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INSERT INTO `newsletter_post_i18n` VALUES (1,1,'fr','Test Post 01','<p>Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam  nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat  volutpat.</p>'),(2,2,'fr','Test Post 02','<p>Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam   nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat   volutpat.</p>'),(3,3,'fr','Viens danser avec moi, la rentrée de Blanca Li','<p><span style=\"font-family: Times New Roman,serif;\"><a href=\"#english version\"><span style=\"font-family: Arial,sans-serif;\"><strong>Blanca Li News in english </strong></span></a><span style=\"font-family: Arial,sans-serif;\"><strong><br /><a href=\"#version espa&ntilde;ola\">Noticias de Blanca Li en castellano</a></strong></span><span style=\"font-family: Arial,sans-serif;\"> <br /></span></span></p>\r\n<p><span style=\"font-family: Arial,sans-serif;\"><strong>NOUVELLES de Blanca Li</strong></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\">Bonjour,</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Vous avez d&eacute;j&agrave; assist&eacute; &agrave; un spectacle de </span><a href=\"/fr/e/4/blanca/2/biographie\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Blanca Li</span></span></a><span style=\"font-family: Arial,sans-serif;\"> et/ou ses projets vous int&eacute;ressent&nbsp;: voici quelques nouvelles de la rentr&eacute;e 2011, riche en &eacute;v&egrave;nements et en &eacute;nergie&nbsp;!</span></span></p>\r\n<p class=\"western\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_98_image_fr.png?2011-09-05-003929\" alt=\"bandeau\" width=\"560\" height=\"52\" /></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>23, 24, 25 septembre&nbsp;: La F&ecirc;te de la Danse de Blanca Li au Grand Palais, Paris</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\">Grand rassemblement festif et populaire, la f&ecirc;te de la danse imagin&eacute;e par Blanca Li se propose de vous faire d&eacute;couvrir de mani&egrave;re participative la danse sous toutes ses facettes. Et pas n&rsquo;importe o&ugrave;&nbsp;! C&rsquo;est la somptueuse Nef du Grand Palais qui se m&eacute;tamorphose en gigantesque studio de danse pendant deux jours et deux nuits. Amenez vos enfants, vos parents ou vos copains, et venez danser avec Blanca&nbsp;! Mais pas seulement&nbsp;: vous pourrez aussi vous initier &agrave; de multiples danses gr&acirc;ce aux chor&eacute;graphies vid&eacute;os, du Bollywood &agrave; la salsa en passant par le flamenco ou le hip-hop&nbsp;; assister &agrave; de mini-spectacles ; vous reposer dans l&rsquo;espace lounge&nbsp;; apprendre &agrave; danser &agrave; deux sur la piste centrale&nbsp;; vous restaurer aux kiosques&nbsp;; exp&eacute;rimenter le YogaLab de Marco Prince et Mika de Brito, ou le &laquo;&nbsp;bal electro&nbsp;&raquo; de Johan Amselem&nbsp;; danser jusqu&rsquo;&agrave; potron-minet lors de la Nuit Cubbing ... Des activit&eacute;s en acc&egrave;s libre &agrave; la port&eacute;e de tous, ludiques et joyeuses&nbsp;; pour que la danse ne soit pas qu&rsquo;un spectacle, venez vous joindre &agrave; nous&nbsp;!</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Pour plus d&rsquo;info, les horaires et les tarifs, consulter le </span><a href=\"/fr/event/82/la-fete-de-la-danse\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">site web de la F&ecirc;te</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">nos partenaires :<br /></span></span></p>\r\n<p class=\"western\"><span style=\"font-family: Arial,sans-serif;\"><strong><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_86_image_fr.jpg\" alt=\"logos partenaires\" width=\"320\" height=\"62\" /><br /></strong></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>23 septembre&nbsp;: inscrivez-vous au Dance Mob&nbsp;!</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">En ouverture de la F&ecirc;te de la danse, Blanca organise un Dance Mob g&eacute;ant &agrave; 19h le vendredi 23. Vous &ecirc;tes plus que cordialement invit&eacute; &agrave; y participer&nbsp;! Inscrivez-vous et venez danser pendant 10 minutes de folie avec Blanca et des centaines d&rsquo;autres danseurs amateurs et professionnels. Pour participer, envoyez vos nom et pr&eacute;nom, ainsi que le nombre de personnes vous accompagnant &agrave; </span><a href=\"mailto:dancemob@blancali.com\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">dancemob@blancali.com</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Pour que l&rsquo;exp&eacute;rience soit la plus dr&ocirc;le et enrichissante possible, apprenez et r&eacute;p&eacute;tez les pas avant le jour J gr&acirc;ce &agrave; </span><a href=\"http://vimeo.com/28481034\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">la vid&eacute;o de la chor&eacute;graphie</span></span></a><span style=\"font-family: Arial,sans-serif;\">. Amusez-vous bien&nbsp;!</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\">L\'entr&eacute;e &agrave; la F&ecirc;te de la danse est gratuite pour les participants au Dance Mob&nbsp; de 18h45 &agrave; 19h30.</span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_106_image_fr.jpg\" alt=\"dance mob\" width=\"254\" height=\"254\" /></span></span></h3>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">1</span><span style=\"font-family: Arial,sans-serif;\"><strong>4 septembre, vers minuit : &ldquo;Au lit avec Blanca Li&rdquo; sur Paris Premi&egrave;re</strong></span></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">La cha&icirc;ne <a href=\"http://www.paris-premiere.fr\" target=\"_blank\">Paris Premi&egrave;re</a></span><span style=\"text-decoration: underline;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp;</span></span><span style=\"font-family: Arial,sans-serif;\">, partenaire de La F&ecirc;te de la danse (voir ci-dessus), consacre une nuit &agrave; Blanca Li&nbsp;: elle y recevra des init&eacute;s dans son lit et pr&eacute;sentera 4 de ses court-m&eacute;trages et la chor&eacute;graphie film&eacute;e </span><a href=\"/fr/event/29/al-andalus\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Al Andalus</span></span></a><span style=\"font-family: Arial,sans-serif;\"> (26&rsquo;, 2006), interpr&eacute;tation contemporaine du flamenco. Ce ballet color&eacute; dans lequel Blanca Li manie avec l&eacute;g&egrave;ret&eacute;, &eacute;nergie et m&eacute;lancolie l&rsquo;art de la danse, est une travers&eacute;e po&eacute;tique dans son univers.