs passionnels. Une rencontre entre les forces de la nature et les restrictions que nous nous imposons.</p>\r\n<p><strong>A Minuit</strong> <br />Interpr&eacute;t&eacute; par St&eacute;phanie Andrieu, G&eacute;raldine Fournier, Marjorie Hannoteaux, Emmanuelle Huybrechts et Pascale P&eacute;ladan. <br />Musique&nbsp;: Goldfrapp (Oompa-Radar) et Matthew Herbert (Simple Mind) <br />Costumes&nbsp;: Laurent Mercier assist&eacute; de Jorg Todtenbier <br />Lorsque minuit n&rsquo;est qu&rsquo;un lointain pass&eacute;, et l&rsquo;aube un futur encore ind&eacute;chiffrable, un voyage dans les profondeurs de l&rsquo;&acirc;me f&eacute;minine, &agrave; la recherche d&rsquo;absolu, d&rsquo;instinct vital, de d&eacute;chirements sensuels.</p>\r\n<p><strong>Game Over</strong> <br />Interpr&eacute;t&eacute; par l&rsquo;ensemble de la compagnie <br />Musique&nbsp;: Fran&ccedil;ois Eudes Chanfrault <br />Costumes&nbsp;: Ren&eacute; Zamudio <br />La repr&eacute;sentation lumineuse de la musique d&eacute;compose les corps et nous entra&icirc;ne dans les entrailles de la machine.</p>\r\n<p>&Eacute;quipe technique&nbsp;: <br />R&eacute;gie g&eacute;n&eacute;rale&nbsp;: Eric Da Gra&ccedil;a Neves <br />R&eacute;gie plateau&nbsp;: Ricardo Bobet <br />R&eacute;gie lumi&egrave;res&nbsp;: Thierry Lenain <br />R&eacute;gie costumes&nbsp;: Fran&ccedil;oise Yapo</p>\r\n<p>Production et administration&nbsp;: Etienne Li <br />Stagiaire production&nbsp;: Daphn&eacute; Bakker <br />Stagiaire vid&eacute;o&nbsp;: Denitsa Ilsheva</p>','Captation de spectacle; dir. Stéphane Lebard. CLC (52 min FR3)','Tao, Gutierrez, spectacle, chorégraphie, rouge, biennale, lyon, Carcopino, Châtelet, chaussure, carton, '),(7,7,'fr','Le Songe du Minotaure','<p><strong>Ballet pour 8 danseurs ou 24 danseurs</strong> <br />Dur&eacute;e&nbsp;: 65 mn</p>','<p>Cr&eacute;&eacute; en septembre <strong>1998</strong> &agrave; la Biennale de Lyon. <br />Recr&eacute;&eacute; au Komische Oper de Berlin en <strong>2002</strong> dans une <a href=\"http://www.blancali.com/fr/event/19/le-songe-du-minotaure\" target=\"_blank\">version pour 24 danseurs</a>. <br />Spectacle repris &agrave; l&rsquo;Op&eacute;ra de Toulon-Provence-M&eacute;diterran&eacute;e en mai <strong>2008</strong>, avec le Ballet de l&rsquo;Op&eacute;ra. Nouvelles repr&eacute;sentations les 13 et 15 d&eacute;cembre 2009.</p>\r\n<p><strong>Chor&eacute;graphie et mise en sc&egrave;ne</strong>&nbsp;: Blanca Li <br />Musiques&nbsp;: Michael Daugherty, Claude Debussy, Gabriel Faur&eacute;, Charles K&oelig;chlin, Maurice Ravel, Erik Satie, Petros Tabouris, Stelio Vlavianos <br />Lumi&egrave;res&nbsp;: Nicolas Salvatori - Accessoires&nbsp;: Victor Ramos - Costumes&nbsp;: Ren&eacute; Zamudio et Laurent Mercier</p>\r\n<p><strong>Coproductions</strong>&nbsp;: Biennale de la Danse de Lyon, Maison des Arts de Cr&eacute;teil, Moulin du Roc de Niort, avec le soutien de la Caisse des D&eacute;p&ocirc;ts et Consignations.</p>\r\n<p>&ldquo; Au d&eacute;part, l&rsquo;envie de faire une pi&egrave;ce chor&eacute;graphi&eacute;e, de danse pure, mettant en valeur la beaut&eacute; des corps presque nus m&rsquo;a naturellement guid&eacute;e vers la statuaire classique de la Gr&egrave;ce antique. En y cherchant les images, les mouvements, j&rsquo;ai trouv&eacute; les mythes, les h&eacute;ros, une approche d&eacute;sinhib&eacute;e de la nature et du sexe, de la philosophie, de l&rsquo;humour, et surtout l&rsquo;esth&eacute;tique. J&rsquo;ai ensuite tiss&eacute; plusieurs th&egrave;mes qui m&rsquo;ont inspir&eacute;e, le Minotaure et les rituels animaliers cr&eacute;tois, Narcisse, Pygmalion, les Amazones, Ath&eacute;na, les frises des temples et de la c&eacute;ramique grecque, les festivit&eacute;s dionysiaques, l&rsquo;amour, la guerre, la naissance olympique du sport. Pour l&rsquo;atmosph&egrave;re, j&rsquo;ai aussi fait appel &agrave; mes souvenirs de paysages m&eacute;diterran&eacute;ens, &agrave; la lumi&egrave;re aveuglante du midi. Le spectacle sera interpr&eacute;t&eacute; par trois filles et trois gar&ccedil;ons. Le d&eacute;cor restera &eacute;pur&eacute; de m&ecirc;me que les costumes. Pour la musique, j&rsquo;ai retrouv&eacute; dans l&rsquo;oeuvre de certains compositeurs classiques et modernes l&rsquo;inspiration hell&eacute;nique qui a influenc&eacute; tant de talents contemporains (Satie, Debussy, Faur&eacute;, Ravel, K&oelig;chlin, Ted Shawn, Nijinsky, Martha Graham, etc.) &rdquo;. Blanca Li</p>','Ballet dirigé et chorégraphié par Blanca Li. Opéra de Toulon. Provence. Méditerranée',''),(8,8,'fr','Borderline','<p><strong>Spectacle chor&eacute;graphique pour 13 danseurs</strong> <br />Cr&eacute;ation mondiale&nbsp;: <strong>juin 2002</strong> au Komische Oper de Berlin. <br />Cr&eacute;ation fran&ccedil;aise&nbsp;: septembre 2002 &agrave; la Maison de la culture de Cr&eacute;teil. <br />Dur&eacute;e&nbsp;: 75 mn</p>','<p><strong>Chor&eacute;graphie et mise en sc&egrave;ne</strong>&nbsp;: Blanca Li et le Studio Orta <br /><strong>Musique</strong>&nbsp;: Matthew Herbert et Tao Gutierrez <br />Architectures textiles&nbsp;: Lucy Orta <br />Installations plastiques et lumi&egrave;re&nbsp;: Jorge Orta.</p>\r\n<p><strong>Coproduction</strong>&nbsp;: le Berlin Ballett au Komische Oper, la Compagnie Blanca Li, le Studio Orta, la Maison des Arts de Cr&eacute;teil, le Moulin du Roc &agrave; Niort, l&rsquo;Op&eacute;ra de Massy. Avec le soutien de la la Caisse des D&eacute;p&ocirc;ts et Consignations et de la Direction R&eacute;gionale des Affaires culturelles d&rsquo;Ile de France &ndash; Minist&egrave;re de la Culture et de la Communication.</p>\r\n<p>Borderline explore la fronti&egrave;re entre normalit&eacute; et folie, ce fil du rasoir qui, suivant le c&ocirc;t&eacute; o&ugrave; l&rsquo;on tombe, fait de nous un d&eacute;ment tout &agrave; fait acceptable ou un cingl&eacute; parfaitement infr&eacute;quentable. Borderline se veut un reflet ludique et parfois grin&ccedil;ant des exc&egrave;s de la soci&eacute;t&eacute; moderne. <br />A sujet d&rsquo;aujourd&rsquo;hui, traitement sc&eacute;nique contemporain. Une cr&eacute;ation musicale, des sculptures textiles imagin&eacute;es par Lucy Orta et une sc&eacute;nographie luminographique de Jorge Orta. Blanca Li propose ici un spectacle total, qui interroge avec distance et d&eacute;rision notre tol&eacute;rance &agrave; la schizophr&eacute;nie g&eacute;n&eacute;rale du monde d&rsquo;aujourd&rsquo;hui.</p>','Maison des Arts et de la Culture de Créteil','Tao Gutierrez , Tao, Gutierrez, Lucy Orta, Jorge Orta, Matthew Herbert, spectacle, mac, créteil, Komische Oper, Berlin'),(9,9,'fr','Zap ! Zap ! Zap !','<p><strong>One woman show</strong>. <br />Cr&eacute;&eacute; &agrave; la Maison de la Musique de Nanterre en <strong>juin 98</strong>, puis au th&eacute;&acirc;tre de Nice en avril 1999. <br />Dur&eacute;e&nbsp;: 70 mn</p>','<p><strong>De et avec Blanca Li</strong> <br />D&eacute;cors&nbsp;: Bernard Michel <br />Costumes&nbsp;: Ren&eacute; Zamudio et Claudie Kermarrec.</p>\r\n<p>En premi&egrave;re partie, un court-m&eacute;trage \"Angoisse\" r&eacute;alis&eacute; par Blanca Li en mars 1998.</p>\r\n<p>Pour mettre un terme &agrave; la monotonie des spectacles &ldquo; vus &agrave; la t&eacute;l&eacute; &rdquo;, Blanca Li invite la t&eacute;l&eacute; sur sc&egrave;ne. Une pl&eacute;&iuml;ade d&rsquo;artistes en tous genres, des interviews r&eacute;tifs &agrave; la langue de bois, de l&rsquo;actualit&eacute; vraie, de l&rsquo;humour et de l&rsquo;humeur. ZAP&nbsp;! ZAP&nbsp;! ZAP&nbsp;! est un show t&eacute;l&eacute;sc&eacute;nique &agrave; l&rsquo;usage d&rsquo;une nouvelle g&eacute;n&eacute;ration de t&eacute;l&eacute;phages&nbsp;: les spectateurs.</p>','One Woman Show - Maison de la Musique de Nanterre et Théâtre National de Chaillot à Paris',''),(10,10,'fr','Stress ','<p>(P&egrave;te pas les plombs)<br />Spectacle chor&eacute;graphique, pour 8 danseuses <br />Cr&eacute;&eacute; &agrave; Suresnes en janvier 1997 <br />Dur&eacute;e&nbsp;: 60 mn</p>','<p><strong>Chor&eacute;graphie&nbsp;:</strong> Blanca Li <br /><strong>Musique&nbsp;:</strong> Tao Gutierrez et Cristina Hernandez-Arana <br /><strong>Lumi&egrave;res&nbsp;:</strong> Richard Bessenay <br /><strong>Costumes&nbsp;:</strong> Ren&eacute; Zamudio et Claudie Kermarrec.<strong><br />Coproduction&nbsp;:</strong> Th&eacute;&acirc;tre de Suresnes Jean Vilar. <br />Avec le soutien de l&rsquo;ANPE spectacles et de la Maison de la Musique de Nanterre.</p>\r\n<p>Ce spectacle pour danseuses-com&eacute;diennes s&rsquo;inspire du stress de la vie quotidienne et de l&rsquo;utilisation d&eacute;tourn&eacute;e et paradoxale d&rsquo;objets familiers. Les danseuses &eacute;voluent dans un d&eacute;cor strictement urbain et en utilisent / affrontent les rep&egrave;res dans une tension grandissante r&eacute;solue par une all&egrave;gre folie. On y retrouve l&rsquo;&eacute;nergie propre aux cr&eacute;ations de Blanca Li ainsi que son go&ucirc;t de la d&eacute;rision.</p>','Théâtre Jean Vilar de Suresnes',''),(11,12,'fr','Al Andalús - L’Amour Sorcier ','<p><strong>Ballet pour 10 danseurs</strong> <br />Cr&eacute;&eacute; originalement pour l&rsquo;Op&eacute;ra de Nancy en <strong>1997</strong>. <br />Ce ballet a &eacute;t&eacute; repris en 2002 par la Compagnie Blanca Li en coproduction avec l&rsquo;Op&eacute;ra de Massy et le Festival International de Grenade. <br />Dur&eacute;e approximative&nbsp;: 60 mn</p>','<p><strong>Chor&eacute;graphie</strong>&nbsp;: Blanca Li <br /><strong>Musique</strong>&nbsp;: Manuel de Falla&nbsp;; livret Gregorio Martinez Sierra <br />Sc&eacute;nographie Victor Ramos <br />Costumes&nbsp;: Ren&eacute; Zamudio</p>\r\n<p>Ce programme s&rsquo;ins&egrave;re dans une soir&eacute;e de ballets de style n&eacute;oclassiques et modernes, inspir&eacute;s par l&rsquo;Andalousie et ses liens avec la culture arabe, intitul&eacute;e <strong>Al Andal&uacute;s</strong>, pouvant comprendre (selon les configurations)&nbsp;: Nana et Lila, L&rsquo;Amour Sorcier et la cr&eacute;ation de Blanca Li, Canciones Populares, sur une musique de Carmen Linares. <br />Dans sa version la plus prestigieuse, l&rsquo;ensemble de la musique est interpr&eacute;t&eacute;e par un orchestre symphonique, une chanteuse de flamenco, un guitariste flamenco et le groupe des Gnawa Halwa de Marrakech.</p>\r\n<p>En 1997, &agrave; l&rsquo;occasion du cinquantenaire de la mort de Manuel de Falla, Jean-Marie Blanchard commande &agrave; la chor&eacute;graphe originaire de Grenade, Blanca Li, une mise en sc&egrave;ne et une chor&eacute;graphie originales de l&rsquo;op&eacute;ra La Vie Br&egrave;ve et du ballet l&rsquo;Amour Sorcier, pour l&rsquo;Op&eacute;ra de Nancy. L&agrave; o&ugrave; son compatriote Manuel de Falla avait int&eacute;gr&eacute; des &eacute;l&eacute;ments flamencos traditionnels &agrave; des compositions d&rsquo;une grande modernit&eacute; pour l&rsquo;&eacute;poque, Blanca Li choisit de traduire l&rsquo;esprit de cette l&eacute;gende gitane &agrave; travers une &eacute;criture contemporaine sans s&rsquo;appuyer de mani&egrave;re directe sur le flamenco. Mais l&rsquo;artiste andalouse en ma&icirc;trise parfaitement la technique et le langage chor&eacute;graphiques, et c&rsquo;est en puisant son inspiration aux m&ecirc;mes sources et en utilisant certains de ces figures qu&rsquo;elle r&eacute;ussit &agrave; proposer une r&eacute;-interpr&eacute;tation &agrave; la fois moderne et totalement originale de ce classique du r&eacute;pertoire espagnol qu&rsquo;est devenu L&rsquo;Amour Sorcier.</p>\r\n<p>Ce ballet en un acte de Manuel de Falla est li&eacute; d&egrave;s ses origines aux figures les plus l&eacute;gendaires du flamenco. C&rsquo;est d&rsquo;abord la grande danseuse Pastora Imperio qui demande &agrave; Falla de lui composer une m&eacute;lodie. S&rsquo;inspirant de l&eacute;gendes et de vieux airs gitans qu&rsquo;il collecte aupr&egrave;s de la m&egrave;re de Pastora Imperio, Manuel de Falla se lance pourtant dans un projet plus ambitieux. Le spectacle est pr&eacute;sent&eacute; au th&eacute;&acirc;tre Lara de Madrid en 1915. C&rsquo;est un &eacute;chec. L&rsquo;Amour Sorcier ne redevient un ballet qu&rsquo;en 1925, au Th&eacute;&acirc;tre du Trianon &agrave; Paris avec Antonia Merc&eacute;, &laquo;&nbsp;La Argentina&nbsp;&raquo;, et fait un triomphe. Falla &eacute;crit &agrave; la Argentina&nbsp;: &laquo;&nbsp;ce que vous avez fait de l&rsquo;Amour Sorcier est si magnifique que rien ni personne ne peut l&rsquo;assombrir. Vous et l&rsquo;Amour Sorcier ne faites qu&rsquo;un, c&rsquo;est un fait reconnu de tous&nbsp;&raquo;.</p>','Ballet en trois parties (Nana, Canciones Populares, l\'Amour Sorcier). Opéra de Massy et Festival International de Grenade','ballet, chorégraphie, spectacle, andalus, festival, Grenade, Massy, gitan, andalous, gnawa, marrakech, maroc, arabe, manuel, de falla, flamenco, tradition, contemporain'),(12,11,'fr','Salomé','<p><strong>Spectacle musical et chor&eacute;graphique en cinq actes pour 8 danseuses, un acteur, 2 trap&eacute;zistes, une soprano, 5 musiciens</strong> <br />Cr&eacute;&eacute; au Quartz de Brest en <strong>octobre 1995</strong> <br />Dur&eacute;e 1h30</p>','<p><strong>Chor&eacute;graphie</strong>&nbsp;: Blanca Li <br /><strong>Musique</strong>&nbsp;: Charles K&oelig;chlin <br /><strong>Direction et arrangements musicaux</strong>&nbsp;: Jean Dominique Burroni <br />Costumes&nbsp;: Sybilla <br />Dessins et d&eacute;cors&nbsp;: Victor Ramos <br />Lumi&egrave;res&nbsp;: Richard Bessenay.</p>\r\n<p><strong>Coproduction</strong>&nbsp;: Le Quartz (Centre chor&eacute;graphique et dramatique national de Brest), Jocomomola Producciones Teatrales (Sybilla), et El Deseo SA (Almodovar), avec le soutien de la famille Charles K&oelig;chlin, de la Maison de la Musique de Nanterre, de l&rsquo;ANPE Spectacles et du Minist&egrave;re de la Culture.</p>\r\n<p>Salom&eacute; est une &eacute;vocation ironique de la violence du sentiment amoureux. Le spectacle m&ecirc;le les techniques a&eacute;riennes du cirque - trap&egrave;ze et corde lisse - &agrave; celles de la danse contemporaine et du flamenco.</p>','Quartz de Brest',''),(13,13,'fr','Nana et Lila','<p><strong>Spectacle chor&eacute;graphique pour 8 danseuses et 5 musiciens</strong> <br />Cr&eacute;&eacute; en <strong>juin 1993</strong> au Festival Trans Europe de Berlin avec l&rsquo;aide de la Fondation Beaumarchais (SACD). <br />Dur&eacute;e&nbsp;: 60 mn</p>','<p>Prix &ldquo;Coup de c&oelig;ur du Off&rdquo; au festival d&rsquo;Avignon 1993 <br />Tourn&eacute;e en Allemagne, Hollande, Italie, Espagne, Tunisie, Maroc, Croatie, Suisse et France. Au total 150 repr&eacute;sentations, pour environ 80 000 spectateurs.</p>\r\n<p><strong>Chor&eacute;graphie et mise en sc&egrave;ne</strong>&nbsp;: Blanca Li <br /><strong>Musique</strong>&nbsp;: le groupe GNAWA HALWA de Marrakech <br />Sc&eacute;nographie&nbsp;: V&iacute;ctor Ramos et Jorge V&aacute;zquez <br />Costumes&nbsp;: Sybilla <br />Lumi&egrave;res&nbsp;: Richard Bessenay</p>\r\n<p>Une r&eacute;flexion en cinq petites pi&egrave;ces sur l&rsquo;&eacute;nergie et la transe, &agrave; travers une interpr&eacute;tation contemporaine du flamenco et des rituels Gnawa.</p>','Festival Trans Europe Express (Berlin) et Avignon Off.  Prix « Public OFF « du Meilleur spectacle de danse dans le cadre du Festival d\'Avignon',''),(14,14,'fr','Very Gentle y Un Parque','<p>Deux op&eacute;ras du compositeur Luis de Pablo<br />Mis en sc&egrave;ne par Blanca Li<br /><br /></p>','<p><strong>Direction musicale :</strong> Jos&eacute; Ram&oacute;n Encinar <br />Espagne, <a href=\"http://www.teatrosdelcanal.org/1000159000201/homenaje-cristobal-halffter-luis-pablo__1.html\" target=\"_blank\">Teatros del Canal</a> de Madrid, 19 et 20 juin 2010.</p>','Opéra de Luis de Pablo, mise en scène et chorégraphie de Blanca Li, Teatros del Canal, Madrid.','very, gentle, parque, madrid, encinar, opéra, luis, pablo'),(15,15,'fr','Treemonisha','<p>Op&eacute;ra de Scott Joplin, mis en sc&egrave;ne et chor&eacute;graphi&eacute; par Blanca Li pour le <a href=\"http://www.chatelet-theatre.com/2009-2010/lyrique/treemonisha,368\" target=\"_blank\">Th&eacute;&acirc;tre du Ch&acirc;telet</a> (Paris). <br /><br /></p>','<p><strong>Direction musicale :</strong> Kazem Abdullah. <br /><strong>Concept sc&eacute;nographique, dramaturgie, d&eacute;cors et costumes :</strong> Roland Roure. <br />Op&eacute;ra en trois actes (Version Sch&uuml;ller), 31 mars-9 avril 2010.</p>','Opéra de Scott Joplin, mise en scène et chorégraphie de Blanca  Li pour le Théâtre du Châtelet, Paris.','scott, joplin, opéra, châtelet, paris, Roure, Abdullah'),(16,16,'fr','Don Giovanni','<p>Op&eacute;ra de Mozart, mise en sc&egrave;ne Marthe Keller, Met NYC, mars 2003.</p>','','Opéra de Mozart, mise en scène Marthe Keller, direction musicale David Levine, Metropolitan Opera, New York','Don Giovanni, Don, Don Juan, Mozart, opéra, Metropolitan Opera, New York, Marthe Keller, Keller, Met, NYC, David Levine, Levine'),(17,17,'fr','Guillaume Tell','<p>Op&eacute;ra de Rossini, mise en sc&egrave;ne Francesca Zambello. Op&eacute;ra Bastille, mars 2003.</p>','','Opéra de Rossini, mise en scène Francesca Zambello, Opéra de Bastille','Guillaume Tell, Rossini, opéra, Francesca Zambello, Zambello, opéra bastille, paris'),(18,18,'fr','Borderline-Grenzgange','<p><strong>Ballet dirig&eacute; et chor&eacute;graphi&eacute;</strong> par Blanca Li, musique de Matthew Herbert et Tao Gutierrez, Berlin Ballett Komische Opera, juin 2002.</p>','','',''),(19,19,'fr','Le Songe du Minotaure','<p>Ballet pour 24 danseurs dirig&eacute; et chor&eacute;graphi&eacute; par Blanca Li. Musiques de Faur&eacute;, Ravel, Debussy, etc. <br />Berlin Ballett Komische Oper, f&eacute;vrier 2002.<br />version originale pour 8 danseurs en 1998</p>','','Biennale de la Danse de Lyon',''),(310,117,'fr','Robot film - director\'s cut','<h3>World Premiere at Dance On Camera 2015</h3>\r\n<p>co-presented by Dance Films Association and the Film Society of Lincoln Center</p>\r\n<p>at Francesca Beale Theater, Lincoln Center, New York<br /> followed by Q&amp;A with Blanca Li<br /> Screening: Monday February 2 at 8:30 pm<br /> Purchase Tickets: <a href=\"http://www.filmlinc.com/films/on-sale/robot\" rel=\"nofollow\" target=\"_blank\">filmlinc.com/films/on-sale/robot</a><br /> More Info: <a href=\"http://dancefilms.org/film-items/robot/\" rel=\"nofollow\" target=\"_blank\">dancefilms.org/film-items/robot/</a></p>','<p>This radical vision from choreographer/director Blanca Li involves eight dancers whose extraordinary flexibility and expressivity are demonstrated as they explore the relationship between humans and machines. They are aided by mechanized instruments shaped like musical notes (created by Maywa Denki, a Japanese artist group), and witty movement by NAO, a playful, highly developed humanoid robot capable of interactivity. A performance that will surprise and amuse anyone interested in how the future of dance might look.</p>\r\n<p><a href=\"http://www.blancali.com/en/s/7/Robot-in-NYC\" target=\"_blank\">The full live production of ROBOT will be on stage at BAM, New York in June 2015</a></p>','Ce documentaire de 61 min a été réalisé par Blanca Li pendant les représentations du spectacle Robot à la MAC de Créteil, et coproduit par Première Heure, Calentito et Séquence-SDP','Robot, long métrage, director\'s cut, film, documentaire'),(20,20,'fr','Shéhérazade1','<p>Ballet de Rimski-Korsakov, Op&eacute;ra Garnier de Paris, d&eacute;cembre 2001/janvier 2002.<br />Costumes de Christian Lacroix..</p>','','Création de Blanca Lipour le Ballet de l\'Opéra National de Paris, Musique de Rimski-Korsakov, costumes de Christian Lacroix, Opéra Garnier, Paris','Rimski-Korsakov, Christian Lacroix, Lacroix, ballet, opéra Garnier, Garnier, opéra, mille et une nuits'),(21,21,'fr','Les Indes galantes','<p><strong>Op&eacute;ra ballet de Rameau</strong>. Direction musicale William Christie, mise en sc&egrave;ne Andrei Serban. Op&eacute;ra Garnier de Paris, septembre 1999. Reprise 2000 et 2003.</p>','<p>En septembre 1999, l&rsquo;Op&eacute;ra de Paris commande cette r&eacute;alisation &agrave; Blanca Li, avec &agrave; la baguette William Christie. Repris les ann&eacute;es suivantes, l&rsquo;op&eacute;ra ballet de Rameau est d&eacute;sormais inscrit au r&eacute;pertoire de l&rsquo;Op&eacute;ra, et publi&eacute; en DVD &agrave; l&rsquo;automne 2005.</p>','Captation de spectacle à l\'Opéra Garnier, dir. Thomas Grimm. DVD',''),(22,23,'fr','Un Tango pour Monsieur Lautrec','<p>De Jacobo Romano et Jorge Zulueta (cr&eacute;ation mondiale). <br /><br /></p>','<p>Direction musicale R&uuml;diger Bohn. <br />Op&eacute;ra de Nancy et de Lorraine, d&eacute;cembre 1998 et janvier 1999.</p>','De Jacobo Romano et Jorge Zulueta, direction musicale Rüdiger Bohn. Opéra de Nancy et de Lorraine',NULL),(23,22,'fr','La Vida Breve / El Amor Brujo','<p><strong>Op&eacute;ras de Manuel de Falla.</strong><br /><strong>Direction musicale&nbsp;:</strong> J&eacute;r&ocirc;me Kaltenbach. <br />Op&eacute;ra de Nancy et de Lorraine, mai 1997.</p>','','Opéras de Manuel de Falla, direction musicale de Jérôme Kaltenbach, Opéra de Nancy et de Lorraine',NULL),(24,24,'fr','Central Station','<p>Ballet chor&eacute;graphi&eacute; par Blanca Li, musique de Jean S&eacute;bastien Bach pour la compagnie Introdans (Arnhem, Hollande 1994), <br />reprise par le Berlin Ballett Komische Oper, 2003.</p>','','Ballet chorégraphié par Blanca Li, musique de Jean Sébastien Bach pour la compagnie Introdans (Arnhem, Hollande). Reprise au Berlin Ballet Komische Oper',NULL),(25,25,'fr','Pas à Pas','<p><strong>R&eacute;alisation:</strong> Blanca Li</p>','<p>Film Addict, 1h28</p>\r\n<p>Documentaire de Blanca Li sur les coulisses de la cr&eacute;ation du spectacle \"Coraz&oacute;n Loco\". Sortie au cin&eacute;ma le 6 janvier 2010, en exclusivit&eacute; au <a href=\"http://www.lesecransdeparis.fr/ecrans-de-paris%7Eactualites-detail/54/Dimanche-du-Docs-Pas-a-Pas-de-Blanca-Li\" target=\"_blank\">Reflet Medicis</a> &agrave; Paris. <br />Projet&eacute; durant le Festival d&rsquo;Avignon 2010 au cin&eacute;ma <a href=\"http://www.cinemas-utopia.org/avignon/index.php?id=1026&amp;mode=film\" target=\"_blank\">Utopia</a>. <br /><a href=\"http://blancali.com/IMG/pdf/DP_RVB_2.pdf\" target=\"_blank\">Dossier de presse</a> &agrave; t&eacute;l&eacute;charger en pdf.</p>\r\n<p><em>&laquo;&nbsp;En 2007, le spectacle <span>Corazon Loco</span> &eacute;tait en pr&eacute;paration pour le palais de Chaillot. Blanca Li a film&eacute; le temps infiniment fort qui pr&eacute;c&egrave;de la sc&egrave;ne, la gen&egrave;se d&rsquo;une repr&eacute;sentation, le temps des r&eacute;p&eacute;titions, l&rsquo;essence m&ecirc;me de la danse et de la cr&eacute;ation&nbsp;&raquo;</em>.</p>','Documentaire de Blanca Li sur la gestation et la création du spectacle Corazon Loco. Sortie en salles le 6 janvier 2010 (production Film Addict, 1h 30)','film, chorégraphie, spectacle, corazon, loco, réalisation, festival, avignon, chaillot'),(26,26,'fr','Le Défi','<p>Com&eacute;die musicale hip-hop &eacute;crite, r&eacute;alis&eacute;e, chor&eacute;graphi&eacute;e par Blanca Li</p>','<p>SPI Jean-Claude Fleury, 35 mm, 1h34<br /><strong>Direction de la photographie&nbsp;:</strong> Manuel Teran. <br /><strong>Avec&nbsp;:</strong> Blanca Li, Sofia Boutella, Benji Chaouat, et 100 danseurs hip hop.</p>\r\n<p>Le Monde &laquo;&nbsp;<em>S&rsquo;il y avait quelqu&rsquo;un capable de donner au cin&eacute;ma une com&eacute;die musicale dans laquelle la danse hip hop tienne le haut du pav&eacute;, c&rsquo;est bien la chor&eacute;graphe Blanca Li, la bombe de Grenade. La danseuse-chor&eacute;graphe poss&egrave;de un impact corporel d&eacute;lirant, digne des grands ma&icirc;tres du comique</em>&nbsp;&raquo;. (Dominique Fr&eacute;tard) <br />T&eacute;l&eacute;rama &laquo;&nbsp;<em>Le D&eacute;fi est un dialogue chor&eacute;graphique o&ugrave; Blanca Li fait des &eacute;tincelles. Chaque danseur apporte sa petite lumi&egrave;re, et tous ensemble, ils nous offrent un feu d&rsquo;artifice</em>&nbsp;&raquo; . (Isabelle Fajardo) <br />Le Figaroscope &laquo;&nbsp;<em>Tout le plaisir de cette premi&egrave;re com&eacute;die musicale hip-hop sign&eacute;e Blanca Li est dans les s&eacute;quences dans&eacute;es, qui sont formidables</em>&nbsp;&raquo;. (Marie-No&euml;lle Tranchant) <br />Monsieur Cin&eacute;ma &laquo;&nbsp;<em>Son film ressemble par moments &agrave; ces bons vieux num&eacute;ros de \"musicals\" et rappelle Chantons sous la pluie ou West side story, mais dans une version hip-hop. On saute sur les canap&eacute;s, on se fait la cour dans les cages d&rsquo;escaliers, on claque des doigts en rythme avec, en plus, des jeux de jambes hallucinants...Tout &ccedil;a avec brio, car la troupe de danseurs que la r&eacute;alisatrice chor&eacute;graphe a r&eacute;unie est absolument fabuleuse</em>&nbsp;&raquo;. (Xavier Pichard)</p>','',''),(27,27,'fr','Pour Elle','<p><strong>R&eacute;alisation:</strong> Blanca Li<br />Avec Victoria Abril<br /><br /></p>','<p>R&eacute;alis&eacute; dans le cadre de la s&eacute;rie X-Femmes-Saison 2 de Canal Plus (SoFilles, HD 23&rsquo;). <br />Diffus&eacute; le 27 juin 2009, avec les films de Tonie Marshall (\"Le beau sexe\"), Zo&eacute; Cassavetes (\"Samedi soir\") et Anna Mouglalis (\"Les filles\"). <a href=\"http://www.secondsexe.com/magazine/Interview-de-Blanca-Li.html\" target=\"_blank\"><br />Interview</a> de Blanca Li.<br /><br /> S&eacute;lectionn&eacute; au Festival de Venise Off le 3 septembre 2009 dans le cadre de la 10&egrave; &eacute;dition du Festival international du Film court. <br />(<a href=\"http://www.cinemasecondsexe.com/pour-elle.html\" target=\"_blank\">T&eacute;l&eacute;chargement payant</a>)</p>\r\n<p>mon court m&eacute;trage &laquo; Pour elle &raquo; avec Victoria Abril, r&eacute;alis&eacute; dans le cadre de la s&eacute;rie X-Femmes de Canal Plus qui demandait &agrave; des femmes d\'exprimer leur regard personnel sur le X, ce fut pour moi une exp&eacute;rience &agrave; la fois tr&egrave;s dr&ocirc;le et tr&egrave;s &eacute;tonnante. Au d&eacute;but nous &eacute;tions folles de joie de pouvoir donner notre point de vue f&eacute;minin sur le porno, et je dois dire qu\'on a beaucoup ri et d&eacute;lir&eacute; pendant le tournage. Mais au final, c\'est plut&ocirc;t un film &eacute;rotique plut&ocirc;t qu\'un film X, sans doute parce que j\'ai d&eacute;couvert que ce qui m\'excite c\'est la suggestion, l\'imaginaire, l\'id&eacute;e de la chose, mais pas d\'en montrer la m&eacute;canique. Et tant pis pour le clich&eacute; !</p>','Court-métrage avec Victoria Abril (Canal Plus série X-Femmes, 23 min)','Victoria, Abril, X, femme, film, canal, réalisation, festival, érotique'),(28,28,'fr','Home Fitness','<p><strong>R&eacute;alisation:</strong> Blanca Li<br />Avec Blanca Li, Rafa Linares <br />(MUSAC L&eacute;on, 3&rsquo;)</p>','','Court-métrage avec Blanca Li, Rafa Liñares (MUSAC Léon, 3 min)','Linares, court, métrage, musac, leon, gymnastique, maison'),(29,29,'fr','Al Andalús','<p>2006, Documentaire, 26&rsquo;<br />Chor&eacute;graphie film&eacute;e pour ARTE,<br /><strong>R&eacute;alisation, mise en sc&egrave;ne et chor&eacute;graphie:</strong> Blanca Li <br /><strong>Production:</strong> Les Films d&rsquo;ici</p>','','Chorégraphie filmée pour ARTE; réalisation, mise en scène et chorégraphie de Blanca Li (Les Films d\'Ici, 26 min)','chorégraphie, film, arte, '),(30,30,'fr','Le Poulet','<p>Avec Blanca Li (2&rsquo;)</p>','','Court-métrage avec Blanca Li (durée 2 min)',''),(31,31,'fr','La Paella','<p>2000, Avec Blanca Li et Lola Mercier (vid&eacute;o 7&rsquo;)</p>','','Court-métrage De Blanca Li avec Blanca Li et Lola Mercier (vidéo 7 min)',''),(32,32,'fr','Angoisse','<p>Avec Blanca Li (Premi&egrave;re Heure, 35 mm, 5&rsquo;) - 1998</p>','<p><strong>Direction de la photographie&nbsp;:</strong> John Mathieson</p>\r\n<p>Cr&eacute;&eacute; dans le cadre du spectacle &ldquo;Zap&nbsp;! Zap&nbsp;! Zap&nbsp;!&rdquo;. <br /> - Prix Fuji au 22&egrave;me Festival du court m&eacute;trage de Grenoble. <br /> - Mention sp&eacute;ciale du Jury au 14&egrave;me Festival du Film Court de Brest. <br /> - Meilleur court-m&eacute;trage francophone 2000 <br /> - Prix du Public Meilleur court m&eacute;trage fran&ccedil;ais 2000 au 22&egrave;me Festival International de Cr&eacute;teil.</p>','Court-métrage avec Blanca Li. Direction de la photographie John Mathieson (Première Heure, 35 mm couleur 5 min). Projeté dans le spectacle « Zap! Zap! Zap! ».  Prix du Public et Mention spécial du Jury au 14 eme Festival du Film court de Brest. Prix',NULL),(33,33,'fr','Le Code a Changé','<p><strong>R&eacute;alisation:</strong> Daniele Thompson<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Danièle Thompson (LM)','Code, changé, Danièle, Thompson, film, chorégraphie, actrice, karin, viard, danny, boon, marina, foïs, patrick, bruel, emmanuelle, seigner, marina, hands, christopher, thompson, chesnais'),(34,34,'fr','Sa majesté Minor','<p><strong>R&eacute;alisation:</strong> Jean-Jacques Annaud<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Jean-Jacques Annaud (LM)','film, chorégraphie, Jean-Jacques, Annaud'),(35,35,'fr','El Calentito','<p><strong>R&eacute;alisation:</strong> Chus Gutierrez<strong><br />Chor&eacute;graphie:</strong> Blanca Li</p>','','Chuz Gutierrez (LM)','Chuz, gutierrez, calentito, film, chorégraphie'),(36,36,'fr','La Confiance règne','<p><strong>R&eacute;alisation:</strong> Etienne Chatilliez<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Etienne Chatilliez (LM)','film, chorégraphie, Etienne Chatilliez, Chatilliez'),(37,37,'fr','People','<p><strong>R&eacute;alisation:</strong> Fabien Onteniente<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Fabien Onteniente (LM)','film, comédie, Fabien Onteniente, Onteniente, josé, garcia, josé garcia, chorégraphie, elie semoun'),(38,38,'fr','Sin noticias de Dios','<p><strong>R&eacute;alisation:</strong> Agustin Dias Yanes<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Augustin Diaz Yanes (LM)',NULL),(39,39,'fr','Quasimodo','<p><strong>R&eacute;alisation:</strong> Patrick Timsit, 1998<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Patrick Timsit (LM)',NULL),(40,40,'fr','Plunkett & McLeane','<p><strong>R&eacute;alisation:</strong> Jake Scott<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Jake Scott (LM)',NULL),(41,41,'fr','Nettoyage à Sec','<p><strong>R&eacute;alisation:</strong> Anne Fontaine<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Anne Fontaine(LM)',NULL),(42,42,'fr','L’Odyssée','<p><strong>R&eacute;alisation:</strong> Andrei Konchalovsky<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Andrei Konchalowsky (Série de 3 téléfilms)',NULL),(43,43,'fr','Arlette','<p><strong>R&eacute;alisation:</strong> Claude Zidi<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Claude Zidi (LM)',NULL),(44,44,'fr','Gazon Maudit','<p><strong>R&eacute;alisation:</strong> Josiane Balasko<br /><strong>Chor&eacute;graphie:</strong> Blanca Li</p>','','Josiane Balasko (LM)',NULL),(45,45,'fr','Pigalle','<p><strong>R&eacute;alisation:</strong> Karim Dridi<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><br /></p>','<p>France | 1993 | 93&rsquo; | Fiction | Couleur | Tout public</p>\r\n<p>Interpr&eacute;tation:<br />V&eacute;ra Briole (V&eacute;ra), <br /><strong>Blanca Li </strong>(Divine), <br />Francis Renaud (Fifi), <br />Raymond (Fernande), <br />Bobby Pacha (Pacha), <br />Philippe Ambrosini (Malfait), <br />Younesse Boudache (Mustaf)</p>\r\n<div class=\"separator\">&nbsp;</div>\r\n<p>Sc&eacute;nario: Karim Dridi</p>\r\n<div class=\"separator\">Image: John Mathieson</div>\r\n<div class=\"separator\">Musique: Alain Bashung</div>\r\n<p>Production: Premi&egrave;re Heure, Delfilm, UGC<br /><br /></p>\r\n<div class=\"bottom-line\">Synopsis</div>\r\n<p>Pigalle, le quartier chaud de la capitale avec ses cabarets, ses bo&icirc;tes de nuit, ses sex-shops et les corps des strip-teaseuses qui s\'exhibent. Avec des trafics en tout genre, les r&egrave;gles sont fragiles. Les truands s\'organisent pour contr&ocirc;ler le march&eacute; de la drogue. V&eacute;ra montre son corps dans un peep-show, elle refuse de se vendre. Elle vit avec J&eacute;sus, petit trafiquant du quartier surnomm&eacute; le Gitan. Fifi, pickpocket aux d&eacute;sirs troubles, vit une passion amoureuse avec Divine, trans au grand coeur. Pigalle va devenir le terrain o&ugrave; les clans se d&eacute;ciment, o&ugrave; les vengeances s\'exercent et o&ugrave; les passions s\'exacerbent.</p>','Karim Dridi (LM)',NULL),(46,46,'fr','Paul Mc Cartney, Dance Tonight','<p><strong>R&eacute;alisateur:</strong> Michel Gondry<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Partizan</p>','','Dance Tonight, dir. Michel Gondry (Partizan)','Paul, Mc, Cartney, Michel, Gondry, vidéo, clip, musique, chorégraphie'),(47,47,'fr','Kanye West, Heard’em say ','<p><strong>R&eacute;alisateur:</strong> Michel Gondry<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Partizan</p>','','Heard\'em say, dir. Michel Gondry (Partizan)','Kanye, West, Michel, Gondry, clip, vidéo, musique, chorégraphie'),(48,48,'fr','Goldfrapp, Train','<p><strong>R&eacute;alisateur:</strong> Dawn Shadforth<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Black Dog</p>\r\n<p>phpinfo();</p>','','Train, dir. Dawn Shadforth (Black Dog)',''),(49,49,'fr','Blur, Music is my radar','<p><strong>R&eacute;alisateur:</strong> D. Cameron<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Tsunami</p>','','Music is my radar, dir. D. Cameron (Tsunami)',NULL),(50,50,'fr','Rita Mitsouko, Cool frénésie','<p><strong>R&eacute;alisateur:</strong> S&eacute;bastien Caudron<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Ninety Nine</p>','','Cool frénésie, dir. S. Caudron (Ninety Nine)',NULL),(51,51,'fr','Daft Punk, Around the World ','<p><strong>R&eacute;alisateur:</strong> Michel Gondry<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Vanguard</p>','','Around the World, dir. Michel Gondry (Vanguard)',''),(52,52,'fr','Khaled, Le Jour viendra','<p><strong>R&eacute;alisateur:</strong> H&eacute;l&egrave;ne Gu&eacute;tary<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> Barclay</p>','','Le jour viendra, dir. Héléne Guétary (Barclay)',NULL),(53,53,'fr','Les Mamas, Ammaria','<p><strong>R&eacute;alisateur:</strong> Michel Meyer<br /><strong>Chor&eacute;graphie:</strong> Blanca Li<br /><strong>Production:</strong> BMG</p>','','Ammaria, dir. Michel Meyer (BMG)',NULL),(54,54,'fr','Sandance','<p>Commande de Shiseido (10 mn, 2004) <br /><strong>Chor&eacute;graphie et interpr&eacute;tation:</strong> Blanca Li</p>','','Chorégraphie et interprétation Blanca Li. Commande de SHISEIDO (10mn)','chorégraphie, danse, vidéo, clip, pub, publicitaire, sable, désert, '),(55,55,'fr','Un après-midi','<p>Commande de Toyota (Auditoire, 9 mn) pour les Championnats du Monde d&rsquo;Athl&eacute;tisme 2003<strong><br />R&eacute;alisation:</strong> Blanca Li</p>','','Commande de Toyota (Auditoire) avec l\'équipe nationale féminine d\'athlétisme pour les Championnats du Monde d\'Athlétisme 2003','video, toyota, athlétisme, championnat, équipe féminine, réalisation, réalisatrice, voiture'),(56,56,'fr','Kinder','<p><strong>Direction:</strong> Blanca Li <br /><strong>Production:</strong> Premi&egrave;re Heure</p>','','Première Heure',NULL),(57,57,'fr','Narta','<p><strong>Direction:</strong> Blanca Li<br /><strong>Production:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(58,58,'fr','Dim','<p><strong>Direction:</strong> Blanca Li<br /><strong>Production:</strong> Premi&egrave;re Heure</p>','','Beautiful People (Première Heure)',''),(59,59,'fr','J.C Decaux','<p><strong>Direction:</strong> Blanca Li<br /><strong>Production:</strong> Premi&egrave;re Heure</p>','','Un matin partout dans le Monde. Publicité, réalisée par divers réalisateurs dont Blanca Li, Francis Ford Coppola, Wong Kar Wai, etc... (Première Heure 12 fois 7 secondes)',NULL),(60,60,'fr','Viva','<p><strong>Direction:</strong> Blanca Li<strong><br />Production:</strong> Premi&egrave;re Heure</p>','','(Première Heure)',NULL),(61,61,'fr','Dancing Machine','<p>Installation vid&eacute;o de Blanca Li</p>','<p>Du 18 au 28 mars 2010 &agrave; la <a href=\"http://www.maccreteil.com/index.php?rubrique=exit\" target=\"_blank\">Maison des Arts de Cr&eacute;teil</a>, Sc&egrave;ne nationale. Exposition reprise dans le cadre de <a href=\"http://www.lille3000.eu/lille3000/fr/event.php?id=28&amp;nom=DANCING-MACHINE\" target=\"_blank\">Lille 3000</a> (Gare Saint-Sauveur, 1er juillet-31 octobre 2010)</p>\r\n<p>Installation vid&eacute;o de Blanca Li cr&eacute;&eacute;e pour l&rsquo;exposition collective &laquo; Dancing machine &raquo; du <a href=\"http://www.maccreteil.com/pdf/din/mac_pdf_52.pdf\" target=\"_blank\">Festival EXIT</a>, international et transdisciplinaire, d&eacute;di&eacute; aux arts num&eacute;riques.</p>','EXIT Créteil, Via Maubeuge et St. Sauveur Lille','installation, vidéo, EXIT, festival, créteil'),(62,62,'fr','Lancome Hypnôse','<p><strong>Direction:</strong> Javier Valhonrat<br /><strong>Chor&eacute;graphie</strong>: Blanca Li<br /><strong>Production:</strong> Milly films</p>','','dir. Javier Valhonrat (Milly films)','pub, publicité, parfum, femme, lancôme, hypnôse, Javier, Valhonrat, chorégraphie, luxe, film, vidéo'),(63,63,'fr','Jean-Paul Gaultier Puissance 2','<p><strong>Direction:</strong> J.B Mondino<strong><br />Chor&eacute;graphie: </strong>Blanca Li<strong><br />Production:</strong> BPI</p>','','dir. JB Mondino (BPI)','Jean, paul, baptiste, mondino, gaultier, luxe, parfum, pub, publicité, parfum'),(64,64,'fr','Prada, Thunder perfect Mind','<p><strong>Direction</strong>: Jordan er Ridley Scott<strong><br />Chor&eacute;graphie: </strong>Blanca Li<strong><br />Production:</strong> RSA</p>','','dir. Jordan et Ridley Scott (RSA)','Prada, Jordan, Ridley, Scott, pub, publicité, vidéo, luxe, parfum, mode, chorégraphie, mannequin'),(65,65,'fr','Ven a bailar conmigo','<p>Installation vid&eacute;o de Blanca Li</p>','<p>Le 19 septembre 2009 &agrave; Madrid, dans le cadre de la <a href=\"http://www.esmadrid.com/lneb09/fr/index.html\" target=\"_blank\">Noche en Blanco</a>. <br />Apr&egrave;s Paris, Bruxelles et Rome, Madrid organise sa propre Nuit Blanche depuis 2006.</p>\r\n<p>Blanca Li a r&eacute;alis&eacute; l&rsquo;installation &laquo; <a href=\"http://www.esmadrid.com/lneb09/fr/evento/421/index.html\" target=\"_blank\">Ven a bailar conmigo</a> &raquo;, sous la forme d&rsquo;un parcours audiovisuel et interactif dans les rues et places centrales de la capitale espagnole. <br />Au plus fort de la manifestation, 100 000 personnes ont simultan&eacute;ment particip&eacute; aux &ldquo;classes de danse&rdquo; propos&eacute;es, entre hip-hop, disco, danse classique ou Bollywood !</p>','Cinq installations multimédia pour la « Noche en Blanco » (Madrid, 19 septembre )','madrid, fête, danse, interactif, écrans, rue, installation, nuit, blanche, noche, blanco'),(66,66,'fr','Perrier Momies','<p><strong>Direction:</strong> Jean-Jacques Annaud<strong><br />Chor&eacute;graphie:</strong> Blanca Li<strong><br />Production:</strong> Franco American</p>','','publicité pour Perrier réalisée par Jean Jacques Annaud',''),(67,67,'fr','GAP','<p><strong>Direction:</strong> Michel Gondry<strong><br /> Chor&eacute;graphie: </strong>Blanca Li<strong><br /> Production:</strong> Partizan, Los Angeles</p>','',NULL,NULL),(68,68,'fr','Findus','<p><strong>Direction:</strong> H&eacute;l&egrave;ne Gu&eacute;tary<strong><br /> Chor&eacute;graphie: </strong>Blanca Li<strong><br /> Production:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(69,69,'fr','Cegetel','<p><strong>Direction:</strong> Roland Joff&eacute;<br /><strong>Chor&eacute;graphie</strong>: Blanca Li<br /><strong>Production:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(70,70,'fr','Perrier Sensations','<p><strong>Direction:</strong> Tarsem<br /><strong>Chor&eacute;graphie</strong>: Blanca Li<br /><strong>Production:</strong> Plan&egrave;te Spots</p>','','publicité pour Perrier réalisée par Tarsem',''),(71,71,'fr','Te voy a enseñar a bailar','<p>(<em>Je vais t&rsquo;apprendre &agrave; danser</em>) <br />Janvier &agrave; mai 2008 au <a href=\"http://www.musac.es/index_en.php?ref=20700\" target=\"_blank\">Mus&eacute;e d&rsquo;Art contemporain de \"Castilla y Leon\"</a> (MUSAC).</p>','<p>Dans le domaine des arts plastiques, Blanca Li a r&eacute;alis&eacute; sa premi&egrave;re exposition contemporaine au MUSAC de leon (Espagne). Cette exposition a pris la forme d&rsquo;une installation plastique, audiovisuelle et chor&eacute;graphique sur plus de 1000 m2, jalonn&eacute;e de propositions interactives. Elle a &eacute;t&eacute; visit&eacute;e par plus de 50 000 spectateurs.</p>','Installation multimedia interactive au musée d\'Art Contemporain de Léon MUSAC','installation, multimédia, musée, vidéo, exposition, interactive, musac, leon, apprendre, danser'),(72,72,'fr','Résidence CCN','<div class=\"texte\"><em>Artiste associ&eacute;e en r&eacute;sidence en 2010 au CCN de Cr&eacute;teil et du Val-de-Marne dirig&eacute; par Mourad Merzouki, Blanca Li a men&eacute; &agrave; ce titre avec sa Compagnie diverses activit&eacute;s territoriales, outre ses cr&eacute;ations chor&eacute;graphiques propres.</em></div>','<div class=\"texte\">\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" /> Ecole &eacute;l&eacute;mentaire Paul Casalis de Cr&eacute;teil : Animation de classes de danse. <br />(deux CM1 et deux CM2) <br />- Du 9 f&eacute;vrier au 28 juin 2010 : <br />40 heures de cours (27 s&eacute;ances), avec la participation de 4 danseurs de la Cie. Pr&eacute;c&eacute;d&eacute;es et conclues par des s&eacute;ances partag&eacute;es anim&eacute;es par Blanca Li. <br />- Du 15 novembre 2010 &agrave; avril/mai 2011 : <br />pr&eacute;vision de 108 heures de cours (72 s&eacute;ances) de novembre 2010 &agrave; avril 2011, avec la participation de 5 danseurs de la Cie.</p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" /> Installation vid&eacute;o interactive de Blanca Li (<span>Ven a bailar conmigo</span>) dans le cadre du Festival EXIT de la Maison des Arts de Cr&eacute;teil (18-28 Mars 2010), adapt&eacute;e de celle cr&eacute;&eacute;e pour la Nuit Blanche 2009 &agrave; Madrid.</p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" /> <span>Atelier \"Filmer la Danse\"</span> : initiation &agrave; la r&eacute;alisation et &agrave; la post-production. Co-anim&eacute; les 3 et 4 novembre 2010 par Blanca Li et le vid&eacute;aste Charles Carcopino (Studio de cr&eacute;ation audiovisuelle de la Maison des Arts de Cr&eacute;teil) avec la collaboration de danseurs, d&rsquo;un cadreur, d&rsquo;un ing&eacute;nieur son et d&rsquo;un monteur post-prod. <br /><em>21 participants aux 2 jours d&rsquo;atelier, r&eacute;alisation de 3 films.</em></p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" /> <span>Festival Danse &amp; Cin&eacute;ma</span> les 5, 6 et 7 novembre 2010, prenant place dans deux &eacute;tablissements culturels du Val-de-Marne (Maison des Arts de Cr&eacute;teil, sc&egrave;ne nationale, et MAC/VAL, Mus&eacute;e d&rsquo;art contemporain du Val-de-Marne &agrave; Vitry-sur-Seine). Projection de films en salles et sur &eacute;crans vid&eacute;os, rencontres, ateliers. <br /><em>Plus de 2000 spectateurs et participants.</em></p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" /> Cr&eacute;ation chor&eacute;graphique &laquo; <span>Elektro Kif</span> &raquo; <br />Ouverture des r&eacute;p&eacute;titions au jeune public du 15 au 19 novembre 2010 au Studio du Centre chor&eacute;graphique national. <br /><em>Visite par 200 jeunes de Cr&eacute;teil et leur encadrement, int&eacute;grant un temps d&rsquo;&eacute;change et de danse avec Blanca Li et les danseurs du spectacle (classes de CM1 et CM2 des &eacute;coles &eacute;l&eacute;mentaires Paul Casalis et Gaston Deferre, jeunes de l&rsquo;Institut m&eacute;dico-educatif &laquo; La Nich&eacute;e &raquo;,...).</em></p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" /> Conception artistique de la prochaine &eacute;dition de la manifestation annuelle &laquo; Jour de F&ecirc;te &raquo; de la Ville de Cr&eacute;teil (19 juin 2011).