</span></span></p>\r\n<p class=\"western\"><span style=\"font-family: Arial,sans-serif;\"><strong><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_99_image_fr.jpg\" alt=\"Blanca au Grand palais\" width=\"200\" height=\"167\" /></strong></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>Les spectacles en tourn&eacute;e &agrave; l&rsquo;automne 2011</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Plusieurs spectacles de la Compagnie Blanca Li seront en tourn&eacute;e en France et en Europe cet automne. L&rsquo;occasion de voir ou revoir, ici ou l&agrave;, </span><a href=\"/fr/event/1/electro-kif\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Electro Kif</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"/fr/event/2/le-jardin-des-delices\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Le Jardin des D&eacute;lices</span></span></a><span style=\"font-family: Arial,sans-serif;\"> ou encore </span><a href=\"/fr/event/5/macadam-macadam\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Macadam Macadam</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><a href=\"/fr/a/3/agenda/2/a-venir\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Cliquez ici</span></span></a><span style=\"font-family: Arial,sans-serif;\"> pour consulter le calendrier des spectacles &agrave; venir.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_22_image_fr.jpg\" alt=\"Jardin des d&eacute;lices\" width=\"282\" height=\"200\" /><a href=\"/fr/event/2/le-jardin-des-delices\" target=\"_blank\">Le Jardin des D&eacute;lices</a> &copy; Laurent Philippe</p>\r\n<p class=\"western\" style=\"text-align: center;\">&nbsp;</p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><strong><a name=\"english version\"></a>ENGLISH VERSION</strong></span><span style=\"font-family: Arial,sans-serif;\"><br />Hello, </span></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">You have attended one of </span><a href=\"/en/e/4/blanca/2/biography\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Blanca L</span></span></a><span style=\"font-family: Arial,sans-serif;\"><a href=\"/en/e/4/blanca/2/biography\" target=\"_blank\">i</a>&rsquo;s show and/or you are interested in her projects&nbsp;: here are some news about her activities in the next 3 months, which will be full of events and energy!</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\" lang=\"en-GB\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_109_image_fr.png\" alt=\"3 cours\" width=\"524\" height=\"223\" />video screens<br />&nbsp;&nbsp;&nbsp;&nbsp; <br /></p>\r\n<h3 style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>&nbsp;</strong></span><span style=\"font-family: Arial,sans-serif;\"><strong>September 23, 24 &amp; 25&nbsp;: Celebrate Dance with Blanca Li at Grand Palais in Paris</strong></span><span style=\"font-family: Times New Roman,serif;\">&nbsp;</span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"en-GB\"><span style=\"font-family: Arial,sans-serif;\">Blanca Li invites you to celebrate dance at one of the most prestigious buildings in Paris, the Nef of the Grand Palais. For 2 days and 2 nights the Nef will be transformed into a gigantic dance studio, opened to everyone. Dancing here goes beyond the show, allowing each visitor to be part of it, rambling around freely and playfully.</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"en-GB\"><span style=\"font-family: Arial,sans-serif;\">Come with your friends or family and enjoy the diversity of dances: have fun and learn Bollywood, salsa, hip-hop and other dances via giant screen videos, watch mini dance shows, take a rest in the lounge, learn how to dance in couple on the dance floor, eat and drink at the kiosks, experience the YogaLab by Marco Prince and Mika de Brito, and the &ldquo;electro ball&rdquo; by Johan Amselem, dance the night away at the Clubbing Night... Put on your more comfortable shoes and let&rsquo;s dance together!</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">All info, schedule and prices on the dedicated </span><a href=\"/en/event/82/la-fete-de-la-danse\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">website</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp;</span></span><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_110_image_fr.png\" alt=\"3 dessins PA\" width=\"382\" height=\"148\" />Pierre Attrait&nbsp; <br /></span></span><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp; </span></span><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp;&nbsp;&nbsp; </span></span><span style=\"font-family: Arial,sans-serif;\"><strong>&nbsp;</strong></span></p>\r\n<h3 style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>September 23: Register now for the Dance Mob!</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">For the opening the F&ecirc;te de la Danse, a giant Dance Mob will be held at 7:00PM on September 23. Blanca Li warmly invites you to come and dance with her and hundreds of others for 10 minutes of pure fun! To participate, please send your contacts details (including the number of people you will be bringing with you if any) to </span><a href=\"mailto:dancemob@blancali.com\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">dancemob@blancali.com</span></span></a></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Be prepared! Watch the </span><a href=\"http://vimeo.com/28481034\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">video of the choreography</span></span></a><span style=\"font-family: Arial,sans-serif;\"> and learn the steps beforehand. Rehearsing is part of the fun of dancing!</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"en-GB\"><span style=\"font-family: Arial,sans-serif;\">Entrance to the event is free of charge for the Dance mob participants from 6:45pm until 7:30 pm</span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>September 14, around midnight: &ldquo;In Bed with Blanca Li&rdquo;, Paris Premi&egrave;re TV</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">The TV channel <a href=\"http://www.paris-premiere.fr\" target=\"_blank\">Paris Premi&egrave;re</a></span><span style=\"font-family: Arial,sans-serif;\">, partner of the Dance Celebration (see above), devotes a whole night to Blanca Li&nbsp;: she will invite special guests into her bed, and present 4 of her short-films and the filmed choreography </span><a href=\"/en/event/29/al-andalus\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Al Andalus</span></span></a><span style=\"font-family: Arial,sans-serif;\"> (26&rsquo;, 2006), a contemporary interpretation of flamenco. This colorful ballet is also a poetic journey along Blanca Li&rsquo;s universe.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_108_image_fr.jpg\" alt=\"home fitness\" width=\"249\" height=\"200\" /><a href=\"/fr/event/28/home-fitness\" target=\"_blank\">Home Fitness</a>, short film<br /></span></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>Fall 2011: Shows on tour</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Several creations of the Blanca Li Company will be touring France and Europe in the coming months. Don&rsquo;t miss the opportunity to attend </span><a href=\"/en/event/1/electro-kif\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Electro Kif</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"/en/event/2/le-jardin-des-delices\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Le Jardin des d&eacute;lices</span></span></a><span style=\"font-family: Arial,sans-serif;\"> (The Garden of Earthly Delights) or </span><a href=\"/en/event/5/macadam-macadam\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Macadam Macadam</span></span></a><span style=\"font-family: Arial,sans-serif;\"> at a place near you.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><a href=\"/en/a/3/calendar/2/to-come\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Click here</span></span></a><span style=\"font-family: Arial,sans-serif;\"> to see the forthcoming events calendar.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_9_image_fr.jpg\" alt=\"electro kif\" width=\"263\" height=\"176\" /><a href=\"/en/event/1/electro-kif\" target=\"_blank\">Electro Kif</a> &copy; Dan Aucante<br /></span></span></p>\r\n<h3 class=\"western\"><span style=\"font-family: Arial,sans-serif;\"><strong><a name=\"version espa&ntilde;ola\"></a>VERSION ESPA&Ntilde;OLA</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">Hola a todos,</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Si ya habeis asistido a algun espect&aacute;culo de </span><a href=\"/es/e/4/blanca/2/biografia\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Blanca Li</span></span></a><span style=\"font-family: Arial,sans-serif;\"> y/o est&aacute;is interesado(a) en sus proyectos: te mandamos algunas noticias sobre sus actividades durante los pr&oacute;ximos 3 meses, que estar&aacute;n llenos de eventos y energ&iacute;a.</span></span></p>\r\n<p class=\"western\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_101_image_fr.jpg\" alt=\"victortop\" width=\"250\" height=\"170\" /></span></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><strong>23, 24 y 25 de septiembre: La Fiesta de la Danza de Blanca Li en el Grand Palais (Paris)</strong></span></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">La Fiesta de la Danza de Blanca Li es un evento dedicado a todo el mundo para descubrir y disfrutar de una gran diversidad de formas de danza de manera interactiva. El evento tendr&aacute; lugar en uno de los edificios m&aacute;s prestigiosos de Par&iacute;s, la Nave del Grand Palais. Durante dos noches y dos d&iacute;as, la Nave se transformar&aacute; en un gigantesco estudio de danza, donde todos estais invitados a participar, grandes y peque&ntilde;os.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">Ven con tus amigos o en familia y ya ver&aacute;s que podr&aacute;s aprender algunos pasos de Bollywood, salsa, hip-hop y otros, bailes mirando las coreograf&iacute;as en grandes pantallas de v&iacute;deo. Tambi&eacute;n podr&aacute;s atender a mini-espectaculos, descansar en el espacio lounge, aprender a bailar en pareja en la pista central, tapear y tomar algo en los &ldquo;kiosquos&rdquo;, experimentar el YogaLab con Marco Prince y Mika de Brito, o el &ldquo;bal electro&rdquo; de Joahn Amselem, y porque no, madrugar bailando durante la Noche Clubbing... Ponte tus zapatos, los m&aacute;s c&oacute;modos y ven a bailar conmigo!</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Para m&aacute;s informaci&oacute;n, horarios y precios, visita la </span><a href=\"/es/event/82/la-fete-de-la-danse\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">p&aacute;gina web</span></span></a><span style=\"font-family: Arial,sans-serif;\"> del evento.</span></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\"><strong>23 de septiembre: reg&iacute;strate para el Dance Mob&nbsp;!</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Para la inauguraci&oacute;n de la Fiesta de la danza, organizamos un Dance Mob gigante el viernes 23 a las 7 de la tarde. &iexcl; Ven a bailar conmigo y con cientos de otros fan&aacute;ticos de la danza durante 10 minutos de alegr&iacute;a total ! Para participar, manda nombre y apellido y el n&uacute;mero de personas que vendr&aacute;n contigo a : </span><a href=\"mailto:dancemob@blancali.com\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">dancemob@blancali.com</span></span></a></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&iexcl; Y ahora a ensayar ! Mira el </span><a href=\"http://vimeo.com/28481034\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">video de la coregraf&iacute;a</span></span></a><span style=\"font-family: Arial,sans-serif;\"> para aprender los pasos por anticipado.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">La entrada a la Fiesta de la Danza para los participantes al Dance Mob ser&aacute; gratuita desde las 6\'45 hasta las 7\'30 de la tarde. </span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">!Te esperamos!</span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Tahoma,sans-serif;\">14 de septiembre, medianoche : &ldquo;En la cama con Blanca Li&rdquo;, Paris Premi&egrave;re TV</span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Tahoma,sans-serif;\">La cadena de TV <a href=\"http://www.paris-premiere.fr\" target=\"_blank\">Paris Premi&egrave;re</a></span><span style=\"font-family: Tahoma,sans-serif;\">, asociada a la Fiesta de la danza (ver mas arriba), dedica une noche entera a Blanca Li&nbsp;: recibir&aacute; invitados en su cama, presentar&aacute; 4 de sus cortometrajes y la coregrafia filmada </span><span style=\"font-family: Tahoma,sans-serif;\"><span style=\"text-decoration: underline;\">A<a href=\"/es/event/29/al-andalus\" target=\"_blank\">l Andalus</a></span></span><span style=\"font-family: Tahoma,sans-serif;\"> (26&rsquo;, 2006), una interpretaci&oacute;n contemporanea del flamenco.</span></p>\r\n<p class=\"western\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_100_image_fr.jpg\" alt=\"victor bottom\" width=\"250\" height=\"200\" /></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\"><strong>Oto&ntilde;o 2011: Espect&aacute;culos de la Compa&ntilde;&iacute;a Blanca Li en gira</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Varias obras de la Compa&ntilde;&iacute;a Blanca Li van a ir de gira en Francia y Europa en los meses que vienen. </span><a href=\"/es/event/1/electro-kif\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Electro Kif</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"/es/event/2/el-jardin-de-las-delicias\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">El Jard&iacute;n de las Delicias</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"/es/event/5/macadam-macadam\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Macadam Macadam</span></span></a><span style=\"font-family: Arial,sans-serif;\"> y otras obras llegan cerca de ti. &iexcl;No te lo pierdas!