</p>\r\n</div>','',NULL),(73,73,'fr','Festival Danse & Cinéma','<p>Festival propos&eacute; et organis&eacute; par Blanca Li dans le cadre de sa r&eacute;sidence d&rsquo;artiste associ&eacute;e au Centre Chor&eacute;graphique National de Cr&eacute;teil et du Val-de-Marne, du 5 au 7 novembre 2010</p>','<p>Vendredi 5 et Samedi 6 novembre : <a href=\"http://www.maccreteil.com/\" target=\"_blank\">Maison des Arts de Cr&eacute;teil</a>, Sc&egrave;ne nationale. <br />Dimanche 7 novembre : <a href=\"http://www.macval.fr/\" target=\"_blank\">MAC/VAL</a>, Mus&eacute;e d&rsquo;art contemporain du Val-de-Marne.</p>\r\n<p>Ce rendez-vous dans l&rsquo;univers de la danse au cin&eacute;ma, regroupant films de fiction, films exp&eacute;rimentaux, films et vid&eacute;os d&rsquo;artistes, documentaires, a eu pour ambition de permettre un premier aper&ccedil;u, g&eacute;n&eacute;ral, historique et contemporain, des possibilit&eacute;s d&rsquo;expression chor&eacute;graphique et de cr&eacute;ation offertes par le film de danse <br />-cette &laquo; voix du regard &raquo; dans ce qu&rsquo;elle a de sp&eacute;cifique et d&rsquo;extr&ecirc;mement diversifi&eacute;e.</p>\r\n<p><em>A la Maison des Arts de Cr&eacute;teil, un large panorama a &eacute;t&eacute; propos&eacute;, depuis les premiers films de danse de l&rsquo;histoire du cin&eacute;ma. Ce parcours, jalonn&eacute; de figures de r&eacute;f&eacute;rence de la cr&eacute;ation chor&eacute;graphique contemporaine, a permis d&rsquo;embrasser la danse dans ses formes et ses emplois les plus vari&eacute;s, tout en r&eacute;v&eacute;lant, de mani&egrave;re transversale, ses impulsions fondamentales.</em></p>\r\n<p><em>Au MAC/VAL, &agrave; l&rsquo;aff&ucirc;t des pratiques actuelles ou en devenir, ont pris place uniquement des oeuvres contemporaines, en particulier celles r&eacute;alis&eacute;es par des artistes plasticiens ouvrant de nouveaux champs d&rsquo;investigation et de cr&eacute;ation.</em> <br /><em>(Une conf&eacute;rence a &eacute;t&eacute; int&eacute;gr&eacute;e au programme du MAC/VAL pour &eacute;clairer, &agrave; base d&rsquo;extraits de films, les probl&eacute;matiques de la cr&eacute;ation contemporaine dans ses mutations permanentes).</em></p>\r\n<h3>LE PROGRAMME</h3>\r\n<p>Outre les films programm&eacute;s (45) et les occasions de rencontres et d&rsquo;&eacute;changes ins&eacute;r&eacute;es dans le programme, deux ateliers ont &eacute;t&eacute; adoss&eacute;s au Festival pour ouvrir un temps de pratique et de cr&eacute;ation, et des s&eacute;quences participatives con&ccedil;ues pour le Jeune public.</p>\r\n<p>Programme court &agrave; t&eacute;l&eacute;charger (pdf)&nbsp;:</p>\r\n<p>Dossier post-festival complet &agrave; t&eacute;l&eacute;charger (pdf)&nbsp;: <br />(&eacute;ditorial, films, ateliers, &eacute;quipe &amp; partenaires, galerie de photos, presse)</p>\r\n<h3>INTERVIEWS (&eacute;chantillon)</h3>\r\n<p>France Info - &laquo;&nbsp;Sortir, Ecouter, Voir&nbsp;&raquo; (3 novembre) - <a href=\"http://www.france-info.com/chroniques-sortir-ecouter-voir-2010-11-02-festival-danse-et-cinema-dans-le-val-de-marne-494798-81-118.html?var_recherche=Blanca%20Li\" target=\"_blank\">Interview de Blanca Li</a></p>\r\n<p>France Inter - &laquo;&nbsp;Voulez-vous sortir avec moi&nbsp;?&nbsp;&raquo; (5 novembre) <br /><a href=\"http://sites.radiofrance.fr/franceinter/em/ete/voulez-vous-sortir-avec-moi/index.php?id=97274\" target=\"_blank\">Interview de Cedric Klapish et Aur&eacute;lie Dupont</a></p>\r\n<p>Regarde les hommes danser - Vid&eacute;o&nbsp;: Interview de Blanca Li <br />(et extraits de l&rsquo;Atelier \"Filmer la danse\")&nbsp;:</p>','','ccn, créteil, festival, danse, cinéma, résidence, film'),(75,75,'fr','Enamorados Anonimos ','<p>Com&eacute;die musicale mise en sc&egrave;ne par Blanca Li</p>','<p>Direction musicale de Javier Lim&oacute;n, sc&eacute;nario de David Serrano, Daniel Sanchez Arevalo, Fernando Castets - Teatro Movistar &agrave; Madrid, Espagne, cycle de repr&eacute;sentations, oct 2008-mai 2009.</p>','Teatro Rialto Gran Via à Madrid. Comédie musicale mise en scène par Blanca Li, direction musicale Javier Limon, scénario de David Serrano, Sanchez Arevalo, Fernando Castets, Olga Iglesias Duran','comédie, musicale, rialto, madrid, spectacle, musical'),(76,76,'fr','La folle et véritable vie de Luigi Prizzoti','<p>Spectacle de music hall, mise en sc&egrave;ne d&rsquo;Edouard Baer et sa troupe, f&eacute;vrier 2006</p>\r\n<p><img src=\"http://www.blancali.com/files/image_681_image_fr.jpeg?2017-01-20-17-08-20\" alt=\"\" width=\"300\" height=\"200\" /></p>','','Spectacle de music hall, mise en scène d\'Edouard Baer et sa troupe','music, hall, Edouard, Baer, spectacle, chorégraphie'),(77,77,'fr','Bagdad Cafe','<p>Chor&eacute;graphie de Blanca Li</p>','<p>Ecrit et mis en sc&egrave;ne par Percy Adlon, musique de Bob Telson, chor&eacute;graphie de Blanca Li - MC de Nevers, Le Quartz de Brest, Maison de la Danse de Lyon, oct 2005</p>','Écrit et mis en scène par Percy Adlon; chorégraphie de Blanca LI, musique Bob Telson; Barcelone et MC Nevers. Le Quartz Brest; Maison de la Danse, Lyon','Percy, Adlon, film, Bob, Telson, chorégraphie'),(78,78,'fr','Quel Cirque !','<p>Festival Suresnes Cit&eacute;s Danse, 16-19 janvier 2010. Dur&eacute;e : 25&rsquo; <br /><br /></p>','<p>(Production <a href=\"http://www.theatre-suresnes.fr/?page=spectacle&amp;page2=suresnes&amp;id=78\" target=\"_blank\">Th&eacute;&acirc;tre de Suresnes Jean Vilar-Suresnes cit&eacute;s danse</a>) <br /> Cr&eacute;ation chor&eacute;graphique de Blanca Li pour le Collectif Jeu de Jambes, pionnier du jazz-rock en France. Reportage France 3 Ile-de-France :</p>','Pour le collectif Jeu de Jambes. Festival Suresnes Cités de Danse','festival, suresnes, jeu, jambes, jazz, rock'),(348,145,'fr','Pulcinella','<p>Pulcinella, Ballet para el ballet nacional de espa&ntilde;a con 27 bailarines (7 solistas) <br />Coreograf&iacute;a : Blanca Li<br />Luces y vestuario&nbsp;: Blanca Li</p>','<p>Cuando Joaqu&iacute;n De Luz me llam&oacute; para invitarme crear una nueva versi&oacute;n de Pulcinella para la Compa&ntilde;&iacute;a Nacional de Danza me entusiasmo. Stravinski es uno de mis compositores favoritos y Pulcinella una obra con m&uacute;ltiples texturas. Posee luz y color y lo que m&aacute;s me gusta, es alegre y est&aacute; llena de energ&iacute;a.</p>\r\n<p>El reto mas importante era el hecho de crear un ballet para ser representado en un contexto diferente al habitual. El Auditorio Nacional es una sala dedicada a conciertos de m&uacute;sica cl&aacute;sica, no un escenario de ballet. Lo primero que hice fue visitar el auditorio con el equipo de la compa&ntilde;&iacute;a Nacional de Danza y dejar que el espacio me inspirase la forma que deb&iacute;a tomar la distribuci&oacute;n esc&eacute;nica. El ballet tendr&iacute;a tres espacios, la parte frontal mas cerca del publico estar&iacute;a dedicado a los siete solistas, en el centro estar&iacute;a la orquesta y el espacio del coro lo utilizar&iacute;a para el resto de los bailarines.</p>\r\n<p>Es la primera vez que trabajo con la Compa&ntilde;&iacute;a Nacional de Danza y tengo que decir que ha sido un enorme placer. Los bailarines y bailarinas han sabido adaptarse al lenguaje coreogr&aacute;fico de mi propuesta, les agradezco la ilusi&oacute;n y la entrega con la que han aceptado el reto.</p>\r\n<p>El hecho de que nuestro primer p&uacute;blico sea un p&uacute;blico familiar es muy importante para m&iacute;. Llevo a&ntilde;os trabajando para acercar la danza a ni&ntilde;os y a j&oacute;venes, es un p&uacute;blico al que adoro y respeto. Pulcinella me parece una pieza abierta a todo tipo de p&uacute;blicos por su riqueza musical, su belleza y su energ&iacute;a.</p>\r\n<p>He intentado crear una coreografia con un hilo narrativo, con toques est&eacute;ticos, humoristicos o dramaticos, para dialogar de una manera relevante con esta composici&oacute;n musical tan llena de vida y fantasia.</p>\r\n<p>&nbsp;</p>\r\n<p>photo Alba Muriel</p>','ballet chorégraphié par Blanca Li pour la Compagnie nationale de danse d\'Espagne (Ballet dirigé par Joaquin de Luz) sur la musique de Stravinski',''),(80,80,'fr','Le Blancamobile','<p><strong>Ev&eacute;nement</strong> pour 8 acrobates et 2 musiciens cr&eacute;&eacute; au Lieu Unique de Nantes dans le cadre du passage &agrave; l&rsquo;an 2000. <!-- Documents joints et portfolio d\'images --></p>','<p>Le Monde &laquo; <em>Sur des chansons d&rsquo;amour des ann&eacute;es 30, le Blancamobile va planant, nostalgique et futuriste, kitsch et enfantin. Gestes lents et suspendus, la virtuosit&eacute; tranquille des acrobates lib&egrave;re une volupt&eacute; insolente.</em> &raquo; (Rosita Boisseau)</p>',NULL,NULL),(81,6,'en','Alarme','<p><strong>A patchwork of 8 independant elements for 8 dancers.</strong> <br />Premiere: Biennale de la danse <strong>2004</strong> <br />Duration time: 90 mn</p>','<p><strong>Choreography and artistic direction</strong>: Blanca Li <br /><strong>Original Music</strong>: Fran&ccedil;ois Eudes Chafrault  and Tao Gutierrez <br />Lights: Jacques Ch&acirc;telet <br />Video: Charles Carcopino <br />Costumes: Laurent Mercier, Mr Pearl and Fran&ccedil;oise Yapo.</p>\r\n<p><strong>Coroduction</strong>: Biennale de  la danse de Lyon, Compagnie Blanca Li, Maison des Arts de Cr&eacute;teil, Op&eacute;ra  de Massy. With the help of la Caisse des D&eacute;p&ocirc;ts et Consignations et de  la Direction R&eacute;gionale des Affaires culturelles d&rsquo;Ile de France &ndash;  Minist&egrave;re de la Culture et de la Communication.</p>\r\n<p>A collection of snapshots, glimpses of real life, a  collage of different emotions. Life&hellip; as a film. For this creation,   Blanca Li has chosen to work on several short pieces, composing a  patchwork of short stories, of short dance movies. The choreographer  draws her inspiration from moments, images, objects, stories, music,  fragments of actuality, from all those unpredictable encounters that  make her daily life. Some of these ideas take form into pieces with  evocative titles like, Doblepaso, Alarme, Round Midnight, Made in China,  Game Over&hellip; The length of these pieces as well as their form (solos,  duos, trios, group compositions) reflect the lightweight, the briefness  of these flashes of inspiration. Ephemeral moments treated with humour,  poetry or energy, they respond to the need of the choreographer to give  freedom to her wandering inspiration without being constrained by  duration.</p>\r\n<p>In that way the choreography brings forth such  fondamental issues as: how to deal with highheel shoes, or more  metaphysical matters like that of artists having to earn a living by  performing in the NY subway. As to the sound effects, they prove that  Blanca Li has lost nothing of her unmistakable creativeness. For one of  her pieces, the choreographer picked out these small plastic instruments  we give children to play on at birthday parties. However bad the music  they make is, and not sophisticated in any way, Blanca Li just adores  the way they sound. But, Blanca insists, the whole point is to have  responsible adults play on them. No matter how wild the performance is,  with no link between the different themes developed in each piece, it  arouses a strong urge to go back to the child within. As if hypnotized,  the audience faces a wonderful playground where emotions loom up with no  apparent control.</p>\r\n<p>The tittle  &ldquo;Alarme&rdquo; at first revealed some kind of a  panic, a feeling of emergency awakened by a troubled world, but has  slowly changed, its sharpness has softened and turned into something  smoother. &ldquo;I want to remember the beauty in all things&rdquo;, Blanca says.  More concretely she asked the artist friends of her team -a  photographer, a costume designer, a plastician- to come up with an  object, something meaningful to them, and bring it to her. And they will  all be on stage along with the eight performers.</p>\r\n<p><strong>Alarm is composed of eight independent pieces:</strong></p>\r\n<p><strong>Alarme</strong> <br />In our contemporary world, in spite of the increasing numbers of  means of communication, fear keeps human beings  isolated while  they  live under more and more control. A fancy on the freedom we long for in  order to prevent our planet from turning into a threatening and hostile  environment.</p>\r\n<p><strong>Doble paso</strong> <br />Many modern women&rsquo;s professional life can be summed up by the same  motto: save appearances no matter what. A free variation on what we  become thanks to the way others see us&hellip;</p>\r\n<p><strong>Electron</strong> <br />Night, under the city lights or in the dark, releases a kind of  energy, which renews and revitalizes the bodies. An hymn to the urban  night and the subterranean streams  and emotions.</p>\r\n<p><strong>Pochette surprise</strong> <br />Because we should never forget we were once children and never lose our ability to play.</p>\r\n<p><strong>Made in China</strong> <br />Technology doesn&rsquo;t have to be advanced or sophisticated to move and fascinate us.</p>\r\n<p><strong>Promenade</strong> <br />An exploration of the world of seduction where lie the roots of our  most passionate memories. A confrontation between the call of nature and  the limits we impose on ourselves.</p>\r\n<p><strong>Round midnight</strong> <br />While midnight is a long gone memory , and dawn still an  indecipherable future, a journey into the depths of the feminine soul,,  calling for the absolute, for vital instinct and sensual struggles.</p>\r\n<p><strong>Game Over</strong> <br />The light effects, which come as an illustration of the music, break up the bodies and lead us into the heart of the machine.</p>',NULL,NULL),(82,8,'en','Borderline','<p><strong>For 13 dancers</strong> <br />Created at the Berlin Komische Oper in <strong>June 2002</strong>.  <br />French premiere : September 2002, Maison des Arts de Cr&eacute;teil.  <br />Timing : 75 mn</p>','<p><strong>By Blanca Li and the Studio Orta</strong> <br />Choreography and conception : Blanca Li <br /><strong>Music</strong> : Matthew Herbert and Tao Gutierrez <br />Textile architecture and conception : Lucy Orta <br />Installation and video conception : Jorge Orta <br />Video : Charles Carcopino, Maison des Arts de Cr&eacute;teil <br />Lights : Jorge Orta and Thierry Lenain.</p>\r\n<p><strong>Producers</strong> : Berlin Ballett  at Komische Oper Berlin, the Compagnie Blanca Li Paris, Studio Orta  Paris, la Maison des Arts de Cr&eacute;teil, le Moulin du Roc Niort, l&rsquo;Op&eacute;ra de  Massy, La Caisse des D&eacute;p&ocirc;ts en faveur de la danse, la Direction  R&eacute;gionale des affaires culturelles d&rsquo;Ile de France - Minist&egrave;re de la  Culture et de la Communication.</p>\r\n<p>Borderline is a choreographic project at the  intersection of dance,   music and art, which explores the thin line  between normality and   insanity. Deeply impressed by Lucy and Jorge Orta\'s project &ldquo;Life Nexus&ldquo;  at the Psychiatric Clinic  Robert Giffard in  Qu&eacute;bec, Blanca Li managed  to work with those two artists for  her own creation. Their creative  trio focused its research on a contemporary madness. Who is really crazy   ? Lunatics walking in the street ? The world itself ?  Always with  humour  and a great sense of comedy, Borderline explores the  numerous  ways of  being \"different\": from those who indulge in craziness  to  those who  suffer from it. A tragicomic show, oscillating   between  dynamic fits and darker moments of despondency.<br />The  choreography itself is developped from the constraint of objects created  by Lucy and Jorge Orta. The accessories and moves were born at the same  time, during the phase of writing. The theme of constraint is declined  in various ways in every scene of this total performance, structuring  the matter as well as the body, in the rythm of burlesque and reflexive  situations.</p>',NULL,NULL),(83,4,'en','Corazón Loco','<p><strong>Show for 6 dancers, 8 singers and 1 percusionist</strong> <br />Premiered at Odyssud, Blagnac on January <strong>2007</strong> <br />Duration time: 90 mn</p>','<p><strong>Choreography and direction</strong>: Blanca Li.  <br /><strong>Original Music</strong>: Edith Canat de Chizy.  <br /><strong>Choral</strong>: \"Sequenza 9.3 Ensemble\" conducted by Catherine Simonpietri. <br />Lights: Jacques Ch&acirc;telet assisted by Sylvie Debare <br />Sets: Pierre Attrait assisted by Elisabeth Dallier <br />Video: Charles Carcopino assisted by Julien Nesme <br />Costumes: Laurent Mercier, assisted by Fran&ccedil;oise Yapo.</p>\r\n<p><strong>Dancers</strong>: Jean-G&eacute;rald Dorseuil, Ahmed Karetti, Matthew Hawkins, Blanca Li, Yana Maltseva, Deborah Torres <br /><strong>Percussionist</strong>: B&eacute;atrice R&eacute;p&eacute;caud <br /><strong>Ensemble vocal Sequenza 9.3</strong>: Claudine  Margely, Virginie Lefebvre, Thi Lien Truong, Donatienne Milpied,  Philippe Froeliger, Etienne Vandier, Christophe Sam, Christophe  Grapperon</p>\r\n<p><strong>Produced</strong> by Blanca Li Dance Company and Sequenza 9.3 - <strong>Coproducers</strong>:  Th&eacute;&acirc;tre National de Chaillot, Odyssud S.N. de Blagnac, Maison de la  Musique de Nanterre, Op&eacute;ra de Massy, Th&eacute;&acirc;tre 71 Malakoff, Studio  technologique de la MAC Cr&eacute;teil.  <br />- The Blanca Li Company is in residence at the Massy Opera with the  help of Conseil g&eacute;n&eacute;ral de l&rsquo;Essonne, The Sequenza 9.3 is in r&eacute;sidence  in Pantin. <br />- The Sequenza 9.3 Ensemble is financially supported by the Conseil  G&eacute;n&eacute;ral de Seine St Denis. It receives the support of SACEM. The France  T&eacute;l&eacute;com Foundation and the Spedidam support Sequenza 9.3 for the  creation of Coraz&oacute;n Loco. The Caisse des D&eacute;p&ocirc;ts et Consignation and the  DRAC Ile-de-France support the Blanca Li Company for the creation of  Coraz&oacute;n Loco.</p>',NULL,NULL),(84,1,'en','Elektro Kif','<p><strong>2012 UK TOUR with Dance Touring Partnership (<a href=\"http://elektrokif.co.uk/\" target=\"_blank\">LINK</a>)<br />Choreography with 8 electro dancers</strong> <br />Created in december, 2010 (Theatre of Colombes) <br />Show for all type of audience. Duration time: 1h10 min <br />(Young audiences sessions possible)</p>','<p><strong>Direction, choreography</strong>: Blanca Li <br /><strong>Dancers</strong> : Kevin Bago, Mamadou Bathily, J&eacute;r&ocirc;me Fidelin, Romain Guillermic, Th&eacute;ophile Landji, Adrien Larrazet, Lenny Louves, Ismaila N\'diaye <a href=\"/en/e/5/the-company/27/elektro-kif-dancers\">(more info)<br /></a><strong>Musics</strong>: Tao Gutierrez <br /><strong>Lights</strong>: Jacques Chatelet <br /><strong>Choreography assistants</strong>: Glyslein Lefever, G&eacute;raldine Fournier and Pascale Pedalan<br /><strong>Costumes</strong>: Fran&ccedil;oise Yapo <br /><strong>Technical coordination and light manager</strong>: Sylvie Debare <br /><strong>Stage manager</strong>: Pascal Dibilio</p>\r\n<p><br /><strong>ELEKTRO KIF</strong></p>\r\n<p>After <em>Macadam Macadam</em>, which opened new representation areas for Hip Hop, and most recently <em>\"What a Circus!\"</em> for the French collective &ldquo;Jeu de jambes&rdquo;, pioneer of Jazz Rock in France, Blanca Li continues to put street culture on stage.</p>\r\n<p>Some encounters sound like exciting challenges and stimulate imagination. <br />With &laquo;ELEKTRO KIF&raquo;, Blanca plunges once again back into the urban dance universe, with its diversity, its constantly renewed creative identity.</p>\r\n<p>Blanca Li puts electro dance away from pure performance in order to install it on a theatre scene, through a contemporaneous choreographic project.</p>\r\n<p><em>&laquo; I have always appreciated the stimulating and inventing exercise of submitting my creations to a musical or gestural constraint full of meaning and creativity, of creating a show at the edge of numerous universes in order to revive genres.&raquo;</em> (Blanca Li)</p>\r\n<p><strong>Production</strong>: Blanca Li&rsquo;s Company, National Choreographic Center of Cr&eacute;teil and Val-de-Marne, Cr&eacute;teil city, L&rsquo;Avant-Seine/Theatre of Colombes, with the support of the French Ministry of Culture and Communication.</p>','',''),(85,2,'en','Le Jardin des Délices','<p><strong>Show for 9 dancers and a pianist</strong> <br /><em>Inspired by Hieronymus Bosch&rsquo;s painting</em> <br />Created in <strong>June 2009</strong> at the Montpellier Dance Festival  <br />Duration time: 85 mn</p>\r\n<p>Show currently touring: 70 representations since its creation. <br /><span>2010-2011</span> season under construction (archives of the <span>2009-2010</span> season)</p>','<p><strong>Choreography and direction</strong>: Blanca Li <br /><strong>Choreography Assistant</strong>: Deborah Torres <br /><strong>Film</strong>: Eve Ramboz <br /><strong>Music</strong>: Tao Gutierrez <br />Sets: Pierre Attrait - Lights : Jacques Ch&acirc;telet - Video: Charles  Carcopino - Costumes:  Laurent Mercier, Fran&ccedil;oise Yapo -  Corporal  sculptures: Tilmann Grawe</p>\r\n<p><strong>Piano</strong>: Jeff Cohen (or David Saliamonas) <br /><strong>Dancers</strong>: Jean-G&eacute;rald Dorseuil,  S&eacute;bastien Fedj, G&eacute;raldine Fournier, Yan Giraldou, Glyslein Lefever,  Blanca Li, Rafael Linares, Margalida Riera, Yohann Tete  <br /><em>(Substitutes: Ga&euml;l Rougegrez, Bruno Pere - They  participated in the tour and/or creation: Anthony Cazaux, Amin Benassa,  St&eacute;phane Lavall&eacute;e)</em></p>\r\n<p><strong>Production</strong> : Blanca Li&rsquo;s  Company - Coproduction : Montpellier Dance Festival 09, Theater of  Narbonne, Altstadtherbst Kulturfestival (D&uuml;sseldorf), DRAC  Ile-de-France, CCN (National Choreographic Center) of Cr&eacute;teil and  Val-de-Marne (Home Studio), Studio of the \"Maison des Arts\" (Cr&eacute;teil) /  Film produced by &laquo; La Maison &raquo;. <br />With the support of CulturesFrance for some tours abroad (Serbia, Spain).</p>\r\n<p>&laquo; (...) I have always wanted to give movement to this  pictural expression of a place where hell mingles with paradise, satire  with morality, where the obsession of sins and salvation reaches an  unequalled force. In my creations I like to mix various modes of  expression. Here the work of Eve Ramboz, specialist in digital visual  effects, who has already made two films on paintings by Bosch, will come  in dialogue and interaction with my choreographic work.&raquo; Blanca Li</p>',NULL,NULL),(86,7,'en','Le Songe du Minotaure','<p><strong>Ballet for 8 or 24 dancers</strong> <br />Duration time: 65 min</p>','<p><strong></strong>Created for 8 dancers at the Biennale de Lyon, on September <strong>1998</strong> <br />Recreated in a version for 24 dancers at the Komische Oper of Berlin in <strong>2002</strong>. <br />This spectacle has been recreated in May <strong>2008</strong> for the Op&eacute;ra de Toulon-Provence-M&eacute;diterran&eacute;e. It will be played again in this theater in december 2009.</p>\r\n<p><strong>Direction and choreography</strong>: Blanca Li <br />Music: Stelio Vlavianos, Erik Satie, Charles Koechlin, Claude Debussy, Gabriel Faur&eacute;, Maurice Ravel, Micheal Daughterty.  <br />Lights: Nicolas Salvatori</p>\r\n<p><strong>Co-production</strong>:  Biennale  de la Danse in Lyon, Maison des Arts in Cr&eacute;teil, Moulin du Roc in Niort,  with the help of the Caisse des D&eacute;p&ocirc;ts et Consignations.</p>\r\n<p>&laquo;<em>I started on the idea of a pure  choreographic piece, putting the emphasis on the beauty of nearly naked  bodies.  I was naturally guided in my inspiration by Greek statuary.  While looking for images and movements, I found myths, heroes, an  inhibited approach of nature and sex, philosophy, humor, and above all,  aesthetics, the sense of beauty underneath all creation. Then I wove  different themes, the Minotaur and the animal rituals from Crete,  Narcissus, Pygmalion, the Amazons, Athena, figures from Greek temples  and ceramics, Dyonisos festivities, love, war, the Olympic birth of  sports.  For the ambiance, I recalled my childhood memories of Mediterranean  landscapes, the blinding midday light, the sound of crickets and wind in  pinetrees.  The show will be interpreted by 12 dancers. The white colour has been  chosen for costumes and set, owing to its purity and elegance. For  music, I found in some classical and modern composers&rsquo; work the Hellenic  inspiration that has also inspired so many contemporary talents (Satie,  Debussy, Faur&eacute;, Ravel, K&oelig;chlin, Ted Shawn, Nijinsky, Martha Graham,  etc&hellip;)</em>&raquo;  Blanca Li</p>',NULL,NULL),(87,12,'en','L’Amour Sorcier / Al Andalús','<p><strong>Ballet for 10 dancers</strong> <br />Originally created for the Nancy Opera in <strong>1997</strong> <br />The  ballet was taken up by the Compagnie Blanca Li in partnership  with the  Massy Opera and the Granada International Festival in 2004. <br />Timing : 30 mn</p>','<p><strong>Choreography</strong> : Blanca Li <br />Music : Manuel de Falla, libretto by Gregorio Martinez Sierra <br />Scenography : Victor Ramos <br />Lights : Christine Richier <br />Costumes : Ren&eacute; Zamudio</p>\r\n<p>This piece is part of an evening program of neoclassical  and modern ballets, inspired by Andalusia and its links with arabic  culture, titled Al Andal&uacute;s, which can include (according to different  versions) Nana and Lila, El Amor Brujo and two new creations by Blanca  Li, Canciones Populares, with music by Carmen Linares, and Silhouette,  with music by Tao Gutierrez.  <br />In its most prestigious version, all the music is interpreted live  by a symphonic orchestra, a flamenco singer, a  flamenco guitarist and  the Gnawa Halwa from Marrakech. Titles of the pieces, year of creation :  Nana (1993) Canciones Populares (2004) Silhouette (2004) El Amour Brujo  (1997)</p>\r\n<p>In 1997 for the 50th anniversary of Manuel de Falla&rsquo;s  death, Jean-Marie Blanchard commissioned the Granada born dancer and  choreographer Blanca Li to direct and create the choreographic pieces  for La Vie Br&egrave;ve and L&rsquo;Amour Sorcier at the Op&eacute;ra de Nancy. <br />Whereas her fellow countryman introduced elements of the traditional  flamenco in a very modern musical piece, Blanca Li chose to keep only  the spirit of the gypsy legend and translate it into a contemporary  language. But she also has an intimate knowledge of both the technique  and the culture of flamenco. Without using it in a direct way, she drew  her inspiration from the same sources and succeeded in staging a  completely renewed interpretation of this ballet, now known as a classic  of the Spanish repertoire.</p>\r\n<p>&laquo;<em>It is a very personal creation, a sort  of concentrate extract of my intimate relation with Andalusia and with  the flamenco, the music and the dancing I grew up with. I have traveled a  lot and my work draws its inspiration from a great variety of sources,  from Martha Graham to the Gnawas of Marrakech, including from other art  forms. But flamenco always reappears in my choreographic pieces. Its  presence just seems necessary, as a mean to go back to this part of me  rooted in my childhood, where lies the very origins of my passion for  dancing. This adaptable program is like an illustration of the  multifaceted vision flamenco has inspired me at different stages in my  life. It reveals a lot about myself.</em>&raquo; B.L.</p>\r\n<p>From the very beginning of its creation, this ballet in  one act composed by Manuel de Falla has had close links with some of the  legendary figures of flamenco. The great dancer Pastora Imperio  commissioned Falla to write her a melody. Influenced by the legends and  the olds gypsy songs which Pastora Imperio&rsquo;s mother taught him, Manuel  de Falla started a far more ambitious project. His composition was  performed for the first time in 1915 at the Lara Theater of Madrid. It  was a disaster. L&rsquo;Amour Sorcier only became a ballet again in 1925 at  the Trianon in Paris, starring Antonia Merc&eacute; &ldquo;la Argentina&rdquo; , along with  Vicente Escudero and George Wague. This time it was a great success.  Falla wrote to la Argentina : &ldquo;what you achieved with l&rsquo;Amour  Sorcier  is so magnificent that nothing or nobody could ever make it look pale.  You and l&rsquo;Amour Sorcier are all one : this is a fact that everybody  acknowledges.&rdquo;</p>',NULL,NULL),(88,5,'en','Macadam Macadam','<p><strong>Musical show for 11 hip hop dancers, roller skaters and biker</strong>. <br />Premiere: Festival Suresnes Cit&eacute;s Danse in <strong>1999</strong> <br />Recreated in January <strong>2006</strong> at the Mogador Theater and Massy Opera. <br />Duration time: 70 mn</p>\r\n<p><em><a href=\"http://www.globesdecristal.com/\" target=\"_blank\">Globe de Cristal</a> 2007 for best choreography (Opera / Dance). <br />(Award of the french press) </em></p>','<p><strong>Choreography and direction</strong>: Blanca Li  <br /><strong>Original music</strong>: Antoine Herv&eacute; <br />Additional music: &laquo;<em>Singing in the rain</em>&raquo; and &laquo;<em>Get happy</em>&raquo; (with the authorization of EMI France). Other additional music: Tao Gutierrez.  <br />Set: Bernard Michel and Elsa Ejchenrand - Lights: Didier Girard - Costumes: Laurent Mercier with the support of ADIDAS <br />Stage director: Gino Totaro - Sound technician: Antoine Imbert - Light technician: Mathieu Roy</p>\r\n<p><strong>Dancers</strong>: Amin Benassa,  Malika Benjelloun, Andrea Bescond, Grichka Caruge, Karlos Da Silva,  Ahmed Karetti, Fran&ccedil;ois Lamargot, Esp&eacute;rance Mi&eacute;zi <br /><strong>Roller skaters</strong>: Lamine Fathi and Mohamed Sylla <br /><strong>Biker (BMX)</strong>: Alex Jumelin</p>\r\n<p><strong>Production</strong>: Compagnie Blanca Li - <strong>Special thanks to</strong>:  Th&eacute;&acirc;tre de Suresnes (festival Suresnes Cit&eacute;s danse), Op&eacute;ra de Massy,  Th&eacute;&acirc;tre Mogador. Created with Caisse des D&eacute;p&ocirc;ts et Consignations,  re-created with \"Conseil G&eacute;n&eacute;ral\" of Essonne and DRAC Ile-de-France.</p>\r\n<p>Initiated by the Festival Suresnes Cit&eacute;s Danse that  Olivier Meyer has been organizing for several years at the Th&eacute;&acirc;tre de  Suresnes, Macadam Macadam was received enthusiastically by the press and  the audience alike ever since its first creation in 1999. From then on,  the show has always been a great success, at the Festival d&rsquo;Avignon as  well as on tour, in France (Op&eacute;ra Comique), in Europe and in the United  States (New Haven Festival).</p>\r\n<p>The world of Macadam Macadam, a stage turned into a  street and towered by a roller ramp, reflects the &ldquo;street culture&rdquo;  generation. Thanks to her multifaceted talent, her energetic temperament  and her insatiable curiosity, the Spanish choreographer Blanca Li knows  how to be sensitive with wit, and provocative with elegance. With 11  young virtuoso performers, she stages a successful combination of hip  hop and contemporary creation, both intelligent and subtle. Hip hop  rhythms meet music hall, and the choreographic pieces run from dancing  to roller-skating, from biking to acrobatics. The performers&rsquo;  spontaneity and sense of humor reach far beyond a simplified vision of  reality and overwhelm us by their mere pleasure to dance.</p>\r\n<p><em>&laquo;For me, a live show is alive only when  it is preformed on stage. When one of my creations doesn&rsquo;t tour, it just  stops living. And after some time I start to miss it -just like an old  friend I haven&rsquo;t seen for a while. It&rsquo;s exactly what happened to me with  Macadam.  <br />But in order to put the show back to life, I had to give it a whole  new energy. I wanted to put in some new elements and take into account  the creative evolution of the street culture and its constantly renewed  means of expression. I put a new team together with some of the dancers  already present in 1999 and a few new comers. I also remodeled some  parts of the choreography, for the solos as well as for the collective  pieces. I didn&rsquo;t want to stress the individual virtuosity of the  performers, which are all excellent, as much as insist on the contrast  between the various styles and personalities.  <br />The 2006 re-creation was born from this encounter: it shows how  individuals from very different backgrounds can go beyond their own  frontiers, unite their energy and create a whole new alphabet together.&raquo;</em> B.L.</p>',NULL,NULL),(89,13,'en','Nana et Lila','<p><strong>For 8 dancers and 5 musicians</strong> <br />Created in <strong>1993</strong> at the Festival Trans Europe in Berlin, with the support of the Fondation Beaumarchais (SACD).  <br />Timing : 60 mn</p>\r\n<p>Awarded the &ldquo;Coup de c&oelig;ur du Off&rdquo; at the Avignon Festival \"off\". <br />The  company&rsquo;s first creation has been presented more 150 times in  France  and abroad since 1996. Shown at the Universal Exposition of  Sevilla in  1993. The critics agreed on finding in the ballet power and   bewitchment.</p>','<p><strong>Chroreography</strong> : Blanca Li <br /><strong>Music</strong> : the Gnawa Halwa of Marrakech ; &laquo;<em>Nana del Caballo Grande</em>&raquo; by Camar&oacute;n de la Isla (lyrics : Federico Garcia Lorca) ; &laquo;<em>Callej&oacute;n del Muro</em>&raquo; by Paco de Lucia ; &laquo;<em>Por los Campitos de Batalla</em>&raquo;, popular song by Juana la del Cepillo <br />Scenography : Victor Ramos and Jorge Vasquez <br />Lights : Richard Bessenay <br />Costumes : Sybilla</p>\r\n<p><em>&laquo;Two different moods exist in this  production. The first, very personal, restrained and hard; the second,  where energy explodes and the body is drained. It reflects two different  ways of dancing to reach the same paroxysm. It&rsquo;s this contrast which  interests me.&raquo;</em>. B. L.</p>\r\n<p>NANA is a sensual and cruel reflection about the  aesthetics and energy contained in flamenco. Its traditional elements  are transposed in the contemporary dance field.  <br /><em>&laquo;In Nana, I wanted to convey the essence of flamenco  as I practice it, but by using a completely modern language. When I  created the choreography Nana, I went through one of the most difficult  yet exciting moments in my life. Perhaps that&rsquo;s the reason why I tried  to give peace and structure to this work.&raquo;</em> <br />Blanca Li&rsquo;s experience of &ldquo; Moussems &rdquo; (festivals) and &ldquo; Lilas &rdquo;  (ceremonial nights) with the Moroccan Gnawas is at the origin of LILA,  the second piece of the show.  <br /><em>&laquo;I have been working with the Gnawas for several  years now so that they fully grasp the essence of contemporary dance. We  have a total understanding of one another.&raquo;</em> B.L.</p>',NULL,NULL),(90,3,'en','Poète à New York','<p><strong>Show for 21 dancers, 2 singers, 8 musicians</strong> <br />Created in July <strong>2007</strong> in Granada (Spain), Alhambra Gardens <br />Duration time: 90 mn</p>\r\n<p>Poeta en New York is created in July 2007 in Granada (Spain), Alhambra Gardens.  <br /><em>Blanca Li has received the <a href=\"http://www.premiosmax.net/\" target=\"_blank\">Premio Max</a> award in Spain for best choreography (equal to the \"Tony awards\" in USA or \"Moliere\" prizes in France).</em></p>','<p><strong>Choregraphy and direction:</strong> Blanca Li  <br /><strong>Original Music and Music direction:</strong> Tao Guti&eacute;rrez  <br />Dramaturgy: Blanca Li, Pierre Attrait &amp; Tao Guti&eacute;rrez - Set:  Pierre Attrait - Lights: Jacques Chatelet - Video: Charles Carcopino -  Costumes: Paco Delgado</p>\r\n<p><strong>Solo Dancers:</strong> Blanca Li &amp; Andr&eacute;s Mar&iacute;n <br /><strong>Singers:</strong> Carmen Linares or Encarnita Anillo &amp; Rob-Li <br /><strong>Poems recited by</strong>: Javier Viana <br /><strong>Dancers:</strong> Vanesa Aibar, Salim Begayoko,  Javier Cobo, Aurora Mar&iacute;a Colmenero, Juan Pedro Delgado, Jean-Gerald  Dorseuil, Mar&iacute;a Fern&aacute;ndez, Steve Guimaraes, Ahmed Karetti, Stephane  Lavall&eacute;e, Ana Maci&aacute;, Jos&eacute; Maldonado, Yana Maltseva Le Gac, Sergio Moya,  Pascale Peladan, Pedro Ram&iacute;rez, Ozy Shyne, Tony, Deborah Torres <br /><strong>Musicians:</strong> Saxophone &amp; flute:  Rafael &Aacute;guila - Bass: Pablo B&aacute;ez - Clavier: Gherardo Catanzaro - Guitar:  Salvador Guti&eacute;rrez - Percussions: Tao Guti&eacute;rrez &amp; Javier Viana -  Violoncello: Nicasio Moreno  - Guitar: David Tabares</p>\r\n<p>With the participation of Empresa Publica de Gestion de  Programas Culturales, Consejeria de Cultura, Junta de Andalucia   Special thanks to: Marcad&eacute;, Aquatic Show, Studio de la MAC Cr&eacute;teil,  Variafrance, as well as Manuel Fern&aacute;ndez Montesinos Garc&iacute;a (inheritants  of F.G. Lorca).</p>\r\n<p>Poeta en Nueva York is inspired by Federico Garc&iacute;a  Lorca&rsquo;s poems and experience in New York from 1929 to 1930. He is  confronted to a very different environment from his native Andalucia. It  will be a decisive turn in his writing style. A group of twenty  dancers, the solist dancers Andr&eacute;s Mar&iacute;n and Blanca Li, singing by  Carmen Linares or Encarnita Anillo, and by Rob-Li, and an original music  by Tao Guti&eacute;rrez give life to the interior world of Lorca, his images  and words, between jazz and flamenco... Around 60 000 people discovered  the show during a series of representations at the International  Festival of Granada.</p>\r\n<p><strong>Complements of information:</strong></p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" />&nbsp;Websites of <a href=\"http://www.andresmarin.es/\" target=\"_blank\">Andr&eacute;s Marin</a> and <a href=\"http://www.carmenlinares.org/\" target=\"_blank\">Carmen Linares</a> <br /><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" />&nbsp;<a href=\"http://www.tinet.org/%7Epicl/libros/glorca/gl002600.htm\" target=\"_blank\">Poems in Spanish of Poeta en New York</a> <br /><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" />&nbsp;Video reportings on the representation: <br />- <a href=\"http://videos.ideal.es/informaciondecontenido.php?con=1421\" target=\"_blank\">Lorca segun Li</a> (idealTV) - Contains a \"making of\".  <br />- <a href=\"http://videos.ideal.es/informaciondecontenido.php?con=1468\" target=\"_blank\">PNY triunfa en Granada</a> (idealTV) <br />- Estreno de PNY (idealTV) :  <br /><a href=\"http://videos.ideal.es/informaciondecontenido.php?con=1327\" target=\"_blank\">From Granada to New York with Blanca Li</a> <br /><a href=\"http://fr.youtube.com/watch?v=Q-Cu0FD6EaE\" target=\"_blank\">Interview of Blanca Li</a> (in spanish)</p>',NULL,NULL),(91,11,'en','Salomé','<p><strong>For 8 dancers, 1 actor, 2 trapezists, 1 soprano, 5 musicians</strong> <br />Crated at the Quartz in Brest in <strong>october 1995</strong>.  <br />Timing : 90 mn</p>','<p><strong>Choreography</strong> : Blanca Li <br /><strong>Music</strong> : Charles K&oelig;chlin <br /><strong>Musical arrangements and conductor</strong> : Jean Dominique Burroni <br />Drawings and set : Victor Ramos <br />Costumes : Sybilla <br />Lights : Richard Bessenay.</p>\r\n<p><strong>Coproduction</strong> : The Quartz  (Centre chor&eacute;graphique et dramatique national de Brest), Jocomomola  Producciones Teatrales (Sybilla), and El Deseo SA (Almodovar), with the  support of the Charles K&oelig;chlin family, the Maison de la Musique de  Nanterre, the ANPE Spectacles and the Minist&egrave;re de la Culture.</p>\r\n<p>A musical and choreographic show in 5 acts on the theme  of seduction and amorous frustration which mixes aerial techniques from  the circus (trapeze and rope), contemporary dance, cabaret and flamenco.</p>',NULL,NULL),(92,10,'en','Stress ','<p><strong>For 8 dancers-actors</strong> <br />Created in <strong>January 1997</strong> in Suresnes.  <br />Timing : 60 mn</p>','<p><strong>Chor&eacute;ography</strong> : Blanca Li <br /><strong>Music</strong> : Tao Gutierrez et Cristina Hernandez-Arana <br />Lights : Richard Bessenay <br />Costumes : Ren&eacute; Zamudio et Claudie Kermarrec.</p>\r\n<p><strong>Coproduction</strong> : Blanca Li  Company and Th&eacute;&acirc;tre de Suresnes Jean Vilar with the help of the ANPE  Spectacles and the Maison de la Musique de Nanterre.</p>\r\n<p>The show takes its inspiration in the stress of everyday  life through humorous and paradoxical use of familiar objects. The  dancers move about in a strictly urban set and use / face its codes in a  growing tension which eventually gets solved in a cheerful madness.  Little by little, the space at first constraining, becomes extremely  playful. We find in this piece Blanca Li&rsquo;s specific energy as well as  her taste for derision. Dance plays the lead part but the choreographer  borrows as many things as she can from other worlds, which makes out of  &ldquo;Stress&rdquo; a highly unclassifiable show.</p>',NULL,NULL),(93,9,'en','Zap ! Zap ! Zap !','<p><strong>A one woman show</strong> <br />Created at Maison de la Musique de Nanterre in <strong>june 1998</strong>.   <br />Timing : 70 mn</p>','<p><strong>Performed by Blanca Li</strong> <br />Original idea, direction and text : Blanca Li <br />Adaptation : Ian Phillips <br />Assistant director : Bernie Collins <br />Set : Bernard Michel <br />Set construction : Th&eacute;&acirc;tre National de Chaillot.  <br />Lighting design : Nicky Tisserand and Maro Avrabou <br />Costumes : Claudie Kermarrec <br />Hair : Fulvio <br />Music : credits aerobics : Tao Gutierrez ;Swimmer : Matthew Herbert ;  variations pour porte et soupir : Pierre Henry ; Vouenn er Vras : Bagad  de Lann Bihou&eacute; ; Rythmic gymnastics : Popular Musical group from Lviv ;  Nacht Koenig : W.A. Mozart ; Bulerias : Manuel Salado ; You&rsquo;ve got a  friend : Carole King ; La Ber&ccedil;euse Phoque : Charles Koechlin ; Ne me  quitte pas :  Jacques Brel ; Piano konzert n&deg; 21 : W.A. Mozart ; Montuno  : Cristina Hernandez.</p>\r\n<p>Including the short film &ldquo; Angoisse &rdquo;, written and directed by Blanca Li ; music by Tao Gutierrez ; produced by Patrice Haddad PREMIERE HEURE (1998)</p>\r\n<p><strong>Produced</strong> : by the Maison  de la Musique, Nanterre, sponsored by ADIAM 92, Centre Dramatique  National, Nice C&ocirc;te d&rsquo;Azur, Centre chor&eacute;graphique Blanca Li, Associate  company to Sc&egrave;ne Nationale Le Moulin du Roc, Niort, Th&eacute;&acirc;tre National de  Chaillot.</p>\r\n<p>In this scathing parody of TV talk shows and celebrity  worship, Blanca Li zaps her way through a series of performance sketches  in which she appears as the hostess and invited guests, including an  aging folk hippie, a pseudo-intellectual modern dancer, an  over-achieving gymnast, a Brittany folk dancer, and many more. A  hilarious tour de force by an ex-gymnast and flamenco dancer, trained at  the Martha Graham and Alvin Ailey schools.</p>\r\n<p><strong>They didn&rsquo;t zap &hellip;</strong> <br />Madonna &laquo;<em>I love it that you can&rsquo;t easily describe what she does. The shows are simple, but they have great power.</em>&raquo; <br />Malcolm McLaren &laquo;<em>Blanca is very intuitive, daring and innovative. She is on her way to becoming one of the greats.</em>&raquo;</p>',NULL,NULL),(95,77,'en','Bagdad Cafe','<p>Choreography by Blanca Li.</p>','<p>Written and directed by Percy Adlon, music by Bob Telson, choreography by  Blanca Li. MC de Nevers, Le Quartz de Brest, Maison de la Danse de  Lyon, October 2005.</p>',NULL,NULL),(96,18,'en','Borderline-Grenzgange','<p>Ballet directed and choreographed by Blanca Li, music by Matthew Herbert  and Tao Gutierrez. Berlin Ballett Komische Oper, June 2002.</p>','',NULL,NULL),(97,24,'en','Central Station','<p>Ballet by Blanca Li, music by Jean S&eacute;bastien Bach, for the Introdans Company (Arnhem, Hollande 1994), re-created by Berlin Ballett Komische  Oper, 2003.</p>','',NULL,NULL),(98,16,'en','Don Giovanni','<p>Choreography by Blanca Li.</p>','<p>Opera by Mozart, directed by Marthe Keller, Met NYC, March 2003.</p>',NULL,NULL),(99,75,'en','Enamorados Anonimos ','<p>Directed by Blanca Li.</p>','<p>Musical direction by Javier Silt, scenario by  David Serrano, Daniel Sanchez Arevalo and Fernando Castets - Movistar  Theatre of Madrid, Spain, October-may 2008.</p>',NULL,NULL),(100,17,'en','Guillaume Tell','<p>Opera by Rossini, directed by Francesca Zambello. Op&eacute;ra Bastille, March 2003.</p>','',NULL,NULL),(101,76,'en','La folle et véritable vie de Luigi Prizzoti','<p>Music hall, directed by Edouard Baer and his company, February 2006.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_681_image_fr.jpeg?2017-01-20-17-08-20\" alt=\"\" width=\"300\" height=\"200\" /></p>','','',''),(102,22,'en','La Vida Breve / El Amor Brujo','<p>Operas by Manuel de Falla. Conducted by J&eacute;r&ocirc;me Kaltenbach.<br />Nancy Opera, May 1997.</p>','',NULL,NULL),(103,19,'en','Le Songe du Minotaure','<p>Ballet directed and choreographed by Blanca Li, music by Faur&eacute;, Ravel, Debussy, ... Berlin Ballett Komische Oper, February 2002.</p>','',NULL,NULL),(104,21,'en','Les Indes galantes','<p>Opera ballet by Rameau. Conducted by William Christie, stage direction by   Andrei Serban. Op&eacute;ra Garnier, Paris, September 1999. Re-created in 2000   and 2003.</p>','<p>In 1999 the Opera of Paris commands the realisation of the opera ballet to Blanca Li with William Christie as music director. Reapeted during the following years, Rameau\'s opera is now part of the repertory of the Opera and in 2005 was released in DVD.</p>',NULL,NULL),(105,78,'en','Quel Cirque !','<p>&laquo;Quel Cirque !&raquo; / <em>What a circus!</em> (25&rsquo;).</p>','<p>Choreography by Blanca Li in the <a href=\"http://www.theatre-suresnes.fr/?page=spectacle&amp;page2=suresnes&amp;id=78\" target=\"_blank\">Suresnes Cites Danse festival</a> for the Collective \"Jeu de Jambes\", pioneer of jazz-rock in France.  From 16 to 19 January 2010 (Production Th&eacute;&acirc;tre de Suresnes Jean Vilar &ndash;  Suresnes cit&eacute;s danse). Tv report:</p>',NULL,NULL),(106,20,'en','Shéhérazade','<p>Ballet by Rimski-Korsakov. Op&eacute;ra Garnier, Paris, December 2001- January 2002.<br />Costume designer Christian Lacroix.</p>','',NULL,NULL),(107,15,'en','Treemonisha','<p>Scott Joplin&rsquo;s opera, <strong>directed and choreographed</strong> by Blanca Li for the <a href=\"http://www.chatelet-theatre.com/2009-2010/lyrique/treemonisha,368\" target=\"_blank\">Th&eacute;&acirc;tre du Ch&acirc;telet</a> (Paris).<br /><br /></p>','<p>M<strong>usical Director</strong>: Kazem Abdullah. <strong>Scenic design, playwriting,  scenery and costumes</strong>: Roland Roure. Opera in three acts (Sch&uuml;ller  Version) March 31 to April 9, 2010.</p>',NULL,NULL),(108,23,'en','Un Tango pour Monsieur Lautrec','<p>By Jacobo Romano and Jorge Zulueta (world creation)<br /><br /></p>','<p><strong>Conducted by</strong> R&uuml;diger Bohn. Nancy Op&eacute;ra, December 1998 and January 1999.</p>',NULL,NULL),(109,14,'en','Very Gentle y Un Parque','<p>Two operas of the composer Luis de Pablo<br /><strong>Directed by </strong>Blanca Li</p>','<p><strong>Musical director:</strong> Jos&eacute; Ram&oacute;n Encinar. Spain, <a href=\"http://www.teatrosdelcanal.org/1000159000201/homenaje-cristobal-halffter-luis-pablo__1.html\" target=\"_blank\">Teatros del Canal</a> de Madrid, 19 and June 20, 2010.</p>',NULL,NULL),(110,61,'en','Dancing Machine','<p>From 18 to 28 March 2010 at the <a href=\"http://www.maccreteil.com/index.php?rubrique=exit\" target=\"_blank\">Maison des Arts</a> of Cr&eacute;teil (France).</p>','<p>Exhibition resumed as part of <a class=\"spip_out\" href=\"http://www.lille3000.eu/lille3000/fr/event.php?id=28&amp;nom=DANCING-MACHINE\" target=\"_blank\">Lille 3000</a> (Saint-Sauveur Station, July 1 to October 31)</p>\r\n<p class=\"spip\">Interactive video installation by Blanca Li in the <a class=\"spip_out\" href=\"http://www.maccreteil.com/pdf/din/mac_pdf_52.pdf\" target=\"_blank\">EXIT festival</a>, international and transdisciplinary festival dedicated to digital arts.</p>',NULL,NULL),(111,71,'en','Te voy a enseñar a bailar','<p><em>I\'ll teach you to dance</em><br />From January 26 to May 4 2008, <a class=\"spip_out\" href=\"http://www.musac.es/index_en.php?ref=20700\" target=\"_blank\">Contemporary Art Museum of Castilla y Leon</a> (MUSAC)</p>','<!-- p { margin-bottom: 0.21cm; } -->\r\n<p style=\"margin-bottom: 0cm;\">In the visual arts, Blanca Li has made her first contemporary exhibition  at the MUSAC of Leon (Spain). The exhibition took the form of an audiovisual and choreographic plastic installation over 1000 m2, marked by interactive proposals. It was visited by over 50,000 spectators.</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>',NULL,NULL),(112,65,'en','Ven a bailar conmigo','<p><em></em><em class=\"spip\">Come dance with me</em><br />September 19, 2009, as part of the <a class=\"spip_out\" href=\"http://www.esmadrid.com/lneb09/en/index.html\" target=\"_blank\">Noche en Blanco</a> in Madrid.</p>','<!-- p { margin-bottom: 0.21cm; } -->\r\n<p style=\"margin-bottom: 0cm;\">Blanca Li realized the installation \"Ven a bailar conmigo\" in the form of a visual and interactive journey through the streets and central squares of the Spanish capital.<br />At the peak of the event around 100,000 people participated in the \"dance classes\" proposed, such as hip-hop, disco, ballet or Bollywood!</p>',NULL,NULL),(113,43,'en','Arlette','<p><strong>Director:</strong> Claude Zidi<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(114,35,'en','El Calentito','<p><strong>Director:</strong> Chus Gutierrez<strong><br />Choregraphy by:</strong> Blanca Li</p>','',NULL,NULL),(115,44,'en','Gazon Maudit','<p><strong>Director:</strong> Josiane Balasko<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(116,36,'en','La Confiance règne','<p><strong>Director:</strong> Etienne Chatilliez<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(117,33,'en','Le Code a Changé','<p><strong>Director:</strong> Daniele Thompson<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(118,26,'en','Le Défi','<p><strong>\"The challenge\" </strong>feature film, Hip hop musical comedy <strong>directed, choreographed and interpreted</strong> by Blanca Li.</p>','<p><strong>Direction of photography :</strong> Manuel Teran (SPI Jean-Claude Fleury, 94 mn, May 2002).<br /><strong>Picture House Cinema :</strong> &laquo;<em>The  original nature of hip hop choreographed by Blanca Li pays tribute to  Gene Kelly, Fred Astaire and the Nicholas Brothers&rsquo; mastery. Already a  box office smash in France, Blanca Li proves she&rsquo;s the most exciting  director / choreographer to emerge in years.</em>&raquo;</p>',NULL,NULL),(119,42,'en','L’Odyssée','<p><strong>director:</strong> Andrei Konchalovsky<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(120,41,'en','Nettoyage à Sec','<p><strong>Director:</strong> Anne Fontaine<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(121,25,'en','Pas à Pas','<p><em>\"Step by step\"</em><strong><br />Director:</strong> Blanca Li</p>','<p>Feature documentary about the creative  process of Corazon Loco . Written and directed by Blanca Li (90 min,  Film Addict, 2009)</p>\r\n<p><em>&laquo;2007 : Corazon Loco was created for Chaillot Theater. Blanca Li films the breathtaking  moments that happen backstage, the birth of a creation, rehearsals, the  very essence of dance and creation&raquo;.</em></p>',NULL,NULL),(122,37,'en','People','<p><strong>Director:</strong> Fabien Onteniente<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(123,45,'en','Pigalle','<p><strong>Director:</strong> Karim Dridi<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(124,40,'en','Plunkett & McLeane','<p><strong>Director:</strong> Jake Scott<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(125,39,'en','Quasimodo','<p><strong>Director:</strong> Patrick Timsit, 1998<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(126,34,'en','Sa majesté Minor','<p><strong>Director:</strong> Jean-Jacques Annaud<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(127,38,'en','Sin noticias de Dios','<p><strong>Director:</strong> Agustin Dias Yanes<br /><strong>Choregraphy:</strong> Blanca Li</p>','',NULL,NULL),(128,53,'en','Ammaria, Les Mamas','<p><strong>Director:</strong> Michel Meyer<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> BMG</p>','',NULL,NULL),(129,51,'en','Around the World, Daft punk','<p><strong>Director:</strong> Michel Gondry<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Vanguard</p>','',NULL,NULL),(130,50,'en','Cool frénésie, Rita Mitsouko','<p><strong>Director:</strong> S&eacute;bastien Caudron<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Ninety Nine</p>','',NULL,NULL),(131,46,'en','Dance Tonight, Paul Mc Cartney','<p><strong>Director:</strong> Michel Gondry<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Partizan</p>','',NULL,NULL),(132,47,'en','Heard’em say, Kanye West','<p><strong>Director:</strong> Michel Gondry<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Partizan</p>','',NULL,NULL),(133,52,'en','Le Jour viendra, Khaled','<p><strong>Director:</strong> H&eacute;l&egrave;ne Gu&eacute;tary<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Barclay</p>','',NULL,NULL),(134,49,'en','Music is my radar, Blur','<p><strong>Director:</strong> D. Cameron<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Tsunami</p>','',NULL,NULL),(135,48,'en','Train, Goldfrapp','<p><strong>Director:</strong> Dawn Shadforth<br /><strong>Choregraphy:</strong> Blanca Li<br /><strong>Production:</strong> Black Dog</p>','',NULL,NULL),(136,69,'en','Cegetel','<p><strong>Director:</strong> Roland Joff&eacute;<br /><strong>Choregraphy</strong>: Blanca Li<br /><strong>Production:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(137,58,'en','Dim','<p><strong>Director:</strong> Blanca Li<br /><strong>Production:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(138,68,'en','Findus','<p><strong>Director:</strong> H&eacute;l&egrave;ne Gu&eacute;tary<strong><br /> </strong><strong>Choregraphy</strong><strong>: </strong>Blanca Li<strong><br /> Production:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(139,67,'en','GAP','<p><strong>Director:</strong> Michel Gondry<strong><br /> </strong><strong>Choregraphy</strong><strong>: </strong>Blanca Li<strong><br /> Production:</strong> Partizan, Los Angeles</p>','',NULL,NULL),(140,59,'en','J.C Decaux','<p><strong>Director:</strong> Blanca Li<br /><strong>Production:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(141,63,'en','J.P Gaultier Puissance 2','<p><strong>Director:</strong> J.B Mondino<strong><br /></strong><strong>Choregraphy</strong><strong>: </strong>Blanca Li<strong><br />Production:</strong> BPI</p>','',NULL,NULL),(142,56,'en','Kinder','<p><strong>Director:</strong>&nbsp; Blanca Li <br /><strong>Production:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(143,62,'en','Lancome Hypnôse','<p><strong>Director:</strong> Javier Valhonrat<br /><strong>Choregraphy</strong>: Blanca Li<br /><strong>Production:</strong> Milly films</p>','',NULL,NULL),(144,57,'en','Narta','<p><strong>Director:</strong> Blanca Li<br /><strong>Production:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(145,66,'en','Perrier','<p><strong>Director:</strong> Jean-Jacques Annaud<strong><br /></strong><strong>Choregraphy</strong><strong>:</strong> Blanca Li<strong><br />Production:</strong> Franco American</p>','',NULL,NULL),(146,70,'en','Perrier Sensations','<p><strong>Director:</strong> Tarsem<br /><strong>Choregraphy</strong>: Blanca Li<br /><strong>Production:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(147,64,'en','Prada, Thunder perfect Mind','<p><strong>Director</strong>: Jordan er Ridley Scott<strong><br /></strong><strong>Choregraphy</strong><strong>: </strong>Blanca Li<strong><br />Production:</strong> RSA</p>','',NULL,NULL),(148,60,'en','Viva','<p><strong>Director:</strong> Blanca Li<strong><br />Production:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(149,73,'en','Festival Danse & Cinéma','<p><strong>A festival initiated and organized by</strong> Blanca Li, as part  of her  activities as associated artist of the <strong>National Choreographic  Centre of  Creteil </strong>and Val-de-Marne/Cie K&auml;fig</p>','<p>Friday November, 5th and Saturday November, 6th : Maison des Arts de Cr&eacute;teil, National Scene <br />Sunday November, 7th : MAC/VAL &agrave; Vitry-sur-Seine, Museum of Contemporaneous arts of Val-de-Marne</p>',NULL,NULL),(150,29,'en','Al Andalús','<p>Documentary - 2006 -<strong> Chroreography filmed for ARTE by</strong> Blanca Li ( Les Films d&rsquo;ici, 26&rsquo;)</p>','',NULL,NULL),(151,32,'en','Angoisse','<p><strong>A short film by and with</strong> Blanca Li.<br /><strong>Director of photography </strong>: John Mathieson (Premi&egrave;re Heure, 35 mm color, 5 mn, May 98).</p>','<!-- p { margin-bottom: 0.21cm; } -->\r\n<p style=\"margin-bottom: 0cm;\" lang=\"en\">Created as part of the show \"Zap! Zap! Zap \".<br />- Fuji Award at the 22nd International Short Film Festival in Grenoble.<br />- Special Jury Mention at the 14th Festival of short Films of Brest.<br />- Best French speaking Short Film 2000.<br />- Audience Award Best Short Film at the 2000 French\'s 22nd International Festival of Cr&eacute;teil.</p>\r\n<p style=\"margin-bottom: 0cm;\" lang=\"en\">&nbsp;</p>',NULL,NULL),(152,28,'en','Home Fitness','<p><strong>Director:</strong> Blanca Li<br />With Blanca Li, Rafa Linares <br />(MUSAC L&eacute;on, 3&rsquo;)</p>','',NULL,NULL),(153,31,'en','La Paella','<p>With Blanca Li and Lola Mercier (vid&eacute;o 7&rsquo;) 2000</p>','',NULL,NULL),(154,30,'en','Le Poulet','<p>With Blanca Li (2&rsquo;)</p>','',NULL,NULL),(155,27,'en','Pour Elle','<p><em>\"For her</em><strong>\"<br />Director:</strong> Blanca Li<br />with Victoria Abril<strong><br /> </strong></p>','<p>A short erotic film with Victoria Abril written and directed by Blanca  Li, for the series \"X-Women\" (Season 2), broadcast by Canal Plus in June  2009 (SoFilles, HD 23 min, 2009). <a href=\"http://www.secondsexe.com/magazine/Interview-de-Blanca-Li.html\" target=\"_blank\">Interview </a> with Blanca Li.  <br />Drafted at Off Venice Film Festival in September 2009 as part of the 10th Festival International Short Film. (<a href=\"http://www.cinemasecondsexe.com/pour-elle.html\" target=\"_blank\">Paid movie download</a>)</p>',NULL,NULL),(156,54,'en','Sandance','<p>video-art commissioned by Shiseido (10 mn, 2004)<br /><strong>choreographed and performed by</strong> Blanca Li</p>','',NULL,NULL),(157,55,'en','Un après-midi','<p>video-art, commissioned by Toyota for the 2003 Athletic World  Championships.<br /><strong>Camera :</strong> B&eacute;atrice Mizrahi. (Auditoire, couleur, 9 mn,  July 2003)</p>','',NULL,NULL),(158,6,'es','Alarme','<p><strong>Ballet para 8 bailarines</strong> <br />Creaci&oacute;n: Bienal de la Danza de Lyon, <strong>Septiembre 2004</strong> <br />Duraci&oacute;n: 90 mn</p>','<p><strong>Coreograf&iacute;a y puesta en escena</strong>: Blanca Li <br /><strong>M&uacute;sica original</strong>: Tao Gutierrez y Fran&ccedil;ois-Eudes Chanfrault <br />Asistente de coreograf&iacute;a: Ana Guffanti <br />Escenograf&iacute;a: Blanca Li  <br />Vestuario: Mr Pearl, Laurent Mercier, Fran&ccedil;oise Yapo <br />Iluminaci&oacute;n: Jacques Ch&acirc;telet <br />Creaci&oacute;n de video: Charles Carcopino <br />Direcci&oacute;n t&eacute;cnica: Antoine Garry</p>\r\n<p><strong>Con</strong> : St&eacute;phanie Andrieu,  Geraldine Fournier, Marjorie Hannoteaux, Emmanuelle Huybrechts, Cyril  Lot, Pascale P&eacute;ladan, Bruno P&eacute;r&eacute;, Raphael Rodriguez</p>\r\n<p><strong>Coproducci&oacute;n</strong>: la Bienal de  Lyon, Studio tecnol&oacute;gico de la MAC Cr&eacute;teil, Th&eacute;&acirc;tre de Ch&acirc;tillon, Op&eacute;ra  de Massy. Espect&aacute;culo creado con el apoyo de la DRAC Ile de France, el  Ministerio de la Cultura y de la Comunicaci&oacute;n y del M&eacute;c&eacute;nat de la Caisse  des D&eacute;p&ocirc;ts et consignations. La Compa&ntilde;&iacute;a Blanca Li est&aacute; en residencia  en la Opera de Massy.</p>\r\n<p>Blanca Li se entrega esta vez a las piezas cortas,  componiendo un mosaico de peque&ntilde;as historias, des cortometrajes  coreogr&aacute;ficos. La core&oacute;grafa extrae su inspiraci&oacute;n  de instantes, de  im&aacute;genes, de objetos, de historias, de m&uacute;sicas, de pedazos de  actualidad, todos sus encuentros imprevisibles que forman el tejido de  su vida cotidiana. Algunas de estas ideas dan lugar al nacimiento de  piezas que llevan por titulo evocador Doble Paso, Alarma, Round  Midnight, Game Over&hellip; La duraci&oacute;n de estas piezas , asi como su forma  (solos, d&uacute;os, tr&iacute;os, coreograf&iacute;as de grupo&hellip;) reflejan la ligereza, la  brevedad de estos flashes de inspiraci&oacute;n. Instantes ef&iacute;meros transcritos  con humor, poes&iacute;a o energ&iacute;a,que responden a la necesidad de dar libre  curso a la inspiraci&oacute;n vagabunda de la core&oacute;grafa fuera de los limites  de una duraci&oacute;n determinada.</p>\r\n<p>Por su contenido, este programa cuestiona nuestra  capacidad de sorprendernos, conmovernos y tener nuestros sentidos  alertos ante los detalles de nuestro cotidiano. En un medioambiente cada  vez m&aacute;s tecnol&oacute;gico, cada vez m&aacute;s civilizado, lo natural del hombre y  del ni&ntilde;o se hace cada vez m&aacute;s icongruente e incontrolable cuando nuestra  espontaneidad sale a relucir de improviso. Al acecho de estos momentos  en los que el cuerpo retoma la superficie, donde los sentimientos se  liberan de los limites sociales, donde el adulto encuentra el ni&ntilde;o que  lleva en &eacute;l, Blanca Li selecciona im&aacute;genes fuertes y evocadoras.  Poni&eacute;ndolas en un cuadro esc&eacute;nico, transform&aacute;ndolo en su imaginario  espectacular, les da toda una nueva nobleza, belleza y valor humano, sin  perder el sentido ir&oacute;nico que acompa&ntilde;a siempre su observaci&oacute;n sobre  nuestra condici&oacute;n humana.</p>\r\n<p><strong>Alarme es un mosaico de 8 piezas independientes</strong> :</p>\r\n<p><strong>Alarme</strong> <br />Interpretada por toda la compa&ntilde;&iacute;a <br />M&uacute;sica: Fran&ccedil;ois Eudes Chanfrault <br />Vestuario: Fran&ccedil;oise Yapo <br />En nuestro mundo actual, a pesar del desarrollo de la comunicaci&oacute;n,  el miedo vuelve a los seres humanos cada vez m&aacute;s controlados y aislados  por las categor&iacute;as geogr&aacute;ficas, pol&iacute;ticas, &eacute;tnicas, sociales o  econ&oacute;micas. Una imagen simb&oacute;lica de la libertad que so&ntilde;amos, para no  hacer de nuestro planeta una sociedad hostil y amenazadora.</p>\r\n<p><strong>Doble paso</strong> <br />Interpretada por G&eacute;raldine Fournier y Pascale P&eacute;ladan <br />M&uacute;sica:Tao Gutierrez y WA Mozart, interpretado por Florence Foster Jenkins <br />Vestuario: Laurent Mercier <br />La vida profesional de numerosas mujeres modernas reposa en un  leitmotiv esencial: jam&aacute;s perder las apariencias, sean cuales sean las  circunstancias. Una fantas&iacute;a  acerca de lo que nos convertimos gracias a  la mirada de los dem&aacute;s&hellip;</p>\r\n<p><strong>Electr&oacute;n</strong> <br />Interpretada por Cyril Lot, Bruno P&eacute;r&eacute; et Rapha&euml;l Rodriguez <br />M&uacute;sica: Tao Gutierrez <br />Vestuario: Fran&ccedil;oise Yapo <br />De noche, bajo las luces urbanas  y en la sombra, circula la energ&iacute;a  del contacto con la que los cuerpos se renuevan. Una oda a la vida  nocturna, a las pulsiones y a las corrientes subterr&aacute;neas.</p>\r\n<p><strong>Pochette Surprise</strong> <br />Interpretada por toda la compa&ntilde;&iacute;a <br />Vestuario: Fran&ccedil;oise Yapo <br />Porque no debemos olvidar que hemos sido ni&ntilde;os y que podemos ser capaces a&uacute;n de jugar.</p>\r\n<p><strong>Made in China</strong> <br />Interpretada por St&eacute;phanie Andrieu et G&eacute;raldine Fournier <br />Vestuario: Fran&ccedil;oise Yapo <br />La tecnolog&iacute;a no tiene que ser avanzada y sofisticada para facinarnos y conmovernos.</p>\r\n<p><strong>Promenade</strong> <br />Interpretada por Marjorie Hannoteaux, Emmanuelle Huybrechts, Cyril Lot y Rapha&euml;l Rodriguez <br />M&uacute;sica: Fran&ccedil;ois Eudes Chanfrault y Tao Gutierrez <br />Vestuario: Mr Pearl <br />Im&aacute;genes: Michael O&rsquo;Brien <br />Una inmersi&oacute;n en el universo de la seducci&oacute;n, ah&iacute; donde se aferran  las fuentes imborrables de nuestros recuerdos pasionales. Un encuentro  entre las fuerzas de la naturaleza y las restricciones que nos  imponemos.</p>\r\n<p><strong>A Minuit</strong> <br />Interpretada por St&eacute;phanie Andrieu, G&eacute;raldine Fournier, Marjorie Hannoteaux, Emmanuelle Huybrechts y Pascale P&eacute;ladan. <br />M&uacute;sica: Goldfrapp (Oompa-Radar) y Matthew Herbert (Simple Mind) <br />Vestuario: Laurent Mercier asistido por Jorg Todtenbier <br />Cuando la medianoche no es m&aacute;s que un lejano pasado, y el amanecer  un futuro imprevisible, un viaje en la profundidad del alma femenina, en  b&uacute;squeda de lo absoluto, del instinto vital, de desgarramiento sensual.</p>\r\n<p><strong>Game Over</strong> <br />Interpretada por toda compa&ntilde;&iacute;a <br />M&uacute;sica:  Fran&ccedil;ois Eudes Chanfrault <br />Vestuario: Ren&eacute; Zamudio <br />La representaci&oacute;n luminosa de la m&uacute;sica descompone los cuerpos y nos lleva hasta las entra&ntilde;as de la m&aacute;quina.</p>',NULL,NULL),(159,8,'es','Borderline','<p><strong>Espect&aacute;culo coregr&aacute;fico para 13 bailarines</strong> <br />Creaci&oacute;n mundial: junio del <strong>2002</strong> en Komische Opera de Berl&iacute;n  <br />Creaci&oacute;n francesa: septiembre  del 2002 en la Maison de la culture de Cr&eacute;teil. <br />Duraci&oacute;n: 75 mn</p>','<p><strong>Por Blanca Li y el Studio Orta</strong> <br /><strong>M&uacute;sica</strong>: Matthew Herbert y Tao Gutierrez <br />Arquitectos textiles: Lucy Orta <br />Instalaciones pl&aacute;sticas y luces: Jorge Orta.</p>\r\n<p><strong>Coproducci&oacute;n</strong>: el Berlin  Ballett au Komische Oper, la Compa&ntilde;&iacute;a de Blanca Li, el Estudio Orta, la  Maison des Arts de Cr&eacute;teil, el Moulin du Roc en Niort, la Opera de  Massy. Con el apoyo de la Caisse des D&eacute;p&ocirc;ts et Consignations y de la  Direcci&oacute;n R&eacute;gional des Affaires culturelles d&rsquo;Ile de France &ndash; Ministerio  de la Cultura y de la Comunicaci&oacute;n.</p>\r\n<p>Borderline explora la frontera entre la normalidad y la  locura, ese borde peligroso que, siguiendo el lugar donde uno caiga,  hace de nosotros un demente  aceptable o un loco perfectamente  intratable. Borderline se presenta como un reflejo l&uacute;dico y a veces chirriante de  los excesos de la sociedad moderna. <br />Tem&aacute;tica actual, trabajo esc&eacute;nico contempor&aacute;neo. Una creaci&oacute;n  musical, de esculturas textiles imaginadas por Lucy Orta y una  escenograf&iacute;a luminosa de Jorge Orta. Blanca Li propone aqu&iacute; un  espect&aacute;culo total, que interroga con distancia e iron&iacute;a nuestra  tolerancia a la esquizofrenia general del mundo de hoy.</p>',NULL,NULL),(160,4,'es','Corazón Loco','<p><strong>Espect&aacute;culo de m&uacute;sica y danza para 6 bailarines, 8 cantantes, 1 percusi&oacute;n.</strong> <br />Creado en enero del <strong>2007</strong>. <br />Duraci&oacute;n: 80 mn</p>','<p><strong>Coreograf&iacute;a:</strong> Blanca Li  <br /><strong>M&uacute;sica y texto:</strong> &Eacute;dith Canat de Chizy <br /><strong>Conjunto Sequenza 9.3</strong> dirigido por Catherine Simonpietri <br />Escenograf&iacute;a: Pierre Attrait assistido por Elisabeth Dallier <br />Luces:  Jacques Ch&acirc;telet asistido por Sylvie Debare <br />Video: Charles Carcopino asistido por Julien Nesme <br />Vestuario: Laurent Mercier asistido por Fran&ccedil;oise Yapo</p>\r\n<p><strong>Bailarines</strong> : Jean-G&eacute;rald Dorseuil, Matthew Hawkins, Ahmed Karetti, Yana Maltseva, Blanca Li, Deborah Torres <br /><strong>Percusi&oacute;n</strong>: B&eacute;atrice R&eacute;p&eacute;caud <br /><strong>el cojunto vocal Sequenza 9.3</strong>:  Claudine Margely, Virginie Lefebvre, Thi Lien Truong, Donatienne  Milpied, Philippe Froeliger, Etienne Vandier, Christophe Sam, Christophe  Grapperon</p>\r\n<p><strong>Producci&oacute;n</strong>: Teatro  Nacional de Chaillot / Compa&ntilde;&iacute;a Blanca Li / Sequenza 9.3 /  Odyssud-Blagnac / Maison de la Musique de Nanterre / Opera de Massy /  Teatro 71 Malakoff / Studio de la Maison des arts de Cr&eacute;teil.  <br />- La Compa&ntilde;&iacute;a Blanca Li est&aacute; en residencia en la Opera de Massy con  el apoyo del consejo general de Essonne,  Sequenza 9.3 est&aacute; en  residencia en Pantin.  <br />- La Caja de Dep&oacute;sitos y Consignaciones y la DRAC Ile-de-France  apoyan a la compa&ntilde;&iacute;a por la creaci&oacute;n de Coraz&oacute;n Loco. Sequenza 9.3 est&aacute;  apoyado econ&oacute;micamente por el Consejo General de Seine-St-Denis, la  SACEM. La Fundaci&oacute;n France T&eacute;l&eacute;com y la Spedidam apoyan Sequenza 9.3  para la creaci&oacute;n de Coraz&oacute;n Loco.</p>',NULL,NULL),(161,1,'es','Elektro Kif','<p><strong>Creaci&oacute;n coreogr&aacute;fica con 8 bailarines de electro</strong> <br />Creado en diciembre de 2010 al Teatro de Colombes (Francia)<br />Espect&aacute;culo para todo p&uacute;blico. Duraci&oacute;n: 1h10 <br />(Posibilidad de representaciones reservadas a un p&uacute;blico joven)</p>\r\n<p>Espect&aacute;culo de gira en Francia</p>','<p><strong>Puesta en escena, coreograf&iacute;a</strong>: Blanca Li <br /><strong>Bailarines</strong>: Kevin Bago, Mamadou Bathily, J&eacute;r&ocirc;me Fidelin, Romain Guillermic, Th&eacute;ophile Landji, Adrien Larrazet, Lenny Louves, Ismaila N\'diaye <a href=\"/es/e/5/la-compania/27/danseurs-elektro-kif\">(mas informaci&oacute;n)<br /></a><strong>M&uacute;sica original</strong>: Tao Gutierrez <br /><strong>Luces</strong>: Jacques Chatelet <br /><strong>Asistentes de coreograf&iacute;a</strong>: Glyslein Lefever, G&eacute;raldine Fournier y Pascale Pedalan<br /><strong>Vestuario</strong>: Fran&ccedil;oise Yapo <br /><strong>Iluminaci&oacute;n</strong>: Sylvie Debare <br /><strong>Servicio de producci&oacute;n</strong>: Pascal Dibilio</p>\r\n<p><strong>ELEKTRO KIF</strong></p>\r\n<p>Despu&eacute;s de <em>Macadam Macadam</em>, cuyo &eacute;xito hab&iacute;a creado nuevos espacios de representaci&oacute;n para la danza hip-hop y mas recientemente &ldquo;&iexcl;Que circo!&rdquo;, coreograf&igrave;a creada para el colectivo franc&eacute;s &ldquo;Jeu de Jambes&rdquo; (&ldquo;Juego de piernas&rdquo;), pionero del movimiento jazz-rock en Francia (ambos espect&aacute;culos producidos por el Festival &ldquo;Suresnes Cit&eacute; Danse&rdquo;), Blanca Li contin&uacute;a a poner en escena formas de la cultura street.</p>\r\n<p>Algunos encuentros constituyen desaf&iacute;os importantes y estimulan la imaginaci&oacute;n. <br />Con &ldquo;ELEKTRO KIF&rdquo; Blanca Li se sume nuevamente en el universo de la danza urbana, su estilo variado y su fantas&iacute;a constantemente renovada.</p>\r\n<p>Con su nueva creaci&oacute;n, Blanca Li aparta la danza electro de la prestaci&oacute;n pura para instalarla en la escena de un teatro a trav&eacute;s un proyecto coreogr&aacute;fico contempor&aacute;neo.</p>\r\n<p><em>&ldquo;Siempre me ha gustado el ejercicio estimulante y creativo de someter una de mis creaciones a una obligaci&oacute;n musical o gestual proveedora de sentido y de creatividad, engendrar un espect&aacute;culo en el l&iacute;mite de universos diferentes, susceptible de renovar g&eacute;neros a priori separados.&rdquo;</em> (Blanca Li).</p>\r\n<p><strong>Coproducci&oacute;n</strong>: Compa&ntilde;&iacute;a Blanca Li, CCN de Cr&eacute;teil et du Val de Marne (Centro de Coreograf&iacute;a Nacional de Creteil y Val de Marne), ciudad de Creteil, teatro L&rsquo;Avant-Seine/Teatro de Colombes (Francia), con el apoyo de la DRAC Ile-de-France (Direcci&oacute;n Regional de Asuntos Culturales de Ile de France &ndash; Ministerio de la Cultura y de la Comunicaci&oacute;n)</p>','',''),(162,2,'es','El Jardin De Las Delicias','<p><strong>Obra para 9 bailarines y un pianista</strong> <br /><em>Seg&uacute;n el cuadro de El Bosco</em> <br />Creaci&oacute;n en <strong>junio de 2009</strong> en el Festival de Danza de Montpellier  <br />Duraci&oacute;n: 85 mn</p>','<p><strong></strong>Espect&aacute;culo en gira: 70 representaciones desde su creaci&oacute;n. <br />Temporada 2010-2011 bajo construcci&oacute;n (archivos de la temporada 2009-2010)</p>\r\n<p><strong>Direcci&oacute;n y coreograf&iacute;a</strong>: Blanca Li <br /><strong>Asistente de coreograf&iacute;a</strong>: Deborah Torres <br /><strong>Realizaci&oacute;n de la pel&iacute;cula</strong>: Eve Ramboz <br /><strong>M&uacute;sica</strong>: Tao Guti&eacute;rrez <br />Escenograf&iacute;a: Pierre Attrait - Iluminaci&oacute;n : Jacques Ch&acirc;telet -  Video : Charles Carcopino - Vestuario : Tilmann Grawe, Laurent Mercier,  Fran&ccedil;oise, Yapo</p>\r\n<p><strong>Pianista</strong>: Jeff Cohen (o David Saliamonas) <br /><strong>Bailarines</strong>: Jean-Gerald Dorseuil,  Sebastien Fedj, G&eacute;raldine Fournier, Yan Giraldou, Glyslein Lefever,  Blanca Li, Rafael Linares, Margalida Riera, Yohann Tete <br /><em>(Reemplanzantes: Ga&euml;l Rougegrez, Bruno Pere -  Participaron en la gira y/o creaci&oacute;n: Anthony Cazaux, Amin Benassa,  St&eacute;phane Lavall&eacute;e)</em></p>\r\n<p><strong>Producci&oacute;n</strong>: Compa&ntilde;&iacute;a  Blanca Li - Co-producci&oacute;n : Festival de Danza de Montpellier 09, Teatro  de Narbona, Altstadtherbst Kulturfestival (D&uuml;sseldorf), DRAC  Ile-de-France, CCN (Centro Coreogr&aacute;fico Nacional) de Cr&eacute;teil y  Val-de-Marne (inicio de estudio), Studio de \"Maison des Arts\" de Cr&eacute;teil  / Pel&iacute;cula producida por &laquo; La Maison &raquo;. <br />Con la ayuda de CulturesFrance para algunas giras al exterior (Serbia, Espa&ntilde;a).</p>\r\n<p>&laquo;(...) Siempre he tenido la tentaci&oacute;n de poner en  movimiento esta expresi&oacute;n pict&oacute;rica, que nazca un ballet de esta obra &laquo;  sacr&iacute;lega &raquo;  donde el infierno se mezcla con el para&iacute;so, lo sat&iacute;rico con  la moral, donde la obsesi&oacute;n del pecado y de la salvaci&oacute;n alcanza una  fuerza inigualable. En  mis creaciones, siempre intento mezclar  distintos universos y utilizar esa uni&oacute;n para tejer la trama de una  aventura art&iacute;stica. En esta nueva creacion coreogr&aacute;fica colabor&eacute; con Eve  Ramboz, realizadora y especialista reconocida de efectos visuales  digitales, y que realiz&oacute; dos pel&iacute;culas sobre trabajos de El Bosco.&raquo;  Blanca Li</p>\r\n<p><strong>La obra :</strong></p>\r\n<p>Imaginamos un lugar improbable, inspirado en la obra de  El Bosco ; un espacio formado como un rompecabezas. Una combinaci&oacute;n de  objetos que se contestan sin casi entenderse. En este lugar donde todo  es posible se juntan personajes sospechosos, mientras fuera ruge el  apocalipsis, para realizar un extraordinario &uacute;ltimo baile . Un baile  loco pero a la vez muy lucido. Donde los g&eacute;neros chocan y se mezclan  encar&aacute;ndose. Una carrera desenfrenada al placer, vanidad e  intolerencias&hellip; Bailan sobre un volc&aacute;n y queman el &uacute;ltimo cartucho. Este baile est&aacute; encriptado como la obra de Bosch. Debajo de los efectos  surrealistas, el pintor describe la sociedad r&iacute;gida de su &eacute;poca. La  inquisici&oacute;n, el peso de la intransigencia, de la superstici&oacute;n. Sabe que  el mundo (su mundo) se va a la ruina. Pinta un manifiesto a la libertad.  Hoy, nos inpiramos en su obra para hablar de nuestro mundo. Blanca Li</p>',NULL,NULL),(163,7,'es','El Sueño del Minotauro','<p><strong>Espect&aacute;culo coreogr&aacute;fico para 8 or 20 bailarines.</strong> <br />Duraci&oacute;n: 65 mn</p>','<p>Creado en la Bienal de Lyon, septiembre del <strong>1998</strong>. <br />Una versi&oacute;n para 20 bailarines fue creada en la Komische Opera de Berl&iacute;n en <strong>2002</strong>. <br />Espect&aacute;culo reestreno en <strong>Mayo del 2008 y Diciembre del2009</strong>, para el Opera de Toulon-Provence-M&eacute;diterran&eacute;e.</p>\r\n<p><strong>Coreograf&iacute;a</strong>: Blanca Li <br />M&uacute;sica: Michael Daugherty, Claude Debussy, Gabriel Faur&eacute;, Charles K&oelig;chlin, Maurice Ravel, Erik Satie, Petros Tabouris, Stelio Vlavianos <br />Iluminaci&oacute;n: Nicolas Salvatori</p>\r\n<p><strong>Coproducci&oacute;n</strong>: la Bienal de la Danza de Lyon, la Maison des Arts de Cr&eacute;teil, el Moulin du Roc de Niort, con el apoyo de la Caisse des D&eacute;p&ocirc;ts et Consignations.</p>\r\n<p>&ldquo; Al comienzo, las ganas de hacer una pieza coreogr&aacute;fica, con danza pura, poniendo en valor la belleza de los cuerpos casi desnudos me gui&oacute; naturalmente hacia la estatua cl&aacute;sica de la antigua Grecia. Buscando las im&aacute;genes, los movimientos, encontr&eacute; los mitos, los h&eacute;roes, una mirada desinhibida de la naturaleza y del sexo, de la filosof&iacute;a, del humor, y sobretodo de la est&eacute;tica. Enseguida hil&eacute; varios temas que me inspiraron, el Minotauro y los rituales con animales en Creta, Narciso, Pygmalion, las Amazonas, Athenas, los frisos de templos y de la cer&aacute;mica griega, las festividades dionysiacas, el amor, la guerra, el nacimiento ol&iacute;mpico del deporte. Para la atm&oacute;sfera, fui hasta mis recuerdos de los paisajes mediterr&aacute;neos, de la luz cegadora del mediod&iacute;a. El espect&aacute;culo ser&aacute; interpretado por tres chicas y tres chicos. El decorado quedar&aacute; depurado al igual que el vestuario. Para la m&uacute;sica, he encontrado en algunos compositores cl&aacute;sicos y modernos la inspiraci&oacute;n hel&eacute;nica que influenci&oacute; tantos talentos contempor&aacute;neos (Satie, Debussy, Faur&eacute;, Ravel, K&oelig;chlin, Ted Shawn, Nijinsky, Martha Graham, etc.) &rdquo;. B.L.</p>','',''),(164,12,'es','El Amor Brujo / Al Andalús','<p><strong>Ballet para 10 bailarines</strong> <br />Creado originalmente para la Opera de Nancy en <strong>1997</strong> <br />Este  ballet es retomado en 2002 por la Compa&ntilde;&iacute;a Blanca Li en  coproducci&oacute;n  con la Opera de Massy y el Festival Internacional de  Granada <br />Duraci&oacute;n aproximada: 60 mn</p>','<p><strong>Coreograf&iacute;a</strong>: Blanca Li <br />M&uacute;sica: Manuel de Falla ; libreto Gregorio Martinez Sierra <br />Vestuario: Ren&eacute; Zamudio. Escenograf&iacute;a Victor Ramos.</p>\r\n<p>Este programa se integra a un repertorio de ballets de  estilo neocl&aacute;sico y moderno, inspirados en Andaluc&iacute;a y sus lazos, la  cultura &aacute;rabe, llamada <strong>Al Andal&uacute;s</strong>, que se  compone de (seg&uacute;n las configuraciones) Nana y Lila, El Amor Brujo y la  creaci&oacute;n de Blanca Li, Canciones Populares, sobre una m&uacute;sica de Carmen  Linares. <br />En su versi&oacute;n m&aacute;s magistral, toda la m&uacute;sica es interpretada por una  orquesta sinf&oacute;nica, una cantante de flamenco, un guitarrista de flamenco  y el grupo de Gnawa Halwa de Marrakech.</p>\r\n<p>En 1997, con ocasi&oacute;n del cincuentenario de la muerte de  Manuel de Falla, Jean-Marie Blanchard pide a la core&oacute;grafa nacida en  Granada, Blanca Li, una puesta en escena y una coreograf&iacute;a originales de  la opera La Vida Breve y del ballet El Amor brujo, para la Opera de  Nancy. <br />All&iacute; donde su  compatriota Manuel de Falla hab&iacute;a integrado elementos  flamencos tradicionales a composiciones de una gran modernidad para la  &eacute;poca, Blanca Li prefiere traducir el esp&iacute;ritu de esta leyenda gitana a  trav&eacute;s de una escritura contempor&aacute;nea sin apoyarse directamente en el  flamenco. Pero la artista andaluza maneja perfectamente la t&eacute;cnica y el  lenguaje coreogr&aacute;fico, einspir&aacute;ndose  en las mismas fuentes y utilizando  algunas de sus figuras que llega a proponer una re-interpretaci&oacute;n a la  vez moderna y original de este cl&aacute;sico del repertorio espa&ntilde;ol,  El Amor  Brujo.</p>\r\n<p>Este ballet en un acto de Manuel de Falla est&aacute; ligado  desde sus or&iacute;genes a las figuras m&aacute;s legendarias del flamenco. Es en un  inicio que la gran bailarina Pastora Imperio pide a Falla de componerle  una melod&iacute;a. Inspir&aacute;ndose en leyendas y en los viejos aires gitanos que  colecciona junto a la madre de Pastora Imperio, Manuel de Falla se lanza  entonces en un proyecto m&aacute;s ambicioso. El espect&aacute;culo se presenta en el  teatro Lara de Madrid en 1915. Es un fracaso. El Amor Brujo se  convierte en un ballet reci&eacute;n en 1925, en el Teatro del Trianon en Paris  con  Antonia Merc&eacute;, &laquo; La Argentina &raquo;, y resulta un triunfo. Falla  escribe a la Argentina : &laquo; lo  que ha hecho de El Amor Brujo es tan  magn&iacute;fico que nada ni nadie puede ensombrecerlo. Usted y El Amor Brujo  son uno solo, es un hecho reconocido por todos &raquo;.</p>',NULL,NULL),(165,5,'es','Macadam Macadam','<p><strong>Espect&aacute;culo musical para 11 bailarines hip hop, rollers y biker.</strong> <br />Creado en enero del <strong>1999</strong> (Festival Suresnes Cit&eacute;s Danse) <br />Reestreno en enero del <strong>2006</strong> (Teatro Mogador, Op&eacute;ra de Massy) <br />Duraci&oacute;n: 70 mn</p>','<p><strong></strong><em><a href=\"http://www.globesdecristal.com/\" target=\"_blank\">Globo de Cristal</a> 2007 al mejor espect&aacute;culo en la categor&iacute;a &oacute;pera/danza.  <br />(Premio de la prensa francesa)</em></p>\r\n<p><strong>Coreograf&iacute;a y puesta en escena</strong>: Blanca Li <br /><strong>M&uacute;sica original</strong>: Antoine Herv&eacute;  <br />M&uacute;sicas adicionales: <em>Singing in the rain</em> y <em>Get happy</em> (con la amable autorizaci&oacute;n de EMI France). 0tras m&uacute;sicas adicionales: Tao Gutierrez.  <br />Escenograf&iacute;a: Bernard Michel y Elsa Ejchenrand. (Cit&eacute;s Danses  Variations, Producci&oacute;n Teatro Jean Vilar de Suresnes) - Vestuario:  Laurent Mercier, con el apoyo de ADIDAS - Luces: Sylvie Debare</p>\r\n<p><strong>Bailarines</strong>: Amin Benassa,  Malika Benjelloun, Andrea Bescond, Grichka Caruge, Karlos Da Silva,  Ahmed Karetti, Fran&ccedil;ois Lamargot, Esp&eacute;rance Mi&eacute;zi <br /><strong>Rollers</strong>: Lamine Fathi et Mohamed Sylla <br /><strong>Biker (BMX)</strong>: Alex Jumelin</p>\r\n<p><strong>Producci&oacute;n</strong>: Compa&ntilde;&iacute;a Blanca Li. <strong>Agradecimientos a</strong> : Teatro Jean Vilar (festival Suresnes Cit&eacute;s danse), Op&eacute;ra de Massy,  Teatro Mogador. Creado con la Caja de los Dep&oacute;sitos y Consignaciones, ,  re-creado con el Consejo General de Essonne y la Direcci&oacute;n Regional de  los Asuntos Cuturales de Ile-de-France.</p>\r\n<p>Macadam Macadam es un espect&aacute;culo dirigido por Blanca Li  en 1999 que nace a partir de los encuentros organizados por Olivier  Meyer durante el Festival Suresnes Cit&eacute; Danse. El p&uacute;blico y los medios  lo consagraron desde su creaci&oacute;n y la obra tuvo mucho &eacute;xito en el  festival de Avignon, en gira por Francia(Opera C&oacute;mico), en Europa y  Estados Unidos (Festival de Newhaven). A partir de enero del 2006, un  nuevo equipo se dedic&oacute; a la obra.</p>\r\n<p>Talentosa y multifac&eacute;tica, con la curiosidad siempre  alerta, la core&oacute;grafa espa&ntilde;ola Blanca Li crea el encuentro de los ritmos  hip hop, music-hall, la danza y el roller, el bike y la acrobacia.  Consigue aliar con inteligencia y fineza el universo urbano de la  generaci&oacute;n \"street culture\" y la creaci&oacute;n contempor&aacute;nea. Guiados por su  visi&oacute;n llena de sensibilidad y de humor, los 10 j&oacute;venes y virtuosos  artistas nos transportan por su formidable energ&iacute;a y su aut&eacute;ntico placer  de bailar.</p>\r\n<p><em>&laquo;Para mi, el espect&aacute;culo esc&eacute;nico no  est&aacute; vivo solo cuando est&aacute; en escena. En cuanto una de mis creaciones ya  no funciona, cesa de vivir, comienzo a extra&ntilde;arla. Es como un amigo muy  querido que uno ha perdido por un cierto tiempo. Es lo que me sucedi&oacute;  con Macadam Macadam.  <br />Pero para hacer revivir este espect&aacute;culo, hab&iacute;a tambi&eacute;n que  inyectarle una nueva energ&iacute;a y enriquecerla con nuevos aportes teniendo  en cuenta la evoluci&oacute;n de la &laquo;street culture &raquo; y de sus formas de  expresi&oacute;n constatemente reinventadas. Reun&iacute; un nuevo equipo asociando  bailarines que estuvieron en el momento de la creaci&oacute;n y reci&eacute;n  llegados. Tambi&eacute;n renov&eacute; ciertos aspectos de la coreograf&iacute;a tanto para  los solos como para los momentos de grupo.  <br />Lo que he buscado no es poner  &eacute;nfasis en el virtuosismo de los  bailarines, todos excelentes, pero s&iacute; privilegiar el encuentro de  estilos y de personalidades muy contrastantes. La re-creaci&oacute;n es el  fruto de este encuentro: cuenta como las personas que vienen de  universos completamente diferentes pueden atravesar sus propias  fronteras, unir sus energ&iacute;as en inventar juntos un alfabeto com&uacute;n.&raquo;</em> B.L.</p>',NULL,NULL),(166,13,'es','Nana et Lila','<p><strong>Espect&aacute;culo coregr&aacute;fico para 8 bailarinas y 5 m&uacute;sicos</strong> <br />Creado en <strong>junio 1993</strong> en el Festival Trans Europe de Berlin con la ayuda de la Fundaci&oacute;n Beaumarchais (SACD).  <br />Duraci&oacute;n: 60 mn</p>','<p>Premio&ldquo;Coup de c&oelig;ur du Off&rdquo; en el festival de Avignon 1993.  <br />Gira en Alemania, Holanda, Italia, Espa&ntilde;a, Tunez, Marruecos,  Croacia, Suiza y Francia.  150 representaciones en total, para  aproximadamente 80 000 espectadores.</p>\r\n<p><strong>Coreograf&iacute;a y puesta en escena</strong>: Blanca Li <br /><strong>M&uacute;sica</strong>: el grupo GNAWA HALWA de Marrakech <br />Escenograf&iacute;a: V&iacute;ctor Ramos et Jorge V&aacute;zquez <br />Vestuario: Sybilla. Luces: Richard Bessenay</p>\r\n<p>Una reflexi&oacute;n en cinco peque&ntilde;as piezas sobre la energ&iacute;a y  el trance, a trav&eacute;s  de una interpretaci&oacute;n contempor&aacute;nea del flamenco y  de los rituales Gnawa.</p>',NULL,NULL),(167,3,'es','Poeta En Nueva York','<p><strong>Espect&aacute;culo de m&uacute;sica y danza para 21 bailarines, 2 cantantes, 8 m&uacute;sicos.</strong> <br />Creado en Julio <strong>2007</strong> en los jardines del Alhambra en Granada <br />(en temporada desde el 19 de julio hasta el 31 de agosto)  <br />Duraci&oacute;n : 90 mn</p>','<p><strong></strong><em>El 4 de febrero 2008, Blanca Li recibi&oacute; el <a href=\"http://www.premiosmax.net/\" target=\"_blank\">Premio Max </a> otorgado a la mejor coreograf&iacute;a por su espect&aacute;culo (entregados por la profesi&oacute;n en los campos de los artes esc&eacute;nicos).</em></p>\r\n<p><strong>Coreograf&iacute;a:</strong> Blanca Li  <br /><strong>M&uacute;sica original y direcci&oacute;n musical:</strong> Tao Guti&eacute;rrez  <br />Dramaturg&iacute;a: Blanca Li, Pierre Attrait &amp; Tao Guti&eacute;rrez -  Escenograf&iacute;a: Pierre Attrait - Luces: Jacques Chatelet - Video: Charles  Carcopino - Vestuario: Paco Delgado</p>\r\n<p><strong>Bailarines solistas:</strong> Blanca Li &amp; Andr&eacute;s Mar&iacute;n <br /><strong>Canto:</strong> Carmen Linares o Encarnita Anillo &amp; Rob-Li <br /><strong>Poemas recitados por:</strong> Javier Viana <br /><strong>Bailarines:</strong> Vanesa Aibar, Salim  Begayoko, Javier Cobo, Aurora Mar&iacute;a Colmenero, Juan Pedro Delgado,  Jean-Gerald Dorseuil, Mar&iacute;a Fern&aacute;ndez, Steve Guimaraes, Ahmed Karetti,  Stephane Lavall&eacute;e, Ana Maci&aacute;, Jos&eacute; Maldonado, Yana Maltseva Le Gac,  Sergio Moya, Pascale Peladan, Pedro Ram&iacute;rez, Ozy Shyne, Tony, Deborah  Torres <br /><strong>M&uacute;sicos:</strong> Saxo y flauta: Rafael &Aacute;guila -  Bajo: Pablo B&aacute;ez - Teclado: Gherardo Catanzaro - Guitarra: Salvador  Guti&eacute;rrez - Percusi&oacute;n: Tao Guti&eacute;rrez - Chelo: Nicasio Moreno  -  Guitarra: David Tabares - Percusi&oacute;n: Javier Viana</p>\r\n<p><em>Con la participati&oacute;n de la Empresa  P&uacute;blica de Gesti&oacute;n de Programas Culturales, Consejer&iacute;a de Cultura, Junta  de Andaluc&iacute;a. Agradecimientos a: Marcad&eacute;, Aquatic Show, Studio de la  MAC Cr&eacute;teil, Variafrance, y a Manuel Fern&aacute;ndez Montesinos Garc&iacute;a  (herederos de F.G. Lorca).