</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Haga </span><a href=\"/es/a/3/calendario/2/por-venir\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">clic aqu&iacute;</span></span></a><span style=\"font-family: Arial,sans-serif;\"><a href=\"/es/a/3/calendario\" target=\"_blank\"> </a>para ver el calendario de los eventos por venir.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"/files/image_50_image_fr.jpg\" alt=\"macadam macadam\" width=\"211\" height=\"317\" /></span><span style=\"font-family: Arial,sans-serif;\"><a href=\"/es/event/5/macadam-macadam\" target=\"_blank\">Macadam Macadam</a> &copy; Philippe Cibille<br /></span></span></p>'),(7,6,'fr','invitation à La Fête de la Danse de Blanca Li','<p>Bonjour</p>\r\n<p>Vous &ecirc;tes cordialement invit&eacute; &agrave; assister et &agrave; participer &agrave; l\'&eacute;v&eacute;nement la F&ecirc;te de la Danse de Blanca Li au Grand Palais.</p>\r\n<p>merci de confirmer la date et l\'heure de votre venue &agrave; In&egrave;s Valdes<br />au 01 53 34 04 05<br />ou &agrave; <a href=\"mailto:i.valdes@blancali.com\">i.valdes@blancali.com</a></p>\r\n<p><strong>Invitation &agrave; la r&eacute;ception d\'inauguration :</strong></p>\r\n<p><img src=\"/files/image_113_image_fr.jpg\" alt=\"\" width=\"616\" height=\"290\" /></p>\r\n<p><strong>Invitation &agrave; l\'&eacute;v&eacute;nement (samedi ou dimanche)</strong></p>\r\n<p><img src=\"/files/image_114_image_fr.jpg\" alt=\"\" width=\"620\" height=\"298\" /></p>\r\n<p>cordialement</p>\r\n<p>L\'&eacute;quipe de Blanca Li</p>'),(6,3,'en','Venez danser avec moi, la rentrée de Blanca Li','<p><span style=\"font-family: Times New Roman,serif;\"><a href=\"#english version\"><span style=\"font-family: Arial,sans-serif;\"><strong>Blanca Li News in english </strong></span></a><span style=\"font-family: Arial,sans-serif;\"><strong><br /><a href=\"#version espa&ntilde;ola\">Noticias de Blanca Li en castellano</a></strong></span><span style=\"font-family: Arial,sans-serif;\"> <br /></span></span></p>\r\n<p><span style=\"font-family: Arial,sans-serif;\"><strong>NOUVELLES de Blanca Li</strong></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\">Bonjour,</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Vous avez d&eacute;j&agrave; assist&eacute; &agrave; un spectacle de </span><a href=\"http://www.blancali.com/fr/e/4/blanca/2/biographie\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Blanca Li</span></span></a><span style=\"font-family: Arial,sans-serif;\"> et/ou ses projets vous int&eacute;ressent&nbsp;: voici quelques nouvelles de la rentr&eacute;e 2011, riche en &eacute;v&egrave;nements et en &eacute;nergie&nbsp;!</span></span></p>\r\n<p class=\"western\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_98_image_fr.png?2011-09-05-003929\" alt=\"bandeau\" width=\"560\" height=\"52\" /></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>23, 24, 25 septembre&nbsp;: La F&ecirc;te de la Danse de Blanca Li au Grand Palais, Paris</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\">Grand rassemblement festif et populaire, la f&ecirc;te de la danse imagin&eacute;e par Blanca Li se propose de vous faire d&eacute;couvrir de mani&egrave;re participative la danse sous toutes ses facettes. Et pas n&rsquo;importe o&ugrave;&nbsp;! C&rsquo;est la somptueuse Nef du Grand Palais qui se m&eacute;tamorphose en gigantesque studio de danse pendant deux jours et deux nuits. Amenez vos enfants, vos parents ou vos copains, et venez danser avec Blanca&nbsp;! Mais pas seulement&nbsp;: vous pourrez aussi vous initier &agrave; de multiples danses gr&acirc;ce aux chor&eacute;graphies vid&eacute;os, du Bollywood &agrave; la salsa en passant par le flamenco ou le hip-hop&nbsp;; assister &agrave; de mini-spectacles ; vous reposer dans l&rsquo;espace lounge&nbsp;; apprendre &agrave; danser &agrave; deux sur la piste centrale&nbsp;; vous restaurer aux kiosques&nbsp;; exp&eacute;rimenter le YogaLab de Marco Prince et Mika de Brito, ou le &laquo;&nbsp;bal electro&nbsp;&raquo; de Johan Amselem&nbsp;; danser jusqu&rsquo;&agrave; potron-minet lors de la Nuit Cubbing ... Des activit&eacute;s en acc&egrave;s libre &agrave; la port&eacute;e de tous, ludiques et joyeuses&nbsp;; pour que la danse ne soit pas qu&rsquo;un spectacle, venez vous joindre &agrave; nous&nbsp;!</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Pour plus d&rsquo;info, les horaires et les tarifs, consulter le </span><a href=\"http://www.blancali.com/fr/event/82/la-fete-de-la-danse\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">site web de la F&ecirc;te</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">nos partenaires :<br /></span></span></p>\r\n<p class=\"western\"><span style=\"font-family: Arial,sans-serif;\"><strong><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_86_image_fr.jpg\" alt=\"logos partenaires\" width=\"320\" height=\"62\" /><br /></strong></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>23 septembre&nbsp;: inscrivez-vous au Dance Mob&nbsp;!</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">En ouverture de la F&ecirc;te de la danse, Blanca organise un Dance Mob g&eacute;ant &agrave; 19h le vendredi 23. Vous &ecirc;tes plus que cordialement invit&eacute; &agrave; y participer&nbsp;! Inscrivez-vous et venez danser pendant 10 minutes de folie avec Blanca et des centaines d&rsquo;autres danseurs amateurs et professionnels. Pour participer, envoyez vos nom et pr&eacute;nom, ainsi que le nombre de personnes vous accompagnant &agrave; </span><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">dancemob@blancali.com</span></span><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Pour que l&rsquo;exp&eacute;rience soit la plus dr&ocirc;le et enrichissante possible, apprenez et r&eacute;p&eacute;tez les pas avant le jour J gr&acirc;ce &agrave; </span><a href=\"http://vimeo.com/28481034\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">la vid&eacute;o de la chor&eacute;graphie</span></span></a><span style=\"font-family: Arial,sans-serif;\">. Amusez-vous bien&nbsp;!</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\">L\'entr&eacute;e &agrave; la F&ecirc;te de la danse est gratuite pour les participants au Dance Mob&nbsp; de 18h45 &agrave; 19h30.</span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_106_image_fr.jpg\" alt=\"dance mob\" width=\"254\" height=\"254\" /></span></span></h3>\r\n<h3 class=\"western\" style=\"text-align: justify;\"></h3>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">1</span><span style=\"font-family: Arial,sans-serif;\"><strong>4 septembre, vers minuit : &ldquo;Au lit avec Blanca Li&rdquo; sur Paris Premi&egrave;re</strong></span></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">La cha&icirc;ne <a href=\"http://www.paris-premiere.fr\" target=\"_blank\">Paris Premi&egrave;re</a></span><span style=\"font-family: Arial,sans-serif;\">, partenaire de La F&ecirc;te de la danse (voir ci-dessus), consacre une nuit &agrave; Blanca Li&nbsp;: elle y recevra des init&eacute;s dans son lit et pr&eacute;sentera 4 de ses court-m&eacute;trages et la chor&eacute;graphie film&eacute;e </span><a href=\"http://www.blancali.com/fr/event/29/al-andalus\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Al Andalus</span></span></a><span style=\"font-family: Arial,sans-serif;\"> (26&rsquo;, 2006), interpr&eacute;tation contemporaine du flamenco. Ce ballet color&eacute; dans lequel Blanca Li manie avec l&eacute;g&egrave;ret&eacute;, &eacute;nergie et m&eacute;lancolie l&rsquo;art de la danse, est une travers&eacute;e po&eacute;tique dans son univers.