</em></p>\r\n<p>La coreograf&iacute;a de Blanca Li inspirada por la obra de  Federico Garc&iacute;a Lorca pone en escena m&aacute;s de 30 bailarines y m&uacute;sicos,  combinando Flamenco (con la cantante Carmen Linares y el bailar&iacute;n Andr&eacute;s  Mar&iacute;n), Hip hop y m&uacute;sica Jazz para evocar el choque cultural vivido por  el poeta andaluz durante su estad&iacute;a en Nueva York en Columbia  University. <br />El espect&aacute;culo se inspira de los poemas y la experiencia vivida por Federico Garc&iacute;a Lorca desde 1929 hasta 1930 en Nueva York. <br />Casi 60 000 espectadores han visto el espect&aacute;culo durante la serie de representaciones del Festival Internacional de Granada.</p>\r\n<p>Siotios web de <a href=\"http://www.andresmarin.es/\" target=\"_blank\">Andr&eacute;s Marin</a> y <a href=\"http://www.carmenlinares.org/\" target=\"_blank\">Carmen Linares</a> <br /><a href=\"http://www.tinet.org/%7Epicl/libros/glorca/gl002600.htm\" target=\"_blank\">Los poemas de Poeta en Nueva York</a> <br />Reportajes video del espect&aacute;culo: <br />- <a href=\"http://videos.ideal.es/informaciondecontenido.php?con=1421\" target=\"_blank\">Lorca segun Li</a> (idealTV) - Contiene un making of. <br />- <a href=\"http://videos.ideal.es/informaciondecontenido.php?con=1468\" target=\"_blank\">PNY triunfa en Granada</a> (idealTV) <br />- Estreno de PNY (idealTV) :  <br /><a href=\"http://videos.ideal.es/informaciondecontenido.php?con=1327\" target=\"_blank\">De Granada a Nueva York con Blanca Li</a> <br /><a href=\"http://fr.youtube.com/watch?v=Q-Cu0FD6EaE\" target=\"_blank\">Interview de Blanca Li</a></p>',NULL,NULL),(168,11,'es','Salomé','<p><strong>Espect&aacute;culo musical y coreogr&aacute;fico en cinco actos para 8 bailarines, un actor, 2 trapecistas, una soprano, 5 m&uacute;sicos</strong> <br />Creado en el Quartz de Brest en octubre de <strong>1995</strong> <br />Duraci&oacute;n: 1h30</p>','<p><strong>Coreograf&iacute;a</strong>: Blanca LI <br /><strong>M&uacute;sica</strong>: Charles K&oelig;chlin <br /><strong>Direcci&oacute;n y arreglos musicales</strong>: Jean Dominique Burroni <br />Dibujos y  decorado: Victor Ramos <br />Vestuario: Sybilla <br />Luces: Richard Bessenay.</p>\r\n<p><strong>Coproducci&oacute;n</strong>: El Quartz  (Centro coreogr&aacute;fico y dram&aacute;tico nacional), y El Deseo SA (Almodovar),  con el apoyo  de la familia Charles K&oelig;chlin, de la Maison de la Musique  de Nanterre, de la ANPE Espect&aacute;culos y del Ministerio de la Cultura.</p>\r\n<p>Salom&eacute; es una evocaci&oacute;n ir&oacute;nica de la violencia del  sentimiento amoroso. El espect&aacute;culo mezcla las t&eacute;cnicas a&eacute;reas del circo  - trapecio,telas y cuerda - con las de la danza contempor&aacute;nea y del  flamenco.</p>',NULL,NULL),(169,10,'es','Stress ','<p>Stress <em>(no pierdas la cabeza)</em><br /><strong>Espect&aacute;culo coreogr&aacute;fico, para 8 bailarines</strong> <br />Creado en Suresnes en enero del <strong>1997</strong> <br />Duraci&oacute;n: 60 mn</p>','<p><strong>Coreograf&iacute;a</strong>: Blanca Li <br /><strong>M&uacute;sica</strong>: Tao Guti&eacute;rrez y Cristina Hernandez-Arana <br />Iluminaci&oacute;n: Richard Bessenay <br />Vestuario: Ren&eacute; Zamudio y Claudie Kermarrec.</p>\r\n<p><strong>Coproducci&oacute;n</strong>: el Teatro de Suresnes Jean Vilar. Con el apoyo de l&rsquo;ANPE espect&aacute;culos y de la Maison de la Musique de Nanterre.</p>\r\n<p>Este espect&aacute;culo para bailarinas-actrices se inspira del  estr&eacute;s de la vida cotidiana y de la utilizaci&oacute;n deformada y parad&oacute;jica  de objetos de la vida diaria. Las bailarinas evolucionan en un decorado  estrictamente urbano y utilizan/afrontan los limites en una creciente  tensi&oacute;n resuelta por una alegre locura. Encontramos la energ&iacute;a propia de  la las creaciones de Blanca Li as&iacute; como su gusto por la iron&iacute;a.</p>',NULL,NULL),(170,9,'es','Zap ! Zap ! Zap !','<p><strong>One woman show</strong> <br />Creado en la Maison de la Musique de Nanterre en junio del <strong>1998</strong> <br />Luego en el Teatro de  Niza en avril del 1999 <br />Duracion: 70 mn</p>','<p><strong>Por y con Blanca Li</strong> <br /><strong>Decorado</strong>: Bernard Michel <br /><strong>Vestuario</strong>: Ren&eacute; Zamudio y Claudie Kermarrec</p>\r\n<p>En la primera parte, un cortometraje realizado por Blanca Li en marzo de 1998 : \"Angoisse\"</p>\r\n<p>Para ponerle fin a la monoton&iacute;a de los espect&aacute;culos que  pasan en la televisi&oacute;n,  Blanca Li invita a la tele al escenario. Una  constelaci&oacute;n de artistas de todos los g&eacute;neros, de entrevistas, de  verdadera actualidad, de sentido del humor. ZAP! ZAP! ZAP! es un show  \"telesc&eacute;nico\" para una nueva generaci&oacute;n de adictos a la tele: los  espectadores.</p>',NULL,NULL),(171,29,'es','Al Andalús','<p><strong>Documental</strong>,<br />Coreografia filmada para ARTE, <strong>direccion, puesta en escena, coreograf&iacute;a  de</strong> Blanca Li ( Les Films d&rsquo;ici, 26&rsquo;)</p>','',NULL,NULL),(172,32,'es','Angustia','<p>1998,<strong> Cortometraje cat&aacute;strofe de y con</strong> Blanca Li.<br />Direcci&oacute;n de fotograf&igrave;a : John Mathieson (Premi&egrave;re Heure, 35 mm couleur, 5 mn).</p>','<p><strong>Proyectado en el espect&aacute;culo</strong> &ldquo;Zap ! Zap ! Zap !&rdquo;.  <br /> Premio Fuji en el 22 Festival de cortometraje de Grenoble. Menci&oacute;n   especial del jurado en el d&eacute;cimo cuarto  Festival del Film Court de   Brest. Mejor cortometraje franc&oacute;fono 2000 y Premio del p&uacute;blico al mejor   corto franc&eacute;s en el vig&eacute;simo segundo Festival Internacional de Cr&eacute;teil.</p>',NULL,NULL),(173,28,'es','Home Fitness','<p><strong>Dir. :</strong> Blanca Li<br />con Blanca Li, Rafa Linares <br />(MUSAC L&eacute;on, 3&rsquo;)</p>','',NULL,NULL),(174,31,'es','La Paella','<p>2000, con Blanca Li y Lola Mercier (vid&eacute;o 7&rsquo;)</p>','',NULL,NULL),(175,30,'es','Le Poulet','<p>con Blanca Li (2&rsquo;)</p>','',NULL,NULL),(176,27,'es','Pour Elle ','<p><em>\"Para Ella</em><strong>\"<br />realizacion</strong><strong>:</strong> Blanca Li<br />con Victoria Abril<strong><br /> </strong></p>','<p><strong>Cortometraje erotico con Victoria Abril,</strong> publicado en Canal Plus en el  contexto de la serie \"X-Femmes (Saison 2)\" (X-Mujer, Temporada 2). Esta  pel&iacute;cula se re&uacute;ne con los de Tonie Marshall (\"El bello sexo\"), Zoe  Cassavetes (\"S&aacute;bado por la noche\") y Anna Mouglalis (\"Chicas\"). <a href=\"http://www.secondsexe.com/magazine/Interview-de-Blanca-Li.html\" target=\"_blank\">Entrevista</a> con Blanca Li. <br />Seleccionados en septiembre de 2009 en el Festival de Venecia \"off\",  la d&eacute;cima edici&oacute;n anual del Festival Internacional de Cortometrajes.</p>',NULL,NULL),(349,146,'fr','Le Bal de Paris de Blanca Li','<p>Un spectacle vivant immersif sublim&eacute; par 35 minutes de r&eacute;alit&eacute; virtuelle.</p>\r\n<center><a href=\"https://tickets.lebaldeparisdeblancali.com/events/334\"><img src=\"https://www.blancali.com/files/image_772_image_fr.png\" alt=\"\" width=\"200\" height=\"49\" /></a></center>\r\n<p>Vainqueur du Lion de la meilleure exp&eacute;rience VR au festival International de Venise</p>\r\n<center><img src=\"https://www.blancali.com/files/image_754_image_fr.jpg?53\" alt=\"\" width=\"300\" height=\"226\" /></center>\r\n<p>Autres contenus, cliquez sur le logo :</p>\r\n<center><a href=\"https://www.lebaldeparisdeblancali.com/\"><img src=\"https://www.blancali.com/files/image_751_image_fr.png\" alt=\"\" width=\"150\" height=\"106\" /></a></center>','<p>Vous voil&agrave; invit&eacute;&middot;e par Blanca Li au plus grand bal de Paris ! La musique et la danse fusionnent avec la r&eacute;alit&eacute; virtuelle pour vous offrir une exp&eacute;rience festive artistique et spectaculaire. Nul besoin d\'&ecirc;tre familier avec la danse ou la r&eacute;alit&eacute; virtuelle pour plonger dans ce bal qui vous fera voyager &agrave; travers diff&eacute;rents univers.<br />Avec Le Bal de Paris, la r&eacute;alit&eacute; virtuelle r&eacute;volutionne le monde du spectacle immersif et gomme la fronti&egrave;re entre les spectateurs et les danseurs : tout est possible. Un moment privil&eacute;gi&eacute; d&eacute;coup&eacute; en 3 actes que vous partagerez avec 9 autres spectateurs. Trois danseurs jouant les r&ocirc;les principaux de l\'intrigue vous feront d&eacute;couvrir, tour &agrave; tour, une valse ou encore un cancan. Vous &ecirc;tes libre, au gr&eacute; de vos envies, d\'observer, de danser, d\'interagir avec les danseurs ou les autres invit&eacute;s, d\'entrer dans la danse de cette f&ecirc;te qui promet d\'&ecirc;tre inoubliable. Une f&ecirc;te de plus d\'une heure qui commence d&egrave;s la r&eacute;ception, o&ugrave; vous vous verrez proposer une mise en bouche avant de plonger dans un divertissement interactif et hors du temps de 35 minutes en r&eacute;alit&eacute; virtuelle. Un univers aussi po&eacute;tique que fantastique imagin&eacute; par Blanca Li.</p>\r\n<p>Conception, direction et livret Blanca Li<br />Direction musicale et musiques originales Tao Gutierrez<br />Direction de la cr&eacute;ation visuelle Vincent Chazal<br />Costumes CHANEL<br />D&eacute;veloppement en R&eacute;alit&eacute; Virtuelle BackLight Studio</p>\r\n<p>PRODUCTION <br /> Compagnie Blanca Li (Film Addict - Calentito )</p>\r\n<p>Coproduction</p>\r\n<p>BackLight Studio (France)<br /> Fabrique d\'Images (Luxembourg)<br /> Actrio Studio (Allemagne)</p>\r\n<p>Avec le soutien et la participation de<br /> Centre national du cin&eacute;ma et de l&rsquo;image anim&eacute;e CNC (France)<br />Film Fund Luxembourg<br />Teatros del Canal Madrid (Espagne)<br /> Epic MegaGrants (USA)<br /> Programme Europe Cr&eacute;ative de l&rsquo;Union Europ&eacute;enne<br />HTC Vive partenaire officiel VR<br /> Chaillot &ndash; Th&eacute;&acirc;tre national de la Danse (France)<br />Ville de Paris (France)<br /> Medienboard Berlin Brandenburg (Allemagne)<br /> DICR&eacute;AM (France)</p>\r\n<p>Partenaire exclusif&nbsp; CHANEL</p>\r\n<p>Remerciements &agrave;</p>\r\n<p>l\'Institut Fran&ccedil;ais<br />Rencontres de Coproduction du Film Francophone (Luxembourg)<br />Festival NewImages (Paris, France) <br /> Festival International de Film de Gen&egrave;ve (Suisse)<br />VR Days (Pays-Bas)<br /> Cannes XR (France)<br />Kaleidoscope (USA)<br />Centre Phi (Canada)<br />Toute l\'&eacute;quipe de CHANEL</p>\r\n<p><img src=\"https://www.blancali.com/files/image_752_image_fr.png\" alt=\"\" width=\"600\" height=\"100\" /></p>','Le Bal de Paris \r\n',''),(178,77,'es','Bagdad Cafe','<p><strong>coreograf&iacute;a</strong> de  Blanca Li</p>','<p>Escrita y dirigida por Percy Adlon, m&uacute;sica de Bob Telson - MC de Nevers, Le Quartz de Brest, Maison de la Danse de  Lyon, octubre 2005.</p>',NULL,NULL),(179,18,'es','Borderline-Grenzgange','<p><strong>Ballet dirigido y coreografeado </strong>por Blanca Li,<br />m&uacute;sica de Matthew Herbert  y Tao Gutierrez, Berlin Ballett Komische Oper, junio 2002.</p>','',NULL,NULL),(180,24,'es','Central Station','<p><strong>Ballet coreografeado</strong> por Blanca Li,<br /><strong>m&uacute;sica</strong> de Johan Sebastian Bach para  la compa&ntilde;&iacute;a Introdans (Arnhem, Hollande 1994),<br />retomado por el <strong>Berlin  Ballett Komische Oper</strong>, 2003.</p>','',NULL,NULL),(181,16,'es','Don Giovanni','<p>Opera de Mozart<br /><strong>puesta en escena </strong>de Marthe Keller<br /> <strong>Met NYC</strong>, marzo 2003</p>','',NULL,NULL),(182,75,'es','Enamorados Anonimos ','<p><strong>Dirigida</strong> por Blanca Li</p>','<p><strong>Direcci&oacute;n musical</strong> Javier Limon, argumento de  David Serrano, Daniel  Sanchez Arevalo, Fernando Castetsen <br /> <strong>Teatro  Movistar de Madrid</strong>,  octubre 2008-mayo 2009.</p>',NULL,NULL),(183,17,'es','Guillaume Tell','<p>Opera de Rossini<strong><br />puesta en escena </strong>de Francesca Zambello<br /><strong>Opera Bastille</strong>, marzo 2003.</p>','',NULL,NULL),(184,76,'es','La Loca et verdadera vida de Luigi Prizzoti','<p>Espect&aacute;culo music hall<br /><strong>puesta en escena de</strong> Edouard Baer y su compa&ntilde;&iacute;a, febrero 2006.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_681_image_fr.jpeg?2017-01-20-17-08-20\" alt=\"\" width=\"300\" height=\"200\" /></p>','','',''),(185,22,'es','La Vida Breve / El Amor Brujo','<p>Operas de Manuel de Falla<br /><strong>Direcci&oacute;n musical </strong>de J&eacute;r&ocirc;me Kaltenbach<br /><strong>Opera </strong>de Nancy y de Lorraine, mayo 1997.</p>','',NULL,NULL),(186,19,'es','Ensueño de un Minotauro','<p><strong>Ballet dirigido y coreografeado</strong> por Blanca Li<br />m&uacute;sicas de Faur&eacute;, Ravel, Debussy, etc.<br /><strong>Berlin Ballett Komische Oper</strong>, febrero 2002</p>','',NULL,NULL),(187,21,'es','Les Indes galantes','<p>Opera ballet de Rameau<br /><strong>Direcci&oacute;n musical </strong>de William Christie<br /><strong>puesta en  escena</strong> de Andrei Serban<br /><strong>Opera Garnier </strong>de Par&iacute;s, septiembre 1999.<br />Reestreno en 2000 y 2003</p>','',NULL,NULL),(188,78,'es','Quel Cirque !','<p><strong>Coreograf&iacute;a </strong>de Blanca Li en el <a href=\"http://www.theatre-suresnes.fr/?page=spectacle&amp;page2=suresnes&amp;id=78\" target=\"_blank\">Festival Suresnes Cites Danse </a>,  con el Colectivo \"Jeu de Jambes\", pioneros del jazz-rock en Francia.<br />Desde 16 a 19 enero 2010 (Producci&oacute;n Th&eacute;&acirc;tre de Suresnes Jean Vilar &ndash;  Suresnes cit&eacute;s danse).<br />Reportaje de TV</p>','',NULL,NULL),(189,20,'es','Shéhérazade','<p>Ballet de Rimski-Korsakov<br /><strong>Opera Garnier de Par&iacute;s</strong>, diciembre 2001/enero 2002</p>','',NULL,NULL),(190,15,'es','Treemonisha','<p>Una &oacute;pera de Scott Joplin<br /><strong>dirigido y coreografiado </strong>por Blanca Li para el <a href=\"http://www.chatelet-theatre.com/2009-2010/lyrique/treemonisha,368\" target=\"_blank\">Th&eacute;&acirc;tre du Ch&acirc;telet</a> (Par&iacute;s). <br /><br /></p>','<p><strong>Director musical: </strong>Kazem Abdullah.<br /><strong>Dise&ntilde;o esc&eacute;nico,  dramaturgia,  escenograf&iacute;a y vestuario</strong>: Roland Roure. <br />&Oacute;pera en tres actos  (Sch&uuml;ller  Version) marzo 31 hasta abril 9, 2010.</p>',NULL,NULL),(191,23,'es','Un Tango pour Monsieur Lautrec','<p>De Jacobo Romano y Jorge Zulueta (creaci&oacute;n mundial)<br /><strong> Direcci&oacute;n musical</strong> de R&uuml;diger Bohn<br /><strong>Opera de Nancy</strong> y de Lorraine, diciembre 1998 y enero  1999.</p>','',NULL,NULL),(192,14,'es','Very Gentle y Un Parque','<p><strong>Dos &oacute;peras del compositor</strong> Luis de Pablo dirigo por Blanca Li <br /><strong>Direcci&oacute;n musical</strong>: Jos&eacute; Ram&oacute;n Encinar<br />Espa&ntilde;a, <a href=\"http://www.teatrosdelcanal.org/1000159000201/homenaje-cristobal-halffter-luis-pablo__1.html\" target=\"_blank\">Teatros del Canal</a> en Madrid, 19 y 20 de junio 2010</p>','<p><strong><br /></strong></p>',NULL,NULL),(193,80,'en','La Blancamobile','<p><strong>Performance</strong> for 8 acrobats and 2 musicians created at the Lieu Unique in Nantes for the turn of the Millenium. <br /><!-- Documents joints et portfolio d\'images --></p>','<p>Le Monde <em>&laquo;To the melody of love songs from the 30&rsquo;s,   the Blancamobile hovers about, nostalgic and futuristic, kitsch and   childlike. In slow and aerial moves, the quiet virtuosity of the   acrobats reveals a delightfully insolent sensuality&raquo;</em> (Rosita Boisseau)</p>',NULL,NULL),(194,61,'es','Dancing Machine','<p>Desde 18 a 28 de marzo de 2010 en el <strong><a href=\"http://www.maccreteil.com/index.php?rubrique=exit\" target=\"_blank\">Maison des Arts</a></strong> (Francia)<br /> Exposici&oacute;n reanud&oacute; como parte de <strong><a href=\"http://www.lille3000.eu/lille3000/fr/event.php?id=28&amp;nom=DANCING-MACHINE\" target=\"_blank\">Lille 3000</a></strong> (Estaci&oacute;n Saint-Sauveur, desde 1 julio a 31 octubre)</p>','<p>Instalaci&oacute;n interactiva de v&iacute;deo de Blanca Li en el <a class=\"spip_out\" href=\"http://www.maccreteil.com/pdf/din/mac_pdf_52.pdf\" target=\"_blank\">festival EXIT</a>, festival internacional y transdisciplinario dedicado a las artes digitales.</p>',NULL,NULL),(195,80,'es','La Blancamobile','<p><strong>Evento para 8 acr&oacute;batas y 2 m&uacute;sicos</strong><br />creado en el <strong>Lieu Unique de Nantes</strong> con motivo del cambio al a&ntilde;o 2000. <br /><!-- Documents joints et portfolio d\'images --></p>','<p><em>Le Monde</em> &laquo;<em>Con canciones de amor de los a&ntilde;os 30, el   Blancamovil va planeando, nost&aacute;lgico y futurista, kitsch e infantil.   Gestos lentos y suspendidos, el virtuosismo tranquilo des acr&oacute;batas   libera una voluptuosidad insolente.</em>&raquo; (Rosita Boisseau)</p>',NULL,NULL),(196,71,'es','Te voy a enseñar a bailar','<p>Del 26 de enero al 4 de mayo 2008, <a href=\"http://www.musac.es/index.php?ref=53900\" target=\"_blank\">Museo de Arte Contemporaneo de Castilla y Le&oacute;n</a></p>\r\n<p><strong><br /></strong></p>','<p><strong>Blanca Li invita al MUSAC de Leon</strong>, para su primera   exposici&oacute;n contempor&aacute;nea, una instalaci&oacute;n pl&aacute;stica, audiovisual e   interactiva con m&aacute;s de 1000 m2. La Exposici&oacute;n ha cerrado con un record   de 53 000 visitas.</p>',NULL,NULL),(197,65,'es','Ven a bailar conmigo','<p>19 de septiembre de 2009, para la <a href=\"http://www.esmadrid.com/lneb09/es/index.html\" target=\"_blank\">Noche en Blanco</a> de Madrid</p>\r\n<p><strong><br /></strong></p>','<p><strong>Blanca Li realiza</strong> \"Ven a bailar conmigo\",    un recorrido audiovisual interactivo. A la altura del evento, 100.000    personas participaron simult&aacute;neamente en \"clases de baile\" propuesto    (hip-hop, disco, ballet o Bollywood)!</p>',NULL,NULL),(198,43,'es','Arlette','<p><strong>Realizacion:</strong> Claude Zidi<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(199,35,'es','El Calentito','<p><strong>Realizacion</strong><strong>:</strong> Chus Gutierrez<strong><br /></strong><strong>Coreograf&iacute;a</strong><strong>:</strong> Blanca Li</p>','',NULL,NULL),(200,44,'es','Gazon Maudit','<p><strong>Realizacion</strong><strong></strong><strong>:</strong> Josiane Balasko<br /><strong>Coreograf&iacute;a</strong><strong></strong><strong>:</strong> Blanca Li</p>','',NULL,NULL),(201,36,'es','La Confiance règne','<p><strong>Realizacion</strong><strong></strong><strong>:</strong> Etienne Chatilliez<br /><strong>Coreograf&iacute;a</strong><strong></strong><strong>:</strong> Blanca Li</p>','',NULL,NULL),(202,33,'es','Le Code a Changé','<p><strong>Realizacion:</strong> Daniele Thompson<br /><strong>Coreografia:</strong> Blanca Li</p>','',NULL,NULL),(203,26,'es','Le Défi','<p>\"El desaf&iacute;o\"<br /><strong>largometraje</strong>, comedia musical hip hop con  puesta en  escena, coreograf&iacute;a e interpretaci&oacute;n por Blanca Li. Direcci&oacute;n  de   fotograf&iacute;a: Manuel Teran (SPI Jean-Claude Fleury, 94&rsquo;, 2002).</p>','<p><strong>Le Monde </strong>&laquo;<em>Si hubiese alguien capaz de  dar al cine una comedia musical en la cual el hip hop est&aacute; en lo alto  del pedestal, es justamente la core&oacute;grafa Blanca Li, la bomba de  Granada. La bailarina-core&oacute;grafa posee un impacto corporal delirante,  digno de grandes maestros del humor</em>&raquo;. (Dominique Fr&eacute;tard) <br />T&eacute;l&eacute;rama &laquo;<em>Le D&eacute;fi es un di&aacute;logo coreogr&aacute;fico donde   Blanca Li genera chispas. Cada bailar&iacute;n aporta su peque&ntilde;a luz, y juntos  nos ofrecen un fuego de artificio</em>&raquo; . (Isabelle Fajardo).  <br /><strong>Le Figaroscope </strong>&laquo;<em>Todo el placer de esta primera comedia musical hip-hop firmada Blanca Li est&aacute; en las secuencias bailadas, que son formidables</em>&raquo;. (Marie-No&euml;lle Tranchant) <br /><strong>Monsieur Cin&eacute;ma </strong>&laquo;<em>Su pel&iacute;cula  se parece por momentos  a esos buenos viejos n&uacute;meros musicales y nos recuerda Cantando bajo la  lluvia o West side story, pero en una versi&oacute;n hip-hop. Se salta en los  canap&eacute;s,  se corteja en los pasillos de la escalera,  chasquidos de los  dedos junto a juegos de piernas alucinantes...Todo eso con br&iacute;o, ya que  el grupo de bailarines que la realizadora- core&oacute;grafa ha reunido es  absolutamente fabuloso</em>&raquo;. (Xavier Pichard)</p>',NULL,NULL),(204,42,'es','L’Odyssée','<p><strong>Realizacion:</strong> Andrei Konchalovsky<br /><strong>Coreagraf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(205,41,'es','Nettoyage à Sec','<p><strong>Realizacion</strong><strong>:</strong> Anne Fontaine<br /><strong>Coreagraf&iacute;a</strong><strong>:</strong> Blanca Li</p>','',NULL,NULL),(206,25,'es','Pas à Pas','<p><strong></strong>\"Paso a Paso\" <strong>documental</strong> sobre los bastidores del  espect&aacute;culo Coraz&oacute;n Loco. <strong>Puesta en escena y coreograf&iacute;a</strong> por Blanca Li.<br /> (Film Addict, 84&rsquo;, 2009)</p>','<p>&laquo;<em>2007: Coraz&oacute;n Loco fue creado para el Teatro de Chaillot. Blanca Li rueda los momentos mas  intensos que occurren antes el comienzo del espect&aacute;culo, el nacimiento  de una obra, los ensayos, la esencia misma de la danza y de la  creaci&oacute;n&raquo;.</em></p>',NULL,NULL),(207,37,'es','People','<p><strong>Realizacion:</strong> Fabien Onteniente<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(208,45,'es','Pigalle','<p><strong>Realizacion:</strong> Karim Dridi<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(209,40,'es','Plunkett & McLeane','<p><strong>Realisazion:</strong> Jake Scott<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(210,39,'es','Quasimodo','<p><strong>Realizacion:</strong> Patrick Timsit, 1998<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(211,34,'es','Sa majesté Minor','<p><strong>Realizacion:</strong> Jean-Jacques Annaud<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(212,38,'es','Sin noticias de Dios','<p><strong>Realizacion:</strong> Agustin Dias Yanes<br /><strong>Coreograf&iacute;a:</strong> Blanca Li</p>','',NULL,NULL),(213,53,'es','Ammaria, Les Mamas','<p><strong>Realizacion:</strong> Michel Meyer<br /><strong>Coreografia:</strong> Blanca Li<br /><strong>producci&oacute;n:</strong> BMG</p>','',NULL,NULL),(214,51,'es','Around the World, Daft punk','<p><strong>Realizacion:</strong> Michel Gondry<br /><strong>Coreografia:</strong> Blanca Li<br /><strong>producci&oacute;n:</strong> Vanguard</p>','',NULL,NULL),(215,69,'es','Cegetel','<p><strong>Realizacion:</strong> Roland Joff&eacute;<br /><strong>Coreografia</strong>: Blanca Li<br /><strong>producci&oacute;n:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(216,50,'es','Cool frénésie, Rita Mitsouko','<p><strong>Realizacion:</strong> S&eacute;bastien Caudron<br /><strong>Coreografia:</strong> Blanca Li<br /><strong>producci&oacute;n:</strong> Ninety Nine</p>','',NULL,NULL),(217,46,'es','Dance Tonigh, Paul Mc Cartney','<p><strong>Realizacion:</strong> Michel Gondry<br /><strong>Coreografia:</strong> Blanca Li<br /><strong>producci&oacute;n:</strong> Partizan</p>','',NULL,NULL),(218,58,'es','Dim','<p><strong>Realizacion:</strong> Blanca Li<br /><strong>producci&oacute;n:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(219,73,'es','Festival de Danza y cinema','<p>Festival organizado por Blanca Li como artista asociada del Centro Coreogr&aacute;fico Nacional de Creteil y del Val-de-Marne</p>','<p>&bull; Viernes 5 y S&aacute;bado 6 de noviembre: Maison des Arts de Creteil, Escena Nacional <br />&bull; Domingo 7 de Noviembre: MAC/VAL, museo de artes contempor&aacute;neos.</p>\r\n<p>El evento ha reunido pel&iacute;culas de ficci&oacute;n, pel&iacute;culas  experimentales y videos de artistas, documentales con la ambici&oacute;n de  ofrecer un vistazo general hist&oacute;rico y contempor&aacute;neo sobre las  diferentes posibilidades de expresi&oacute;n coreogr&aacute;fica y de creaci&oacute;n ofertas  por la pel&iacute;cula sobre la danza.</p>\r\n<p><em>Ese proyecto a permitido reunir la danza  en sus formas y empleos mas variados, revelando al mismo tiempo sus  impulsiones fundamentales.</em></p>\r\n<p><em>En el MAC/VAL, el festival presento  obras contempor&aacute;neas de artistas pl&aacute;sticos abriendo nuevos campos de  investigaci&oacute;n y de creaci&oacute;n.</em></p>',NULL,NULL),(220,68,'es','Findus','<p><strong>Realizacion:</strong> H&eacute;l&egrave;ne Gu&eacute;tary<strong><br /> Coreografia: </strong>Blanca Li<strong><br /> producci&oacute;n:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(221,67,'es','GAP','<p><strong>Realizacion</strong><strong>:</strong> Michel Gondry<strong><br /> </strong><strong>Coreografia</strong><strong>: </strong>Blanca Li<strong><br /> </strong><strong>producci&oacute;n</strong><strong>:</strong> Partizan, Los Angeles</p>','',NULL,NULL),(222,47,'es','Heard’em say, Kanye West','<p><strong>Realizacion</strong><strong>:</strong> Michel Gondry<br /><strong>Coreografia</strong><strong>:</strong> Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Partizan</p>','',NULL,NULL),(223,59,'es','J.C Decaux','<p><strong>Realizacion</strong><strong>:</strong> Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(224,63,'es','J.P Gaultier Puissance 2','<p><strong>Realizacion</strong><strong>:</strong> J.B Mondino<strong><br /></strong><strong>Coreografia</strong><strong>: </strong>Blanca Li<strong><br /></strong><strong>producci&oacute;n</strong><strong>:</strong> BPI</p>','',NULL,NULL),(225,56,'es','Kinder','<p><strong>Realizacion</strong><strong>:</strong>&nbsp; Blanca Li <br /><strong>producci&oacute;n</strong><strong>:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(226,62,'es','Lancome Hypnôse','<p><strong>Realizacion</strong><strong>:</strong> Javier Valhonrat<br /><strong>Coreografia</strong>: Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Milly films</p>','',NULL,NULL),(227,52,'es','Le Jour viendra, Khaled','<p><strong>Realizacion</strong><strong>:</strong> H&eacute;l&egrave;ne Gu&eacute;tary<br /><strong>Coreografia</strong><strong>:</strong> Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Barclay</p>','',NULL,NULL),(228,49,'es','Music is my radar, Blur','<p><strong>Realizacion</strong><strong>:</strong> D. Cameron<br /><strong>Coreografia</strong><strong>:</strong> Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Tsunami</p>\r\n<p><strong><br /></strong><strong></strong></p>','',NULL,NULL),(229,57,'es','Narta','<p><strong>Realizacion</strong><strong>:</strong> Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(230,66,'es','Perrier','<p><strong>Realizacion</strong><strong>:</strong> Jean-Jacques Annaud<strong><br /></strong><strong>Coreografia</strong><strong>:</strong> Blanca Li<strong><br /></strong><strong>producci&oacute;n</strong><strong>:</strong> Franco American</p>','',NULL,NULL),(231,70,'es','Perrier Sensations','<p><strong>Realizacion</strong><strong>:</strong> Tarsem<br /><strong>Coreografia</strong>: Blanca Li<br /><strong>producci&oacute;n</strong><strong>:</strong> Plan&egrave;te Spots</p>','',NULL,NULL),(232,64,'es','Prada, Thunder perfect Mind','<p><strong>Realizacion</strong>: Jordan er Ridley Scott<strong><br /></strong><strong>Coreografia</strong><strong>: </strong>Blanca Li<strong><br /></strong><strong>producci&oacute;n</strong><strong>:</strong> RSA</p>','',NULL,NULL),(233,72,'es','Résidence CCN','<div class=\"texte\">Mourad Merzouki director, Blanca Li artista asociada</div>','<div class=\"texte\">\r\n<div class=\"texte\">\r\n<p><strong>Comunicado de prensa del Ministerio de la Cultura franc&eacute;s (23 de junio 2009)</strong></p>\r\n<p>Con el acuerdo de la ciudad de Creteil y el departamento  del Val-de-Marne, Christine Albanel, ministra de la cultura y de la  comunicaci&oacute;n, anuncia que el core&oacute;grafa Mourad Merzouki sera el director  del Centro coreogr&aacute;fico nacional de Creteil y del Val-de-Marne. La  core&oacute;grafa Blanca Li es nombrada artista asociada para colaborar al  proyecto art&iacute;stico del Centro.</p>\r\n</div>\r\n</div>',NULL,NULL),(234,54,'es','Sandance','<p>video-arte a pedido de Shiseido (10 mn, 2004)<br /><strong>coreograf&iacute;a e interpretaci&oacute;n </strong> de Blanca Li</p>','',NULL,NULL),(235,48,'es','Goldfrapp','<p><strong>Realizacion:</strong> Dawn Shadforth<br /><strong>Coreografia:</strong> Blanca Li<br /><strong>producci&oacute;n:</strong> Black Dog</p>','',NULL,NULL),(236,60,'es','Viva','<p><strong>Realizacion</strong><strong>:</strong> Blanca Li<strong><br /></strong><strong>producci&oacute;n</strong><strong>:</strong> Premi&egrave;re Heure</p>','',NULL,NULL),(237,55,'es','Un après-midi','<p><strong>videoarte</strong>, a pedido  de Toyota para los campeonatos mundiales de Atletismo 2003. <br />(Auditorio, 9 mn, julio 2003)</p>','',NULL,NULL),(241,84,'fr','Shut up and dance','<p>Concert de l\'Orchestre National de Jazz avec danseurs de la Cie Blanca Li</p>','<p>DIRECTION ARTISTIQUE<br /> <strong>DANIEL YVINEC</strong><br /> <br /> COMPOSITION<br /> <strong>JOHN HOLLENBECK</strong></p>\r\n<p>Cr&eacute;&eacute; quelque part entre New York, Paris, Berlin et Saint-R&eacute;my-de-Provence, Shut Up And Dance s\'int&eacute;resse &agrave; la relation entre la musique et le mouvement. <br /> Le rythme y est explor&eacute; dans toutes ses nuances d&rsquo;expression, parfois m&ecirc;me l&agrave; o&ugrave; on ne l&rsquo;attend pas : une balle de ping pong qui rebondit dans les cordes d\'un piano, divers objets maltrait&eacute;s par des logiciels informatiques, des cl&eacute;s d\'instruments, des mains frott&eacute;es, des tubes de PVC qui d&eacute;livrent des m&eacute;lodies... Tout devient percussion, v&eacute;ritable trame d\'une &eacute;criture m&eacute;lodique puissante o&ugrave; se rencontrent les couleurs de la musique r&eacute;p&eacute;titive, la musique pygm&eacute;e, la musique savante, la musique &eacute;lectronique, la transe des Gnawas, le swing de Duke Ellington.<br /> Les compositions de John Hollenbeck, imagin&eacute;es tout sp&eacute;cialement pour ce programme et issues d\'une riche collaboration avec Daniel Yvinec, &eacute;voquent &eacute;galement le foisonnement et la densit&eacute; de l\'&eacute;criture classique, en une s&eacute;rie de dix mini concertos d&eacute;di&eacute;s &agrave; chacun des musiciens de l&rsquo;orchestre en fonction de leur personnalit&eacute; et de leur langage. <br /> Bouleversant sans vergogne les fonctions instrumentales, les vents prennent le r&ocirc;le moteur de la batterie, le piano pr&eacute;par&eacute; rejoint le camp des percussions&hellip; Tout gravite autour de l\'id&eacute;e de mouvement, le mouvement dans ces rythmes enivrants qui, pour mieux nous perdre, s\'entrecroisent toujours et encore.<br /> <br /> <br /> <strong><a href=\"http://www.onj.org/fr/disco-onj\">SHUT UP AND DANCE</a></strong><br /> <strong>Second album de l\'ONJ</strong></p>\r\n<p><br /> Photo &copy; Hedi Slimane / trunkarchive.com</p>','Chorégraphie pour l\'Orchestre National de Jazz de Daniel Yvinec. Théâtre du Châtelet. Paris','shut, up, and dance, châtelet, paris, théâtre, jazz, yvinec, hollenbeck, orchestre national du jazz, onj'),(242,82,'fr','La Fête de la Danse','<p>La Fete de la Danse est un &eacute;v&eacute;nement populaire cr&eacute;&eacute; par Blanca Li en septembre 2011 au Grand Palais &agrave; Paris. A la fois installation multimedia, performance, et divertissement, c\'est une invitation &agrave; danser et &agrave; c&eacute;l&eacute;brer la danse sous toutes se formes.</p>','<p>&nbsp;</p>\r\n<hr />\r\n<h3 style=\"text-align: left;\">COMMUNIQUE DE PRESSE du 25 septembre 2011</h3>\r\n<p><em><strong>Lancement r&eacute;ussi pour la premi&egrave;re &eacute;dition de la F&ecirc;te de la Danse de Blanca Li au Grand Palais.</strong></em></p>\r\n<p><em>Pour cette premi&egrave;re rencontre entre Blanca Li et l\'espace magique de la Nef du Grand Palais lors d\'une manifestation enti&egrave;rement d&eacute;di&eacute;e &agrave; la danse sous toutes ses formes, le plaisir a &eacute;t&eacute; partag&eacute;, la participation impressionnante (14 000 participants) et la f&ecirc;te totale.</em></p>\r\n<p><em>Le visiteur qui p&eacute;n&eacute;trait, souvent pour la premi&egrave;re fois, dans la Nef majestueuse, a pu s\'&eacute;tonner devant la profusion d\'animations dans cet espace gigantesque&nbsp;: f&ecirc;te, spectacle, installation contemporaine, kermesse, bal...&nbsp;? Bien vite, il se rendait compte que c\'&eacute;tait tout cela &agrave; la fois et bien plus encore, un v&eacute;ritable rassemblement festif et populaire o&ugrave; chacun pouvait exp&eacute;rimenter la danse &agrave; son go&ucirc;t et &agrave; sa mesure. Parents et enfants, groupes d\'amis, c&eacute;libataires, jeunes et personnes &acirc;g&eacute;es, tous ont pu, selon leur envie, s\'initier &agrave; une trentaine de danses, danser au son de la fanfare, assister &agrave; des solos ou duos de danse classique, contemporain ou electro, et surtout r&eacute;p&eacute;ter sans complexe et dans la bonne humeur des chor&eacute;graphies sur grand &eacute;cran &agrave; la port&eacute;e de tous, de l\'&eacute;lectro au bollywood en passant par la danse classique, turque, orientale, contemporaine, flamenco ou charleston. Mention sp&eacute;ciale pour la danse baroque&nbsp;: le Rigodon du Roi a &eacute;t&eacute; une d&eacute;couverte ludique pour beaucoup&nbsp;!</em></p>\r\n<p><em>Moments forts de cet &eacute;v&eacute;nement unique&nbsp;: un dance mob g&eacute;ant sur une chor&eacute;graphie de Blanca Li o&ugrave; plus de 2000 personnes se sont press&eacute;es&nbsp;; une nuit clubbing Silent Disco pendant laquelle les clubbers pouvaient alterner danse avec casques individuels sans fil sur la piste centrale au son des DJ, et participation aux installations vid&eacute;os qui ont perdur&eacute; pendant toute la nuit ou encore un bal tango qui a r&eacute;uni la communaut&eacute; tanguera de Paris.</em></p>\r\n<p><em>Cette combinaison de propositions pens&eacute;es pour que la danse ne soit pas qu\'un spectacle mais un monde ouvert &agrave; tous a d&eacute;montr&eacute; que le public familial et populaire parisien est pr&ecirc;t &agrave; adh&eacute;rer &agrave; ce concept ludique et innovant au cours duquel de nombreuses vocations pour la danse ont &eacute;t&eacute; suscit&eacute;es.</em></p>\r\n<hr />\r\n<p><em>&nbsp;</em></p>\r\n<p><strong>PROGRAMME DES COURS DE DANSE INTERACTIFS EN VIDEO</strong></p>\r\n<p>En boucle sur les &eacute;crans g&eacute;ants pendant toute la F&ecirc;te de la Danse:<br /> <br /> &Eacute;chauffement avec Blanca Li<br /> Bolywood avec Dolsy<br /> Electrodance avec Cerizz<br /> Danse japonaise traditionnelle avec Juju Alishina<br /> Danse balinaise avec Ilse Peralta<br /> Samba avec Fabio Aragao<br /> Capoeira avec Vladimir Frama<br /> Baroque avec Bruno Benne<br /> Charleston avec M&eacute;lanie Ohl<br /> Salsa avec Isis Figaro<br /> Merengue avec Patrick Bias<br /> Danse orientale avec Nadim Bashoun<br /> Danse indienne Bharata Natyam avec Mallika Talak<br /> Danse traditionnelle grecque avec Dimitri Sissiaridis<br /> New Style avec Yohann T&eacute;t&eacute;<br /> A la mani&egrave;re de Michael, pour enfants avec Elias Ciamos<br /> Danse traditionnelle turque avec Neziha Turken<br /> Irish Dance avec Sarah Clark<br /> Flamenco avec Veronica Vallecillo<br /> Dance Africaine avec Serge Dupont Tsakap<br /> Danse contemporaine avec Bruno P&eacute;r&eacute;<br /> Danse classique avec Antonio Alvarado<br /> Hiphop avec Janfi</p>\r\n<p><strong>PROGRAMME DE LA PISTE CENTRALE</strong><br /> Cours d&rsquo;initiation de danses &agrave; deux, l&rsquo;electro bal &laquo; La Danse d&rsquo;Avril &raquo; de Johan Amselem et une fanfare pour danser librement.<br /> <br /> Vendredi 23<br /> 19h00 19H30 : Dance Mob<br /> 19h30-20h : Electro Bal<br /> 20H-20h30 : Fanfare Texas Couscous<br /> 21h-21h30 : Salsa avec Tinan<br /> 21h30-22h : Electro Bal<br /> 22h30- 23h30 : Salsa avec Tinan<br /> 23h30-0h : Electro Bal<br /> 0h30- 01h : Fanfare Texas Couscous<br /> <br /> Samedi 24<br /> 11h-12h : Valse avec Charles de Lauzun<br /> 12h-13h : Danse Bretonne avec Sylvie Minard<br /> 13h-14h : Rock N\'Roll avec Audrey Da Sois &amp; Aur&eacute;lien Lesdos<br /> 14h - 14h30 : Electro Bal<br /> 14h30-15h00 : Fanfare Texas Couscous<br /> 15h-15h30 : Electro Bal<br /> 15h30-16h30 : hip hop enfants avec Dominique Lisette &amp; Charly Moandal<br /> 16h30-17h : Electro Bal<br /> 17h-17H30 : Kuduroavec Karlos \"Lekameleon\"<br /> 17h30-18h30 : Tango avec Maria Filali &amp; Bruno No&euml;l <br /> 18h30-19h : Electro Bal<br /> 19h-21h : Bal tango avec DJ Turquito<br /> <br /> Dimanche 25<br /> 11h-12h : Valse avec&nbsp; Charles de Lauzun<br /> 12h-13h : Hip hop enfants, Dominique avec Dominique Lisette &amp; Charly Moandal<br /> 13h-14h : Lindy Hop avec M&eacute;lanie &amp; Paulo de Brotherswing<br /> 14h-14h30 : Electro bal<br /> 14h30-15 h : Fanfare Texas Couscous<br /> 15h-15h30 : Danse d\'Avril Johan Amselem<br /> 15h30-16h30 : Tango avec Maria Filali &amp; Bruno No&euml;l<br /> 16h30 -17h : Electro bal<br /> 17h-18h : salsa<br /> 18h-18h30 : Electro bal<br /> 18h30-19h : Fanfare Texas Couscous</p>\r\n<p>La Nef m&eacute;tamorphos&eacute;e en gigantesque studio de danse accueille la F&ecirc;te de la danse de Blanca Li <a href=\"http://dai.ly/nBfkH5\" target=\"_blank\">(vid&eacute;o)</a>, grand rassemblement festif et populaire, qui se propose de faire d&eacute;couvrir au grand public et de mani&egrave;re participative la danse sous toutes ses facettes.<br />Des chor&eacute;graphies d\'initiation &agrave; la danse, en live ou en vid&eacute;o, et des d&eacute;monstrations permettent une approche de la diversit&eacute; dans&eacute;e: de la danse classique &agrave; la danse bollywood en passant notamment par la danse contemporaine, l&rsquo;africaine, le flamenco, la salsa, le hip-hop, l\'electro ou la danse balinaise. <br />Amateur &eacute;clair&eacute;, professionnel ou simple curieux, chacun est invit&eacute; &agrave; parcourir, de fa&ccedil;on ludique et libre, les diff&eacute;rentes pistes de danse, libre de se faire observateur ou participant, d&rsquo;une fa&ccedil;on spontan&eacute;e et festive, pour que la danse ne soit pas qu\'un spectacle!</p>\r\n<p>grand Dance Mob en ouverture en partenariat avec evian vendredi 23 &agrave; 19h</p>\r\n<p>Bal electro &laquo;&nbsp;la Danse d\'Avril&nbsp;&raquo; par Johan Amselem, Professeurs invit&eacute;s.<br /><br />Espace YogaLab, Le yoga en immersion sonore, propos&eacute; par Marco Prince et Mika de Brito<br />cliquez sur le logo pour acc&eacute;der &agrave; la page facebook du Yogalab<a href=\"http://fr-fr.facebook.com/pages/Yogalab-official/131994153484015\" target=\"_blank\"><img style=\"float: right;\" src=\"/files/image_112_image_fr.jpg\" alt=\"logo yogalab\" width=\"113\" height=\"42\" /></a><br />inscription via <a href=\"mailto:inscription@yogalab.fr\">inscription@yogalab.fr</a> <br /><br />Espace relaxation</p>\r\n<p><br />Nef du Grand Palais - Entr&eacute;e principale -<br />Avenue Winston Churchill - Paris 8e<br />m&eacute;tro Champs Elys&eacute;es Cl&eacute;menceau<br /><a href=\"http://www.grandpalais.fr/\" target=\"_blank\">www.grandpalais.fr </a>- <a href=\"http://www.rmngp.fr/\" target=\"_blank\">www.rmngp.fr</a><br /><br />en partenariat avec<br />Le Grand Palais, la Mairie de Paris, le Comit&eacute; R&eacute;gional du Tourisme, Evian, Perrier Jouet, FNAC, Paris-Premi&egrave;re, 20 minutes, Grazia, VivreParis, Radio FG, l\'Institut Cervantes.</p>\r\n<p><img src=\"/files/image_86_image_fr.jpg\" alt=\"logos partenaires\" width=\"567\" height=\"109\" align=\"BOTTOM\" border=\"0\" /></p>','Nef du Grand Palais, Paris. Événement multimédia. Direction artistique, conception et vidéos de Blanca Li.','première, édition, fête, danse, flash, mob, dance, événement, interactif, cours, écran, Paris, grand, Palais, verrière, nef, '),(292,106,'fr','La Fete de la Danse','<h3>Annulation de l\'&eacute;v&eacute;nement</h3>','<p>Chers amis,</p>\r\n<p>C&rsquo;est avec grand regret que la Compagnie Blanca Li doit vous annoncer que la F&ecirc;te de la Danse n&rsquo;aura pas lieu cette ann&eacute;e, en raison d&rsquo;un manque de financement.</p>\r\n<p>Malgr&eacute; les efforts mis en &oelig;uvre depuis septembre 2012 pour mobiliser les institutions et trouver des m&eacute;c&egrave;nes et partenaires, la Compagnie n&rsquo;est toujours pas en mesure de financer pleinement cet &eacute;v&eacute;nement.</p>\r\n<p>Nous tenons malgr&eacute; tout &agrave; remercier tr&egrave;s sinc&egrave;rement pour leur soutien et leur confiance, tous ceux qui nous ont aid&eacute;s, et propos&eacute; de participer &agrave; l\'&eacute;v&eacute;nement sous diff&eacute;rentes formes.</p>\r\n<p>Si la F&ecirc;te de la Danse ne sera pas le grand rendez-vous de la rentr&eacute;e, sachez que le spectacle &ldquo;ROBOT!&rdquo;, la derni&egrave;re de nos cr&eacute;ations, vient d&rsquo;&ecirc;tre d&eacute;voil&eacute; au Festival Montpellier Danse et qu&rsquo;il commence actuellement une tourn&eacute;e mondiale.</p>\r\n<p>Visitez la page de la Fete de la Danse 2011, </p>','2ème édition les 20, 21, 22 septembre 2013','Fête, danse, Grand, Palais, dancemob, flashmob, flash, mob, dance, écran, cours, événement, Paris, interactif, deuxième, seconde, édition, nef, verrière'),(243,82,'en','La Fête de la Danse','<p>The Dance Fest is a popular event created by Blanca Li at The Grand Palais in september 2011. Multimedia installation, performance and entertainment, it is an invitation for all to dance and celebrate dance in all forms and styles.</p>','<p>V<em>iens danser avec Blanca Li (Come to dance with Blanca Li)</em></p>\r\n<p>A large multimedia interactive installation for fun so dance won\'t be just a show <br /><a href=\"http://dai.ly/nBfkH5\" target=\"_blank\">(video presentation in french)</a></p>\r\n<p>Blanca Li will transform the Grand Palais in a gigantic dance studio, lively, fun and open to all to discover all aspects of dance. <a href=\"http://dai.ly/nBfkH5\" target=\"_blank\">(video in french)</a></p>\r\n<p>In partnership from RMN-Grand Palais, it will feature live or large screen video initiations to dance, and small performances allowing to understand the variety of dance : from classic to bollywood, contemporary, african, salsa, hip-hop, electro or balinese dance. Everybody is invited to a playful and freewheeling stroll on dance floors, free to observe or participate, in a spontaneous and festive way. Dance is not just a show !</p>\r\n<p>Huge Dance mob for the opening with evian on friday sept 23d at 19:00. (<a href=\"http://vimeo.com/28481034\" target=\"_blank\">choreography here</a>)</p>\r\n<p><br />YogaLab Space by Marco Prince and Mika de Brito<br />Bal Electro &ldquo;La Danse d&rsquo;Avril&rdquo; by Johan Amselem<br />invited teachers<br />chillout space<br /><br />Nef du Grand Palais - principal entrance-<br />Avenue Winston Churchill - Paris 8e<br />m&eacute;tro Champs Elys&eacute;es Cl&eacute;menceau<br />www.grandpalais.fr - www.rmngp.fr<br /><br />in partnership from<br />the Grand Palais, the City of Paris, the Regional Tourism Office, Evian, Perrier Jouet, FNAC, Paris-Premi&egrave;re, 20 minutes, Grazia, VivreParis, Radio FG, Cervantes institute, Spanish Tourism Office.