</span></span></p>\r\n<p class=\"western\"><span style=\"font-family: Arial,sans-serif;\"><strong><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_99_image_fr.jpg\" alt=\"Blanca au Grand palais\" width=\"200\" height=\"167\" /></strong></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>Les spectacles en tourn&eacute;e &agrave; l&rsquo;automne 2011</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Plusieurs spectacles de la Compagnie Blanca Li seront en tourn&eacute;e en France et en Europe cet automne. L&rsquo;occasion de voir ou revoir, ici ou l&agrave;, </span><a href=\"http://www.blancali.com/fr/event/1/electro-kif\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Electro Kif</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"http://www.blancali.com/fr/event/2/le-jardin-des-delices\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Le Jardin des D&eacute;lices</span></span></a><span style=\"font-family: Arial,sans-serif;\"> ou encore </span><a href=\"http://www.blancali.com/fr/event/5/macadam-macadam\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Macadam Macadam</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><a href=\"http://www.blancali.com/fr/a/3/agenda/2/a-venir\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Cliquez ici</span></span></a><span style=\"font-family: Arial,sans-serif;\"> pour consulter le calendrier des spectacles &agrave; venir.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_22_image_fr.jpg\" alt=\"Jardin des d&eacute;lices\" width=\"282\" height=\"200\" /><a href=\"http://www.blancali.com/fr/event/2/le-jardin-des-delices\" target=\"_blank\">Le Jardin des D&eacute;lices</a> &copy; Laurent Philippe</p>\r\n<p class=\"western\" style=\"text-align: center;\">&nbsp;</p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><strong><a name=\"english version\"></a>ENGLISH VERSION</strong></span><span style=\"font-family: Arial,sans-serif;\"><br />Hello, </span></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">You have attended one of </span><a href=\"http://www.blancali.com/en/e/4/blanca/2/biography\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Blanca L</span></span></a><span style=\"font-family: Arial,sans-serif;\"><a href=\"http://www.blancali.com/en/e/4/blanca/2/biography\" target=\"_blank\">i</a>&rsquo;s show and/or you are interested in her projects&nbsp;: here are some news about her activities in the next 3 months, which will be full of events and energy!</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\" lang=\"en-GB\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_109_image_fr.png\" alt=\"3 cours\" width=\"524\" height=\"223\" />video screens<br />&nbsp;&nbsp;&nbsp;&nbsp; <br /></p>\r\n<h3 style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>&nbsp;</strong></span><span style=\"font-family: Arial,sans-serif;\"><strong>September 23, 24 &amp; 25&nbsp;: Celebrate Dance with Blanca Li at Grand Palais in Paris</strong></span><span style=\"font-family: Times New Roman,serif;\">&nbsp;</span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"en-GB\"><span style=\"font-family: Arial,sans-serif;\">Blanca Li invites you to celebrate dance at one of the most prestigious buildings in Paris, the Nef of the Grand Palais. For 2 days and 2 nights the Nef will be transformed into a gigantic dance studio, opened to everyone. Dancing here goes beyond the show, allowing each visitor to be part of it, rambling around freely and playfully.</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"en-GB\"><span style=\"font-family: Arial,sans-serif;\">Come with your friends or family and enjoy the diversity of dances: have fun and learn Bollywood, salsa, hip-hop and other dances via giant screen videos, watch mini dance shows, take a rest in the lounge, learn how to dance in couple on the dance floor, eat and drink at the kiosks, experience the YogaLab by Marco Prince and Mika de Brito, and the &ldquo;electro ball&rdquo; by Johan Amselem, dance the night away at the Clubbing Night... Put on your more comfortable shoes and let&rsquo;s dance together!</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">All info, schedule and prices on the dedicated </span><a href=\"http://www.blancali.com/en/event/82/la-fete-de-la-danse\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">website</span></span></a><span style=\"font-family: Arial,sans-serif;\">.</span></span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp;</span></span><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_110_image_fr.png\" alt=\"3 dessins PA\" width=\"382\" height=\"148\" />Pierre Attrait&nbsp; <br /></span></span><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp; </span></span><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&nbsp;&nbsp;&nbsp; </span></span><span style=\"font-family: Arial,sans-serif;\"><strong>&nbsp;</strong></span></p>\r\n<h3 style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>September 23: Register now for the Dance Mob!</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">For the opening the F&ecirc;te de la Danse, a giant Dance Mob will be held at 7:00PM on September 23. Blanca Li warmly invites you to come and dance with her and hundreds of others for 10 minutes of pure fun! To participate, please send your contacts details (including the number of people you will be bringing with you if any) to </span><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">dancemob@blancali.com</span></span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Be prepared! Watch the </span><a href=\"http://vimeo.com/28481034\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">video of the choreography</span></span></a><span style=\"font-family: Arial,sans-serif;\"> and learn the steps beforehand. Rehearsing is part of the fun of dancing!