</p>\r\n<p><img src=\"http://www.blancali.fr/files/image_86_image_fr.jpg\" alt=\"\" width=\"568\" height=\"110\" align=\"BOTTOM\" border=\"0\" /></p>','',''),(312,118,'en','Jean Paul Gaultier Woman fashion show spring-summer 2015','<p>For his last ready to wear fashion show, after 38 years of groundbreaking fashion innovation, Jean Paul Gaultier asked Blanca Li to stage the election of \"Miss Jean Paul Gaultier\" in a large musical theater in Paris.</p>','<p>With Rossy de Palma as the master of ceremony , imitations of iconic fashion celebrities (Suzy Menkes),&nbsp; Blanca Li staged a huge show full of humor and tongue in cheek images. Models of all ages, and especially her long time accomplice Coco Rocha, have enthusiastically entered the game.</p>\r\n<p>The whole press was amazed by the show:</p>\r\n<p><em>\"Jean Paul Gaultier staged his last pr&ecirc;t-&agrave;-porter show ever tonight at Le Grand Rex(&hellip;). And tonight, seemingly all of Paris came out to commemorate the moment. It was gridlock for blocks outside the theater, with hundreds of gapers and almost as many crashers trying to fight their way in.<br /><br /> Inside it was a scene to match, with the concession stand serving up champagne and boxes of popcorn, and camera crews chasing down Catherine Deneuve and a Who\'s Who of Gaultier\'s designer peers, including Alber Elbaz, Rick Owens, Jeremy Scott, and Gareth Pugh. Up on the stage it was no formulaic fashion show, either. Not that we expected any different. Runway stunts are as integral to JPG\'s DNA as trenchcoats and corsets; he\'s had everybody from Madonna to Dita Von Teese to Conchita Wurst on his catwalk. He outdid himself here, putting on a beauty pageant complete with a judge played by Rossy de Palma parodying Madame de Fontenay, the behatted former chairwoman of the Miss France committee.<br /><br /> <em>&Eacute;lection​ de</em> Miss Jean Paul Gaultier 2015, as it was called, was divided into sections showcasing the designer\'s most famous work. (&hellip;) Nor has Gaultier lost his notorious sense of humor. The show\'s real crowd-pleaser (hey, we\'re a narcissistic bunch) was Miss <em>R&eacute;dactrice du Mode</em>, a section devoted to magazine editors and their signature looks. <br /><br /> When it came time to pick a winner, the competition came down to Anna Cleveland and Coco Rocha, in Gaultier\'s iconic cone-bra corset dresses. Coco won, but Anna wrenched the crown for herself, and a shower of gold confetti fell as the designer took his trademark running bow. It is the end of an era, but Gaultier went out smiling like he always does.\"<br /></em></p>\r\n<p style=\"text-align: right;\">Style.com</p>\r\n<p style=\"text-align: left;\">All models are on <a href=\"http://www.jeanpaulgaultier.com/en/fashion/womensreadytowear/springsummer2015\" target=\"_blank\">Jean Paul Gaultier webpage</a></p>','Last ready to wear fashion show by Jean Paul Gaultier at Grand Rex, women collection spring summer 2015, staged and choreographed by Blanca Li, with Rossy de Palma and Coco Rocha',''),(311,118,'fr','Jean Paul Gaultier Défilé PAP Femme printemps-été 2015','<p>Pour son dernier d&eacute;fil&eacute; de pr&ecirc;t &agrave; porter, Jean Paul Gaultier a investi le Grand Rex et a demand&eacute; &agrave; Blanca Li de mettre en sc&egrave;ne une &eacute;lection de miss \"Jean Paul Gaultier\".</p>','<p>Avec Rossy de Palma dans le r&ocirc;le de la ma&icirc;tresse de c&eacute;r&eacute;monie, des imitations de figures iconiques de la Mode ( Suzy Menkes ), Blanca Li a r&eacute;alis&eacute; et chor&eacute;graphi&eacute; un grand spectacle plein d\'humour et de d&eacute;rision. Les mannequins de tous &acirc;ges, et notamment sa complice habituelle Coco Rocha, se sont pr&ecirc;t&eacute;es au jeu avec enthousiasme.</p>\r\n<p>La presse enti&egrave;re a soulign&eacute; la flamboyance de l\'&eacute;v&eacute;nement.:</p>\r\n<p style=\"text-align: justify;\"><em>\"Si le show &eacute;tait r&eacute;solument grandiose - il a dur&eacute;&nbsp;une bonne demi-heure au lieu de l\'habituelle quinzaine de minutes et avait plus l\'air d\'une revue de th&eacute;&acirc;tre que d\'une pr&eacute;sentation de v&ecirc;tements - le mode &eacute;motion n\'&eacute;tait pas pouss&eacute; &agrave; la caricature. Le cr&eacute;ateur reprend ses grands classiques : la marini&egrave;re, le smoking, la silhouette ultraf&eacute;minine, les touches humoristiques (les mannequins portent une minaudi&egrave;re fa&ccedil;on bo&icirc;te de conserve, rappelant l\'emballage des parfums Gaultier, principale source de revenus de la maison), comme une joyeuse c&eacute;l&eacute;bration des temps forts de ses 38 ans dans le pr&ecirc;t-&agrave;-porter, sans nostalgie aucune. Le d&eacute;fil&eacute; se cl&ocirc;t en grande pompe, sous une pluie de paillettes, mais au moment de son salut final - le dernier des derniers dans le pr&ecirc;t-&agrave;-porter - Jean Paul Gaultier ne s\'&eacute;ternise pas. Un au revoir, mais certainement pas un adieu.\"</em></p>\r\n<p style=\"text-align: right;\">les Inrockuptibles</p>\r\n<p style=\"text-align: left;\">Tous les mod&egrave;les sont sur le site de <a href=\"http://www.jeanpaulgaultier.com/fr/mode/pretaporterfemme/printempsete2015\" target=\"_blank\">Jean Paul Gaultier</a></p>','Dernier Défilé Prêt à Porter de Jean Paul Gaultier au Grand Rex, collection Femme printemps été 2015, mis en scène et chorégraphié par Blanca Li, avec Rossy de Palma et Coco Rocha',''),(249,90,'fr','Sound of Deli','<p><strong>Publicit&eacute; r&eacute;alis&eacute;e</strong> par Blanca Li et Olivier Souchard pour le Japon (Minute Maid) production cap communication</p>','','Co-réalisé avec Olivier Souchard (Cap Communication)','Souchard, pub, publicité'),(244,82,'es','La Fête de la Danse','<p>La Fiesta de la Danza es un evento creado por Blanca Li en el Grand Palais en Paris, en septiembre 2011. A la vez instalacion multimedia, performance y divertimiento, es una invitatacion a todos para bailar y celebrar la danza en todos sus estilos.</p>','<p>Para la Fete de la Danse, Blanca Li transform&oacute; el Grand Palais en un gigantesco estudio de danza, para que el&nbsp; p&uacute;blico se pueda divertir descubriendo los diferentes aspectos de la danza . (<a href=\"http://dai.ly/nBfkH5\" target=\"_blank\">presentaci&oacute;n video en franc&eacute;s</a>)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>GRAN DANCEMOB viernes 23 septiembre a las 19 heures en el Grand Palais para la inauguraci&oacute;n de la F&ecirc;te de la Danse<br /></strong>Entrada gratuita para los participantes a la coreografia dirigida por Blanca Li<strong><a href=\"http://www.spectacles.carrefour.fr/billets-spectacles/manifestation/seance/0/FETDN.htm\" target=\"_blank\"><br /></a></strong>La&nbsp;<a href=\"http://vimeo.com/28481034\" target=\"_blank\">coreografia</a>esta online para ensayar<br />Inscripcion por email &agrave; l\'adresse : <a href=\"mailto: dancemob@blancali.com\">dancemob@blancali.com</a></p>\r\n<p><strong>NUIT CLUBBING sabado noche par Radio FG</strong><br />con la participation de Club Sandwich<strong> : <a href=\"http://www.fnacspectacles.com/place-spectacle/manifestation/Clubbing---Soirees-FETE-DE-LA-DANSE---NUIT-CLUBBING-FETDN.htm\" target=\"_blank\">FNAC</a>&nbsp;&nbsp; <a href=\"http://www.spectacles.carrefour.fr/billets-spectacles/manifestation/seance/0/FETDN.htm\" target=\"_blank\">CARREFOUR<br /></a></strong>tarifa Nuit clubbing&nbsp; :28 &euro;<br />sabado 24 de las 23h al amanecer</p>\r\n<p>Puntos&nbsp; de VENTA<br />Fnac - Carrefour - G&eacute;ant - Magasins U - Intermarch&eacute; <br /><a href=\"http://www.fnac.com/\" target=\"_blank\">www.fnac.com</a> - <a href=\"http://www.carrefour.com/\" target=\"_blank\">www.carrefour.fr</a> - <a href=\"http://www.francebillet.com/\" target=\"_blank\">www.francebillet.com</a> -<a href=\"http://www.ticketnet.fr/\" target=\"_blank\">www.ticketnet.fr</a><br />0 892 68 36 22 (0,34&euro;/min)<br />y en la taquilla el mismo dia</p>\r\n<p>&nbsp;</p>\r\n<p class=\"western\">La Fiesta de la Danza de Blanca Li es un evento dedicado a todo el mundo para descubrir y disfrutar de una gran diversidad de formas de danza de manera interactiva. El evento tendr&aacute; lugar en uno de los edificios m&aacute;s prestigiosos de Par&iacute;s, la Nave del Grand Palais. Durante dos noches y dos d&iacute;as, la Nave se transformar&aacute; en un gigantesco estudio de danza, donde todos estais invitados a participar, grandes y peque&ntilde;os.</p>\r\n<p class=\"western\" lang=\"es-ES\">Ven con tus amigos o en familia y ya ver&aacute;s que podr&aacute;s aprender algunos pasos de Bollywood, salsa, hip-hop y otros, bailes mirando las coreograf&iacute;as en grandes pantallas de v&iacute;deo. Tambi&eacute;n podr&aacute;s atender a mini-espectaculos, descansar en el espacio lounge, aprender a bailar en pareja en la pista central, tapear y tomar algo en los &ldquo;kiosquos&rdquo;, experimentar el YogaLab con Marco Prince y Mika de Brito, o el &ldquo;bal electro&rdquo; de Joahn Amselem, y porque no, madrugar bailando durante la Noche Clubbing... Ponte tus zapatos, los m&aacute;s c&oacute;modos y ven a bailar conmigo!</p>\r\n<p>&nbsp;</p>\r\n<p style=\"margin-bottom: 0cm;\">En colaboraci&oacute;n con RMN Grand Palais, el evento propondr&aacute; v&iacute;deos con clases de iniciaci&oacute;n a la danza en pantallas grandes, clases en vivo y&nbsp; mini espect&aacute;culos que muestran la diversidad de la danza :&nbsp; clasica, bollywood, contempor&aacute;nea, africana, salsa, hip-hop, electro, o danza de Bali<br />Todo el mundo queda invitado a pasear por el Grand Palais, libre de observar o participar y bailar. Para que la danza no sea solo un espect&aacute;culo !</p>','',''),(248,89,'fr','Jeremy Hills Let The Love in','<p>Videomusique r&eacute;alis&eacute;e par Blanca Li avec Paula Ajala King et les danseurs d\'Elektro Kif</p>','','Let the love in. Dir. et chorégraphie de Blanca Li','vidéo, clip, jeremy, hills, danseurs, elektro, kif, musique, électro, électronique, chorégraphie, let, the love, in'),(246,86,'fr','Jean Paul Gaultier Kokorico','<p>La nouvelle publicit&eacute; pour le parfum Kokorico, chor&eacute;graphi&eacute;e par Blanca Li et r&eacute;alis&eacute;e par JB Mondino,<br />avec la voix de Blanca Li !</p>','','chorégraphie pour le Parfum de J.P. Gaultier. JB Mondino','Kokorico, jean, paul, gaultier, jean-paul, mode, pub, publicité, parfum, homme, flamenco, mannequin, coq, chorégraphie'),(250,91,'fr','Divers Blanca','<p>(performances, divers - en construction)</p>','','',NULL),(251,92,'fr','divers compagnie','<p>(divers spectacles non cat&eacute;goris&eacute;s- en construction)</p>','',NULL,NULL),(247,88,'fr','Gorillaz Clint Eastwood Brit Awards 2002','<p>Premi&egrave;re performance anim&eacute;e du groupe Gorillaz sur sc&egrave;ne pour les Brit Awards &agrave; Londres en 2002, avec chor&eacute;graphie pour 15 danseurs de Blanca Li</p>','','Chorégraphie sur scène avec le groupe Gorillaz',''),(252,93,'fr','Longchamp Oh my bag !','<p>Publicit&eacute; pour Longchamp r&eacute;alis&eacute;e par Blanca Li dans le cadre de la campagne \"le Mouvement cr&eacute;ateur\"</p>','','Air Paris','publicité, mode, sac, longchamp, coco, rocha, new, york, New-York, chorégraphie, oh, my, bag, pub'),(253,94,'fr','Longchamp Oh my dog!','<p>Publicit&eacute; Longchamp r&eacute;alis&eacute;e par Blanca Li &agrave; New York dans le cadre de la campagne Le Mouvement Cr&eacute;ateur</p>','','Air Paris','longchamp, oh, my, dog, mode, sac, chien, rue, mannequin, coco, rocha, new, york, publicité, pub'),(255,96,'fr','Stella Mc Cartney','<p>&Eacute;v&eacute;nement d&eacute;fil&eacute; de Stella Mc Cartney &agrave; Londres, avec performance dans&eacute;e imagin&eacute;e et chor&eacute;graphi&eacute;e par Blanca Li</p>','','Dîner « Eveningwear » de présentation de la collection Automne-Hiver 2012, chorégraphie de Blanca Li. Londres, UK.','londres, stella, mc, mac, cartney, mode, défilé, soirée, événement, chorégraphie, diner, eveningwear, mannequins, performance, chorégraphie'),(256,97,'fr','Kylie Minogue Queen\'s Jubilee Concert','<p>Performance de Kylie Minogue accompagn&eacute;e du groupe Flawless, pour le Jubil&eacute; de la Reine d\'Angleterre.<br />Chor&eacute;graphie de Blanca Li.</p>','','Chorégraphie pour Kylie Minogue au Buckingham Palace. Londres, UK.','Jubilé, reine, Angleterre, Londres, événement, Kylie, minogue, chorégraphie, elizabeth, buckingham, palace, queen, concert'),(257,98,'fr','Le Grand Bal Masqué de Versailles','<p>Nuit Blanche au Chateau : l&rsquo;Orangerie de Versailles a accueilli le Grand Bal Masqu&eacute; le 30 juin 2012 de minuit &agrave; l&rsquo;aube. <br />Conception artistique et mise en sc&egrave;ne de Blanca Li.</p>','<h3>Marie Antoinette electro</h3>\r\n<p>Versailles, lieu embl&eacute;matique et sublime, respire encore des f&ecirc;tes royales qui ont anim&eacute; le Ch&acirc;teau et son Jardin. Extravagantes, &eacute;l&eacute;gantes et frivoles, elles font partie de l&rsquo;imaginaire collectif.<br />Princesses, courtisans, people en catimini et intrigants des quatre coins du monde, l&rsquo;impensable est devenu r&eacute;alit&eacute;...<br /> Versailles rouvrira ses portes pour un Grand Bal Masqu&eacute; le 30 juin 2012 !<br />L&rsquo;Orangerie du Ch&acirc;teau de Versailles deviendra pour une nuit la plus &eacute;l&eacute;gante, la plus fantasque et la plus raffin&eacute;e des salles de bal...<br />Pour que le sentiment de libert&eacute; soit respect&eacute;, les invit&eacute;s porteront imp&eacute;rativement un masque afin de mieux comploter, badiner et danser sur la musique des meilleurs DJs jusqu&rsquo;&agrave; l&rsquo;aube. Les plus beaux costumes d&rsquo;&eacute;poque c&ocirc;toient les musiques endiabl&eacute;es de notre temps et diverses performances, tout cela mis en sc&egrave;ne par Blanca Li, h&ocirc;te de la nuit versaillaise.</p>\r\n<p><br /><img src=\"/files/image_149_image_fr.jpg\" alt=\"\" width=\"560\" height=\"385\" /><br />Bal 2012 photo &copy;Paul Avillach</p>\r\n<h3>programme de la soir&eacute;e</h3>\r\n<p><span style=\"text-decoration: underline;\">A partir de 21h</span>, tous les participants, costum&eacute;s et masque de rigueur, pourront assister aux <strong>Grandes Eaux Nocturnes </strong>&hellip; tout comme autrefois lorsque courtisans et courtisanes, nobles et personnels du ch&acirc;teau partageaient l\'espace des jardins &ndash; les plus beaux et les plus grands d\'Europe.</p>\r\n<p>Bien s&ucirc;r n\'h&eacute;sitez pas &agrave; mettre &agrave; contribution votre esprit cr&eacute;atif, votre costume peut &ecirc;tre dr&ocirc;le, d&eacute;cal&eacute; et original... surprenez nous !</p>\r\n<p><strong>&agrave; 23h00&nbsp;&nbsp; Feu d&rsquo;artifice sur le Grand Canal</strong> annon&ccedil;ant le d&eacute;but des festivit&eacute;s.</p>\r\n<p><span style=\"text-decoration: underline;\">A minuit</span>, ouverture du Bal Masqu&eacute; sc&eacute;nographi&eacute; par <strong>Pierre Attrait</strong> et mis en lumi&egrave;res par <strong>Jacques Chatelet </strong>:</p>\r\n<p>Entrez dans l\'Orangerie sous vous masques et ne laissez personne vous reconna&icirc;tre !</p>\r\n<p>Blanca a pr&eacute;vu plein de surprises pour vous accompagner :</p>\r\n<p><a href=\"http://www.starlightshow.com/english/beautiful-jewels.html\"><strong>Jewels</strong>,</a> l\'avaleuse de sabre, <strong>Isadora Gamberetti</strong> avec ses performances s&eacute;duisantes, <a href=\"http://sucredorge-burlesque.blogspot.fr/\"><strong>Sucre d\'Orge</strong></a> avec ses num&eacute;ros burlesques, les fabuleux <strong>danseurs de Blanca Li</strong>, l\'installation visuelle de <strong>Charles Carcopino</strong> et les images mix&eacute;es par <strong>Olivier Ratsi</strong> et <strong>Wafa Benromdhane</strong> vous &eacute;tonneront toute la nuit !</p>\r\n<p><a href=\"http://www.jeremyhills.tv/\" target=\"_blank\"><strong>Jeremy Hills</strong></a>, DJ de Paris, mettra le feu &agrave; l\'Orangerie de minuit &agrave; 3 heures du matin. <a href=\"/fr/event/89/jeremy-hills-let-the-love-in\" target=\"_blank\">vid&eacute;oclip par Blanca Li avec les danseurs d\'electro</a></p>\r\n<p><strong>Steev Lemercier</strong> de Berlin, lui succ&egrave;dera jusqu\'&agrave; l\'aube. <a href=\"http://www.myspace.com/lemercier\" target=\"_blank\">site myspace</a></p>\r\n<p>Ce sera alors le moment d\'aller voir le <span style=\"text-decoration: underline;\">lever de soleil au Bosquet</span> et y savourer un petit d&eacute;jeuner en &eacute;coutant <strong>Jennifer Cardini</strong> de Cologne, pour un dernier after, la danse de l\'aube ! <a href=\"http://www.jennifercardini.net/site/\" target=\"_blank\">sa page web</a></p>\r\n<p>Vive la danse !!&nbsp; voir aussi la <a href=\"https://www.facebook.com/BalMasqueDeVersailles\" target=\"_blank\">page facebook de l\'&eacute;v&eacute;nement</a></p>\r\n<p><img title=\"Bal 2012 photo &copy;Paul Avillach\" src=\"/files/image_166_image_fr.jpg\" alt=\"Bal 2012 photo &copy;Paul Avillach\" width=\"560\" height=\"373\" /><br />Bal 2012 photo &copy;Paul Avillach</p>\r\n<p><a href=\"http://www.avillach.fr/blancali/\" target=\"_blank\">plus de photos par Paul Avillach</a></p>\r\n<p><a href=\"http://www.fgpeople.com/versailles/chateau-de-versailles/photos-le-grand-bal-masque-de-versailles-24w,2025987,2#_=_\" target=\"_blank\">plus de photos par Radio FG</a></p>','Direction Artistique. Versailles, France.','Fête, événement, bal, masqué, soirée, déguisement, déguisé, costume, versailles, marie-antoinette, électro'),(258,98,'en','Le Grand Bal Masqué de Versailles','<p>Sleepless night at the royal castle :&nbsp; The Orangerie of Versailles has celebrated le Grand Bal Masqu&eacute; June 30th 2012 from midnight to dawn.<br />Artistic direction and staging by Blanca Li.</p>','<h3>Marie Antoinette electro</h3>\r\n<p><strong>&nbsp;</strong>Versailles, the symbolic achievement of french kings, still carries the spirit of royal parties which were held in its gardens and castle - extravagant, elegant and frivolous &ndash; they are still alive in the imagination of people today.<br />Princesses, courtiers, VIP in disguise or mysterious characters from around the world, the unthinkable has transformed into reality&hellip;<br />Versailles will reopen its doors for a Grand Ball on Saturday the 30<sup>th</sup> of June 2012!<br />The Orangery of Versailles Castle will become for one night the most elegant, most whimsical and most refined ballroom...<br />To respect the tradition of freedom,  guests must absolutely wear a mask, in order to anonymously  joke, chat and dance to the music of the best DJs until dawn. Witness the most beautiful costumes from the 18th Century alongside the wildest music of today, with special acts staged by Blanca Li, host of the night.</p>\r\n<p><br /><img src=\"/files/image_148_image_fr.jpg\" alt=\"\" width=\"560\" height=\"373\" /> <br />le Bal 2012 photo&copy; Paul Avillach</p>\r\n<h3>Evening program</h3>\r\n<p>From 9pm, all participants wearing costumes and masks, may attend the Grandes Eaux Nocturnes... as once before when courtiers or courtesans, along with aristrocrats mingled in the castle gardens - the most beautiful and largest of Europe.<br />Of course feel free to draw upon your creative spirit, your costume can be funny, quirky and original... be singular !</p>\r\n<p>Fireworks at 11pm on the Grand Canal announcing the beginning of the festivities.</p>\r\n<p>At midnight, opening of Masked Ball, scenography by <strong>Pierre Attrait</strong> and light design by <strong>Jacques Chatelet</strong> :<br />Enter the Orangerie wearing your mask and don\'t let anybody recognize you !</p>\r\n<p>Blanca Li has selected many surprises to entertain you during the night:<br /><strong><a href=\"http://www.starlightshow.com/english/beautiful-jewels.html\" target=\"_blank\">Jewels</a> </strong>, the sword swallower, <strong>Isadora Gamberetti</strong> with her seductive performance, <strong><a href=\"http://sucredorge-burlesque.blogspot.en/\" target=\"_blank\">Sucre d\'Orge</a>&nbsp;</strong> with burlesque numbers, the fabulous <strong>dancers of Blanca Li</strong>, the visual installation by <strong>Charles Carcopino</strong> and mixed images by <strong>Olivier Ratsi</strong> et <strong>Wafa Benromdhane</strong> will amaze you all night!</p>\r\n<p><a href=\"http://www.jeremyhills.tv/\" target=\"_blank\"><strong>Jeremy Hills</strong></a>, Paris DJ, will fire the Orangery from midnight to 3 am. (<a href=\"http://Blancali.com/fr/event/89/jeremy-hills-let-the-love-in\" target=\"_blank\">Link to video by Blanca Li with electro dancers:</a>)</p>\r\n<p><strong>Steev Lemercier</strong> from Berlin, will succed him until dawn. (<a href=\"http://www.myspace.com/lemercier\" target=\"_blank\">Link to myspace: </a>)</p>\r\n<p>It will be time to go to watch the sunrise at the &laquo;&nbsp;Bosquet&nbsp;&raquo; and enjoy a breakfast listening <strong>Jennifer Cardini</strong> from K&ouml;ln, for a final after, the dance of the dawn! (<a href=\"http://www.jennifercardini.net/site/)\" target=\"_blank\">Link to her web page</a>:)</p>\r\n<p>Enjoy the dance!</p>\r\n<p>Visit also the <a href=\"https://www.facebook.com/BalMasqueDeVersailles\" target=\"_blank\">facebook page of the event</a></p>\r\n<p><img title=\"Bal 2012 photo &copy;Paul Avillach\" src=\"/files/image_166_image_fr.jpg\" alt=\"Bal 2012 photo &copy;Paul Avillach\" width=\"560\" height=\"373\" /><br />Bal 2012 photo &copy;Paul Avillach</p>\r\n<p><a href=\"http://www.avillach.fr/blancali/\" target=\"_blank\">More photos by Paul Avillach</a></p>\r\n<p><a href=\"http://www.fgpeople.com/versailles/chateau-de-versailles/photos-le-grand-bal-masque-de-versailles-24w,2025987,2#_=_\" target=\"_blank\">More photos by Radio FG</a></p>',NULL,NULL),(259,98,'es','Le Grand Bal Masqué de Versailles','<p>Noche en blanco al Castillo : la Orangerie de Versailles <span class=\"st\">recibi&oacute;</span> el Grand Bal Masqu&eacute; el 30 de Junio de 2012, de medianoche al amanecer. <br />Dise&ntilde;o artistico y puesta en escena de Blanca Li.</p>','<h3>Marie Antoinette electro</h3>\r\n<p>Versailles es el lugar emblem&aacute;tico y sublima de las fiestas reales. Extravagantes, con mucha elegancia y fr&iacute;voles, esas fiestas forman parte del imaginario colectivo.<br />Princesas, cortesanos, people en catimini e intrigantes de todo el mundo, lo impensable se hace realidad...<br />&iexcl; Versailles reabri&oacute; sus puertes para un Grand Bal Masqu&eacute; el 30 de junio de 2012 !<br />Espacialmente para este evento, la Orangerie del Castillo de Versailles se converti&oacute; en un sal&oacute;n de baile elegante, antojadizo y refinado...<br />Para que los convidados se sentieran libres de conspirar, bromear, y bailar sobre la m&uacute;sica de los mejores DJs hasta el alba, eran obligados a llevar m&aacute;scaras. Los trajes los mas bonitos de &eacute;poca se mueven sobre las m&uacute;sicas contempor&aacute;neas las mas endiabladas y varias realizaciones, todo eso puesto en escena por Blanca Li.<br /><br /><img src=\"/files/image_143_image_fr.jpg?2012-08-27-160846\" alt=\"\" width=\"560\" height=\"373\" /><br />Bal de 2012, foto&copy; Paul Avillach</p>\r\n<h3>programa de la noche</h3>\r\n<p><span style=\"text-decoration: underline;\">A partir de las 21h</span>, todos los participantes, con sus trajes y m&aacute;scaras, asistieron a las <strong>Grandes Eaux Nocturnes </strong>&hellip; Exactamente como los cortesanos y cortesanas, las personas nobles y las personas del Castillo, que compartiban el espacio de los&nbsp; jardines &ndash; los mas bonitos y mas largos de Europa.</p>\r\n<p><strong>a las 23h00&nbsp;&nbsp; Fuegos artificiales sobre el Grand Canal</strong>, que anuncian el prinicpio de la fiesta.</p>\r\n<p><span style=\"text-decoration: underline;\">A medianoche</span>, apertura del Bal Masqu&eacute; con una escenograf&iacute;a de <strong>Pierre Attrait</strong> y iluminaciones de <strong>Jacques Chatelet </strong>:</p>\r\n<p>Blanca habia previsto muchas sorpresas para acompa&ntilde;arles:</p>\r\n<p><strong>&iexcl;</strong><a href=\"http://www.starlightshow.com/english/beautiful-jewels.html\"><strong> Jewels</strong>,</a> tragona de sable,  <strong>Isadora Gamberetti</strong> con sus realizaciones seductoras, <a href=\"http://sucredorge-burlesque.blogspot.fr/\"><strong>Sucre d\'Orge</strong></a> con su espect&aacute;culo burlesque, los fabulosos <strong>bailarines de Blanca Li</strong>, la instalaci&oacute;n visual de <strong>Charles Carcopino</strong> y el montaje de las imagenes por <strong>Olivier Ratsi</strong> et <strong>Wafa Benromdhane</strong> les sorprenderan !</p>\r\n<p><a href=\"http://www.jeremyhills.tv/\" target=\"_blank\"><strong>Jeremy Hills</strong></a>, DJ en Paris. <a href=\"/fr/event/89/jeremy-hills-let-the-love-in\" target=\"_blank\">vid&eacute;oclip de Blanca Li con los bailarines de electro</a></p>\r\n<p><strong>Steev Lemercier</strong> DJ en Berlin. <a href=\"http://www.myspace.com/lemercier\" target=\"_blank\">myspace</a></p>\r\n<p>Al fin de la noche, los convidados <span style=\"text-decoration: underline;\">se fueran al Bosquet para admirar la subida del sol</span> y saborear un desayuno, escuchando a <strong>Jennifer Cardini</strong> de Cologne, para la ultima danza ! <a href=\"http://www.jennifercardini.net/site/\" target=\"_blank\">su pagina web</a></p>\r\n<p>&iexcl;&iexcl; Viva el baile !!&nbsp; ver tambien la <a href=\"https://www.facebook.com/BalMasqueDeVersailles\" target=\"_blank\">pagina facebook del evento</a></p>\r\n<p><br /><img src=\"/files/image_158_image_fr.jpg?2012-08-27-161427\" alt=\"\" width=\"560\" height=\"373\" /><br />Bal de 2012, photo&copy; Paul Avillach</p>\r\n<p><a href=\"http://www.avillach.fr/blancali/\" target=\"_blank\">Mas fotos de Paul Avillach</a></p>\r\n<p><a href=\"http://www.fgpeople.com/versailles/chateau-de-versailles/photos-le-grand-bal-masque-de-versailles-24w,2025987,2#_=_\" target=\"_blank\">Mas fotos de Radio FG</a></p>',NULL,NULL),(260,97,'en','Kylie Minogue Queen\'s Jubilee Concert','<p>The show Kylie Minogue and the group Flawless gave for the Diamond Jubilee of Queen Elizabeth II.<br />Choreography by Blanca Li</p>','',NULL,NULL),(261,96,'en','Stella Mc Cartney','<p>Stella Mc Cartney\'s fashion show in London, with a dancing performance, conceived and choreographed by Blanca Li.</p>','',NULL,NULL),(262,93,'en','Longchamp Oh my bag !','<p>Advertisement for Longchamp realised by Blanca Li in the context of Longchamp\'s new brand concept : \"the Creative Movement\".</p>','',NULL,NULL),(263,86,'en','Jean Paul Gaultier Kokorico','<p>An advertisement for the perfume Kokorico, choreographed by Blanca Li and realised by JB Mondino,</p>\r\n<p>... with Blanca Li\'s voice !</p>','',NULL,NULL),(264,97,'es','Kylie Minogue Queen\'s Jubilee Concert','<p><span style=\"font-family: Arial;\"><span style=\"font-size: 14px;\"></span></span><span class=\"st\">Espect&aacute;culo</span> de Kylie Minogue, <span id=\"ctl00_cC_ucResPM_rE_ctl00_lblTarget\" class=\"ellipsis_text\" lang=\"1034\">acompa&ntilde;ada</span> con el grupo Flawless, para el Jubileo de Diamante de la Reina de Inglaterra.<span class=\"st\"><em><br /></em>Coreograf&iacute;a</span> de Blanca Li.</p>','',NULL,NULL),(265,96,'es','Stella Mc Cartney','<p>Evento : desfile de modelos de Stella Mc Cartney durante la Fashion Week de Londres, con<span class=\"st\"> un</span>a <span class=\"st\">coreograf&iacute;a </span>imaginada por Blanca Li.</p>','',NULL,NULL),(266,93,'es','Longchamp Oh my bag !','<p>Publicidad para Longchamp realisada por Blanca Li en el marco de la <span class=\"st\">campa&ntilde;a</span> \"el Movimiento creador\"</p>','',NULL,NULL),(267,86,'es','Jean Paul Gaultier Kokorico','<p>La nueva publicidad del perfume Kokorico con una coreografia de Blanca Li, realisada por JB Mondino,</p>\r\n<p>... con la voz de Blanca Li !</p>','',NULL,NULL),(269,88,'en','Gorillaz Clint Eastwood Brit Awards 2002','<p>First animated performance of Gorillaz on stage for the Brit Awards in London in 2002, with a choregraphy for 15 dansers by Blanca Li</p>','',NULL,NULL),(270,94,'en','Longchamp Oh my dog!','<p>Advertisement for Longchamp by Blanca Li in New York for the advertising campaign \"The Creative Movement\"</p>','',NULL,NULL),(271,90,'en','Sound of Deli','<p>Advertisement realised by Blanca Li and Olivier Souchard for Japan (Minute Maid). <br />A production Cap Communication</p>','',NULL,NULL),(272,89,'en','Jeremy Hills Let The Love in','<p>Video clip realised by Blanca Li. <br />With Paula Ajala King and the dansers from \"Elektro Kif\".</p>','',NULL,NULL),(273,84,'en','Shut up and dance','<p>Concert of the National Jazz Orchestra with dansers from the Company Blanca Li</p>','<p>ARTISTIC DIRECTOR<br /> <strong>DANIEL YVINEC</strong><br /> <br /> COMPOSITION<br /> <strong>JOHN HOLLENBECK</strong></p>\r\n<p><strong></strong>Created somewhere between New York, Paris, Berlin and  Saint-R&eacute;my-de-Provence, Shut Up And Dance focuses on the relationship between music and movement. <br />Rythm is explored in every shade of its expression and surprisingly, music can sometimes be met in unexpected situations : a table tennis ball rebounding on the strings of a piano, various objects mistreated by softwares, keys from music instruments, hands rubbing together, PVC tubes creating melodies... You can make drums out of anything, as a basis for a powerful melodic writing, where repetitive music colors can meet pygmy music, classical music, electronic music, trance of the Gnawas, or Duke Ellington\'s swing.<br />The compositions of John Hollenbeck, created especially for this program were born thanks to his collaboration with Daniel Yvinec. They are all about the profusion and the density of the classical writing, devided into a serial of ten mini concertos dedicated to every musician of the Orchestra, depending on their personnality and the language they use to express themselves. <br /> The usual functions of the instruments are mixed and confused : wind instruments take the role of drums, the piano is prepared to become a drum itself... This show is all about movement and the sounds of the world that move, cross, rug all around us.<br /> <br /> <br /> <strong><a href=\"http://www.onj.org/fr/disco-onj\">SHUT UP AND DANCE</a></strong><br /> <strong>Second album de l\'ONJ</strong></p>\r\n<p><br /> Photo &copy; Hedi Slimane / trunkarchive.com</p>',NULL,NULL),(275,88,'es','Gorillaz Clint Eastwood Brit Awards 2002','<p>Primer espectaculo animado del grupo Gorillaz en la escena de los Brit Awards de Londres en 2002, con una <span class=\"st\">coreograf&iacute;a</span> para 15 bailarines de Blanca Li</p>','',NULL,NULL),(276,94,'es','Longchamp Oh my dog!','<p>Publicidad para Longchamp realisada por Blanca Li en Nueva York en el marco de la <span class=\"st\">campa&ntilde;a</span> \"el Movimiento Creador\"</p>','',NULL,NULL),(277,90,'es','Sound of Deli','<p>Publicidad realisada por Blanca Li y Olivier Souchard para el<span id=\"ctl00_cC_ucResPM_rE_ctl00_lblTarget\" class=\"ellipsis_text\" lang=\"1034\"> Jap&oacute;n</span> (Minute Maid)<br />Una producci&oacute;n Cap Communication</p>','',NULL,NULL),(278,89,'es','Jeremy Hills Let The Love in','<p>Video clip realisado por Blanca Li con Paula Ajala King y los bailarines de Elektro Kif</p>','',NULL,NULL),(279,84,'es','Shut up and dance','<p>Concierto del Orchestra Nacional de Jazz con los bailarines de la <span class=\"st\">compa&ntilde;&iacute;a</span> Blanca Li</p>','<p>DIRECTOR ARTISTICO<br /> <strong>DANIEL YVINEC</strong><br /> <br /> COMPOSICION<br /> <strong>JOHN HOLLENBECK</strong></p>\r\n<p>Creado en <span class=\"st\">alg&uacute;n </span>sitio entre Nueva York, Paris, Berlin y  Saint-R&eacute;my-de-Provence, Shut Up And Dance trata de las relaciones entre la <span class=\"st\">m&uacute;sica</span> y el movimiento. <br /> En este obra, el ritmo es estudiado en todas las matices de su <span class=\"st\">expresi&oacute;n</span>. A veces, <span class=\"st\">m&uacute;sica</span> nos puede sorprender en lugares inesperados : una bola de ping pong que rebota sobre  las cuerdas de un piano, varios objectos maltratados por softwares <span id=\"ctl00_cC_ucResPM_rE_ctl04_lblTarget\" class=\"ellipsis_text\" lang=\"1034\">inform&aacute;ticos</span>, llaves de instrumentos, manos que se frotan, tuber&iacute;as de  PVC creando melod&iacute;as... Todo se puede convertir en percusi&oacute;n, como la  trama de un escrito mel&oacute;dico potente donde se puenden encontrar las colores  de la <span class=\"st\">m&uacute;sica</span> repetitiva, la <span class=\"st\">m&uacute;sica</span> de los pigmeos, la <span class=\"st\">m&uacute;sica cl&aacute;sica</span>, la <span class=\"st\">m&uacute;sica </span><span id=\"ctl00_cC_ucResEM_rE_ctl00_lblTarget\" class=\"ellipsis_text\" title=\"la mensajer&iacute;a electr&oacute;nica [BI\" lang=\"1034\">electr&oacute;nica</span>, la trance de los Gnawas, el swing de Duke Ellington.<br /> Las <span id=\"ctl00_cC_ucResPM_rE_ctl00_lblTarget\" class=\"ellipsis_text\" lang=\"1034\">composici&oacute;nes</span> de John Hollenbeck, imaginadas especialmente para este <span id=\"ctl00_cC_ucResPM_rE_ctl00_lblTarget\" class=\"ellipsis_text\" lang=\"1034\">espect&aacute;culo</span> derivan de una colaboraci&oacute;n con Daniel Yvinec. Evocan tambien la abundancia y la densidad del escrito <span class=\"st\">cl&aacute;sico</span>, con una serie de diez mini conciertos dedicados a cada uno de los <span class=\"st\">m&uacute;sicos del orchestra dependiendo de su</span> personalidad y de su lenguaje. <br /> Se mezclan todas las funciones de los instrumentos : los intrumentos de viento se sustituen a la bater&iacute;a, el piano esta preparado para cambiarse en percusiones&hellip; La obra entera trata del movimiento, de los ritmos de la&nbsp;<span class=\"st\">m&uacute;sica</span> y del mundo.<br /><br /><br /><strong><a href=\"http://www.onj.org/fr/disco-onj\">SHUT UP AND DANCE</a></strong><br /><strong>Second album de l\'ONJ</strong></p>\r\n<p><br /> Photo &copy; Hedi Slimane / trunkarchive.com</p>',NULL,NULL),(280,99,'fr','Robot','<p>Spectacle de la Compagnie Blanca Li avec 7 NAO (<a href=\"http://www.aldebaran-robotics.com/\" target=\"_blank\">Aldebaran Robotics</a>), 8 danseurs et les machines musicales de <a href=\"http://www.maywadenki.com/\" target=\"_blank\">Maywa Denki</a>, cr&eacute;&eacute; en juillet 2013 au Festival Montpellier Danse.</p>','<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p>Commentaire de Martial Leroux, musicologue :</p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p style=\"text-align: justify;\"><em>C\'est peu de dire que j\'ai aim&eacute;, j\'ai ador&eacute; ce spectacle tiss&eacute; de po&eacute;sie, de myst&egrave;re, de magie, d\'onirisme, de suspension et qui, en outre, a le m&eacute;rite de ne pas nous bercer d\'illusions, en sachant nous ramener dans un &eacute;tat de veille interrogative, quasi philosophique, sur le devenir du monde, les rapports &eacute;troits entre l\'homme et la machine, l\'impossibilit&eacute; pour l\'homme d\'&eacute;chapper &agrave; son destin, et l\'ineffable avenir auquel est confront&eacute; l\'&ecirc;tre humain.</em></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2; text-align: justify;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p style=\"text-align: justify;\"><em>Il y a des moments incroyables &agrave; travers ce spectacle, o&ugrave; l\'on reste bouche b&eacute;e et yeux &eacute;carquill&eacute;s devant tant de beaut&eacute; formelle et d\'incroyables exploits (dont ceux de ces adorables petits robots, ce qui en devient presque inqui&eacute;tant). La musique est souvent &eacute;crite en mineur, avec des accords simples, quasi basiques, mais d\'un pouvoir envo&ucirc;tant extr&ecirc;mement rare. Quelques sonorit&eacute;s nippones, quelques accords augment&eacute;s, et une polyphonie qui na&icirc;t peu &agrave; peu &agrave; nos oreilles, comme pour mieux nous rappeler l\'origine du monde. D\'ailleurs, n\'y a-t-il pas que la danse pour nous raconter l\'histoire de l\'humanit&eacute; ?</em></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2; text-align: justify;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p style=\"text-align: justify;\"><em>Les danseurs se m&ecirc;lent les uns aux autres, comme par fusion alchimique, m&eacute;langeant hommes et femmes avec une habilet&eacute; d&eacute;concertante qui nous fait douter de nos certitudes en ce domaine, et qui, par leur union quasi sacr&eacute;e, semble vouloir cr&eacute;er une ligue humaine asexu&eacute;e d&eacute;cid&eacute;e &agrave; lutter contre le fatalisme des temps modernes.</em></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2; text-align: justify;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p style=\"text-align: justify;\"><em>Le d&eacute;but du spectacle, bouleversant d\'&eacute;motion, est ax&eacute; sur la dichotomie (puisque tel semble &ecirc;tre le parti pris de Blanca Li par rapport &agrave; son sujet) : robot/homme, ombre/lumi&egrave;re, noir et blanc/couleurs, r&eacute;alit&eacute;/r&ecirc;ve ? Une musique, dans le style de Steve Reich, faite de battements de coeur allant crescendo, nous projette dans la m&eacute;decine du futur et ses exp&eacute;riences m&eacute;phistoph&eacute;liques... Et puis, que dire de ce magnifique duo mim&eacute;tique entre le petit robot et le danseur ? Etonnant, envo&ucirc;tant !</em></p>\r\n<p><a href=\"http://www.blancali.com/files/pdf_109_file_fr.pdf\" target=\"_blank\">REVUE DE PRESSE</a></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\"><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">Apr&egrave;s trois ans de recherche et d&eacute;veloppement, Blanca Li a </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">cr&eacute;&eacute;</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"> ROBOT, un spectacle innovant et contemporain, explorant habilement la relation entre humains et machines. Tr&egrave;s intelligent et humoristique, </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">ROBOT </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">est un spectacle accessible &agrave; tous publics, tout en satisfaisant les exigences </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">le plus pointues </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">des amateurs de danse ou de th&eacute;&acirc;tre </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">contemporain</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">.</span></span></p>\r\n<p class=\"western\" style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\"><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">En collaboration avec le </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">collectif </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">d\'</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">artistes plasticiens et musiciens </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">japonais </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span style=\"text-decoration: none;\">Maywa Denki </span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span style=\"text-decoration: none;\">et avec l\'entreprise fran&ccedil;aise </span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span style=\"text-decoration: none;\">Aldebaran Robotics</span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">cette production multimedia </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">met en sc&egrave;ne huit danseurs, un orchestre de dix instruments automatis&eacute;s jouant leur partition en direct sur sc&egrave;ne et sept robots NAO, humano&iuml;des craquants et &eacute;mouvants</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">, </span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">chacun dot&eacute; de perso</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">n</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">nalit&eacute;s multiples</span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\">. </span></span></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\"><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><em>Le jour, la nuit, dedans, dehors, sur le chemin et dans le ciel, nous vivons avec les machines, notre m&eacute;moire devient artificielle, nos traces &eacute;lectroniques, notre identit&eacute; digitale. Robots, machines, ordinateurs d&eacute;guis&eacute;s en t&eacute;l&eacute;phone ou en voiture, &eacute;crans &eacute;videment tactiles que les mains enfantines manipulent sans y penser, distributeurs et bornes automatiques en tous genres, tags RFID, codes barres, flash codes, g&eacute;olocalisation des objets et des sujets, avatars online... nous interagissons au quotidien avec des dizaines de machines plus ou moins automatiques, plus ou moins &eacute;lectroniques, plus ou moins &laquo; pensantes &raquo;, qui r&eacute;fl&eacute;chissent nos go&ucirc;ts et nos actions.</em></span></span></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\"><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><em>J\'ai voulu explorer la relation complexe de l\'homme &agrave; la machine, tout en poursuivant le ton d&eacute;cal&eacute; propre de mes pi&egrave;ces chor&eacute;graphiques. Une machine m&ecirc;me &eacute;volu&eacute;e peut-elle remplacer le rapport au vivant ? Nos r&eacute;pliques robotiques exprimeront-elles un jour des sentiments, en plus de g&eacute;rer notre quotidien ? Quelle soci&eacute;t&eacute; cela produira-t-il ? Les robots sont-ils des entit&eacute;s capables d\'int&eacute;grer le d&eacute;sordre cr&eacute;ateur ? Seront-ils un reflet de ce que la soci&eacute;t&eacute; des hommes d&eacute;sire inconsciemment repr&eacute;senter ? </em></span></span></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2; text-align: justify;\" align=\"RIGHT\"><span style=\"font-size: small;\"><em><span style=\"font-family: Arial,serif;\">S</span><span style=\"font-family: Arial,serif;\">ur sc&egrave;ne, j\'ai du relever un d&eacute;fi technologique et cr&eacute;er une partition originale pour l\'orchestre des machines de Maywa Denki. La plus grande difficult&eacute;, toutefois, a &eacute;t&eacute; de </span><span style=\"font-family: Arial,serif;\">travailler pour obtenir des &eacute;motions &agrave; partir des Robots NAO. C\'est leur cot&eacute; enfantin, fait de fragilit&eacute; et leur gaucherie, que j\'ai utilis&eacute; dans leurs rapports avec les danseurs, pour rendre sensibles ces petits robots humano&iuml;des. Pour la premi&egrave;re fois, l\'id&eacute;e que ceux ci puissent devenir des compagnons aimables et attachants, devient &eacute;vidente pour le grand public.</span></em></span></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"RIGHT\"><span style=\"font-size: small;\"><em><span style=\"font-family: Arial,serif;\">Blanca Li</span></em></span></p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p style=\"margin-bottom: 0cm; widows: 2; orphans: 2;\" align=\"JUSTIFY\"><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span lang=\"fr-FR\"><span style=\"font-style: normal;\">ROBOT a &eacute;t&eacute; c</span></span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span lang=\"fr-FR\"><span style=\"font-style: normal;\">r&eacute;&eacute; en juillet 2013 au Festival Montpellier Danse, puis au Th&eacute;&acirc;tre des Champs-Elys&eacute;es &agrave; Paris en d&eacute;cembre 2013 </span></span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span lang=\"fr-FR\"><span style=\"font-style: normal;\">et a &eacute;t&eacute; pr&eacute;sent&eacute; dans plus d\'une centaine de Th&eacute;&acirc;tres &agrave; travers le Monde. </span></span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span lang=\"fr-FR\"><span style=\"font-style: normal;\">I</span></span></span></span><span style=\"font-family: Arial,serif;\"><span style=\"font-size: small;\"><span lang=\"fr-FR\"><span style=\"font-style: normal;\">l sera jou&eacute; pour la premi&egrave;re fois aux USA &agrave; la BAM de New York du 9 au 14 juin 2015. (voir&nbsp;: <a class=\"western\" href=\"http://www.blancali.com/fr/s/7/Robot-a-NYC\">Robot &agrave; NYC</a>)</span></span></span></span></p>\r\n<p>&nbsp;</p>\r\n<h3 class=\"western\"><a href=\"http://www.maywadenki.com/\" target=\"_blank\">MAYWA DENKI</a></h3>\r\n<p align=\"JUSTIFY\">Tosa Nobumichi, le pr&eacute;sident de ce collectif d&rsquo;artistes et de performers au nom d&rsquo;industriel (quelque chose comme Meiwa Electronics) se pr&eacute;sente toujours sous le m&ecirc;me costume : l&rsquo;uniforme bleu des ouvriers de l&rsquo;usine paternelle originelle, qui dit &agrave; la fois la d&eacute;personnalisation du travail automatis&eacute; mais aussi l&rsquo;hyper-personnalisation de l&rsquo;artiste contemporain pens&eacute; comme un r&ocirc;le, mis en sc&egrave;ne, mis en jeu, remis au centre du monde fou des objets absurdes cr&eacute;&eacute;s par Maywa Denki. Il dit aussi surtout quelque chose du travail manuel n&eacute;cessaire &agrave; la fabrication de ces automates et objets &agrave; l&rsquo;esth&eacute;tique r&eacute;tro-futuriste comme production artistique : un bel objet est un objet bien fait.