</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"en-GB\"><span style=\"font-family: Arial,sans-serif;\">Entrance to the event is free of charge for the Dance mob participants from 6:45 pm until 7:30 pm</span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>September 14, around midnight: &ldquo;In Bed with Blanca Li&rdquo;, Paris Premi&egrave;re TV</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">The TV channel <a href=\"http://www.paris-premiere.fr\" target=\"_blank\">Paris Premi&egrave;re</a></span><span style=\"font-family: Arial,sans-serif;\">, partner of the Dance Celebration (see above), devotes a whole night to Blanca Li&nbsp;: she will invite special guests into her bed, and present 4 of her short-films and the filmed choreography </span><a href=\"http://www.blancali.com/en/event/29/al-andalus\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Al Andalus</span></span></a><span style=\"font-family: Arial,sans-serif;\"> (26&rsquo;, 2006), a contemporary interpretation of flamenco. This colorful ballet is also a poetic journey along Blanca Li&rsquo;s universe.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_108_image_fr.jpg\" alt=\"home fitness\" width=\"249\" height=\"200\" /><a href=\"http://www.blancali.com/fr/event/28/home-fitness\" target=\"_blank\">Home Fitness</a>, short film<br /></span></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Arial,sans-serif;\"><strong>Fall 2011: Shows on tour</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Several creations of the Blanca Li Company will be touring France and Europe in the coming months. Don&rsquo;t miss the opportunity to attend </span><a href=\"http://www.blancali.com/en/event/1/electro-kif\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Electro Kif</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"http://www.blancali.com/en/event/2/le-jardin-des-delices\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Le Jardin des d&eacute;lices</span></span></a><span style=\"font-family: Arial,sans-serif;\"> (The Garden of Earthly Delights) or </span><a href=\"http://www.blancali.com/en/event/5/macadam-macadam\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Macadam Macadam</span></span></a><span style=\"font-family: Arial,sans-serif;\"> at a place near you.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><a href=\"http://www.blancali.com/en/a/3/calendar/2/to-come\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Click here</span></span></a><span style=\"font-family: Arial,sans-serif;\"> to see the forthcoming events calendar.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_9_image_fr.jpg\" alt=\"electro kif\" width=\"263\" height=\"176\" /><a href=\"http://www.blancali.com/en/event/1/electro-kif\" target=\"_blank\">Electro Kif</a> &copy; Dan Aucante<br /></span></span></p>\r\n<h3 class=\"western\"><span style=\"font-family: Arial,sans-serif;\"><strong><a name=\"version espa&ntilde;ola\"></a>VERSION ESPA&Ntilde;OLA</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">Hola a todos,</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Si ya habeis asistido a algun espect&aacute;culo de </span><a href=\"http://www.blancali.com/es/e/4/blanca/2/biografia\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Blanca Li</span></span></a><span style=\"font-family: Arial,sans-serif;\"> y/o est&aacute;is interesado(a) en sus proyectos: te mandamos algunas noticias sobre sus actividades durante los pr&oacute;ximos 3 meses, que estar&aacute;n llenos de eventos y energ&iacute;a.</span></span></p>\r\n<p class=\"western\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_101_image_fr.jpg\" alt=\"victortop\" width=\"250\" height=\"170\" /></span></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><strong>23, 24 y 25 de septiembre: La Fiesta de la Danza de Blanca Li en el Grand Palais (Paris)</strong></span></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">La Fiesta de la Danza de Blanca Li es un evento dedicado a todo el mundo para descubrir y disfrutar de una gran diversidad de formas de danza de manera interactiva. El evento tendr&aacute; lugar en uno de los edificios m&aacute;s prestigiosos de Par&iacute;s, la Nave del Grand Palais. Durante dos noches y dos d&iacute;as, la Nave se transformar&aacute; en un gigantesco estudio de danza, donde todos estais invitados a participar, grandes y peque&ntilde;os.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">Ven con tus amigos o en familia y ya ver&aacute;s que podr&aacute;s aprender algunos pasos de Bollywood, salsa, hip-hop y otros, bailes mirando las coreograf&iacute;as en grandes pantallas de v&iacute;deo. Tambi&eacute;n podr&aacute;s atender a mini-espectaculos, descansar en el espacio lounge, aprender a bailar en pareja en la pista central, tapear y tomar algo en los &ldquo;kiosquos&rdquo;, experimentar el YogaLab con Marco Prince y Mika de Brito, o el &ldquo;bal electro&rdquo; de Joahn Amselem, y porque no, madrugar bailando durante la Noche Clubbing... Ponte tus zapatos, los m&aacute;s c&oacute;modos y ven a bailar conmigo!</span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Para m&aacute;s informaci&oacute;n, horarios y precios, visita la </span><a href=\"http://www.blancali.com/es/event/82/la-fete-de-la-danse\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">p&aacute;gina web</span></span></a><span style=\"font-family: Arial,sans-serif;\"> del evento.</span></span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\"><strong>23 de septiembre: reg&iacute;strate para el Dance Mob&nbsp;!</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Para la inauguraci&oacute;n de la Fiesta de la danza, organizamos un Dance Mob gigante el viernes 23 a las 7 de la tarde. &iexcl; Ven a bailar conmigo y con cientos de otros fan&aacute;ticos de la danza durante 10 minutos de alegr&iacute;a total ! Para participar, manda nombre y apellido y el n&uacute;mero de personas que vendr&aacute;n contigo a : </span><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">dancemob@blancali.com</span></span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">&iexcl; Y ahora a ensayar ! Mira el </span><a href=\"http://vimeo.com/28481034\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">video de la coregraf&iacute;a</span></span></a><span style=\"font-family: Arial,sans-serif;\"> para aprender los pasos por anticipado.</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">La entrada a la Fiesta de la Danza para los participantes al Dance Mob ser&aacute; gratuita desde las 6\'45h de la tarde hasta las 7\'30h. </span></p>\r\n<p class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\">!Te esperamos!</span></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Tahoma,sans-serif;\">14 de septiembre, medianoche : &ldquo;En la cama con Blanca Li&rdquo;, Paris Premi&egrave;re TV</span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Tahoma,sans-serif;\">La cadena de TV P<a href=\"http://www.paris-premiere.fr\" target=\"_blank\">aris Premi&egrave;re</a> (</span><span style=\"font-family: Tahoma,sans-serif;\"><span style=\"text-decoration: underline;\">www.paris-premiere.fr</span></span><span style=\"font-family: Tahoma,sans-serif;\">), asociada a la Fiesta de la danza (ver mas arriba), dedica une noche entera a Blanca Li&nbsp;: recibir&aacute; invitados en su cama, presentar&aacute; 4 de sus cortometrajes y la coregrafia filmada </span><span style=\"font-family: Tahoma,sans-serif;\"><span style=\"text-decoration: underline;\">A<a href=\"http://www.blancali.com/es/event/29/al-andalus\" target=\"_blank\">l Andalus</a></span></span><span style=\"font-family: Tahoma,sans-serif;\"> (26&rsquo;, 2006), una interpretaci&oacute;n contemporanea del flamenco.