</p>\r\n<p align=\"JUSTIFY\">Influenc&eacute; par l&rsquo;art cin&eacute;tique et la techno-pop, Maywa Denki cr&eacute;e des prototypes lowtech de r&eacute;sine et d&rsquo;aluminium, tout et parties d&rsquo;un monde d&eacute;cal&eacute; et plein d&rsquo;humour, o&ugrave; les rapports entre l&rsquo;homme et la machine sont naturels.</p>\r\n<p align=\"JUSTIFY\">Les instruments de musique de la s&eacute;rie Tsukuba (class&eacute;s comme leurs inspirateurs traditionnels en guitare, sax, clavier, voie, percussion, etc.) sont ainsi des automates complexes qui jouent r&eacute;ellement de la musique via des syst&egrave;mes &eacute;lectrom&eacute;canique agis par des humains. Aucune &eacute;lectronique. La beaut&eacute; fonctionnelle de la machinerie s&rsquo;explicite alors lors de performances musicales pens&eacute;es comme un d&eacute;fi lanc&eacute; &agrave; notre mode contemporain pour qui la musique est devenue une information comme une autre, un flux de donn&eacute;es. Les instruments de musique de Maywa Denki, nous ram&egrave;nent &agrave; une musique substantielle et non informationnelle. Contre le flux de bits des &eacute;couteurs d&rsquo;iPod, le beat d&rsquo;une musique vivante cr&eacute;&eacute;e sur sc&egrave;ne. Contre le son digital produit de mani&egrave;re synth&eacute;tique ou de sampling d&rsquo;enregistrement &eacute;lectroniques, le son d&rsquo;objets mat&eacute;riels. Mais pas n&rsquo;importe lesquels : des objets &laquo;back to-the-future&raquo;, des automates parfaits dont la forme donne de l&rsquo;esprit !</p>\r\n<p><img style=\"vertical-align: baseline; display: block; margin-left: auto; margin-right: auto;\" title=\"Blanca &amp; NAO &copy; Ali Mahdavi\" src=\"/files/image_584_image_fr.jpg\" alt=\"Blanca &amp; NAO &copy; Ali Mahdavi\" width=\"300\" height=\"450\" /></p>\r\n<h3 class=\"western\"><a href=\"http://www.aldebaran-robotics.com/\" target=\"_blank\">ALDEBARAN Robotics</a></h3>\r\n<p align=\"JUSTIFY\">NAO parle, voit, marche, danse, plie les genoux, roules des &eacute;paules, se rel&egrave;ve quand il tombe, prend avec ses mains, communique avec ses copains, avec les humains, avec le r&eacute;seau... D&eacute;velopp&eacute; par ALEDEBARAN Robotics, NAO est le robot humano&iuml;de le plus utilis&eacute; dans le monde de la recherche et de l&rsquo;&eacute;ducation (informatique, intelligence artificielle, psychologie, etc.), et esp&egrave;re &ecirc;tre bient&ocirc;t mis au service du grand public comme assistant personnel. Il est d&eacute;j&agrave; la compagnon pr&eacute;f&eacute;r&eacute; de Blanca ! Haut de 58 cm, NAO a deux bras, deux jambes (9 capteurs tactiles et de 8 capteurs de pression), deux yeux (2 cam&eacute;ras HD ) et une bouche (4 microphones), comme tout le monde ! Il est dou&eacute; en reconnaissance vocale et visuelle, base de ses capacit&eacute;s de communication qui utilisent l&rsquo;interface d&rsquo;un synth&eacute;tiseur vocal, de lampes LED et de 2 haut-parleurs haute fid&eacute;lit&eacute;. Robot ! Autonome, NAO est le compagnon artificiel de demain, qui pourra aider et divertir les humains, en interaction avec les siens ou avec nous. Et surtout, de tous les robots que Blanca a rencontr&eacute;, c&rsquo;est celui qui danse le mieux !</p>\r\n<h3>Equipe de cr&eacute;ation</h3>\r\n<p>Chor&eacute;graphie, direction artistique&nbsp;: <strong>Blanca Li</strong><br />Machines musicales : <strong>Maywa Denki, Yoshimoto Creative Agency</strong><br />Robots NAO&nbsp;: <strong>Aldebaran Robotics</strong> <br />Musiques originales : <strong>Tao Gutierrez, Maywa Denki</strong> et<strong> Jean-Pierre Ta&iuml;eb</strong> <br />Sc&eacute;nographie : <strong>Pierre Attrait</strong>, assist&eacute; de <strong>Marion Leduc</strong><br />Lumi&egrave;re : <strong>Jacques Chatelet</strong>, assist&eacute; de <strong>Sylvie Debare</strong><br />Vid&eacute;o : <strong>Charles Carcopino</strong>, assist&eacute; de <strong>Simon Frezel</strong> et <strong>Pierre-Jean Lebassacq</strong><br />Ing&eacute;nierie num&eacute;rique : <strong>Thomas Pachoud</strong> et<strong> Aur&eacute;lien Conil</strong><br />Animation robots : <strong>Cl&eacute;ment Bigot</strong> et <strong>Valentin Bertrand</strong><br />Costumes : <strong>Maywa Denki</strong> et <strong>Armando Sanchez</strong> <br /><br />Danseurs : <strong>Yacnoy Abreu Alfonso, R&eacute;mi B&eacute;nard, Iris Florentiny, Yann Herv&eacute;, Africa Manso, </strong><strong>Margalida Riera Roig</strong><strong>, Ga&euml;l Rougegrez, Yui Sugano</strong><br />Deuxi&egrave;me cast&nbsp;: <strong>Jonathan Ber</strong><br />Ont particip&eacute; &agrave; la cr&eacute;ation : <strong>Emilie Camacho</strong>, <strong>G&eacute;raldine Fournier</strong>, <strong>Aliashka Hilsum</strong>, <strong>Samir M&rsquo;Kirech&nbsp;</strong><br />Assistantes chor&eacute;graphiques&nbsp;: <strong>Glyslein Lefever</strong>,<strong>&nbsp;Pascale Peladan et D&eacute;borah Torres</strong><br />Ma&icirc;tre de ballet&nbsp;: <strong>Antonio Alvarado</strong><br />R&eacute;gie g&eacute;n&eacute;rale : <strong>Eric Da Gra&ccedil;a Neves</strong><br />R&eacute;gie Plateau : <strong>Enrique Gutierrez</strong><br />R&eacute;gie son : <strong>Antoine Imbert</strong> <br /><br />Equipe technique en tourn&eacute;e&nbsp;:<br />R&eacute;gie g&eacute;n&eacute;rale et r&eacute;gie lumi&egrave;re&nbsp;: <strong>Sylvie Debare</strong> ou <strong>Alain Larue</strong><br />R&eacute;gie plateau&nbsp;: <strong>Enrique Gutierrez</strong> ou <strong>St&eacute;phane Loizeau</strong><br />R&eacute;gie son&nbsp;: <strong>Antoine Imbert</strong> ou <strong>Philippe Calvet</strong> <br />R&eacute;gie Robots&nbsp;: <strong>Thomas Pachoud</strong> ou <strong>Martin Rossi</strong> assist&eacute;s de <strong>Aur&eacute;lien Conil</strong></p>\r\n<p>Musiques additionnelles : \"<em>Dixit Dominus, HWV 232_ III. Tecum Principium in Die Virtutis Tuae</em>\" de GF Haendel - le Concert D\'Astr&eacute;e/<strong>Natalie Dessay/Emmanuelle Haim</strong> avec l\'autorisation gracieuse de EMI Classics. <br />\"<em>Besame mucho</em>\" de <strong>Consuelo Velasquez</strong>, interpr&eacute;t&eacute; par <strong>Blanca Li</strong>.</p>\r\n<p>Coproduction :Festival Montpellier danse 2013 - Festival automne en Normandie - Espace Jean Legendre sc&egrave;ne nationale de l\'Oise en pr&eacute;figuration - Le Studio Maison des Arts de Cr&eacute;teil -En r&eacute;sidence au Centre des Arts d\'Enghien, sc&egrave;ne conventionn&eacute;e pour les &eacute;critures num&eacute;riques<br />Malles de sc&egrave;ne (Nao trunk)&nbsp;: Pinel &amp; Pinel<br /><br />Remerciements &agrave; : Atelier CKR, @robose, Glyslein Lefever, Christelle Dietzi, Agn&egrave;s Boma, Claudia Gargano, Gwen-Ha&euml;l Denigot, MLG, Lise Roos-Weil, ainsi qu\'&agrave; Bruno Meissonnier, Julien Gorrias et Alexandre Mazel chez Aldebaran Robotics</p>\r\n<p>Production&nbsp;: <strong>Compagnie Blanca Li</strong></p>\r\n<p>Administration&nbsp;: <strong>Etienne Li</strong></p>\r\n<p>Production et communication : <strong>Jeanne Gascon</strong> production(at)blancali.com</p>\r\n<p>Vente de spectacles / responsable projets : <strong>St&eacute;phane Hivert</strong> s.hivert(at)blancali.com</p>\r\n<p>Relations Presse : <strong>S&eacute;bastien d&rsquo;Assigny</strong> sdapresse(at)gmail.com</p>\r\n<p>&nbsp;</p>','Un spectacle de Blanca Li pour 7 robots NAO et 8 danseurs, avec les machines musicales de Maywa Denki',''),(281,99,'en','Robot','<p style=\"text-align: justify;\">A Blanca Li Dance Company creation,<br />In collaboration with <a href=\"http://www.maywadenki.com/\" target=\"_blank\">Maywa Denki</a> and in partnership with <a href=\"http://www.aldebaran-robotics.com\" target=\"_blank\">Aldebaran Robotics</a>.</p>\r\n<p style=\"text-align: justify;\">Premiere: <a href=\"http://www.montpellierdanse.fr/spectacle/blanca-li1.html\" target=\"_blank\">Festival Montpellier Danse</a> 2013</p>\r\n<p><a title=\"Robot press quotes\" href=\"http://www.blancali.com/en/s/7/Robot-in-NYC/8/Press\" target=\"_blank\">PRESS REVIEW</a></p>','<p>Artistic direction and choreography: <strong>Blanca Li</strong> <br />Show with the musical machines from <strong>Maywa Denki</strong> and <strong>NAO</strong> robots<br />Music: <strong>Tao Guti&eacute;rrez, Maywa Denki</strong> and<strong> Jean-Pierre Ta&iuml;eb</strong><br />Scenography: <strong>Pierre Attrait</strong><br />Lights: <strong>Jacques Chatelet</strong><br />Video: <strong>Charles Carcopino</strong><br />Robot programmer: <strong>Thomas Pachoud</strong><br /><br />with<br /><strong>Yacnoy Abreu Alfonso</strong><br /><strong><strong>Iris Florentiny<br /></strong>Geraldine Fournier</strong><br /><strong>Yann Herve</strong><br /><strong>Samir M\'Kirech</strong><br /><strong>Margalida Riera Roig </strong><br /><strong>Gael Rougegrez<br /><strong>Yui Sugano</strong><br /></strong></p>\r\n<p>other dancers from previous casts<strong><br />Jonathan Ber<br /><strong>Emilie Camacho<br />Tamara Fernando<br /><strong><strong>Aliashka Hilsum </strong><br /></strong>Africa Manso<br /></strong>Aurore Mettray<br /><br /></strong></p>\r\n<h3><strong>ROBOT<br /></strong></h3>\r\n<p style=\"text-align: justify;\"><em>Day and night, inside our homes and in the outside world, on earth and in the sky, we live with and among machines of all kind, our memory is becoming artificial, our footprints tend to be only electronic, our identity is partly digital. Robots, machines, computers in the shape of cars or cell phones, touch-sensitive (what else ?!) screens that children use naturally, interactive terminals and automatic vending-machines, RFID tags, bar codes, monitoring devices, flash codes, geotracking of people and things, online avatars... Every day we interact with numerous machines, some of them automatic, most of them electronic, a few of them would be thinking-machines. All of them reflecting our choices, our actions and our tastes.</em></p>\r\n<p style=\"text-align: justify;\"><em>In January 2011, I met MAYWA DENKI, and it all began. These contemporary Japanese artists playfully evolve in a wonderful world of living objects: low-tech, nonsense and refinement are keywords. Then I met NAO, the humanoid robot, and everything took shape. I suddenly felt like staging the relationships between human bodies and artificial ones. Where are the borders between &lsquo;us&rsquo; and &lsquo;them&rsquo; ? Can the most sophisticated machines stand in for the Man-Nature relationship ? Will the robots be capable of integrating the idea of creation one day ? As we teach them to become more and more complex, how will they complement our life ? What kind of society will arise from it? The machines are impacting our daily routines more and more. What will happen when thinking machines understand data, concepts, and behaviour too complex for humans to grasp? If the robots get humanised by shape and communication skills, shall we humans become robotised hybrids or androids ? Can a machine, even an evolved one, replace relationships to the living ? Will our rebotic alter egos express fellings some day ? What would society be like then ? Will they be a refletion of what humanity uncousciously wants to represent ? As robots are looking more and more like men, will men be looking like robots, hybrids, androids&nbsp;?</em></p>\r\n<p style=\"text-align: justify;\"><em>I will tackle these questions in a choreography for 8 dancers whose movements will trigger the Maywa Denki nonsense musical devices. The appearance of a few NAO will be far from a trivial detail: it will carry the interchangeability of men and machines to extremes.</em></p>\r\n<p style=\"text-align: justify;\"><em>Man-machines, electromechanical automatons, electronic robots : 3 kinds of relationship to the world, 3 evolutionary stages ? The show will present 3 ways of exploring the interactions between them, in an absurd and poetic way.</em></p>\r\n<p style=\"text-align: right;\">Blanca Li</p>\r\n<h3>Artistic Team</h3>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.blancali.fr/en/e/5/the-company/7/administrative-and-artistic-team\" target=\"_blank\">Three of Blanca Li\'s closest collaborators</a>, the dream team that produced the most acclaimed shows of the Blanca Li Company (Corazon Loco, Poeta en Nueva York and the Garden of Delights) are working on Robot !</p>\r\n<p style=\"text-align: justify;\">Lights: Jacques Chatelet, lighting and light installations for many world renowned lyrical and choreographic shows<br />Scenography: Pierre Attrait, film set designer, scenographer of great lyrical and theatre shows, artistic director of events like the Rose Ball. <br />Videos: Charles Carcopino, videographer, exhibition curator, in charge of the Studio de la Maison des Arts et de la Culture of Cr&eacute;teil since 2000.</p>\r\n<h3><a href=\"http://www.maywadenki.com\" target=\"_blank\">MAYWA DENKI</a></h3>\r\n<p style=\"text-align: justify;\">TOSA Nobumichi, President of the performers and contemporary art group known as Maywa Denki, is always dressed like the workers of his late father factory that he inherited to produce nonsense objects. These blue coveralls say something about the depersonalisation of automated work, and emphasise also the hyperpersonalisation of the contemporary artist who thinks of himself as a role, a leading part in the staging of his world filled with nonsense objects, strange creatures and stupid robots. These coveralls also say something about the manual labour and craftsmanship necessary for producing these &ldquo;back-to-the-future&rdquo; objects and works of art: a beautiful object is a well-made object.</p>\r\n<p style=\"text-align: justify;\">Influenced by kinetic art and techno-pop, Maywa Denki creates low-tech prototypes made of resin and aluminium, elements in a behind-the-mirror world filled with humour, in which men and machines interact in a naturally way.</p>\r\n<p style=\"text-align: justify;\">The musical devices of the Tsukuba series (organised like their traditional counterparts: violin, guitar, drums, voice and so on) are complex electrical devices which play actual music when activated by humans (via electromagnets or motors). No electronics here. The functional beauty of this machinery is made explicit at musical performances. These concerts challenge our contemporary world in which music became information, data flow, zeros and ones, as everything else. Maywa Denki musical instruments bring us back to substantial music and help us experience the sound in another way. Instead of smart-phone speakers bits, the real beat of live music generated on stage. Instead of playlist choices, the living art of improvisation. Instead of the digital sound produced by synthesizer or sampling, the crude sound of material objects. Unique and special objects, perfect robots shaped and conceived to help humans to be fun and witty !</p>\r\n<p><img style=\"vertical-align: baseline; display: block; margin-left: auto; margin-right: auto;\" title=\"Blanca &amp; Nao &copy; Ali Mahdavi\" src=\"http://www.blancali.com/files/image_584_image_fr.jpg\" alt=\"Blanca &amp; Nao &copy; Ali Mahdavi\" width=\"300\" height=\"450\" /></p>\r\n<h3><a href=\"http://www.aldebaran-robotics.com\" target=\"_blank\">ALDEBARAN Robotics</a></h3>\r\n<p style=\"text-align: justify;\">NAO talks, sees, walks, feels, dances, bends his knees, sways his shoulders, stands up again after falling; he can grasp objects and can communicate with his NAO fellows, with humans, with the Internet...<br />Developed by ALDEBARAN Robotics, NAO is a fully programmable humanoid robot, autonomous, and highly interactive. These features make him the most widely used humanoid robot for academic purposes worldwide (computer sciences, engineering, psychology...). NAO hopes to be available soon to the general public as a personal assistant. He is already the favourite playmate of Blanca !</p>\r\n<p style=\"text-align: justify;\">58-cm tall, NAO has 2 arms, 2 legs, 2 eyes and a mouth, just like everybody else! Highly skilled in vocal and visual recognition, NAO can communicate in 8 languages, using a vocal synthesiser, LED lights, 2 HD cameras, 4 microphones and 2 high-fidelity speakers.<br />Fluid movement, sensory perception and obstacle avoidance (thanks to capture and pressure sensors as well as 25 joints) are some key-features which may make NAO the artificial companion of humans in need (like children with autism or the elderly) as well as the perfect play pal, in the near future. As a matter of fact, among all the robots Blanca has already met, NAO is by far the best dancer !</p>\r\n<h3>Coproduction</h3>\r\n<p>Festival Montpellier Danse 2013<br />Festival Automne en Normandie<br />Espace Jean Legendre Sc&egrave;ne Nationale de l\'Oise en pr&eacute;figuration<br />Le Studio Maison des Arts de Cr&eacute;teil<br />In residence at the Centre des Arts d\'Enghien, a subsidised theatre for digital scriptures</p>\r\n<p><strong>Management&nbsp;: St&eacute;phane Hivert</strong> s.hivert(at)blancali.com</p>\r\n<p><strong>Press : S&eacute;bastien d\'Assigny</strong> sdapresse(at)gmail.com</p>','Choreography by Blanca Li for dancers and robots with NAO and the musical machines of Maywa Denki',''),(282,99,'es','Robot !','<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } 		A:link { so-language: zxx } -->\r\n<p><span lang=\"es-ES\">Una creaci&oacute;n de la Compa&ntilde;&iacute;a Blanca Li con la colaboraci&oacute;n de <a href=\"http://www.maywadenki.com/\" target=\"_blank\">Maywa Denki</a> y <a href=\"http://www.aldebaran-robotics.com/\" target=\"_blank\">Aldebaran Robotics<br /></a></span>estreno 4 y 5 de julio 2013 en el <a href=\"http://www.montpellierdanse.fr/spectacle/blanca-li1.html\" target=\"_blank\">Festival Montpellier Danse</a><br />serie en <a href=\"http://2014.theatrechampselysees.fr/danse/danse/compagnie-blanca-li\" target=\"_blank\">el Teatro de Campos Eliseos</a> en Paris en diciembre 2013<br />Serie en los <a title=\"Robot Teatros del Canal\" href=\"http://www.teatroscanal.com/espectaculo/robot-danza-blanca-li/\" target=\"_blank\">Teatros del Canal</a> en Madrid en abril 2014</p>\r\n<p><a title=\"Robot RDP\" href=\"/files/pdf_109_file_fr.pdf\" target=\"_blank\">REVISTA DE PRENSA</a></p>','<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } 		H3 { margin-bottom: 0.21cm } 		H3.ctl { font-family: \"Arial Unicode MS\" } -->\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\">Un espect&aacute;culo de la&nbsp;<span lang=\"es-ES\">Compa&ntilde;&iacute;a</span> Blanca Li <br /><span style=\"background: none repeat scroll 0% 0% transparent;\">con NAO (<a href=\"http://www.aldebaran-robotics.com/\" target=\"_blank\">Aldebaran Robotics</a>) y las m&aacute;quinas musicales de <a href=\"http://www.maywadenki.com/\" target=\"_blank\">Maywa Denki</a></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">www.blancali.com</span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Dur&eacute;e: 1h25</span> <br /></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"text-decoration: underline;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Equipo de creaci&oacute;n </span></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Direcci&oacute;n art&iacute;stica y coreograf&iacute;a&nbsp;: <strong>Blanca Li<br /></strong><span style=\"font-weight: normal;\">Robots musicales :</span><strong> Maywa Denki, Yoshimoto Creative Agency<br /></strong><span style=\"font-weight: normal;\">Robots NAO&nbsp;:</span><strong> Aldebaran Robotics</strong></span> <br /></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\"><span style=\"font-weight: normal;\">M&uacute;sica original : </span><strong>Tao Gutierrez, Maywa Denki</strong> y<strong> Jean-Pierre Ta&iuml;eb<br /></strong><span style=\"font-weight: normal;\">Escenograf&iacute;a&nbsp;:</span><strong> Pierre Attrait</strong><span style=\"font-weight: normal;\">, asistido <strong>por</strong></span><strong> Marion Leduc<br /></strong>Iluminaci&oacute;n&nbsp;: <strong>Jacques Chatelet</strong>, asistido por <strong>Sylvie Debare<br /></strong>V&iuml;deo : <strong>Charles Carcopino</strong>, asistido por <strong>Simon Frezel </strong>y <strong>Pierre-Jean Lebassacq<br /></strong><span style=\"font-weight: normal;\">Programaci&oacute;n robots &nbsp;: </span><strong>Thomas Pachoud </strong><span style=\"font-weight: normal;\">asistido por </span><strong>Cl&eacute;ment Bigot, Aur&eacute;lien Conil </strong><span style=\"font-weight: normal;\">y </span><strong>Valentin Bertrand<br /></strong><span style=\"font-weight: normal;\">Vestuario :</span><strong> Maywa Denki </strong><span style=\"font-weight: normal;\">y </span><strong>Armando Sanchez </strong></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Creaci&oacute;n con los bailarines:&nbsp;<strong>Yacnoy Abreu Alfonso</strong>, <strong>Emilie Camacho</strong>, <strong>G&eacute;raldine Fournier</strong>, <strong>Yann Herv&eacute;</strong>, <strong>Aliashka Hilsum</strong>, <strong>Samir M&rsquo;Kirech</strong>, <strong>Margalida Riera Roig</strong>, <strong>Ga&euml;l Rougegrez<br /></strong>Bailarines y reemplazantes de gira: <strong>Yacnoy Abreu Alfonso</strong>,<strong> Jonathan Ber</strong>,&nbsp;<strong>Tamara Fernando, Iris Florentiny, <strong>G&eacute;raldine Fournier</strong>,&nbsp;<strong>Yann Herv&eacute;</strong>,&nbsp;Aurore Mettray, <strong>Samir M&rsquo;Kirech</strong>,&nbsp;,&nbsp;<strong>Ga&euml;l Rougegrez,&nbsp;</strong>Yui Sugano</strong><strong><br /><br /></strong>Asistentes coreogr&aacute;fica : <strong>G&eacute;raldine Fournier</strong> y <strong>D&eacute;borah Torres<br /></strong><span style=\"font-weight: normal;\">Maestro de ballet&nbsp;: </span><strong>Antonio Alvarado</strong></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Direcci&oacute;n t&eacute;cnica&nbsp;: <strong>Eric Da Gra&ccedil;a Neves<br /></strong>Director de e<span style=\"font-family: Calibri,sans-serif;\">scena</span> : <strong>Enrique Gutierrez<br /></strong><span style=\"font-weight: normal;\"><span style=\"font-family: Calibri,sans-serif;\">Director de sonido </span>: </span><strong>Antoine Imbert</strong></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"text-decoration: underline;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Equipo t&eacute;cnica de gira :</span></span> <br /></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Luces : <strong>Sylvie Debare</strong> o <strong>Alain Larue</strong><strong><br /></strong>Escena : <strong>Enrique Gutierrez</strong> o <strong>St&eacute;phane Loizeau<br /></strong>Sonido : <strong>Antoine Imbert o Adolfo S&aacute;nchez<br /></strong>Robots : <strong>Thomas Pachoud </strong>o <strong>Martin Rossi </strong>asistido por <strong>Simon Frezel</strong> o <strong>Aur&eacute;lien Conil</strong></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">M&uacute;sica adicional : \"Dixit Dominus, HWV 232_ III. Tecum Principium in Die Virtutis Tuae\" de GF Haendel interpretada por el<strong> \"Concert D\'Astr&eacute;e</strong> y <strong>Natalie Dessay\"</strong> con la autorisaci&oacute;n amable de EMI Classics. \"Besame mucho\" de Consuelo Velasquez, interpretada por <strong>Blanca Li</strong>. </span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\"><strong>Producci&oacute;n</strong><span style=\"font-weight: normal;\"> : </span></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\"><span style=\"font-weight: normal;\"><span style=\"font-family: verdana,geneva;\"><span lang=\"es-ES\">Compa&ntilde;&iacute;a</span> Blanca Li </span><a href=\"mailto:production@blancali.com\">production@blancali.com</a></span></span></span><span style=\"font-family: verdana,geneva;\"> <br /></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Administraci&oacute;n : </span><strong><span style=\"background: none repeat scroll 0% 0% transparent;\">Etienne Li<br /></span></strong><span style=\"background: none repeat scroll 0% 0% transparent;\">Producci&oacute;n y communicaci&oacute;n: </span><strong><span style=\"background: none repeat scroll 0% 0% transparent;\">Jeanne Gascon</span></strong><strong><span style=\"background: none repeat scroll 0% 0% transparent;\"><br /></span></strong><span style=\"font-weight: normal;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Venta de espect&aacute;culos </span></span><span style=\"font-weight: normal;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">: </span></span><strong><span style=\"background: none repeat scroll 0% 0% transparent;\">St&eacute;phane Hivert</span></strong><span style=\"font-weight: normal;\"><span style=\"background: none repeat scroll 0% 0% transparent;\"> <a href=\"mailto:s.hivert@blancali.com\">s.hivert@blancali.com<br /></a></span></span><span style=\"background: none repeat scroll 0% 0% transparent;\">Prensa : </span><strong><span style=\"background: none repeat scroll 0% 0% transparent;\">S&eacute;bastien d&rsquo;Assigny</span></strong><span style=\"background: none repeat scroll 0% 0% transparent;\"> <a href=\"mailto:sdapresse@gmail.com\">sdapresse@gmail.com</a> </span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\"><strong>Coproducci&oacute;n</strong> :</span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Festival Montpellier danse 2013 - Festival automne en Normandie - Espace Jean Legendre sc&egrave;ne nationale de l\'Oise en pr&eacute;figuration <span style=\"font-weight: normal;\">- Le studio </span><span style=\"font-weight: normal;\">M</span>aison des Arts de Cr&eacute;teil<br />Residencia en el Centro de las Artes de Enghien-les-Bains (Teatro nacional de escritura digital)<br /></span></span></p>\r\n<p style=\"margin-bottom: 0cm;\"><span style=\"font-family: verdana,geneva;\"><span style=\"background: none repeat scroll 0% 0% transparent;\">Ba&uacute;les&nbsp;de escena (Nao trunk)&nbsp;: Pinel &amp; Pinel<br />Agradecimientos : Atelier CKR, @robose, Glyslein Lefever, Christelle Dietzi, Agn&egrave;s Boma, Claudia Gargano, Gwen-Ha&euml;l Denigot, MLG</span></span></p>\r\n<p lang=\"es-ES\">&nbsp;</p>\r\n<h3><strong><span lang=\"es-ES\">ROBOT&nbsp;!</span></strong></h3>\r\n<p>De d&iacute;a, de noche, dentro, fuera, en la calle, en el cielo... vivimos con las m&aacute;quinas. Nuestra memoria se est&aacute; volviendo artificial, nuestras huellas electr&oacute;nicas, nuestra identidad digital.&nbsp;</p>\r\n<p>Robots, m&aacute;quinas, ordenadores disfrazados de tel&eacute;fono, o de autom&oacute;vil; pantallas evidentemente t&aacute;ctiles que las manos infantiles manipulan sin siquiera pens&aacute;rselo, distribuidores y bornes autom&aacute;ticos de todo tipo, etiquetas RFID, C&oacute;digos QR, Flashcodes, geolocalizaci&oacute;n de objetos y sujetos, avatares en l&iacute;nea... diariamente interactuamos con decenas de m&aacute;quinas m&aacute;s o menos autom&aacute;ticas, m&aacute;s o menos electr&oacute;nicas, m&aacute;s o menos \"pensantes\", que reflejan nuestros gustos y nuestros actos.</p>\r\n<p>En &ldquo;Robot!&rdquo; he querido trasladar al escenario el complejo v&iacute;nculo entre el hombre y la m&aacute;quina, sin abandonar por ello el tono caracter&iacute;stico de mis coreograf&iacute;as. Mi encuentro en enero de 2011 con&nbsp;MAYWA DENKI, colectivo de artistas japoneses que navega con humor po&eacute;tico por un universo de objetos animados mezclando tecnolog&iacute;a, burla y refinamiento, y mis contactos con NAO, el robot humanoide, me impulsaron a explorar y coreografiar esta relaci&oacute;n entre hombres y mec&aacute;nicas digitales.</p>\r\n<p>&iquest;Una m&aacute;quina, incluso evolucionada, puede reemplazar la relaci&oacute;n con lo vivo ? &iquest;Nuestras r&eacute;plicas rob&oacute;ticas expresar&aacute;n un d&iacute;a sentimientos adem&aacute;s de gestionar nuestro cotidiano ? &iquest;Qu&eacute; sociedad producir&aacute;n? &iquest;Son los robots entidades capaces de integrar el desorden creador? &iquest;Ser&aacute;n un reflejo de los deseos inconscientes de la sociedad ? Si los robots se humanizan adoptando nuestra apariencia &iquest;Nos robotizaremos nosotros? &iquest;Nos convertiremos en h&iacute;bridos, en androides?&nbsp;</p>\r\n<p>Estas cuestiones gu&iacute;an una coreograf&iacute;a para 8 bailarines cuyos movimientos activar&aacute;n los absurdos instrumentos musicales de&nbsp;MAYWA DENKI. El paso de los aut&oacute;matas al robot reside en los circuitos electr&oacute;nicos conectados a la forma humanoide. Lejos de ser una an&eacute;cdota,&nbsp;la incursi&oacute;n de varios robots NAO en el espect&aacute;culo plantea con sensibilidad y emoci&oacute;n la posibilidad de intercambiar hombres y m&aacute;quinas.</p>\r\n<p>Hombres-m&aacute;quinas, aut&oacute;matas electromec&aacute;nicos,&nbsp;robots programables conllevan diferentes formas de relacionarse con el mundo, diferentes etapas de esa evoluci&oacute;n. \"Robot!\" explora la fase m&aacute;s actual de sus interacciones de manera divertida y po&eacute;tica.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } 		H3 { margin-bottom: 0.21cm } 		H3.ctl { font-family: \"Arial Unicode MS\" } 		A:link { so-language: zxx } -->\r\n<h3 class=\"western\" lang=\"es-ES\">Equipo art&iacute;stico</h3>\r\n<p><span lang=\"es-ES\"><a href=\"/es/e/5/la-compania/7/equipo-administrativo-y-artistico\" target=\"_blank\">Tres de los m&aacute;s cercanos collaboradores</a> de Blanca Li, la \"dream team\" de los m&aacute;s exitosos espect&aacute;culos de la compa&ntilde;&iacute;a Blanca Li (Coraz&oacute;n loco, Poeta en Nueva York, el Jard&iacute;n de las Delicias) se implican en Robots !</span></p>\r\n<p><span lang=\"es-ES\"><br />Dise&ntilde;o de luces : Jacques Chatelet, creador de iluminaciones y instalaciones con luces para numerosos espect&aacute;culos l&iacute;ricos y coreogr&aacute;ficos mundialmente famosos. <br />Escenograf&iacute;a : Pierre Attrait, decorador de cinema, dise&ntilde;ador para espect&aacute;culos l&iacute;ricos y teatrales, director art&iacute;stico para eventos como el Bal de la rose de M&oacute;naco. <br />Videos: Charles Carcopino, responsable de exposiciones, responsable del Studio de la Maison des Arts et de la Culture de Cr&eacute;teil desde 2000.</span></p>\r\n<h3><a href=\"http://www.maywadenki.com\" target=\"_blank\">MAYWA DENKI</a></h3>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p lang=\"es-ES\">Tosa Mobumichi es el presidente de ese colectivo de artistas llevando un apellido industrial (algo como Meiwa Electronics). Siempre se muestra con el mismo vestido : el uniforme azul que llevaban los obreros en la f&aacute;brica paternal original, representando no s&oacute;lo la d&eacute; personalizaci&oacute;n del trabajo en cadena sino tambi&eacute;n la hiper-personalizaci&oacute;n del artista contempor&aacute;neo, como un papel, escenificado, puesto en el centro del mundo loco de los objectos absurdos creados por Maywa Denki. Sobre todo, este vestido subraya la importancia del trabajo manual que necesita la fabricaci&oacute;n de esos aut&oacute;matas y objectos de dise&ntilde;o retro-futurista : un objecto bonito es un objecto bien hecho. Las influencias de Maywa Denki son el arte cin&eacute;tico y la tecno-pop. Crea prototipos lowtech de resina y aluminio, extravagantes y llenos de humor, de modo que los humanos est&eacute;n naturalmente relacionados con las maquinas. Los instrumentos de m&uacute;sica de la serie Tsukuba (clasificados como inspiradores tradicionales para la guitarra, el saxo, el teclado, la voz, percusiones, etc.) son aut&oacute;matas complejos que puedan de verdad tocar m&uacute;sica v&iacute;a sistemas electromec&aacute;nicos activados por humanos. No electr&oacute;nico. La belleza funcional de las m&aacute;quinas se explicita durante interludios musicales dise&ntilde;ados como un desaf&iacute;o a nuestro mundo contempor&aacute;neo, que considera la m&uacute;sica como una informaci&oacute;n, un flujo de datos. Los instrumentes de m&uacute;sica de Maywa Denki generan una m&uacute;sica sustancial : al contrario del flujo de bits de los auriculares de iPods, es el ritmo de una m&uacute;sica viva que nace en la escena.</p>\r\n<p><img style=\"vertical-align: baseline; display: block; margin-left: auto; margin-right: auto;\" title=\"Blanca avec Nao\" src=\"/files/image_383_image_fr.jpg\" alt=\"Blanca avec Nao\" width=\"300\" height=\"401\" /></p>\r\n<h3><a href=\"http://www.aldebaran-robotics.com\" target=\"_blank\">ALDEBARAN Robotics</a></h3>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p lang=\"es-ES\">NAO es capaz de ver, andar, bailar, flexionar las rodillas, levantarse cuando se ha ca&iacute;do, agarrar con sus manos, charlar son sus amigos, con humanos... Hecho por ALEDEBARAN Robotics, NAO es el robot humanoide lo mas utilizado en el mundo de la investigaci&oacute;n y de la educaci&oacute;n (inform&aacute;tica, inteligencia artificial, psicolog&iacute;a, etc.), y aspira a ponerse pronto al servicio del p&uacute;blico. NAO mide 58 cm, tiene dos brazos, dos piernas (9 captadores t&aacute;ctiles y 8 captadores de presi&oacute;n), dos ojos (2 c&aacute;maras HD) y una boca (4 micr&oacute;fonos), as&iacute; como todo el mundo ! Esta dotado para reconocer las voces y las im&aacute;genes. Sus capacidades de comunicaci&oacute;n utilizan la interfaz de un sintetizador vocal, de l&aacute;mparas LED y de 2 altavoces. Muy aut&oacute;nomo, NAO es el compa&ntilde;ero artificial del futuro, que podr&aacute; ayudar y divertir a los humanos, &iacute;nter-actuando con robots o nosotros. Ademas, entre todos los robots, &iexcl; NAO es el mejor bailar&iacute;n !</p>\r\n<p>Agradecimientos :</p>\r\n<p>Pinel &amp; Pinel &ndash; Ba&uacute;les de escena (Nao trunk)<br />CKR, @robose <br />Bruno Meissonnier, Julien Gorrias, Alexandre Mazel (Aldebaran Robotics)<br />MLG<br />Gwen-Ha&euml;l Denigot<br />Marion Leduc</p>\r\n<h3>Producci&oacute;n :&nbsp;&nbsp;<span lang=\"es-ES\">Compa&ntilde;&iacute;a</span> Blanca Li</h3>\r\n<h3>Coproducci&oacute;n :</h3>\r\n<p>Festival Montpellier Danse 2013<br />Festival Automne en Normandie<br />Espace Jean Legendre - Sc&egrave;ne nationale de L&rsquo;Oise en Pr&eacute;figuration<br />Le Studio Maison des Arts de Cr&eacute;teil.</p>\r\n<p>Residencia en el Centro de las Artes de Enghien-les-Bains (Teatro nacional de escritura<br />digital)</p>\r\n<p><strong>Management&nbsp;: </strong>St&eacute;phane Hivert s.hivert@blancali.com</p>\r\n<p><strong>Prensa : </strong>S&eacute;bastien d\'Assigny sdapresse@gmail.com</p>','coreografía para bailarines y robots, con NAO y las maquinas musicales de Maywa Denki\r\nMontpellier Danse 2013','Attrait, Chatelet, Carcopino, Maywa Denki, Aldebaran, Robot, NAO, Montpellier Danse'),(283,100,'fr','Longchamp, Oh my bike!','<p>Publicit&eacute; Longchamp r&eacute;alis&eacute;e par Blanca Li dans le cadre de la campagne \"Le Mouvement cr&eacute;ateur\"</p>','','AirParis','mode, publicité, sac, longchamp, vélo, oh, my, bike, coco, rocha, mouvement, créateur, paris, pub'),(284,100,'en','Longchamp, Oh my bike!','<p>3rd ad campaign for Longchamp realised by Blanca Li on the theme : \"the Creative Movement\"</p>','',NULL,NULL),(285,100,'es','Longchamp, Oh my bike!','<p>Publicidad para Longchamp realisada por Blanca Li sobre el tema \"El Movimiento Creador\"</p>','',NULL,NULL),(286,102,'fr','Jean Paul Gaultier Défilé Paris','<p>Jean Paul Gaultier : D&eacute;fil&eacute; Pr&ecirc;t &agrave; Porter collection Femmes Printemps-Et&eacute; 2013 &agrave; Paris en septembre 2012<br />chor&eacute;graphie et mise en sc&egrave;ne : Blanca Li<br />sc&eacute;nographie : Pierre Attrait</p>','<p>\"Jamais le terme de Fashion Show n&rsquo;a aussi bien port&eacute; son nom tant le d&eacute;fil&eacute; du cr&eacute;ateur <strong>Jean-Paul Gaultier</strong> a fait l&rsquo;&eacute;v&eacute;nement. L&rsquo;enfant terrible de la mode nous a offert un v&eacute;ritable retour vers le futur en chansons et nous propose de revisiter la garde-robe de ses ic&ocirc;nes pop pr&eacute;f&eacute;r&eacute;es pour la pr&eacute;sentation de sa collection de pr&ecirc;t-&agrave;-porter pour le Printemps &Eacute;t&eacute; 2013.\"</p>\r\n<p><a href=\"http://www.maryosbazaar.com/2012/10/12/dans-les-coulisses-du-defile-jean-paul-gaultier-pap-printemps-ete-2013/\" target=\"_blank\">voir plus de d&eacute;tails et des photos sur Maryo\'s Bazaar </a></p>','Défilé Pret à Porter Collection Printemps 2013 Femme. Paris, France.','événement, mode, défilé, jean, paul, gaultier, danseurs, décor, paris, jean-paul'),(287,103,'fr','Los Amantes pasajeros','<p><a href=\"http://www.losamantespasajeros.com/social.php\" target=\"_blank\">Los Amantes pasajeros</a>, (I\'m so excited) une com&eacute;die &eacute;crite et dirig&eacute;e par Pedro Amodovar<br />en salas el 9 de marzo(Espagne) en salles le 27 mars (France)<br />Chor&eacute;graphie de Blanca Li<br />et si estais en Espa&ntilde;a, no os pierdais el<a href=\"http://www.losamantespasajeros.com/flashmob.php\"> flashmob coreografiado por Blanca Li</a></p>\r\n<p><img src=\"/files/image_445_image_fr.jpg\" alt=\"\" width=\"546\" height=\"308\" /></p>','','Pedro Almodovar (LM)','film, amants, passagers, amantes, pasajeros, pedro, almodovar, chorégraphie, avion, I\'m so excited'),(288,104,'fr','La Chatte Andalouse','<p>court m&eacute;trage (48 min) de G&eacute;rald Hustache Mathieu<br /><a href=\"http://www.imdb.com/title/tt0350703/\" target=\"_blank\">lien sur IMDB</a></p>\r\n<p>avec Sophie Quinton et Blanca Li</p>','','Gérald Hustache (CM)','Gérald Hustache Mathieu, film, actrice, Sophie Quinton, court métrage'),(289,103,'en','Los Amantes pasajeros','<p>Los Amantes pasajeros, (I\'m so excited) a comedy written and directed by Pedro Amodovar</p>\r\n<p>Choreography by Blanca Li</p>','',NULL,NULL),(290,103,'es','Los Amantes pasajeros','<p>Los Amantes pasajeros, (I\'m so excited) una comedia escrita y dirigida por Pedro Amodovar</p>\r\n<p><strong class=\"b5\"></strong>Coreograf&iacute;a de Blanca Li</p>','',NULL,NULL),(291,105,'fr','La Fete de la Danse à Blagnac','<p><a href=\"http://www.odyssud.com/fete-danse-blanca-li.html-0\" target=\"_blank\">page d\'Odyssud</a></p>','','Odyssud (Toulouse-Blagnac) invite la Fete de la Danse de Blanca Li\r\n','événement, odyssud, blagnac, fête, danse, flash, mob, dance, flashmob, dancemob, cours, interactif'),(293,107,'fr','L\'Ecume des Jours','','<p>une photo de Michel Gondry Romain Duris, et Audrey Tautou</p>\r\n<p><img title=\"L\'ecume des Jours\" src=\"http://www.blancali.com/files/image_448_image_fr.jpg\" alt=\"Michel Gondry, Audrey Tautou, Romain Duris,  l\'Ecume des Jours, Blanca Li\" width=\"448\" height=\"500\" /></p>\r\n<p>&nbsp;</p>','L’Écume des Jours, réalisé par Michel Gondry d\'après le chef d’œuvre de Boris Vian - chorégraphies de Blanca Li','romain, duris, audrey, tautou, michel, gondry, boris, vian, film, écume, jours'),(294,107,'es','L\'Ecume des Jours','<p>L\'Ecume des Jours, pelicula realizada por Michel Gondry e inspirada por la obra de Boris Vian.</p>\r\n<p>coreograf&iacute;as de Blanca Li</p>','<p>une photo de Michel Gondry Romain Duris, et Audrey Tautou</p>\r\n<p><img src=\"http://dev.blancali.com/files/image_448_image_fr.jpg\" alt=\"\" width=\"448\" height=\"500\" /></p>\r\n<p>&nbsp;</p>','L\'Ecume des Jours, réalisé par Michel Gondry d\'après le chef d\'oeuvre de Boris Vian- chorégraphies de Blanca Li',''),(305,102,'es','Jean Paul Gaultier Défilé Paris','<p>Jean Paul Gaultier : Desfile de modelos, Primavera-Verano 2013. Paris, septiembre 2012<br />coreograf&iacute;a : Blanca Li<br />escenograf&iacute;a : Pierre Attrait</p>','<p>\"Jamais le terme de Fashion Show n&rsquo;a aussi bien port&eacute; son nom tant le d&eacute;fil&eacute; du cr&eacute;ateur <strong>Jean-Paul Gaultier</strong> a fait l&rsquo;&eacute;v&eacute;nement. L&rsquo;enfant terrible de la mode nous a offert un v&eacute;ritable retour vers le futur en chansons et nous propose de revisiter la garde-robe de ses ic&ocirc;nes pop pr&eacute;f&eacute;r&eacute;es pour la pr&eacute;sentation de sa collection de pr&ecirc;t-&agrave;-porter pour le Printemps &Eacute;t&eacute; 2013.\"</p>\r\n<p><a href=\"http://www.maryosbazaar.com/2012/10/12/dans-les-coulisses-du-defile-jean-paul-gaultier-pap-printemps-ete-2013/\" target=\"_blank\">voir plus de d&eacute;tails et des photos sur Maryo\'s Bazaar </a></p>','Défilé Pret à Porter Collection Printemps 2013 Femme. Paris, France.','événement, mode, défilé, jean, paul, gaultier, danseurs, décor, paris, jean-paul'),(295,106,'en','La Fete de la Danse','<p><a href=\"http://igg.me/at/blancali\" target=\"_blank\">Support the second edition of the event</a></p>\r\n<p>&nbsp;</p>','','2nd edition: 20, 21, 22 september 2013',NULL),(296,108,'fr','Beyonce Mrs Carter O2 ad','<p>Une publicit&eacute; O2 Priority pour la tourn&eacute;e mondiale de Beyonce \"Mrs Carter\"</p>\r\n<p><em>director\'s cut</em> par Jonas Akerlund <br />chor&eacute;graphie de Blanca Li</p>','','','o2, beyonce, pub, publicité, reine, chorégraphie, mrs carter tour'),(297,109,'fr','Beyonce pour H&M','<p>\"Beyonce as Mrs Carter\" pour la collection d\'&eacute;t&eacute; H&amp;M.</p>\r\n<p>Publicit&eacute; chor&eacute;graphi&eacute;e par Blanca Li et r&eacute;alis&eacute;e par Jonas Akerlund.</p>','<p>H&amp;M a demand&eacute; au r&eacute;alisateur Jonas Akerlund et &agrave; la chor&eacute;graphe Blanca Li de r&eacute;aliser une publicit&eacute; avec Beyonce aux Bahamas. <br />Les th&egrave;mes sont la Terre, l\'Eau, le Vent et le Feu.</p>\r\n<p>Les danseuses sont Geraldine Fournier, Margalida Riera, de la compagnie Blanca Li,&nbsp; Suzanne Meyer, Hajiba Fahmy et Kimmie Gipson and Ashley Everett, les partenaires habituelles de Beyonce.</p>\r\n<p>La production a &eacute;t&eacute; assur&eacute;e par RSA Films et Strange Cargo.</p>\r\n<p>nos remerciements &agrave; toute l\'&eacute;quipe qui a fourni ce joli travail&hellip;</p>','Beyonce as Mrs Carter for H&M summer collection, choreographed by Blanca Li','Beyoncé, Mrs Carter, Kimmie Gipson, Ashley Everett, plage, mode, h&m, summer, été, maillot de bain, danse, chorégraphie, standing on the sun, beach, bahamas, pub, publicité'),(298,109,'en','Beyonce H&M summer campaign','<p>Beyonce as Mrs Carter for H&amp;M summer collection, commercial choreographed&nbsp; by Blanca Li and directed by Jonas Akerlund.</p>','<p>H&amp;M asked director Jonas Akerlund and choreographer Blanca Li to shoot their commercial ad with Beyonce in Bahamas. The themes are Earth, Water, Wind and Fire.</p>\r\n<p>Dancers are Geraldine Fournier, Margalida Riera, from Blanca Li company, and Suzanne Meyer, Hajiba Fahmy meeting Kimmie Gipson and Ashley Everett.</p>\r\n<p>Production was very well taken care of by RSA Films and Strange Cargo.</p>\r\n<p>Let all who participated in this project be thanked for the nice work!</p>','Beyonce as Mrs Carter for H&M summer collection, choreographed by Blanca Li','Beyoncé, Mrs Carter, Kimmie Gipson, Ashley Everett, Geraldine Fournier, Margalida Riera, Hajiba Fahmy, Suzanne Meyer, plage, mode, h&m, summer, été, maillot de bain, danse, chorégraphie, standing on the sun, beach, bahamas, pub, publicité'),(299,109,'es','Beyonce para H&M ','<p>Beyonce as Mrs Carter para la colecci&oacute;n de verano de H&amp;M,&nbsp; coreograf&iacute;a de Blanca Li, realizaci&oacute;n de Jonas Akerlund</p>','<p>H&amp;M pidio al realizador Jonas Akerlund y a la coreograf&aacute; Blanca Li rodar una publicidad con Beyonce en Bahamas. <br />Los temas son la Tierra, el Agua, el Vineto y el Fuego.</p>\r\n<p>Las bailarinas son Geraldine Fournier, Margalida Riera, de la compan&iacute;a Blanca Li,&nbsp; Suzanne Meyer, Hajiba Fahmy, Kimmie Gipson y Ashley Everett, las dos ultimas bailarinas estrellas de Beyonce.</p>\r\n<p>La producci&oacute;n fue llevada por RSA Films y Strange Cargo.</p>\r\n<p>nuestros agradecimientos a todo el equipo por este excelente trabajo&hellip;</p>','Beyonce as Mrs Carter para la colección de verano de H&M, coreografía de Blanca Li, realización de Jonas Akerlund','Beyoncé, Mrs Carter, Kimmie Gipson, Ashley Everett, plage, mode, h&m, summer, été, maillot de bain, danse, chorégraphie, standing on the sun, beach, bahamas, pub, publicité'),(300,107,'en','L\'Ecume des Jours','<p>\"L&rsquo;&Eacute;cume des Jours\", directed by Michel Gondry. Adapted from the litterature masterpiece by Boris Vian.<br />Choreographies by Blanca Li</p>','<p>Michel Gondry, Romain Duris and Audrey Tautou</p>\r\n<p><img title=\"L\'ecume des Jours\" src=\"http://www.blancali.com/files/image_448_image_fr.jpg\" alt=\"Michel Gondry, Audrey Tautou, Romain Duris,  l\'Ecume des Jours, Blanca Li\" width=\"448\" height=\"500\" /></p>\r\n<p>&nbsp;</p>','\"L’Écume des Jours\", directed by Michel Gondry. Adapted from the litterature masterpiece by Boris Vian - choreographies by Blanca Li','romain, duris, audrey, tautou, michel, gondry, boris, vian, film, écume, jours, romain duris, audrey tautou, michel gondry, boris vian'),(301,102,'en','Jean Paul Gaultier Défilé Paris','<p>Jean-Paul Gaultier: \"Ready to wear\" fashion show for the \"Spring-Summer 2013\" women collection. Paris, September 2012.<br />chor&eacute;graphie et mise en sc&egrave;ne : Blanca Li<br />sc&eacute;nographie : Pierre Attrait</p>','<p>\"Jamais le terme de Fashion Show n&rsquo;a aussi bien port&eacute; son nom tant le d&eacute;fil&eacute; du cr&eacute;ateur <strong>Jean-Paul Gaultier</strong> a fait l&rsquo;&eacute;v&eacute;nement. L&rsquo;enfant terrible de la mode nous a offert un v&eacute;ritable retour vers le futur en chansons et nous propose de revisiter la garde-robe de ses ic&ocirc;nes pop pr&eacute;f&eacute;r&eacute;es pour la pr&eacute;sentation de sa collection de pr&ecirc;t-&agrave;-porter pour le Printemps &Eacute;t&eacute; 2013.\"</p>\r\n<p><a href=\"http://www.maryosbazaar.com/2012/10/12/dans-les-coulisses-du-defile-jean-paul-gaultier-pap-printemps-ete-2013/\" target=\"_blank\">more details and pictures on Maryo\'s Bazaar</a></p>','Fashion show for the \"Spring-Summer 2013\" women collection. Paris, France.','événement, mode, défilé, jean, paul, gaultier, danseurs, décor, paris, jean-paul, défilé de mode, luxe, fashion show, fashion, luxury'),(302,108,'en',' Beyonce Mrs Carter O2 ad','<p>O2 Priority Ad for Beyonce Mrs Carter\'s world tour</p>\r\n<p>director\'s cut by Jonas Akerlund <br />choreographed by Blanca Li</p>','','','o2, beyonce, pub, publicité, reine, chorégraphie, mrs carter tour'),(303,111,'fr','Stella Mc Cartney \"Shanghai Nights\"','','','présentation collection Stella Mc Cartney',''),(304,108,'es',' Beyonce Mrs Carter O2 ad','<p>Una publicidad \"O2 Priority\" para la gira mundial de Beyonce \"Mrs Carter\"</p>\r\n<p><em>director\'s cut</em> por Jonas Akerlund <br />coreograf&iacute;a de Blanca Li</p>','','','o2, beyonce, pub, publicité, reine, chorégraphie, mrs carter tour, coreografia, publicidad'),(307,112,'en','Jean-Paul Gaultier fashion show ','<p>Fashion show for Jean-Paul Gaultier\'s Spring 2014 clothing collection, at the Paradis Latin (Paris) and during Paris Fashion Week.</p>\r\n<p>Staged, performed and choreographed by Blanca Li.</p>','','Fashion show for Jean-Paul Gaultier\'s Spring 2014 clothing collection','Fashion show, Jean-Paul Gaultier, Paradis Latin, fashion week.'),(308,115,'fr','Feathers by John Nollet','','<p class=\"western\" lang=\"en-US\">This film was created to introduce Feathers, natural hair collection accessoires by John Nollet, at Colette, in Paris, July 7<sup>th</sup> 2014.</p>\r\n<p class=\"western\" lang=\"en-US\">It is the result of a lightning of inspiration that occurred one day, about a year ago, when John and I were talking about his collection of accessoires made from natural hair. At the beginning, it was just a personal experiment to be shot in very simple conditions.</p>\r\n<p class=\"western\" lang=\"en-US\">It took an unforeseen path, as everybody we asked to join this project was thrilled and we found ourselves all of a sudden with a &ldquo;dream team&rdquo; ready to bring up the best images from these ideas, with fantastical technical support.</p>\r\n<p class=\"western\" lang=\"en-US\">My thanks first to John for his ever challenging inspiration. I am proud that we achieved to match the incredible quality and delicacy of his craftsmanship with the choreographies for my film.</p>\r\n<p class=\"western\" lang=\"en-US\">My very warm thanks to all the team who made this dream become reality, to Colette who decided to show the film for the John Nollet Feathers collection presentation.</p>\r\n<p class=\"western\" lang=\"en-US\">Blanca Li</p>\r\n<p class=\"western\"><span style=\"font-size: small;\"><strong>Feathers</strong></span></p>\r\n<p class=\"western\"><span style=\"font-size: small;\"><strong>NATURAL HAIR COLLECTION</strong></span></p>\r\n<p class=\"western\">&nbsp;</p>\r\n<p class=\"western\">R&eacute;alisation&nbsp;: <strong>Blanca Li</strong></p>\r\n<p class=\"western\">Coiffure et accessoires&nbsp;: <strong>John Nollet</strong></p>\r\n<p class=\"western\">Robe&nbsp;: <strong>Alexandre Vauthier</strong></p>\r\n<p class=\"western\">Directeur artistique&nbsp;: <strong>Vincent Chazal</strong></p>\r\n<p class=\"western\">Directeur de la photographie : <strong>Nicolas Massart</strong></p>\r\n<p class=\"western\">Monteur&nbsp;: <strong>Mario Battistel</strong></p>\r\n<p class=\"western\">Musique&nbsp;: <strong>Tao Gutierrez</strong></p>\r\n<p class=\"western\">&nbsp;</p>\r\n<p class=\"western\">Avec<strong> Tamara </strong><strong>Fernando et Aur&eacute;lie Giboire</strong></p>\r\n<p class=\"western\">&nbsp;</p>\r\n<p class=\"western\">Production :</p>\r\n<p class=\"western\">PRODIGIOUS<br />Directeur de production&nbsp;: <strong>Thierry Haddad<br /></strong>Assistants de production&nbsp;:<br /><strong>Olivier Lecomte / Giulia Parravicini / Victoria Laval</strong></p>\r\n<p class=\"western\">FILM ADDICT<br />Directeur de production&nbsp;: <strong>Etienne Li<br /></strong>Assistante de production&nbsp;: <strong>Lise Roos-Weil</strong></p>\r\n<p class=\"western\">SAINT-GEORGE<br />Directeur de production&nbsp;: <strong>Bastien Harispe</strong><strong> /</strong><strong>James Senade</strong></p>\r\n<p class=\"western\">Post-production<br />SAINT-GEORGE<br />Coordinatrice de Post-Production : <strong>Caroline Quilbe<br /></strong>Assistant Montage&nbsp;: <strong>Elodie Balague<br /></strong>Coloriste&nbsp;: <strong>Guillaume Faure<br /></strong>Smoke artist : <strong>Benjamin Laborde</strong><strong> / </strong><strong>Barthelemy Rubino /Damien Peiro </strong></p>\r\n<p class=\"western\">Equipe technique</p>\r\n<p class=\"western\">Premier assistant Camera&nbsp;: <strong>Benjamin Roux<br /></strong>Deuxi&egrave;me assistant Camera : <strong>Emmanuelle Alaitru<br /></strong>Superviseur SFX &amp; Effets sp&eacute;ciaux : <strong>Jean-Pierre Grandet<br /></strong>Assistant effets sp&eacute;ciaux&nbsp;:&nbsp;<strong>Arthur Grandet<br /></strong>Chef machiniste&nbsp;: <strong>Damien Auriol<br /></strong>Chef &eacute;lectricien : <strong>Vincent Ricoux<br /></strong>Assistants Electro&nbsp;: <strong>Augustin Vaumas&nbsp;/Elyan Charvet<br /></strong>R&eacute;gisseur : <strong>Yan Ludmann<br /></strong>Chef d&eacute;corateur : <strong>Enrique Gutierrez</strong></p>\r\n<p class=\"western\">Equipe HMC</p>\r\n<p class=\"western\">Maquilleurs&nbsp;: <strong>Miwoo Kim</strong><strong>/ Christophe Danchaud<br /></strong>Assistant coiffure : <strong>Alexandre Gillot<br /></strong>Directrice adjointe John Nollet : <strong>Tatiana Diaz Medina<br /></strong>Assistant production John Nollet : <strong>Laurent Bernillon</strong></p>\r\n<p class=\"western\">Photographe : <strong>Nathalie Malric</strong></p>\r\n<p class=\"western\">Remerciements&nbsp;:</p>\r\n<p class=\"western\">Laurent Sequaris &ndash; Publicis Conseil- Vantage -Cinelum &ndash; Cinesyl - Little grand studio - Sancy Prod - Pierre Barougier - Maison Lemari&eacute; &ndash; Nadine Dufat- Christelle Kocher- Marie Charlotte Quehin - Michel Carel - Claire Barbera - Corinne Mercier</p>\r\n<p class=\"western\">&nbsp;</p>\r\n<p>&nbsp;</p>','court métrage réalisé par Blanca Li',''),(309,116,'fr','Coldplay True Love','','<p>La video de True Love par Coldplay, dirig&eacute;e par Jonas Akerlund et chor&eacute;graphi&eacute;e par Blanca Li</p>','coldplay music video True Love, directed by Jonas Akerlund, choreographed by Blanca Li',''),(313,114,'fr','Jean Paul Gaultier défilé Femme automne hiver 2014-15','','<p style=\"text-align: justify;\">&laquo;&thinsp;<em>Les rosbifs dans l&rsquo;espace&thinsp;&raquo;, ainsi s&rsquo;intitule la nouvelle superproduction de <a href=\"http://madame.lefigaro.fr/style/defile-jean-paul-gaultier-pret-porter-automne-hiver-2014-2015-010314-819946?page=1\" target=\"_blank\">Jean Paul Gaultier</a> (le couturier fran&ccedil;ais pr&eacute;f&eacute;r&eacute; des Britanniques), qui s&rsquo;ach&egrave;ve sur l&rsquo;air de God Save The Queen. Mise en sc&egrave;ne comme un vol intergalactique sur une compagnie anglaise, la collection est &agrave; l&rsquo;image du d&eacute;cor dans lequel elle d&eacute;file, le r&eacute;trofuturiste si&egrave;ge du Parti communiste fran&ccedil;ais de la place du Colonel-Fabien, sign&eacute; Oscar Niemeyer. Dans la mode, le futur prend souvent des allures sixties, et c&rsquo;est encore bien le cas aujourd&rsquo;hui, m&ecirc;me si JPG regroupe tout un &eacute;ventail de tribus, du n&eacute;oromantisme au punk, tels ces deux fr&ecirc;les hooligans pr&eacute;-ados en tartan et coupe iroquoise. &laquo;&thinsp;Les Fran&ccedil;ais sont invit&eacute;s &agrave; cesser de fumer&hellip; Les Fran&ccedil;ais sont invit&eacute;s &agrave; respecter la file d&rsquo;attente&hellip;&thinsp;&raquo;, annonce le stewart en voix off, tandis que des divas de la conqu&ecirc;te spatiale v&ecirc;tues de combinaisons matelass&eacute;es en vison gris ou gain&eacute;es de cuir &agrave; carreaux &eacute;cossais, s&rsquo;avancent devant une authentique reine du rock, Rihanna - enroul&eacute;e, elle, dans une &eacute;tole de vison bard&eacute;e du mot &laquo;&thinsp;Fear&thinsp;&raquo;. Au-del&agrave; de tout ce th&eacute;&acirc;tre, Gaultier pr&eacute;sente de tr&egrave;s beaux looks &ndash; des vestes 2001: l&rsquo;Odyss&eacute;e de l&rsquo;espace notamment, et des blousons d&rsquo;aviateur &agrave; larges &eacute;paules, enti&egrave;rement recouvertes de tulle. Les fameuses doudounes tuyaut&eacute;es ne sont pas en reste, flanqu&eacute;es des couleurs de l&rsquo;Union Jack, en pr&eacute;vision de cette sortie dans l&rsquo;espace interstellaire de Sa Majest&eacute;. Mais la collection, qui se contente trop souvent de recycler les classiques maison, a finalement du mal &agrave; d&eacute;coller. Si Gaultier est le Ziegfeld des cr&eacute;ateurs, il l&rsquo;est parfois avec exc&egrave;s. Cette fois, en tout cas, entre mode et spectacle, ce ne sont pas les v&ecirc;tements qui sont all&eacute;s le plus loin.\"</em></p>\r\n<p style=\"text-align: right;\">Madame Figaro</p>','Jean Paul Gaultier, défilé Prêt à porter Femme automne hiver 2014-15, mis en scène par Blanca Li',''),(314,119,'fr','Blanca Li 360','<p>Le film 360&deg; de Blanca Li, créé pour un visionnage à 360 degrés aliie la danse, le cinéma et la technologie et donne à voir un spectacle autrement, au plus près des corps des danseurs. &agrave; visionner sur <a href=\"https://vimeo.com/219904146/\">https://vimeo.com/219904146/</a></p>','<p>Une Chorégraphie pour 20 danseurs, production : Première Heure (2014, 10min)<br />Dans un open space sous une verrière, c&rsquo;est un début de journée classique au bureau qui se transforme en moment de folie survolté. Les pas de deux, les envolées, les acrobaties et les glissades rythment cette journée de travail animée par les échanges, les conflits, les coups de stress et les coups de c&oelig;ur de chacun.</p>\r\n<p>Grâce à une prise de vue à 360 degrés, le spectateur est placé au centre de la chorégraphie. Il peut avoir accès à la totalité de l&rsquo;action qui se déroule autour de lui, en modifiant lui-même son point de vue. Chaque visionnage est donc différent et bouleverse la relation traditionnelle entre la scène et le spectateur. Une expérience d&rsquo;immersion inédite, accessible sur plusieurs supports &agrave; partir du 19 mars :</p>\r\n<p>sur le web : <a href=\"https://vimeo.com/219904146/\">https://vimeo.com/219904146/</a> (pr&eacute;f&eacute;rer Google Chrome pour une qualit&eacute; de visionnage)</p>\r\n<p>making of : <a href=\"http://concert.arte.tv/fr\">ARTE CONCERT</a></p>\r\n<p>sur mobile et tablette via l&rsquo;application Blanca Li 360&deg; (Ios et Androïd) (&agrave; venir)</p>\r\n<p>sur Oculus Rift ( casque de réalité virtuelle ) en plaçant son téléphone mobile à l&rsquo;intérieur du casque. (pr&eacute;sentation &agrave; l\'exposition <a href=\"http://www.lemanege.com/cgi?lg=fr&amp;pag=1310&amp;tab=108&amp;rec=1354&amp;frm=0\">Home Cinema &agrave; Maubeuge</a> et au&nbsp; <a href=\"http://www.maccreteil.com/fr/mac/event/338/Home-cinema-Festival-Exit\" target=\"_blank\">Festival Exit &agrave; la MAC Cr&eacute;teil</a>)<br /><br /></p>\r\n<p>Pour tous les d&eacute;tails et news visitez la page Facebook d&eacute;di&eacute;e :</p>\r\n<p><a href=\"https://www.facebook.com/pages/Blanca-Li-360/787934324634494\" target=\"_blank\"><img src=\"http://www.blancali.com/files/image_585_image_fr.jpg\" alt=\"\" width=\"50\" height=\"50\" /></a></p>','Le premier film de danse à 360° en réalité virtuelle pour web, oculus, tablette, smartphone a été réalisé par Blanca Li',''),(315,119,'en','Blanca Li 360','<p>Designed for a full 360 degrees virtual reality experience, Blanca Li\'s film combines dance, cinema and new technologies to deliver a new viewing sensation much closer to the bodies of dancers.</p>','<p>A choreography for 20 dancers, produced by Premi&egrave;re Heure and Saint Georges Studio(2014, 10 minutes)</p>\r\n<p>In an open space below a glass roof, a classical morning at the office begins. Soon, it becomes an electrical space fro madness. Duos, jumps, acrobacies and slides illustrate the rhythm of a mad workday fueled by echanges, conflicts, moments of stress and moments of love.</p>\r\n<p>Thanks to a 360 degrees shooting, the viewer is at the center of the choreography. He can see the totality of the action going on around him, by changing his viewpoint. Each watching experience is different from another, and tumbles the traditional audience - stage relationship. A never seen before immersion sensation, available worldwide on different platforms strating March 19th.</p>\r\n<p><a href=\"https://vimeo.com/219904146\">see it on Vimeo </a>:</p>\r\n<p>on smartphones and tablets via the app Blanca Li 360&deg; (Ios et Androïd)</p>\r\n<p>on Oculus Rift (virtual reality mask) by placing your smartphone inside the mask (presentation at exhibit <a href=\"http://www.lemanege.com/cgi?lg=fr&amp;pag=1310&amp;tab=108&amp;rec=1354&amp;frm=0\">Home Cinema in Maubeuge</a> et at&nbsp; <a href=\"http://www.maccreteil.com/fr/mac/event/338/Home-cinema-Festival-Exit\" target=\"_blank\">Festival Exit at MAC Cr&eacute;teil</a>)</p>\r\n<p>&nbsp;</p>','Le premier film de danse en réalité virtuelle à 360° pour web, oculus, tablette, smartphone a été réalisé par Blanca Li',''),(342,142,'fr','Solstice','<p>Cr&eacute;ation &agrave; Chaillot en septembre 2017 avec 14 danseurs et un musicien (plus d\'informations sur les interpr&egrave;tes <a href=\"http://www.blancali.com/fr/s/5/La-Scene/37/Interpretes-Solstice\" target=\"_blank\">ici</a>).<br />Mise en sc&egrave;ne et chor&eacute;graphie Blanca Li<br />Musique Tao Gutierrez<br />Sc&eacute;nographie, dramaturgie Pierre Attrait<br />Vid&eacute;o Charles Carcopino<br />Lumi&egrave;res Cathy Olive<br />Costumes Laurent Mercier</p>\r\n<p>Production et Diffusion Chaillot - Th&eacute;&acirc;tre National de la Danse</p>','<p>&laquo;&nbsp;SOLSTICE&nbsp;&raquo; joue avec les &eacute;l&eacute;ments, le temps, la mati&egrave;re, le mouvement et la lumi&egrave;re. La nature s&rsquo;y r&eacute;v&egrave;le fantastique et belle, angoissante et lumineuse. Blanca Li propose au public un voyage fascinant et sensible dans un univers en mouvement pour dire la beaut&eacute; du monde, sa force, son &eacute;nergie et sa fragilit&eacute;. Les danseurs sont autant de guides pour le spectateur dans cet univers abstrait o&ugrave; le r&eacute;el et l&rsquo;illusion se confondent...</p>\r\n<p>Avec les danseurs&nbsp;:</p>\r\n<p>Yacnoy Abreu Alfonso<br />Peter Agardi<br />R&eacute;mi B&eacute;nard<br />Jonathan Ber<br />Iris Florentiny<br />Julien Gaillac<br />Joseph Gebrael<br />Yann Herv&eacute;<br />Aurore Indaburu<br />Alexandra J&eacute;zouin<br />Pauline Journ&eacute;<br />Margalida Riera Roig<br />Ga&euml;l Rougegrez<br />Yui Sugano<br />Victor Virnot</p>\r\n<p>Assistantes &agrave; la chor&eacute;graphie : <br />Glyslein Lefever<br />D&eacute;borah Torres</p>\r\n<p>Percussions, chant :<br />Bachir Sanogo</p>\r\n<p>Partout, dans les m&eacute;tropoles, au coeur des oc&eacute;ans, dans les espaces sauvages ou domestiqu&eacute;s par l&rsquo;humanit&eacute;, la nature change et nous interpelle. Les relations ambigu&euml;s et complexes que nous entretenons avec notre environnement ont &eacute;t&eacute; le point de d&eacute;part de cette cr&eacute;ation. Entre inqui&eacute;tude et &eacute;merveillement, amour et violence, pr&eacute;servation et destruction, comment assurer le d&eacute;veloppement de nos civilisations sans &eacute;puiser notre plan&egrave;te&nbsp;?</p>\r\n<p>Pour Blanca Li, &laquo;&nbsp;SOLSTICE&nbsp;&raquo; surgit d&rsquo;un besoin d&rsquo;aborder par le langage de la danse des questions fondamentales avec lesquelles nous vivons au quotidien. La nature et les &eacute;l&eacute;ments sont des entit&eacute;s vivantes, actives, fragiles et pr&eacute;cieuses. Blanca Li nous en offre une vision personnelle, habit&eacute;e, &agrave; la fois po&eacute;tique et esth&eacute;tique. &laquo;&nbsp;SOLSTICE&nbsp;&raquo; est une pi&egrave;ce lumineuse pour magnifier l&rsquo;homme et les &eacute;l&eacute;ments naturels, questionner notre Terre, exalter son chant mais aussi sa fragilit&eacute;.</p>','création pour 14 danseurs de la Compagnie Blanca Li produite par le Théâtre National de Chaillot',''),(316,119,'es','Blanca Li 360','<p>La pelicula de Blanca Li, creada para la realidad virtual y dispositivos de vision a 360 grados, es un encuentro entre danza, cin&eacute; y nuevas tecnologias, para experimentar un espectaculo de manera diferente, mas cerca de los cuerpos de los bailarines. </p>','<p>Una coreograf&iacute;a para 20 bailarines, producida por Premi&egrave;re Heure (2014, 10min)<br />En un open space debajo de una vidriera, es el principio de un d&iacute;a de oficina clasico, que se transforma de repente en un tiempo de locura el&eacute;ctrica. Los pasos a dos, los saltos, las acrobacias y los resbalones expresan el ritmo de un d&iacute;a de trabajo extremo, animado por el intercambio, el conflicto,&nbsp; el estr&eacute;s o el flechazo de cada uno.</p>\r\n<p>Gracias a un campo de visi&oacute;n a 360 grados, el espectador esta colocado en el centro de la coreografi&aacute;. Puede acceder a la totalidad de la acci&oacute;n que se desarrolla alrededor, modificando su punto de vista. Cada reproducci&oacute;n es diferente de las otras, y cambia radicalmente la relaci&oacute;n entre el espectador y el escenario. Una experiencia de dimensionar inaudita, accesible en diferentes soportes a contar del 19 de marzo :</p>\r\n<p><span lang=\"es-ES\">en la web : <a class=\"western\" href=\"http://concert.arte.tv/fr\">ARTE CONCERT</a></span></p>\r\n<p>en los smartphones y tabletas&nbsp; via la aplicaci&oacute;n Blanca Li 360&deg; (Ios&nbsp; y Andro&iuml;d)</p>\r\n<p><span lang=\"es-ES\">en Oculus Rift ( casco de realidad virtual ) colocando su tel&eacute;fono m&oacute;vil dentro del casco. (presentaci&oacute;n &agrave; la muestra&nbsp; <a class=\"western\" href=\"http://www.lemanege.com/cgi?lg=fr&amp;pag=1310&amp;tab=108&amp;rec=1354&amp;frm=0\">Home Cinema en Maubeuge</a> y al&nbsp; <a class=\"western\" href=\"http://www.maccreteil.com/fr/mac/event/338/Home-cinema-Festival-Exit\" target=\"_blank\">Festival Exit en la MAC Cr&eacute;teil</a>)</span></p>\r\n<p>para mas detalles, seguir la pagina Facebook:</p>\r\n<p>&nbsp;<a style=\"margin-bottom: 0cm;\" href=\"https://www.facebook.com/pages/Blanca-Li-360/787934324634494\" target=\"_blank\"><img src=\"http://www.blancali.com/files/image_585_image_fr.jpg\" alt=\"\" width=\"50\" height=\"50\" /></a></p>','Le premier film de danse à 360° en réalité virtuelle pour web, oculus, tablette, smartphone a été réalisé par Blanca Li',''),(317,120,'fr','Blanca Li by Ruven Afanador and Rebecca Milzoff','<p><em>Starting June 9, BAM will present Li&rsquo;s </em><a href=\"http://www.bam.org/robot-blancali\">Robot</a>,<em>in which dancers perform with a mechanical orchestra and a troupe of intelligent robots programmed to learn her choreography. Photographs by </em><em>Ruven Afanador.</em><em>Styling by Rebecca Ramsey.&nbsp; <em>*This article appears in the June 1, 2015 issue of</em>&nbsp;New York&nbsp;<em>Magazine.</em></em></p>','<div id=\"primary\">\r\n<h2>Playing Dress-Up With Flamenco-Inspired Choreographer Blanca Li</h2>\r\n<h2><span class=\"by-authors\">By <span><a class=\"story-author\" href=\"http://nymag.com/author/Rebecca%20Milzoff/\" target=\"_blank\"> Rebecca Milzoff </a> and <a class=\"story-author\" href=\"http://nymag.com/author/Ruven%20Afanador/\" target=\"_blank\"> Ruven Afanador </a></span></span></h2>\r\n</div>\r\n<div><a href=\"http://nymag.com/thecut/2015/05/playing-dress-up-choreographer-blanca-li.html\"><span class=\"by-authors\"><span class=\"by-authors\"><span><span class=\"story-author\">The CUT, May 31, 2015 <span>9:00 p.m.</span></span></span></span></span></a><span class=\"by-authors\"><span><a class=\"story-author\" href=\"http://nymag.com/author/Ruven%20Afanador/\" rel=\"author\"><br /></a></span> </span> <a class=\"fb\" title=\"Share on Facebook\" href=\"http://www.facebook.com/sharer/sharer.php?u=http://nymag.com/thecut/2015/05/playing-dress-up-choreographer-blanca-li.html%3Fmid%3Dfb-share-thecut\" target=\"_blank\"> Share </a><a class=\"twit\" title=\"Share on Twitter\" href=\"https://twitter.com/share?text=Playing%20Dress-Up%20With%20Flamenco-Inspired%20Choreographer%20Blanca%20Li&amp;url=http://nymag.com/thecut/2015/05/playing-dress-up-choreographer-blanca-li.html%3Fmid%3Dtwitter-share-thecut&amp;via=TheCut\" target=\"_blank\">Tweet </a><a class=\"gplus\" title=\"Share on Google Plus\" href=\"https://plus.google.com/share?url=http%3A%2F%2Fnymag.com%2Fthecut%2F2015%2F05%2Fplaying-dress-up-choreographer-blanca-li.html\" target=\"_blank\"> Share </a><a class=\"pinterest\" title=\"Pin it on Pintrest\" href=\"http://pinterest.com/pin/create/button/?url=http://nymag.com/thecut/2015/05/playing-dress-up-choreographer-blanca-li.html%3Fmid%3Dpinterest-share-thecut&amp;description=Playing%20Dress-Up%20With%20Flamenco-Inspired%20Choreographer%20Blanca%20Li&amp;media=http:%2F%2Fpixel.nymag.com%2Fimgs%2Ffashion%2Fdaily%2F2015%2F05%2F28%2Fmagazine%2F29-blanca.w750.h750.2x.jpg\" target=\"_blank\"> Pin It </a><a class=\"email\" title=\"Share via email\" href=\"mailto:?subject=Playing%20Dress-Up%20With%20Flamenco-Inspired%20Choreographer%20Blanca%20Li&amp;body=I%20saw%20this%20on%20The%20Cut%20and%20thought%20you%20might%20be%20interested...%0A%0APlaying%20Dress-Up%20With%20Flamenco-Inspired%20Choreographer%20Blanca%20Li%0AShe%20has%20collaborated%20with%20Pedro%20Almod%C3%B3var%2C%20Beyonc%C3%A9%2C%20Daft%20Punk%2C%20Azzedine%20Ala%C3%AFa%2C%20and%20now%2C%20in%20a%20performance%...%0Ahttp%3A%2F%2Fnymag.com%2Fthecut%2F2015%2F05%2Fplaying-dress-up-choreographer-blanca-li.html%3Fmid%3Demailshare%5Fthecut\"> Email </a>\r\n<div class=\"body\">\r\n<div>&nbsp;</div>\r\n<div><img src=\"http://www.blancali.com/files/image_616_image_fr.jpeg\" alt=\"\" width=\"563\" height=\"750\" /></div>\r\n<div><a class=\"begin-slideshow\" href=\"http://nymag.com/thecut/2015/05/playing-dress-up-choreographer-blanca-li/slideshow/2015/05/29/blanca_li\" target=\"_blank\">BEGIN SLIDESHOW</a></div>\r\n<div><span>Choreographer Blanca Li will present &ldquo;<a href=\"http://www.BAM.org/robot-blancali\" target=\"_blank\">ROBOT</a>,&rdquo; a show with her dancers and a mechanical orchestra, at BAM on June 9th.</span> <cite>Photo: Ruven Afanador</cite></div>\r\n</div>\r\n</div>\r\n<p>For most dancers, a costume is the final, gilded touch before a performance &mdash; the last detail to fit to a choreographer&rsquo;s vision. But sometimes, for choreographer and performer Blanca Li, the costume comes&nbsp;before the dance itself. &ldquo;I was inspired by the dress,&rdquo; Li said of a sweeping red gown designed by her good friend Azzedine Alaia that she wore to his fragrance launch last week. &ldquo;It&rsquo;s very close to the body, and then when it comes to the floor it has a lot of material and goes very far away in the back. So I created a choreography using the dress to make many different shapes.&rdquo;&nbsp; She performed a flamenco-tinged number in it, accompanied by guitar and cajon and,&nbsp;judging by an <a href=\"https://instagram.com/p/27CL7IRlWS/\" target=\"_blank\">Instagram</a> shot of Mr. Alaia himself flinging an arm in the air like a true <em>bailaora</em>, he approved.&nbsp; &ldquo;The dress is transforming through the movement,&rdquo; Li explained, &ldquo;becoming many different dresses.&rdquo;&nbsp;</p>\r\n<p>Few choreographers would create a dance simply because an outstanding dress exists, but Blanca Li is not most choreographers. Born in Granada, Spain, she started out studying flamenco. &ldquo;I learned to use the material and the volume of a dress, which is something that takes time to learn, but once you do it&rsquo;s very valuable,&rdquo; Li says. &ldquo;You can move very heavy material and use it to create shapes.&rdquo; She was also a gymnast, and later studied modern dance, eventually at the Martha Graham and Alvin Ailey Schools in New York &mdash; a training that shows in Li&rsquo;s statuesque bearing and fierce, earth goddess stage presence. &nbsp;</p>\r\n<p>In the early &lsquo;90s, Li fell in with a crowd of uber-creatives, including Pedro Almodovar, Paco Rabanne, Christian Lacroix and Madonna, because of her famous &ldquo;fiestas&rdquo; &mdash; raffish, unpredictable cabaret evenings that she presided over in Paris. Now, she collaborates with an expansive artistic coterie: she&rsquo;s made dances for Almodovar&rsquo;s <em>I&rsquo;m So Excited,</em>&nbsp;choreographed an H&amp;M commercial starring Beyonce, and staged runway shows for the likes of Stella McCartney and Jean-Paul Gaultier. Starting June 9th at BAM, she&rsquo;ll present &ldquo;<a href=\"http://www.bam.org/robot-blancali\" target=\"_blank\">ROBOT</a>,&rdquo; a show placing her dancers onstage with a mechanical orchestra and a troupe of intelligent robots who, yes, have been programmed to learn and perform her choreography.</p>\r\n<p>Since Li made her first ballet in 1993, fashion and dance have been inextricably tied together in her work. Watching her dancers in costumes by the Spanish designer Sybilla, Li realized that &ldquo;in a certain way, the movements made more sense because of the clothes.&rdquo; Now, as soon as Li sees where a piece is going, she thinks about costuming. &ldquo;It&rsquo;s important to me in the finishing of the movement,&rdquo; Li says. &ldquo;How will the dancers be dressed? If they are in something very simple and close to the body, you will see one shape, different from if they wear a dress, or pants or shorts.&rdquo;&nbsp;</p>\r\n<p>Though much dance costuming focuses on ease of movement, Li often tends in the opposite direction: she is attracted to the idea of discomfort, when the circumstance demands it. &ldquo;It can be very interesting to have a problematic costume,&rdquo; she says. &ldquo;The way you deal with the problem in your dancing, many times, may make it very beautiful.&rdquo;&nbsp; Her preference for style and materials differs from piece to piece. &ldquo;Sometimes I need nothing &mdash; only the body, and I want the sensation of nakedness,&rdquo; she says. &ldquo;But sometimes I would like to have a volume that follows the movement and adds another energy to it, creating a sensation of velocity.&rdquo;</p>\r\n<p>In her own life on and off-stage, Li&rsquo;s style is just as varied. &ldquo;I&rsquo;m very eclectic,&rdquo; she says. &ldquo;I change all the time. I can be in jeans, in a long dress, in leather because I feel like it&rsquo;s a leather day.&nbsp; You can become a different woman depending on how you dress.&rdquo; For this shoot, she wore one thing she often does not: white. &ldquo;I don&rsquo;t know why,&rdquo; she says with a laugh. &ldquo;I actually made one ballet where everything was white. It was about ancient Greece, about the purity of the classical Greek sculpture, and I also had this image of the Mediterranean sky &mdash; clear, so much light.&rdquo; Wearing these varied iterations of white here, &ldquo;I felt like, it&rsquo;s summer, you feel the beautiful day and the purity. White creates this sensation of timelessness.&rdquo;</p>\r\n<p>For this shoot, at photographer Ruven Afanador&rsquo;s insistence, Li gamely threw herself on the floor, climbed up walls and whipped her skirts as if back in Granada. &ldquo;An artist is someone who feels the freedom to go over the top every day,&rdquo; Li says. &ldquo;Being an artist, the most important thing is not to be afraid.&rdquo; Click through our slideshow to see Li in some of the season\'s most dramatic black and white pieces.</p>\r\n<p>Rebecca Milzoff</p>','Photo shoot for NY magazine and ROBOT at BAM',''),(318,121,'fr','Déesses & Démones','<p>Creation at Th&eacute;&acirc;tre des Champs-Elys&eacute;es in Paris<br />artistic direction and choreography Blanca Li</p>','<p>Dancers Blanca Li and Maria Alexandrova, principal dancer from Bolshoi Ballet</p>\r\n<p><br />Goddesses &amp; Demonesses is set in a mythological world inhabited by two radically different, but equally renowned, female dancers, Blanca Li and Maria Alexandrova.<br />Like the great Greek gods of Antiquity, these two internationally celebrated dance goddesses perform with superhuman strength, continually transforming themselves into their opposites until good and evil, kindness and cruelty are as difficult to separate as Siamese twins. Evoking the same paradoxes existing in life on earth, the goddesses of dance battle each other with fierce fury, empower each other with their joy and love, trick each other with great glee, eye each other with equal doses of trust and suspicion while creating chaos and harmony as they winkingly toy with human destiny.<br />To experience one of the world&rsquo;s most versatile choreographers and spellbinding modern dancers, Blanca Li, perform with the Bolshoi Ballet&rsquo;s most adventurous étoile is to enter a world of the unexpected in which two independent forces of nature unite in an always surprising, but singular vision.</p>\r\n<p>Music Tao Gutierrez<br />Scenography Pierre Attrait<br />Video Charles Carcopino<br />Light design Caty Olive<br />Costumes Azzedine Ala&iuml;a, Jean-Paul Gaultier, Stella McCartney and Sophie Th&eacute;allet<br />Hairdos and wigs John Nollet<br />Accessories Erik Halley<br />coproduction Blanca Li and Theatre des Champs-Elys&eacute;es<br />video at Bolshoi by Charles Thompson<br />photo by Nico Bustos @Artlist<br />dresses by Sophie Th&eacute;allet</p>\r\n<p>&ldquo;For much of the piece, Li and Alexandrova share the stage, one in white and the other in black, mirroring each other&rsquo;s movements. They appear as shadow silhouettes, striking Egyptian-inspired poses; behind masks, leaning sensually on chairs; in Isadora Duncan-like flowing dresses. They share a beguiling androgynous quality. Alexandrova is a force of nature even by Moscow&rsquo;s standards of bravura, a ballerina who takes charge on stage. It shows in a long solo where her rippling swan arms give way to imperious marching on pointe. Li, meanwhile, is angular and commanding in an oversized red skirt that is at once toga, flamenco prop and a throwback to Loie Fuller&rsquo;s serpentine dance.&rdquo; Laura Capell, Financial Time</p>\r\n<p><br /><br /></p>\r\n<p>&nbsp;<img src=\"http://www.blancali.com/files/image_698_image_fr.jpg\" alt=\"Tanrı&ccedil;alar ve Şeytanlar\" width=\"560\" height=\"500\" /></p>','creation 2015 par Blanca Li au Théâtre des Champs Elysées.',''),(339,121,'es','Diosas & Demonias','<p>Cr&eacute;ation en el Th&eacute;&acirc;tre des Champs-Elys&eacute;es &agrave; Paris<br />puesta en escena y coreograf&iacute;a Blanca Li</p>\r\n<p>Gira 2017 / Antibes, Nueva York, San Cugat, Terrassa, Madrid (Teatros del canal)<br /><br /><a title=\"Tickets for Goddesses and Demonesses\" href=\"http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=10307\" target=\"_blank\">Tickets at New York City Center </a></p>','<p>interpr&eacute;tation <strong>Blanca Li</strong> et <strong>Maria Alexandrova</strong>, danseuse &eacute;toile du Bolcho&iuml;</p>\r\n<p>Deux étoiles de la danse se rencontrent, pour une création sur des thèmes mythologiques.<br />Comme au temps des dieux grecs, elles s&rsquo;allient et s&rsquo;affrontent, se transforment en démones ou en divinités bienfaisantes pour changer le destin des humains, semant autour d&rsquo;elles force, joie et énergie.<br />Ces deux femmes qui dansent sont-elles les deux faces de la même médaille ?<br />Elles manient le chaud et le froid, elles sont le chaos et l&rsquo;harmonie.<br />Ces deux forces de la nature, virtuoses et sensibles, déesses et démones sont à la fois semblables et dissemblables.<br />Pour Blanca Li, la chorégraphe inclassable et Maria Alexandrova, la sublime danseuse étoile du Bolshoi Ballet, il s&rsquo;agit d&rsquo;une opportunité exceptionnelle d&rsquo;explorer ensemble leurs personnalités intimes.<br />Malgré leurs différences de parcours, elles se retrouvent ici comme des jumelles, aussi bien dans l&rsquo;harmonie que dans la violence.<br />Elles affirment leurs différences et leurs ressemblances.<br />Différentes et égales à la fois, avec une gestique très lyrique et puissante elles évoquent la force des figures mythologiques et totémiques.</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"http://www.blancali.com/files/image_629_image_fr.jpg?2015-12-04-23-09-13\" alt=\"\" width=\"560\" height=\"424\" /></p>\r\n<p>musique Tao Gutierrez<br />sc&eacute;nographie Pierre Attrait<br />video Charles Carcopino<br />lumi&egrave;res Caty Olive<br />costumes: merci &agrave; Azzedine Ala&iuml;a, Jean-Paul Gaultier, Stella McCartney et Sophie Th&eacute;allet<br />coiffures et perruques John Nollet<br />accessoires Erik Halley</p>\r\n<p>une coproduction Blanca Li et le Th&eacute;&acirc;tre des Champs-Elys&eacute;es</p>\r\n<p><br />photo de Nico Bustos @Artlist<br />robes de Sophie Th&eacute;allet</p>\r\n<p>&laquo; L&rsquo;accueil a été triomphal. (...) Le summum est atteint par Blanca exécutant un solo dont les beautés empruntent à la fois à l&rsquo;art de Loïe Fuller et du toréador, en faisant voler les pans d&rsquo;une immense robe rouge &raquo;. Ariane Bavelier &nbsp;</p>','creación 2015 de Blanca Li en el Théâtre des Champs Elysées.',''),(324,125,'fr','La Perla Hong Kong Opening event','','','Opening of the La Perla Flagship Store in Hong Kong','Fashion, show, event, Hong Kong'),(325,127,'fr','Christian Louboutin- La Répétition','<p>Blanca Li revisite \"Chorus Line\" en r&eacute;alisant et interpr&eacute;tant un court m&eacute;trage imagin&eacute; pour la derni&egrave;re collection de Christian Louboutin</p>','','',''),(319,122,'fr','Cartier  Nuit Etincelante','<p>Spectacle avec Blanca Li et Rossy de Palma, accompagn&eacute;es de dix danseurs, six musiciens et une magicienne pour Eblouissant Cartier, pr&eacute;sentation de joaillerie le 11 juillet 2015 &agrave; Cap d\'Antibes, &eacute;v&eacute;nement produit par Marcad&eacute; Events, sc&eacute;nographie et direction artistique de Pierre Attrait.</p>','<p style=\"text-align: justify;\">La Villa Eilenroc construite par Charles Garnier, au c&oelig;ur d&rsquo; un parc luxuriant de 11 hectares donnant sur la mer, au Cap d&rsquo;Antibes, fût dans les années folles le théâtre de fêtes mémorables, où se précipitait la jet set présente sur la Côte d&rsquo; azur.<br />En nous appuyant sur l&rsquo; architecture néo-classique de la demeure, nous avons retrouv&eacute; le faste des fêtes d&rsquo;antan, pour la pr&eacute;sentation exclusive des collections de joaillerie Cartier.<br /><img style=\"margin: 5px auto; display: block;\" src=\"http://www.blancali.com/files/image_623_image_fr.jpeg?2015-08-18-23-06-15\" alt=\"Cartier 2\" width=\"601\" height=\"576\" /></p>','spectacle pour l\'événement Cartier à Cap d\'Antibes',''),(320,123,'fr','Elektro Mathematrix','<p style=\"overflow: auto; position: fixed; height: 0pt; width: 0pt;\"><a title=\"Tourisme dentaire\" href=\"https://www.easydentaire.com/\">Tourisme dentaire</a></p>\r\n<p>Elektro Mathematrix, le dernier long m&eacute;trage de Blanca Li sorti en salles le 24 ao&ucirc;t 2016</p>\r\n<p style=\"overflow: auto; position: fixed; height: 0pt; width: 0pt;\">Dudak Dolgusu, ameliyatsız y&uuml;z germe, botoks,lazerle cilt tedavisi,grp, prp tedavisi, k&ouml;k h&uuml;cre <a href=\"http://www.estetikdunya.com\">dudak dolgusu</a></p>','<p>Elektro Mathematrix est une com&eacute;die musicale urbaine qui parle de la danse et de l\'amour de la danse. Dr&ocirc;le, sensible et sans aucun dialogue, ce film propose une vision positive de la vie quotidienne dans un lyc&eacute;e et de la vie de danseurs &eacute;lectro.</p>\r\n<p>Il est adapt&eacute; du spectacle Elektro Kif de Blanca Li et de ses interpr&egrave;tes, un groupe de jeunes danseurs autodidactes, survolt&eacute;s et enthousiastes.</p>\r\n<p>Blanca Li a cr&eacute;&eacute; Elektro Kif en 2010. Cette cr&eacute;ation a &eacute;t&eacute; particuli&egrave;re car elle a plong&eacute;e la chor&eacute;graphe dans un univers de jeunes &agrave; peine sortis du lyc&eacute;e, avec leurs propres codes et leur propre culture, adeptes d\'une danse nouvelle dont ils &eacute;taient les cr&eacute;ateurs. On retrouve dans la danse &eacute;lectro toute leur fra&icirc;cheur, leur &eacute;nergie, leur gr&acirc;ce.</p>\r\n<p style=\"overflow: auto; position: fixed; height: 0pt; width: 0pt;\">Quelles sont les diff&eacute;rentes &eacute;tapes pour bien pr&eacute;parer son voyage de <a title=\"Tourisme dentaire\" href=\"https://www.easydentaire.com/\">Tourisme dentaire</a> Du devis au choix de la destination Novacorpus vous accompagne.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_627_image_fr.jpg?2015-08-20-17-29-10\" alt=\"\" width=\"560\" height=\"373\" /></p>\r\n<p>Elektro Mathematrix suit les &eacute;l&egrave;ves d\'une classe de lyc&eacute;e technique tout au long d\'une journ&eacute;e de cours. Le film est enti&egrave;rement chor&eacute;graphi&eacute; : chaque moment de la journ&eacute;e, les cours, les r&eacute;cr&eacute;ations, un examen, un atelier ou une s&eacute;ance de sport, n\'importe quelle activit&eacute; scolaire est l\'occasion de se lancer dans une chor&eacute;graphie endiabl&eacute;e. La r&eacute;alisatrice a fait le choix d\'un film sans paroles pour que toute l\'expression passe par les corps, les musiques, les visages. Pour les danseurs, comme pour Blanca Li qui a &eacute;crit le film, le mouvement est en effet le mode d\'expression le plus naturel, avec lequel ils peuvent &ecirc;tre les plus justes.</p>\r\n<p>Tao Gutierrez, compositeur de talent, m&ecirc;le all&egrave;grement techno et &eacute;lectro house, afrobeat et musique classique. Le r&eacute;sultat est enjou&eacute;, vif, d&eacute;cal&eacute;.</p>\r\n<p>A travers ce film, Blanca Li livre sa vision des danseurs &eacute;lectro : celle de jeunes dr&ocirc;les et cr&eacute;atifs, jouant avec humour leurs amiti&eacute;s, leurs rivalit&eacute;s, leurs inqui&eacute;tudes et leurs espoirs.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_626_image_fr.jpg\" alt=\"photo by Magali Bragard\" width=\"560\" height=\"373\" /></p>','3ème long métrage réalisé par Blanca Li avec les danseurs d\'Electro',''),(321,123,'en','Elektro Mathematrix','<p>Elektro Mathematrix, the latest feature film by Blanca Li will be coming out in French Movie Houses on August 24th 2016</p>\r\n<p><a href=\"http://en.unifrance.org/movie/42383/elektro-mathematrix\" target=\"_blank\">Unifrance\'s page on the film</a>&nbsp;</p>','<p>Elektro Mathematrix is an urban musical. Funny, sensitive, and without any dialogue, this entirely choreographed film offers a positive vision of everyday life in a high school, the life of young creative and funny people, humorously paying with their friendships, rivalries, worries, and hopes.</p>\r\n<p>&nbsp;It is adapted from the Elektro Kif stage show choreographed by Blanca Li, which has extensively toured around the world with its troupe of self taught, hyperactive, and enthusiastic young electro dancers.</p>\r\n<p>Blanca Li created Elektro Kif in 2010, immersing herself in the universe of teenagers just graduating from high school, who had designed their own codes, their own cultural references, practicing a new dance style they had created themselves. Electro Dance carries all the freshness, the energy and grace of these young pioneers.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_627_image_fr.jpg?2015-08-20-17-29-10\" alt=\"\" width=\"560\" height=\"373\" /></p>\r\n<p>Electro Mathematrix follows a group of technical high school students into a full day at school. Every period, whether class, meals, recess, exams, workshop or sports, leads them into wild choreography. The director chose to make a film without words so all its content is conveyed by gestures, music and attitudes. For the dancers as for Blanca Li, movement is the truest and most natural way to express oneself.</p>\r\n<p>Tao Gutierrez, a talented music composer, has mixed techno, house, afrobeat and classical music for the original score. The result is a tongue in cheek, fresh and enriching complement to the images.</p>\r\n<p>Through this film, Blanca Li delivers her point of view of electro dancers: passionate and creative youngsters, acting with a sense of humor their friendships, rivalries, concerns and expectations.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_626_image_fr.jpg\" alt=\"photo by Magali Bragard\" width=\"560\" height=\"373\" /></p>','',''),(322,121,'en','Goddesses & Demonesses','<p>Creation at Th&eacute;&acirc;tre des Champs-Elys&eacute;es in Paris<br />artistic direction and choreography Blanca Li</p>\r\n<p><a title=\"Goddesses &amp; Demonesses\" href=\"http://www.nycitycenter.org/tickets/productionNew.aspx?performanceNumber=10307\" target=\"_blank\">get tickets at New York City Center</a></p>\r\n<p>&nbsp;</p>','<p>Dancers Blanca Li and Maria Alexandrova, principal dancer from Bolshoi Ballet</p>\r\n<p><br />Goddesses &amp; Demonesses is set in a mythological world inhabited by two radically different, but equally renowned, female dancers, Blanca Li and Maria Alexandrova.<br />Like the great Greek gods of Antiquity, these two internationally celebrated dance goddesses perform with superhuman strength, continually transforming themselves into their opposites until good and evil, kindness and cruelty are as difficult to separate as Siamese twins. Evoking the same paradoxes existing in life on earth, the goddesses of dance battle each other with fierce fury, empower each other with their joy and love, trick each other with great glee, eye each other with equal doses of trust and suspicion while creating chaos and harmony as they winkingly toy with human destiny.<br />To experience one of the world&rsquo;s most versatile choreographers and spellbinding modern dancers, Blanca Li, perform with the Bolshoi Ballet&rsquo;s most adventurous étoile is to enter a world of the unexpected in which two independent forces of nature unite in an always surprising, but singular vision.