</span></p>\r\n<p class=\"western\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_100_image_fr.jpg\" alt=\"victor bottom\" width=\"250\" height=\"200\" /></p>\r\n<h3 class=\"western\" style=\"text-align: justify;\" lang=\"es-ES\"><span style=\"font-family: Arial,sans-serif;\"><strong>Oto&ntilde;o 2011: Espect&aacute;culos de la Compa&ntilde;&iacute;a Blanca Li en gira</strong></span></h3>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Varias obras de la Compa&ntilde;&iacute;a Blanca Li van a ir de gira en Francia y Europa en los meses que vienen. </span><a href=\"http://www.blancali.com/es/event/1/electro-kif\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Electro Kif</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"http://www.blancali.com/es/event/2/el-jardin-de-las-delicias\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">El Jard&iacute;n de las Delicias</span></span></a><span style=\"font-family: Arial,sans-serif;\">, </span><a href=\"http://www.blancali.com/es/event/5/macadam-macadam\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">Macadam Macadam</span></span></a><span style=\"font-family: Arial,sans-serif;\"> y otras obras llegan cerca de ti. &iexcl;No te lo pierdas!</span></span></p>\r\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\">Haga </span><a href=\"http://www.blancali.com/es/a/3/calendario/2/por-venir\" target=\"_blank\"><span style=\"font-family: Arial,sans-serif;\"><span style=\"text-decoration: underline;\">clic aqu&iacute;</span></span></a><span style=\"font-family: Arial,sans-serif;\"><a href=\"http://www.blancali.com/es/a/3/calendario\" target=\"_blank\"> </a>para ver el calendario de los eventos por venir.</span></span></p>\r\n<p class=\"western\" style=\"text-align: center;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-family: Arial,sans-serif;\"><img style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"http://www.blancali.com/files/image_50_image_fr.jpg\" alt=\"macadam macadam\" width=\"211\" height=\"317\" /></span><span style=\"font-family: Arial,sans-serif;\"><a href=\"http://www.blancali.com/es/event/5/macadam-macadam\" target=\"_blank\">Macadam Macadam</a> &copy; Philippe Cibille<br /></span></span></p>'),(8,7,'fr','organisation du dance mob','<p>Bonjour &agrave; tous</p>\n<h3>Deux mille F&eacute;licitations !</h3>\n<p>Le succ&egrave;s du dance mob propos&eacute; dans le cadre de la F&ecirc;te de la Danse de Blanca Li au Grand Palais est g&eacute;ant :</p>\n<p>entre le 1er septembre et le 23 septembre, plus de 1800 personnes se sont inscrites dont 800 dans les trois derniers jours et Blanca Li est ravie de tous vous accueillier pour ex&eacute;cuter la chor&eacute;graphie sous la verri&egrave;re du Grand Palais</p>\n<p>Une file sp&eacute;ciale r&eacute;serv&eacute;e aux participants du dance mob&nbsp; sera ouverte de 18h45 &agrave; 19h30 pr&eacute;cises vers le c&ocirc;t&eacute; gauche de l\'entr&eacute;e principale et signalis&eacute;e pour faciliter l\'acc&egrave;s rapide (et gratuit) au Grand Palais.</p>\n<p>Les parapluies (blancs pour les adultes, couleur pour les enfants) seront distribu&eacute;s &agrave; l\'entr&eacute;e; un T-shirt evian sera offert &agrave; ceux des participants qui le d&eacute;sirent.</p>\n<p>Malheureusement, &agrave; cause des d&eacute;lais de commande et livraison, nous ne disposons pas d\'assez de parapluies (environ 1 500) ou de T-shirts (1 000) et nous pr&eacute;voyons un &eacute;puisement du stock. Nous vous remercions d\'avance si quelques uns d\'entre vous, peuvent apporter leur propre parapluie. Vous rentrerez plus rapidement.<br />Le Dance Mob sera effectu&eacute; dans tout l\'espace du Grand Palais, deux ou trois fois &agrave; partir de 19h00 permettant aux derniers arrivants de ne pas rater la participation &agrave; l\'&eacute;v&eacute;nement.</p>\n<p>La chor&eacute;graphie du Dance Mob sera retransmise simultan&eacute;ment sur les vingt &eacute;crans vid&eacute;o g&eacute;ants qui sont r&eacute;partis dans tout le Grand Palais.</p>\n<p>Comme vous le savez,&nbsp; ce Dance Mob a suscit&eacute; l\'attention de nombreux media, des photographes de presse couvriront l\'&eacute;v&eacute;nement et des t&eacute;l&eacute;visions seront sur place pour en faire une retransmission sur leur cha&icirc;ne. <br />L\'&eacute;quipe de tournage de Blanca Li filmera le Dance Mob pour cr&eacute;er un documentaire qui t&eacute;moignera de cet &eacute;v&eacute;nement. Ce film est destin&eacute; &agrave; la communication de notre compagnie et de notre partenaire evian, sans lequel cette &eacute;dition de La F&ecirc;te de la Danse de Blanca Li au Grand Palais n\'aurait pu avoir lieu. Il sera mis en ligne sur les sites de partage vid&eacute;o habituels.</p>\n<p>&nbsp;</p>\n<p>Nous esp&eacute;rons que vous allez bien vous amuser</p>\n<p>&agrave; toute &agrave; l\'heure !</p>\n<p>l\'&eacute;quipe de Blanca Li</p>\n<h3>PS voir ici le <a href=\"http://www.blancali.com/fr/event/82/la-fete-de-la-danse\">programme complet de La F&ecirc;te de la Danse</a></h3>\n<p>Nuit clubbing \"Silent disco\"&nbsp; avec la participation de Club Sandwich<br />avec double programme sur casque sans fil :<a href=\"http://silentdisco.com/v2/\"><img style=\"float: right;\" src=\"http://www.blancali.com/files/image_115_thumbnail_fr.gif\" alt=\"\" width=\"100\" height=\"100\" /></a><br />Mr. NO dj et&nbsp; DJ Flo d\'Amsterdam ou<br /> les DJ : Teo Moss, Jidax, Dan Marciano, Michael Canitrot, French Government, Hakimakli &amp; Friends, Florian Sailer de Radio FG<br />et les Performers : Sucre d\'Orge, Isadora Gamberetti, Lida, Bruno P&eacute;r&eacute;</p>\n<p>Toutes les installations :<br />&nbsp;&eacute;crans vid&eacute;o de danses&nbsp; - sc&egrave;nes&nbsp; - yogalab<br />restent actifs pendant la nuit clubbing comme pendant le parcours !</p>'),(11,10,'fr','Newsletter Test Post 1','<p style=\"text-align: left;\">&laquo;&nbsp;Ce spectacle a surgi de mon envie de travailler avec cette nouvelle danse, appel&eacute;e Electro.