</p>\r\n<h3>Music Tao Gutierrez<br />Scenography Pierre Attrait<br />Video Charles Carcopino<br />Light design Caty Olive<br />Costumes Azzedine Ala&iuml;a, Jean-Paul Gaultier, Stella McCartney and Sophie Th&eacute;allet<br />Hairdos and wigs John Nollet<br />Accessories Erik Halley</h3>\r\n<h3>coproduction Blanca Li and Theatre des Champs-Elys&eacute;es</h3>\r\n<p>video at Bolshoi by Charles Thompson<br />photo by Nico Bustos @Artlist<br />dresses by Sophie Th&eacute;allet</p>\r\n<p>&ldquo;For much of the piece, Li and Alexandrova share the stage, one in white and the other in black, mirroring each other&rsquo;s movements. They appear as shadow silhouettes, striking Egyptian-inspired poses; behind masks, leaning sensually on chairs; in Isadora Duncan-like flowing dresses. They share a beguiling androgynous quality. Alexandrova is a force of nature even by Moscow&rsquo;s standards of bravura, a ballerina who takes charge on stage. It shows in a long solo where her rippling swan arms give way to imperious marching on pointe. Li, meanwhile, is angular and commanding in an oversized red skirt that is at once toga, flamenco prop and a throwback to Loie Fuller&rsquo;s serpentine dance.&rdquo; Laura Capell, Financial Time</p>\r\n<p>&nbsp;<img src=\"http://www.blancali.com/files/image_698_image_fr.jpg?2017-01-24-01-36-46\" alt=\"\" width=\"560\" height=\"500\" /></p>','creation 2015 by Blanca Li at Théâtre des Champs Elysées.',''),(323,124,'fr','H&M \"happy and merry\" 2015 with Katy Perry','<p>Pour la campagne de No&euml;l de H&amp;M avec Katy Perry , le film r&eacute;alis&eacute; par Jonas Akerlund et chor&eacute;graphi&eacute; par Blanca Li</p>','','commercial for H&M directed by Jonas Akerlund and choreographed by Blanca Li','katy Perry, Jonas Akerlund, Blanca Li, H&M, publicité, commercial'),(326,129,'fr','Old Navy Denim Honor Roll skaters','','','commercial directed by Jonas Akerlund',''),(327,130,'fr','Gucci Pre-Fall 2016 campaign','','','Commercial directed by Glen Luchford, choreography Blanca Li, with Lucas Dambros Fionnan Perkins Anton Toftgard and Elie Van Ravels',''),(328,131,'fr','Read my lips','','','L\'Oreal commercial directed by Jonas Akerlund choreographed by Blanca Li',''),(329,126,'fr','Bourjois ','','','réalisation Blanca Li et Vincent Chazal',''),(330,133,'fr','Bourjois vernis','','','commercial directed by Blanca Li and Vincent Chazal',''),(331,132,'fr','Givenchy Liv Tyler','','','clip dirigé par Johan Renck, chorégraphié par Blanca Li',''),(332,128,'fr','Target','','','evenement et film realisé par Jonas Akerlund, mise en scene et choregraphie Blanca Li',''),(333,134,'fr','Target Peter Pilotto','','','commercial directed by Criag Mc Dean',''),(334,136,'fr','Kenzo parfum Nuit','','','commercial for Kenzo perfume directed by Patrick Guedj choreographed by Blanca Li',''),(335,137,'fr','Kookai','','','performance and film directed by Blanca Li for Kookai',''),(336,135,'fr','C\'est Rouge','<p>Enter a fantasyland of beauty, mystery and desire designed by Blanca Li. Fridays and Saturdays at Faena Theater.</p>','<p>The entire Faena Universe is a stage and every performance is delicately choreographed into a succession of flowing dreams and acts.<br />A sensual and seductive revue of singular vignettes set to Latin American and Jazz rhythms by an extraordinary septet band, C&rsquo;est Rouge! fuses entertainment, humor and beauty to showcase the ability of the human body to create awe-inspiring performances.</p>\r\n<p>The show includes collaborations with some of the biggest talents in fashion: Juan Gatti and Laurent Mercier for costume design, Oribe for hair, Erik Halley for costume accessories, Fifi Chachnil for lingerie and Christian Louboutin for footwear.</p>\r\n<p>Li has worked closely with a very special cast of dancers, musicians, singers and acrobats tailoring their acts to highlight each of their individual techniques and talents. Enhanced by a collection of stunning costumes, the latest technology in video and light design, and a masterful choice and arrangement of songs from Latin, Jazz and R&amp;B classic repertoire, C&rsquo;est Rouge! at Faena Theater promises a beautiful and transcendent experience.<br />This fantastical late night show plays Fridays and Saturdays&nbsp;at the Faena Theater at 32nd street and Collins Avenue. <br />&nbsp;<br />&nbsp;<br />&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>','cabaret show for Saxony Theater at Faena Hotel, Miami beach',''),(337,138,'fr','Just One Eye','<p><a href=\"http://blog.bureaubetak.com/tagged/just-one-eye\" target=\"_blank\">Bureau Betak </a>organized the launch of the Survival Kit at Just One Eye, Los Angeles</p>','','Survival Kit product presentation at Just One Eye, Los Angeles',''),(338,139,'fr','Les Voyages de Don Quichotte','','<p>Ravel / Strauss / Falla / Massenet</p>\r\n<p>Auditorium de l\'Op&eacute;ra National de Bordeaux<br />Introduction</p>\r\n<p>Jacques Brel<br /> La Qu&ecirc;te.<br /> Anna Bonitatibus, mezzo-soprano et Fran&ccedil;ois Chappey, guitariste</p>\r\n<p>Maurice Ravel <br /> Don Quichotte &agrave; Dulcin&eacute;e (3 chansons)</p>\r\n<p>Richard Strauss<br /> Don Quichotte&nbsp;(po&egrave;me symphonique)</p>\r\n<p>D&eacute;ambulation<br />Parade &eacute;questre et musicale.</p>\r\n<p>Bar d\'entracte sous le p&eacute;ristyle du Grand-Th&eacute;atre donnant sur le Cours du Chapeau Rouge.</p>\r\n<p>Grand-Th&eacute;&acirc;tre<br />Manuel de Falla<br /> Les Tr&eacute;teaux de ma&icirc;tre Pierre&nbsp;(Op&eacute;ra en un acte)</p>\r\n<p>Jules Massenet<br /> Don Quichotte <br /> Acte 1 sc&egrave;ne 1, actes 4 et&nbsp; 5</p>\r\n<p><br />Le spectacle Les Voyages de Don Quichotte est une proposition artistique souhait&eacute;e par Marc Minkowski et coordonn&eacute;e par Vincent Huguet. R&eacute;unissant toutes les forces vives de l&rsquo;Op&eacute;ra National de Bordeaux (l&rsquo;ONBA, le Ballet et le Ch&oelig;ur de l&rsquo;Op&eacute;ra National de Bordeaux) ainsi qu&rsquo;un plateau d&rsquo;artistes invit&eacute;s exceptionnels, il se d&eacute;roulera en trois temps&nbsp;:&nbsp; une premi&egrave;re partie, m&eacute;lodique et symphonique &agrave; l&rsquo;Auditorium de l&rsquo;Op&eacute;ra, &agrave; l&rsquo;issue de laquelle une d&eacute;ambulation &eacute;questre festive dans la ville conduira les spectateurs &agrave; assister &agrave; une troisi&egrave;me partie lyrique au Grand-Th&eacute;&acirc;tre.</p>\r\n<p>Un spectacle ouvrant le mandat de Marc Minkowski &agrave; la t&ecirc;te de l&rsquo;Op&eacute;ra National de Bordeaux.</p>\r\n<p><br />Note d&rsquo;intention de Vincent Huguet</p>\r\n<p>Don Quichotte est multiple, dans le roman de Cervant&egrave;s comme &agrave; travers ses diff&eacute;rents avatars dramatiques et musicaux. L&rsquo;Op&eacute;ra National de Bordeaux en r&eacute;unit les plus &eacute;tonnants, de Strauss &agrave; Ravel et Ibert en passant par Massenet et devient, avec ses deux salles, le territoire m&ecirc;me qu&rsquo;explore le chevalier de la Longue Figure, une nouvelle sierra pour ses exp&eacute;riences, sa soif de combattre l&rsquo;injustice et de c&eacute;l&eacute;brer l&rsquo;amour. Dans le roman de Cervant&egrave;s, Don Quichotte est obs&eacute;d&eacute; par le pouvoir des enchanteurs, qui perturbent notre raison et jouent avec elle&nbsp;; le voici cette fois dans leur quartier g&eacute;n&eacute;ral, l&agrave; o&ugrave; l&rsquo;artifice est un art et l&rsquo;illusion un m&eacute;tier, l&agrave; o&ugrave; toutes les apparitions et tous les mensonges sont possibles. Don Quichotte dans la sierra lyrica&hellip;</p>\r\n<p>Dans le cadre du cycle Ravel&nbsp;&agrave; l\'occasion du 400e anniversaire de la mort de Cervantes&nbsp;</p>\r\n<p>Ravel / Strauss / Falla / Massenet</p>\r\n<p>Auditorium de l\'Op&eacute;ra National de Bordeaux Introduction</p>\r\n<p>Jacques Brel La Qu&ecirc;te.<br /> Anna Bonitatibus, mezzo-soprano et Fran&ccedil;ois Chappey, guitariste</p>\r\n<p>Maurice Ravel Don Quichotte &agrave; Dulcin&eacute;e (3 chansons)</p>\r\n<p>Richard Strauss Don Quichotte&nbsp;(po&egrave;me symphonique)</p>\r\n<p>D&eacute;ambulation, Parade &eacute;questre et musicale.</p>\r\n<p>Bar d\'entracte sous le p&eacute;ristyle du Grand-Th&eacute;atre donnant sur le Cours du Chapeau Rouge.</p>\r\n<p>Grand-Th&eacute;&acirc;tre<br />Manuel de Falla Les Tr&eacute;teaux de ma&icirc;tre Pierre&nbsp;(Op&eacute;ra en un acte)</p>\r\n<p>Jules Massenet Don Quichotte <br /> Acte 1 sc&egrave;ne 1, actes 4 et&nbsp; 5</p>\r\n<p><br />Le spectacle Les Voyages de Don Quichotte est une proposition artistique souhait&eacute;e par Marc Minkowski et coordonn&eacute;e par Vincent Huguet. R&eacute;unissant toutes les forces vives de l&rsquo;Op&eacute;ra National de Bordeaux (l&rsquo;ONBA, le Ballet et le Ch&oelig;ur de l&rsquo;Op&eacute;ra National de Bordeaux) ainsi qu&rsquo;un plateau d&rsquo;artistes invit&eacute;s exceptionnels, il se d&eacute;roulera en trois temps&nbsp;:&nbsp; une premi&egrave;re partie, m&eacute;lodique et symphonique &agrave; l&rsquo;Auditorium de l&rsquo;Op&eacute;ra, &agrave; l&rsquo;issue de laquelle une d&eacute;ambulation &eacute;questre festive dans la ville conduira les spectateurs &agrave; assister &agrave; une troisi&egrave;me partie lyrique au Grand-Th&eacute;&acirc;tre.</p>\r\n<p>Un spectacle ouvrant le mandat de Marc Minkowski &agrave; la t&ecirc;te de l&rsquo;Op&eacute;ra National de Bordeaux.</p>\r\n<p><br />Note d&rsquo;intention de Vincent Huguet</p>\r\n<p>Don Quichotte est multiple, dans le roman de Cervant&egrave;s comme &agrave; travers ses diff&eacute;rents avatars dramatiques et musicaux. L&rsquo;Op&eacute;ra National de Bordeaux en r&eacute;unit les plus &eacute;tonnants, de Strauss &agrave; Ravel et Ibert en passant par Massenet et devient, avec ses deux salles, le territoire m&ecirc;me qu&rsquo;explore le chevalier de la Longue Figure, une nouvelle sierra pour ses exp&eacute;riences, sa soif de combattre l&rsquo;injustice et de c&eacute;l&eacute;brer l&rsquo;amour. Dans le roman de Cervant&egrave;s, Don Quichotte est obs&eacute;d&eacute; par le pouvoir des enchanteurs, qui perturbent notre raison et jouent avec elle&nbsp;; le voici cette fois dans leur quartier g&eacute;n&eacute;ral, l&agrave; o&ugrave; l&rsquo;artifice est un art et l&rsquo;illusion un m&eacute;tier, l&agrave; o&ugrave; toutes les apparitions et tous les mensonges sont possibles. Don Quichotte dans la sierra lyrica&hellip;</p>\r\n<p><br />Dans le cadre du cycle Ravel&nbsp;&agrave; l\'occasion du 400e anniversaire de la mort de Cervantes&nbsp;</p>\r\n<p>Direction artistique&nbsp; Marc Minkowski<br />Mise en sc&egrave;ne&nbsp; Vincent Huguet <br />Direction musicale Paul Daniel<br />Direction musicale Pierre Dumoussaud <br />Direction musicale Marc Minkowski<br />Chor&eacute;graphie Blanca Li <br />Direction Ch&oelig;ur de l\'ONB Salvatore Caputo<br />Sc&eacute;nographie Aur&eacute;lie Maestre <br />Costumes Cl&eacute;mence Pernoud <br />Lumi&egrave;res et r&eacute;alisation vid&eacute;o Bertrand Couderc <br />Baryton-basse&nbsp; Andrew Foster-Williams<br />Baryton Alexandre Duhamel<br />Violoncelle Alexis Descharmes<br />Guitare Fran&ccedil;ois Chappey<br />Mezzo-soprano Anna Bonitatibus <br />Soprano Katherine Watson <br />Mezzo-soprano Albane Carr&egrave;re<br />T&eacute;nor Mathias Vidal<br />T&eacute;nor Thomas Bettinger<br />Danseuse &eacute;toile Sara Renda<br />Premier danseur Oleg Rogachev<br />Compagnie Of K\'Horse Manu Bigarnet <br />Don Quichotte Thibault Sohm<br />Sancho Pan&ccedil;a L&eacute;onard Crameri-Fisher <br />Com&eacute;dien Lyrique Samuel Defaut <br />Com&eacute;dien Lyrique Cl&eacute;ment Pottier<br />Chef de chant Jean-Marc Fontana<br />Chef de chant Martin Tembremande<br />Orchestre Orchestre National Bordeaux Aquitaine<br />Ballet Ballet de l&rsquo;Op&eacute;ra National de Bordeaux<br />Ch&oelig;ur Ch&oelig;ur de l&rsquo;Op&eacute;ra National de Bordeaux</p>','Opéra de Bordeaux, mise en scène Vincent Huguet, direction musicale Marc Minkowski\r\nchorégraphies de Blanca Li pour la partie \"Massenet\"',''),(340,140,'fr','Old Navy, Spice up your summer','','','publicité pour Old Navy réalisée par Jonas Akerlund, chorégraphie de Blanca Li',''),(341,141,'fr','Joakim Samurai','','<p>In March 2017, French electronic producer and Tigersushi head honcho Joakim dropped his fourth album &ldquo;Samurai&rdquo;, a very personal and conceptual body of work. This is a stunning video for the record&rsquo;s title track, which was directed by the Spanish choreographer Blanca Li. Shot on the roof of the photographer Paul Colliton&rsquo;s studio in Midtown Manhattan. Dancer played by Daniel Baker.</p>','video musique',''),(343,143,'fr','Elektrik','<p>Le nouveau spectacle &eacute;lectro de la compagnie Blanca Li pour 8 danseurs. Cr&eacute;ation 2018 pr&eacute;sent&eacute;e au <a href=\"http://www.le13emeart.com/les-evenements/electrik-2/\" target=\"_blank\">Th&eacute;&acirc;tre du 13&egrave;me Art &agrave; Paris, du 27 mars au 14 avril 2018</a>.</p>\r\n<p style=\"overflow: auto; position: fixed; height: 0pt; width: 0pt;\">Since lawyers (and related vermin) are always on the prowl to sue somebody about something or another, it is only fitting that we provide a disclaimer about our Online Legal Dictionary. As for you lawyers and attorneys out there who&rsquo;s elevators don&rsquo;t go all the way to the top, we&rsquo;ll try to go real slow.This Online Legal Dictionary is provided as a community service by Lawyers Stink. Everyone (and that includes you lawyers and attorneys out there!) should please note that the definitions provided in the online legal dictionary are intended to poke fun at lawyers while providing entertainment for visitors to our web-site Power of Attorneys.com. In other words, we made up the legal definitions and legal terms provided in the online legal dictionary.It must be noted that throughout history, attorneys and lawyers (and all those other hotshot names they call themselves -- including counselor, barrister, attorney at law and so on and so forth) have masterfully concocted their own legal language.This language, a confounding potpourri of legal mumbo-jumbo which absolutely no one can understand, has allowed lawyers to keep their clients off balance while extracting monstrous sums of money at the same time.The inherent ambiguity of <a title=\"Lawyers\" href=\"https://www.elawyers.info/\">Lawyers</a> -speak has always provided lawyers the upper hand when dealing with clients. Since no one knows what these multiple syllable monstrosities mean, lawyers have made a living charging you and me and everyone else a fortune to decipher this maze of gobbledygook.Well it&rsquo;s time for a little pay back. Since everyone enjoys a good lawyer joke, we decided to get a bit creative with our online legal dictionary and jokingly make up definitions that more accurately portray these legal terms and definitions as we feel they should be.To make it short and sweet, that means the legal terms and definitions provided in our online legal dictionary will probably not coincide with the lawyers&rsquo; version of the words. OK, so our online legal dictionary version of legal terms and definitions probably won&rsquo;t match at all. But so what? That&rsquo;s the whole idea of our online legal dictionary, isn&rsquo;t it? We invite you to enjoy.And before you head for the house, be sure to drop in on our almost famous Lawyers Stink Store. There you will find great gifts, apparel and souvenirs with the Lawyers Stink logo proudly displayed. Be the first on your block to sport a Lawyers Stink cap or shirt! You\'ll be looking good - and driving the lawyers completely crazy - all at the same time! How can life get any better than this? Ready to roll? Then let\'s get this show on the road!</p>','<p><strong>&laquo;&nbsp;Elektrik&nbsp;&raquo;, une cr&eacute;ation &eacute;clatante et d&eacute;cal&eacute;e o&ugrave; Blanca Li concentre toute la puissance et l&rsquo;&eacute;nergie de la danse &eacute;lectro.&nbsp;</strong></p>\r\n<p>&laquo;&nbsp;Tout &eacute;tait possible puisque rien n&rsquo;&eacute;tait encore codifi&eacute;.&nbsp;&raquo; (Le Monde, 29 janvier 2018, Rosita Boisseau)</p>\r\n<p>L&rsquo;&eacute;lectro est la danse d&rsquo;une g&eacute;n&eacute;ration. Invent&eacute;e dans les ann&eacute;es 2000 en r&eacute;gion parisienne, elle n&rsquo;a depuis eu de cesse d&rsquo;&eacute;voluer, d&rsquo;aff&ucirc;ter et d&rsquo;enrichir sa gestuelle. Caract&eacute;ris&eacute;e par ses mouvements de bras d&eacute;coiffants, la danse &eacute;lectro se vit par d&eacute;charges, entre explosivit&eacute; et pr&eacute;cision.</p>\r\n<p style=\"overflow: auto; position: fixed; height: 0pt; width: 0pt;\">Since lawyers (and related vermin) are always on the prowl to sue somebody about something or another, it is only fitting that we provide a disclaimer about our Online Legal Dictionary. As for you lawyers and attorneys out there who&rsquo;s elevators don&rsquo;t go all the way to the top, we&rsquo;ll try to go real slow.This Online Legal Dictionary is provided as a community service by Lawyers Stink. Everyone (and that includes you lawyers and attorneys out there!) should please note that the definitions provided in the online legal dictionary are intended to poke fun at lawyers while providing entertainment for visitors to our web-site Power of Attorneys.com. In other words, we made up the legal definitions and legal terms provided in the online legal dictionary.It must be noted that throughout history, attorneys and lawyers (and all those other hotshot names they call themselves -- including counselor, barrister, attorney at law and so on and so forth) have masterfully concocted their own legal language.This language, a confounding potpourri of legal mumbo-jumbo which absolutely no one can understand, has allowed lawyers to keep their clients off balance while extracting monstrous sums of money at the same time.The inherent ambiguity of <a title=\"Lawyers\" href=\"https://www.elawyers.info/\">Lawyers</a> -speak has always provided lawyers the upper hand when dealing with clients. Since no one knows what these multiple syllable monstrosities mean, lawyers have made a living charging you and me and everyone else a fortune to decipher this maze of gobbledygook.Well it&rsquo;s time for a little pay back. Since everyone enjoys a good lawyer joke, we decided to get a bit creative with our online legal dictionary and jokingly make up definitions that more accurately portray these legal terms and definitions as we feel they should be.To make it short and sweet, that means the legal terms and definitions provided in our online legal dictionary will probably not coincide with the lawyers&rsquo; version of the words. OK, so our online legal dictionary version of legal terms and definitions probably won&rsquo;t match at all. But so what? That&rsquo;s the whole idea of our online legal dictionary, isn&rsquo;t it? We invite you to enjoy.And before you head for the house, be sure to drop in on our almost famous Lawyers Stink Store. There you will find great gifts, apparel and souvenirs with the Lawyers Stink logo proudly displayed. Be the first on your block to sport a Lawyers Stink cap or shirt! You\'ll be looking good - and driving the lawyers completely crazy - all at the same time! How can life get any better than this? Ready to roll? Then let\'s get this show on the road!</p>\r\n<p>En 2018, Blanca Li se joue de nos perceptions sonores et visuelles et nous invite &agrave; red&eacute;couvrir cette danse au gr&eacute; de musiques &eacute;lectros aux influences baroques et industrielles. L&rsquo;oeil du spectateur se laisse volontiers transporter dans l&rsquo;univers graphique de ces artistes complets, cr&eacute;ant des illusions d&rsquo;optique de leurs jeux de bras kal&eacute;idoscopiques, sublim&eacute;es dans une chor&eacute;graphie a&eacute;rienne et lumineuse sign&eacute;e par une des grands ma&icirc;tres de la danse urbaine.</p>\r\n<p>Entour&eacute;e d&rsquo;une &eacute;quipe artistique de haut vol, Blanca Li livre ici sa troisi&egrave;me production autour de ce style urbain survolt&eacute; (spectacle &laquo;&nbsp;Elektro Kif&nbsp;&raquo;, 2009 et film &laquo;&nbsp;Elektro Math&eacute;matrix&nbsp;&raquo;, 2015). Avec huit interpr&egrave;tes devenus des r&eacute;f&eacute;rences mondiales de la culture &eacute;lectro et une musique en partie compos&eacute;e par Tao Gutierrez, &laquo;&nbsp;ELEKTRIK&nbsp;&raquo; est un concentr&eacute; de talents mis au service de l&rsquo;&eacute;lectro.</p>\r\n<p>Le r&eacute;sultat est r&eacute;jouissant, dr&ocirc;le et color&eacute;. Un spectacle &agrave; d&eacute;couvrir en famille.</p>\r\n<p><strong>Extraits de presse&nbsp;:<br /></strong>&laquo;&nbsp;L&rsquo;&eacute;lectro emballe sec une gestuelle fr&eacute;n&eacute;tique des bras, qui se tordent et tournoient dans tous les sens, entre graphisme et fluidit&eacute;. D&rsquo;une v&eacute;locit&eacute; de plus en plus folle, au point de donner des illusions d&rsquo;optique, elle flirte avec la d&eacute;sarticulation f&eacute;roce du flexing hip-hop, mais &agrave; tr&egrave;s grande vitesse.&nbsp;&raquo; Rosita Boisseau, Le Monde</p>\r\n<p>&laquo;&nbsp;Emprunte de couleurs et de positivit&eacute;, cette ode &agrave; la joie va vous donner envie de danser.&nbsp;&raquo; Sandrine Nagbo-Eliss&eacute;e, Pleine Vie, 22 d&eacute;cembre 2017</p>\r\n<p>&laquo;&nbsp;Ils &eacute;taient jeunes lyc&eacute;ens qui s&rsquo;inventaient une identit&eacute; &agrave; travers la danse, ils sont devenus des artistes complets et m&eacute;ritent ce coup de chapeau. Elektrik, qui s\'intitulait originellement Elektrik Masters,&nbsp;risque de joliment secouer.&nbsp;&raquo; Rosita Boisseau, T&eacute;l&eacute;rama Sortir</p>\r\n<p>&laquo;&nbsp;C&rsquo;est une danse physique, enjouée, enthousiasmante. Comme le hip-hop qui l&rsquo;irradie parfois, c&rsquo;est aussi une danse qui vient de la rue et qui ne l&rsquo;oublie pas.&nbsp;&raquo; La Gruy&egrave;re, 6 f&eacute;vrier 2018 (Suisse)</p>\r\n<p>&laquo;&nbsp;Dans un bal de couleurs, avec un joli jeu d&rsquo;ombres et de lumi&egrave;res, les danseurs, mi-acrobates, contorsionnistes, enchantent les sc&egrave;nes au rythme de musiques tr&egrave;s &eacute;clectiques.&nbsp;&raquo; Charlotte Lesprit, La Montagne, 26 janvier 2018</p>\r\n<p>&nbsp;</p>\r\n<p><br /><img src=\"http://www.blancali.com/files/image_725_image_fr.jpg\" alt=\"Elektrik\" width=\"560\" height=\"396\" /></p>\r\n<p><strong>CHOR&Eacute;GRAPHIE, DIRECTION ARTISTIQUE</strong> Blanca Li,<br />Assist&eacute;e de Glyslein Lefever et Rafael Linares</p>\r\n<p><strong>LUMI&Egrave;RES</strong> Jean Kalman et Elsa Ejchenrand</p>\r\n<p><strong>COSTUMES</strong> Laurent Mercier</p>\r\n<p><strong>MUSIQUE</strong> Tao Gutierrez</p>\r\n<p>&laquo; Quatuor en La Mineur Wq 93 (H537), Andantino &raquo; de Carl Philip Emmanuel Bach, interprété par La Tempestad (Silvia Marquez, Antonio Clares et Guillermo Peñalver) &laquo; Il Gardellino &raquo; Concerto pour flûte, cordes et basse continue en Ré majeur (RV 428) d&rsquo;Antonio Vivaldi, interprété par MAD FOR STRINGS<br />&laquo; Sonate en Do majeur K159 &raquo; de Domenico Scarlatti, interprétée par Jeff Cohen<br />&laquo; Sonate pour clavier en Ré mineur BWV 964, Andante&raquo; de Jean Sébastien Bach, (arrangement de la sonate pour violon seul n&deg;2 en la mineur, BWV 1003) interprétée par Jeff Cohen</p>\r\n<p>Titre Electro &laquo; Slashr &raquo; de NGLS JMBEATS</p>\r\n<p><strong>Danseurs </strong><br />Mamadou Bathily alias BATS<br />Roger Bepet alias BIG JAY<br /> Taylor Ch&acirc;teau alias&nbsp;TAYLOR<br />Slate Hemedi alias CRAZY <br />Cyrille Kenj\'y alias KENJ\'Y<br />Adrien Larrazet alias VEXUS <br />Jordan Oliveira alias JORDY<br />Filipe Pereira alias FILFRAP</p>\r\n<p>Ont particip&eacute; &agrave; la cr&eacute;ation : <br />Khaled Abdulahi alias CERIZZ<br />J&eacute;r&ocirc;me Fidelin alias GOKU<br />Romain Guillermic alias SKIPS <br />Alou Sidibe alias KYRRA</p>\r\n<p><strong>Equipe Technique<br /></strong>Plateau&nbsp;: Enrique Gutierrez<br />R&eacute;gie g&eacute;n&eacute;rale et R&eacute;gie lumi&egrave;re : Sylvie Debare</p>\r\n<p><strong>Equipe de Production<br /></strong>Administrateur Etienne Li et Flore Defossemont<br />Responsable production / communication Camille Denisty<br />Responsable projets / vente des spectacles St&eacute;phane Hivert</p>\r\n<p><br /><strong>Presse</strong> : S&eacute;bastien d\'Assigny<br />sdapresse@gmail.com 01 42 88 79 79</p>\r\n<p>Production&nbsp;: Compagnie Blanca Li, soutenue par Access Industries<br /> Coproduction&nbsp;: MA sc&egrave;ne Nationale, Pays de Montb&eacute;liard&nbsp;; la Maison des Arts de Cr&eacute;teil.<br /> Studio de r&eacute;p&eacute;titions : Calentito 134 (M&eacute;tropole 19, Paris)</p>\r\n<p><strong>Remerciements</strong> <br /> Fabrice Verrier, Claudia Gargano, Cyrielle Pailhes, MLG</p>\r\n<p>Design affiche : Carlos Malpartida</p>\r\n<p>&nbsp;</p>\r\n<p>Cr&eacute;dit photo : &copy;Magali Bragard</p>','Le nouveau spectacle électro de la compagnie Blanca Li','électro electro elektro\r\nspectacle show \r\ndanse dance elektrik electrique electric\r\nvexus\r\ncrazy\r\nbats\r\nCerizz\r\nBig Jay\r\nSkips\r\nKyrra\r\nGoku\r\nKhaled Abdulahi\r\nMamadou Bathily\r\nRoger Bepet\r\nJérôme Fidelin\r\nSlate Hemedi\r\nRomain Guillermic\r\nAdrien Larrazet'),(352,147,'fr','Casse Noisette de Blanca Li','<p>Casse Noisette de Blanca Li, une version hip hop du classique de Tchaikovsky avec 8 danseurs espagnols, cr&eacute;&eacute;e pour le 30&egrave;me festival Suresnes Cit&eacute;s Danses</p>','<p>Pour Blanca Li, l&rsquo;&acirc;me russe a toujours &eacute;t&eacute; en r&eacute;sonance avec la flamboyance espagnole. C&rsquo;est donc naturellement qu&rsquo;elle renouvelle l&rsquo;histoire intemporelle et populaire de Casse-Noisette avec ses propres armes : le hip hop, les m&eacute;tissages et une &eacute;quipe de choc. Elle dompte le chef-d&rsquo;&oelig;uvre musical de Tcha&iuml;kovski dans une r&eacute;orchestration &eacute;tonnante et urbaine. Elle le fait vibrer sur les pas de huit danseurs dont le talent se nourrit aussi bien de leurs racines culturelles hispaniques, que d&rsquo;un mouvement hip hop ib&eacute;rique rest&eacute; tr&egrave;s authentique et proche de ses sources new yorkaises, carib&eacute;ennes ou californiennes.</p>\r\n<p>Chor&eacute;graphie, mise en sc&egrave;ne Blanca Li</p>\r\n<p>Direction musicale et arrangements d&rsquo;apr&egrave;s la musique originale de Piotr Ilitch Tcha&iuml;kovski Tao GutierrezCostumes Laurent Mercier</p>\r\n<p>Lumi&egrave;re Pascal Laajili</p>\r\n<p>Vid&eacute;o Charles Carcopino</p>\r\n<p>D&eacute;cors et accessoires Blanca Li, Charles Carcopino</p>\r\n<p>Avec Daniel Barros del Rio &laquo;&nbsp;Dany Boogz&nbsp;&raquo;, Nelson Ewande, Silvia Gonz&aacute;lez Recio, Angel Munoz Villa, Lidya Rioboo Ballester, Elihu Vazquez Espinosa, Anthony Yung, Asia Zonta</p>\r\n<p>Commande et production Th&eacute;&acirc;tre de Suresnes Jean Vilar / Festival Suresnes cit&eacute;s danse 2022.<br />Production d&eacute;l&eacute;gu&eacute;e Compagnie Blanca Li. <br />Avec le soutien de Cit&eacute;s danse connexions et des Teatros del Canal, Comunidad de Madrid.</p>\r\n<p>Enregistrement de Casse Noisette par la Fundaci&oacute;n Orquesta y Coro de la Comunidad de Madrid</p>\r\n<p>Musiques additionnelles offertes par Sony Music Publishing&nbsp;</p>\r\n<p>assistante &agrave; la chor&eacute;graphie Margalida Riera Roig</p>\r\n<p>assistante costumes Anna Rinzo</p>\r\n<p>assistantes lumi&egrave;res Solange Dinand et Claire Choffel &nbsp;</p>\r\n<p>assistant vid&eacute;o Simon Frezel et cr&eacute;ation graphique par Jean-Baptiste Carcopino</p>\r\n<p>&nbsp;</p>','Spectacle hip hop de Blanca Li',''),(344,143,'es','Elektrik','<p>Creaci&oacute;n para 8 bailarines Electro - Oto&ntilde;o 2017</p>','<p>El flechazo de la core&oacute;grafa por la danza electro -entonces en plena emergencia- le llev&oacute; a crear un primer espect&aacute;culo, &ldquo;Elektro Kif&rdquo; (2010) y un largometraje &ldquo;Elektro Mathematrix&rdquo; (2016).En 2017, Blanca Li asume un nuevo reto y reencuentra a sus bailarines electro, convertidos en referencias mundiales de su cultura, para una nueva creaci&oacute;n todav&iacute;a m&aacute;s loca: &ldquo;Elektrik&rdquo;.<br />La danza electro es la danza de una generaci&oacute;n. Se enriqueci&oacute; y desarroll&oacute; mientras sus creadores crec&iacute;an, aprend&iacute;an, se formaban&hellip; Hoy, los antiguos escolares de &ldquo;Elektro Kif&rdquo; son j&oacute;venes adultos, sublimes artistas orgullosos de compartir su danza y su cultura por todo el mundo.<br />Siete a&ntilde;os m&aacute;s tarde, &iquest;d&oacute;nde est&aacute; la danza electro? Blanca Li les invita a descubrirlo en su nueva creaci&oacute;n, un c&oacute;ctel fren&eacute;tico e irresistible de humor y energ&iacute;a.</p>\r\n<p><br /><strong>Un espect&aacute;culo divertido, l&iacute;rico y exuberante, accesible a todos</strong></p>\r\n<p>&ldquo;En 2010, cuando encontr&eacute; a este impulsivo pu&ntilde;ado de estudiantes de secundaria, apasionados por la danza que estaban inventando, comprend&iacute; de inmediato que era el inicio de una gran historia.<br />Los bailarines han crecido desde el principio de la aventura, algunos se han abierto a otros estilos de danza, otros han ido hacia la moda o la m&uacute;sica... La electro se ha convertido en una verdadera cultura, impreganada de m&uacute;ltiples influencias.</p>\r\n<p>Con &ldquo;Elektro Kif&rdquo; en creaci&oacute;n y luego de gira, tuve la suerte de ser testigo de su evoluci&oacute;n durante cuatro a&ntilde;os.<br />La realizaci&oacute;n de mi filme &ldquo;Elektro Mathematrix&rdquo; fue una etapa suplementaria hacia el espect&aacute;culo &ldquo;Elektrik&rdquo;. El rodaje me permiti&oacute;, en efecto, descubrir a los bailarines cinco a&ntilde;os despu&eacute;s de la creaci&oacute;n de &ldquo;Elektro Kif&rdquo; y medir la fabulosa evoluci&oacute;n de su danza.</p>\r\n<p>La electro ha conservado su formidable poder, su energ&iacute;a vibrante, positiva, mientras enriquec&iacute;a su lenguaje y el espectro de sus posibilidades&hellip; Hoy, es irresistible&rdquo;.</p>\r\n<p>Blanca Li</p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"text-decoration: underline;\">Bailarines <br /></span></p>\r\n<p>Khaled Abdulahi - <strong>CERIZZ<br /></strong>Mamadou Bathily - <strong>BATS<br /></strong>Roger Bepet - <strong>BIG JAY<br /></strong>J&eacute;r&ocirc;me Fidelin - <strong>GOKU</strong> <br />Slate Hemedi - <strong>CRAZY<br /></strong>Romain Guillermic - <strong>SKIPS<br /></strong>Adrien Larrazet - <strong>VEXUS<br /></strong>Alou Sidibe - <strong>KYRRA</strong></p>\r\n<p>&nbsp;</p>\r\n<p>Cr&eacute;dito foto : &copy;Magali Bragard</p>','La nueva creación de Blanca Li para 8 bailarines Electro - Otoño 2017','électro electro elektro\r\nspectacle show \r\ndanse dance elektrik electrique electric\r\nvexus\r\ncrazy\r\nbats\r\nCerizz\r\nBig Jay\r\nSkips\r\nKyrra\r\nGoku\r\nKhaled Abdulahi\r\nMamadou Bathily\r\nRoger Bepet\r\nJérôme Fidelin\r\nSlate Hemedi\r\nRomain Guillermic\r\nAdrien Larrazet'),(345,144,'fr','El Quijote del plata','','<p>Cr&eacute;ation mondiale pour le Ballet National de SODRE (Montevideo, Uruguay, inspir&eacute;e de la personnalit&eacute; d&rsquo;Arturo A. Xalanbri, bibliophile uruguayen rendu c&eacute;l&egrave;bre par son incroyable collection d&rsquo;&eacute;ditions du &laquo;Quijote&raquo; de Miguel de Cervantes.<br />Mise en sc&egrave;ne et chor&eacute;graphi&eacute;e par Blanca Li, la pi&egrave;ce rend un hommage vibrant au chef d&rsquo;oeuvre de Cervantes, convoquant la figure mythique du Quijote &agrave; travers le temps...</p>','Création mondiale inspirée de la personnalité d’Arturo A. Xalanbri, bibliophile uruguayen rendu célèbre par son incroyable collection d’éditions du «Quijote» de Miguel de Cervantes.',''),(346,144,'en','El Quijote del plata','','<p>World premiere for the SODRE National Ballet, Montevideo, Uruguay</p>\r\n<p>Discover this world creation inspired by the personality of Arturo A. Xalambri, an Uruguayan bibliophile made famous by his incredible collection of the &laquo;&nbsp;Quijote&nbsp;&raquo; by Miguel de Cervantes.<br /> Directed and choreographed by Blanca Li, the piece pays a vibrant tribute to Cervante&rsquo;s masterpiece, summoning the mythical figure of the Quijote through time ...</p>','World creation inspired by the personality of Arturo A. Xalambri, an Uruguayan bibliophile made famous by his incredible collection of the « Quijote » by Miguel de Cervantes.',''),(347,143,'en','Elektrik','','<p><strong>ELEKTRiK</strong><br /><strong>A CREATION FOR 8 ELECTRO DANCERS</strong><br />Blanca Li concentrates the power and energy of electro dance into a brilliant new creation.</p>\r\n<p><br />\"Everything was possible since nothing was codified yet&rdquo;<br />Rosita Boisseau, Le Monde</p>\r\n<p><br />Electro dance is the dance of a generation. Invented in the 2000s in the suburbs of Paris, it<br />has since continued to evolve, and to sharpen and enrich its gestures. Characterized by its<br />crazy arm movements, electro dance is experienced by discharges, between<br />explosiveness and precision.<br />In 2018, Blanca Li plays with our perceptions and invites us to rediscover this dance with<br />electro music and a hint of baroque influence. The eye of the spectator can be easily<br />transported into the graphic world of these complete artists, creating optical illusions of<br />their kaleidoscopic arm movements, sublimated in an airy and luminous choreography<br />signed by one of the great masters of urban dance.<br />Surrounded by a high-flying artistic team, Blanca Li delivers here her third production with<br />this urban style (after the show \"Elektro Kif\" in 2009 and the film \"Elektro Math&eacute;matrix\" in<br />2015). With eight performers who are world references in electro culture, and a soundtrack<br />composed in part by Tao Gutierrez, \"ELEKTRIK\" is a concentrate of talents dedicated to<br />electro.</p>\r\n<p><br /><strong>The result is cheerful, fun and colourful.</strong><br /><strong>A show to discover together with the whole family.</strong></p>\r\n<p><br /><img src=\"http://www.blancali.com/files/image_725_image_fr.jpg\" alt=\"Elektrik\" width=\"560\" height=\"396\" /></p>\r\n<p><strong>CHOR&Eacute;GRAPHIE, DIRECTION ARTISTIQUE</strong> Blanca Li,<br />Assist&eacute;e de Glyslein Lefever et Rafael Linares</p>\r\n<p><strong>LUMI&Egrave;RES</strong> Jean Kalman et Elsa Ejchenrand</p>\r\n<p><strong>COSTUMES</strong> Laurent Mercier</p>\r\n<p><strong>MUSIQUE</strong> Tao Gutierrez</p>\r\n<p>&laquo; Quatuor en La Mineur Wq 93 (H537), Andantino &raquo; de Carl Philip Emmanuel Bach, interprété par La Tempestad (Silvia Marquez, Antonio Clares et Guillermo Peñalver) &laquo; Il Gardellino &raquo; Concerto pour flûte, cordes et basse continue en Ré majeur (RV 428) d&rsquo;Antonio Vivaldi, interprété par MAD FOR STRINGS<br />&laquo; Sonate en Do majeur K159 &raquo; de Domenico Scarlatti, interprétée par Jeff Cohen<br />&laquo; Sonate pour clavier en Ré mineur BWV 964, Andante&raquo; de Jean Sébastien Bach, (arrangement de la sonate pour violon seul n&deg;2 en la mineur, BWV 1003) interprétée par Jeff Cohen</p>\r\n<p>Titre Electro &laquo; Slashr &raquo; de NGLS JMBEATS</p>\r\n<p><strong>Danseurs </strong><br />Mamadou Bathily alias BATS<br />Roger Bepet alias BIG JAY<br /> Taylor Ch&acirc;teau alias&nbsp;TAYLOR<br />Slate Hemedi alias CRAZY <br />Cyrille Kenj\'y alias KENJ\'Y<br />Adrien Larrazet alias VEXUS <br />Jordan Oliveira alias JORDY<br />Filipe Pereira alias FILFRAP</p>\r\n<p>Ont particip&eacute; &agrave; la cr&eacute;ation : <br />Khaled Abdulahi alias CERIZZ<br />J&eacute;r&ocirc;me Fidelin alias GOKU<br />Romain Guillermic alias SKIPS <br />Alou Sidibe alias KYRRA</p>\r\n<p><strong>Equipe Technique<br /></strong>Plateau&nbsp;: Enrique Gutierrez, Jean-Christophe D&eacute;sert<br />R&eacute;gie g&eacute;n&eacute;rale&nbsp;: Jos&eacute; Martins<br /> R&eacute;gie lumi&egrave;re&nbsp;: Jos&eacute; Martins, Sylvie Debare</p>\r\n<p><strong>Equipe de Production<br /></strong>Administrateur Etienne Li<br />Responsable production / communication Jeanne Gascon<br />Responsable projets / vente des spectacles St&eacute;phane Hivert</p>\r\n<p><br /><strong>Presse</strong> : S&eacute;bastien d\'Assigny<br />sdapresse@gmail.com 01 42 88 79 79</p>\r\n<p>Production&nbsp;: Compagnie Blanca Li, soutenue par Access Industries<br /> Coproduction&nbsp;: MA sc&egrave;ne Nationale, Pays de Montb&eacute;liard&nbsp;; la Maison des Arts de Cr&eacute;teil.<br /> Studio de r&eacute;p&eacute;titions : Calentito 134 (M&eacute;tropole 19, Paris)</p>\r\n<p><strong>Remerciements</strong> <br /> Fabrice Verrier, Claudia Gargano, Cyrielle Pailhes, MLG</p>\r\n<p>Design affiche : Carlos Malpartida</p>\r\n<p>&nbsp;</p>\r\n<p>Cr&eacute;dit photo : &copy;Magali Bragard</p>','A creation for eight electro dancers.','électro electro elektro\r\nspectacle show \r\ndanse dance elektrik electrique electric\r\nvexus\r\ncrazy\r\nbats\r\nCerizz\r\nBig Jay\r\nSkips\r\nKyrra\r\nGoku\r\nKhaled Abdulahi\r\nMamadou Bathily\r\nRoger Bepet\r\nJérôme Fidelin\r\nSlate Hemedi\r\nRomain Guillermic\r\nAdrien Larrazet'),(350,146,'es','Le Bal de Paris de Blanca Li','<p>Un espect&aacute;culo en vivo inmersivo culminando en 35 minutos de realidad virtual. En los Teatros del Canal Madrid del 19 de diciembre hasta el 3 de enero</p>\r\n<p><a href=\"https://www.le-bal-de-paris.com/\"><img src=\"https://www.blancali.com/files/image_751_image_fr.png\" alt=\"\" width=\"150\" height=\"106\" /></a></p>','<p>Os invitamos al gran baile de Par&iacute;s, une experiencia creada por Blanca Li para descubrir de manera espectacular la realidad virtual a trav&eacute;s de la danza y la m&uacute;sica.<br />Durante una hora y media, Blanca Li ofrece un espect&aacute;culo total, de los que treinta y cinco minutos transcurren en realidad virtual dentro de un universo po&eacute;tico, fant&aacute;stico, innovador, delicado y sorprendente.<br />Espectador y actor a la vez, el p&uacute;blico es llevado a participar y bailar durante la experiencia, en interacci&oacute;n con bailarines reales, alternando entre el mundo real y el mundo virtual.<br />Estructurada en torno a tres grandes escenas de danza, Le Bal de Paris sumerge al espectador en el torbellino de una gran historia de amor en la que el p&uacute;blico ser&aacute; libre de bailar, de vivir la fiesta a su libre albedr&iacute;o, y de interactuar con quien quiera.<br />Une experiencia divertida, fabulosa y vanguardista, para disfrutar con amigos o en familia.</p>\r\n<p>Sinopsis<br />Ad&egrave;le celebra su vuelta a Par&iacute;s con un gran baile organizado en su honor por su padre. Pierre, uno de los invitados, va a perturbar el curso de los eventos.</p>\r\n<p>Duraci&oacute;n del espect&aacute;culo&nbsp;: aproximadamente una hora y media<br />Realidad Virtual : 5 m&oacute;dulos para 10 espectadores participantes y 3 bailarines-actores cada uno<br />Concepci&oacute;n, libreto, direcci&oacute;n y coreograf&iacute;a: Blanca Li<br />M&uacute;sica original y direcci&oacute;n musical: y Tao Gutierrez<br />Direcci&oacute;n de la creaci&oacute;n visual: Vincent Chazal<br />Vestuario: Chanel<br />Desarrollo en Realidad Virtual: BackLight Studio</p>\r\n<p><br />PRODUCCI&Oacute;N <br /> Compa&ntilde;&iacute;a Blanca Li (Film Addict - Calentito )</p>\r\n<p>Coproducci&oacute;n<br /> BackLight Studio (Francia)<br /> Fabrique d\'Images (Luxembourg)<br /> Actrio Studio (Alemania)<br /> <br />Con el apoyo y la participaci&oacute;n de <br /> Centre national du cin&eacute;ma et de l&rsquo;image anim&eacute;e CNC (Francia)<br /> Film Fund Luxembourg<br /> Teatros del Canal Madrid (Espa&ntilde;a)<br /> Epic MegaGrants (USA)<br /> Programa Europa creativa - MEDIA de la Union europea<br /> Chaillot &ndash; Th&eacute;&acirc;tre national de la Danse (Francia)<br /> Ciudad de Paris (Francia)<br /> Medienboard Berlin Brandenburg (Alemania)</p>\r\n<p>Participaci&oacute;n exclusiva<br /> CHANEL</p>\r\n<p>Agradecimientos<br /> Institut Fran&ccedil;ais (Francia)<br /> Rencontres de Coproduction du Film Francophone (Luxembourg)<br /> Festival NewImages (Paris, Francia) <br /> Festival International de Film de Gen&egrave;ve (Suiza)<br /> VR Days (Holanda)<br /> Cannes XR (Francia)<br /> Kaleidoscope (EEUU)<br /> Centre Phi (Canada)<br /> Todo el equipo de CHANEL</p>\r\n<p><img src=\"https://www.blancali.com/files/image_752_image_fr.png\" alt=\"\" width=\"600\" height=\"100\" /></p>','Le Bal de Paris \r\n',''),(351,146,'en','Le Bal de Paris de Blanca Li','<p>An immersive live performance sublimated by 35 minutes in virtual reality.&nbsp;</p>\r\n<p><a href=\"https://www.le-bal-de-paris.com/\"><img src=\"https://www.blancali.com/files/image_751_image_fr.png\" alt=\"\" width=\"150\" height=\"106\" /></a></p>','<p>You are invited by Blanca Li to the biggest ball in Paris! Music and dance merge with virtual reality to offer you an innovative, festive, artistic and spectacular experience. You don\'t need to be familiar with dance or virtual reality to dive into this ball that will take you on a journey through different universes.</p>\r\n<p>With Le Bal de Paris, virtual reality revolutionizes the world of immersive performance and erases the boundary between spectators and dancers: anything is possible.</p>\r\n<p>It is a great love story divided into 3 acts that you will live with 9 other spectators. Three dancers playing the main roles of the plot will invite you, in turn, to a waltz or a cancan. You are free, according to your desires, to observe, dance, interact with the dancers, the other guests or to enter the dance of this party that promises to be unforgettable.</p>\r\n<p>A party lasting more than an hour that begins at the reception, where you will be offered a teaser, before plunging into 35 minutes of interactive and timeless entertainment in virtual reality. A universe as poetic as it is fantastic, imagined by Blanca Li.</p>\r\n<p>SYNOPSIS<br />Ad&egrave;le celebrates her return to Paris at a ball organized by her father in her honor. Pierre, one of the guests, will change the course of the party.</p>\r\n<p><br />Total duration of the show: about 1h30<br />Virtual Reality: 5 modules for 10 participating spectators and 3 actor-dancers each<br />Design, libretto, direction and choreography Blanca Li<br />Original music and musical direction Tao Gutierrez<br />Direction of visual creation: Vincent Chazal<br />Costumes: Chanel<br />Virtual Reality Development: BackLight Studio</p>\r\n<p>PRODUCTION <br /> Blanca Li Company (Film Addict - Calentito)</p>\r\n<p>Coproduction<br /> BackLight Studio (France)<br /> Fabrique d\'Images (Luxembourg)<br /> Actrio Studio (Germany)</p>\r\n<p><br />With the support and participation of<br /> Center national du cin&eacute;ma et de l\'image anim&eacute;e CNC (France)<br /> Film Fund Luxembourg<br /> Teatros del Canal Madrid (Spain)<br /> Epic MegaGrants (USA)<br /> Creative Europe Programme - MEDIA of the European Union <br /> Chaillot - Th&eacute;&acirc;tre national de la Danse (France)<br /> City of Paris (France)<br /> Medienboard Berlin Brandenburg (Germany)</p>\r\n<p>Exclusive partner<br /> CHANEL</p>\r\n<p>Thanks to <br /> Institut Fran&ccedil;ais (France)<br /> Rencontres de Coproduction du Film Francophone (Luxembourg)<br /> Festival NewImages (Paris, France) <br /> Festival International de Film de Gen&egrave;ve (Switzerland)<br /> VR Days (Holland)<br /> Cannes XR (France)<br /> Kaleidoscope (USA)<br /> Centre Phi (Canada)<br /> All the team from CHANEL</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"https://www.blancali.com/files/image_752_image_fr.png\" alt=\"\" width=\"600\" height=\"100\" /></p>','Le Bal de Paris \r\n',''),(353,148,'fr','Defilé Dior Cruise 2023','','','Defilé collection Cruise 2023 ',''),(354,151,'fr','La Capitana','','','film publicitaire Dior',''),(355,150,'fr','Lily Allen The Fear, live at Brit Awards (2010)','','','Lily Allen performs The Fear for the Brit Awards 2010. Choreography by Blanca Li','');