<br />La premi&egrave;re fois que je l\'ai vue, il ya quelques <strong>ann&eacute;es</strong>, j\'&eacute;tais assise dans un jardin public lorsqu\'un groupe de lyc&eacute;ens est arriv&eacute; et s\'est mis &agrave; r&eacute;p&eacute;ter cette danse que je ne connaissais pas. <br />Il avait quelque chose de tr&egrave;s frais, qui ne se rencontre que dans les premiers moments d\'une danse qui n\'est pas encore arriv&eacute;e &agrave; maturit&eacute;, dans la passion cr&eacute;atrice des interpr&egrave;tes qui inventent de nouveaux mouvements avec l\'excitation de la libert&eacute;. <br /><br /></p>'),(12,11,'fr','post 2','<p>fgfdgfd</p>'),(13,12,'fr','Newsletter Test',NULL),(14,14,'fr','Newsletter Test 01',NULL),(15,11,'es','post 2','<p>hjfhjhgjdfhgjkfdhgfkd (es)</p>'),(16,15,'fr','newsletter post 2','<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Madame, Monsieur,</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">La compagnie Blanca Li est heureuse de vous pr&eacute;senter les trois principales cr&eacute;ations de sa tourn&eacute;e 2011-2012. </span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Ces trois spectacles seront pr&eacute;sents &agrave; la fois sur les sc&egrave;nes fran&ccedil;aises et internationales et nous serions ravis de pouvoir pr&eacute;senter une de ces trois oeuvres dans votre espace ainsi qu\'&agrave; votre public.</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">N\'h&eacute;sitez pas &agrave; nous contacter pour plus d\'informations sur le calendrier des tourn&eacute;es et/ou les tarifs.</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Compagnie Blanca Li</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">7 rue des Petites Ecuries</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">75010 Paris</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">01 53 34 04 05</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>&laquo; Elektro Kif &raquo; </strong></span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Pi&egrave;ce chor&eacute;graphique pour 8 danseurs \'\'&eacute;lectro\'\'</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Cr&eacute;&eacute; en d&eacute;cembre 2010. </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Dur&eacute;e : 1h10</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em> Possibilit&eacute; de repr&eacute;sentations &laquo;Jeune public&raquo;</em></span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Prochaines dates : XXX</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Avec <em>Elektro Kif</em>, la &laquo;danse &eacute;lectro&raquo; s\'affranchit de la 						performance \'\'de rue\'\' pour s\'installer sur la sc&egrave;ne d&rsquo;un 						th&eacute;&acirc;tre, au travers d&rsquo;un projet chor&eacute;graphique </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> contemporain. Une plong&eacute;e dans l\'univers de la danse urbaine, sa diversit&eacute; stylistique, soninventivit&eacute; cr&eacute;ativit&eacute; constamment renouvel&eacute;e.</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Pour acc&eacute;der au dossier de pr&eacute;sentation : cliquer ici</span></span></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>&laquo; Le Jardin des D&eacute;lices &raquo; </strong></span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Pi&egrave;ce chor&eacute;graphique pour 9 danseurs et un pianiste</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Inspir&eacute; du tableau de J&eacute;r&ocirc;me Bosch. </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Cr&eacute;&eacute;e en juin 2009 (Festival Montpellier Danse) </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Dur&eacute;e : 1h25</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> 70 repr&eacute;sentations depuis sa cr&eacute;ation. </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Prochaines dates : XXX</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em> &laquo;J&rsquo;ai toujours &eacute;t&eacute; tent&eacute;e de faire na&icirc;tre une chor&eacute;graphie de cette oeuvre, o&ugrave; 			l&rsquo;enfer se m&ecirc;le au paradis, le plaisir au vice, et le satirique &agrave; la morale (&hellip;) 			J&rsquo;ai voulu un spectacle &agrave; l&rsquo;image du tableau : plein de surprises et de </em></span></span></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em>fantaisie, sans logique apparente, noir et color&eacute;, </em><em>plein d&rsquo;&eacute;nergie, d&rsquo;ironie et d&rsquo;humour&raquo;. </em>Blanca Li</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Pour acc&eacute;der au dossier de pr&eacute;sentation : cliquer ici</span></span></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>Macadam Macadam</strong></span></span></p>\r\n<p><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Spectacle chor&eacute;graphique et musical pour 11 danseurs 						hip hop, rollers et biker</span></span></strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> </span></span></p>\r\n<p><em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Globe de Cristal 2007 du Meilleur spectacle dans la 						cat&eacute;gorie Op&eacute;ra/Danse.</span></span></em></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Cr&eacute;&eacute; en janvier </span></span><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">1999</span></span></strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> au Festival Suresnes Cit&eacute; Danse. </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong> Nouvelle version cr&eacute;&eacute;e au GREC 2011 &agrave; Barcelone 						avec des danseurs espagnols.</strong></span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Dur&eacute;e&nbsp;: 70 mn.</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> XXX repr&eacute;sentations depuis sa cr&eacute;ation.</span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Prochaines dates : </span></span></p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Macadam Macadam fait se c&ocirc;toyer les rythmes hip-hop et le music-hall, la danse et le roller, le bike et l&rsquo;acrobatie, allie l&rsquo;univers urbain de la g&eacute;n&eacute;ration &laquo;&nbsp;street culture&nbsp;&raquo; et la cr&eacute;ation contemporaine.</span></span></p>\r\n<p><em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">&laquo;&nbsp;Pour faire revivre ce spectacle, il fallait aussi lui insuffler une nouvelle &eacute;nergie et l&rsquo;enrichir de nouveaux apports en tenant compte de l&rsquo;&eacute;volution de la &laquo;&nbsp;street culture&nbsp;&raquo; et de ses formes d&rsquo;expression constamment r&eacute;invent&eacute;es. J&rsquo;ai r&eacute;uni une nouvelle &eacute;quipe associant des danseurs pr&eacute;sents lors de la cr&eacute;ation et des nouveaux venus. J&rsquo;ai aussi renouvel&eacute; certains aspects de la chor&eacute;graphie tant pour les solos que pour les mouvements de groupe. Ce que j&rsquo;ai cherch&eacute;, ce n&rsquo;est pas &agrave; mettre l&rsquo;accent sur la virtuosit&eacute; des danseurs, tous excellents, mais &agrave; privil&eacute;gier la rencontre de styles et de personnalit&eacute;s tr&egrave;s contrast&eacute;s&raquo;.</span></span></em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"> Blanca Li</span></span></p>\r\n<p>&nbsp;</p>\r\n<p><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Pour acc&eacute;der au dossier de pr&eacute;sentation : cliquer ici</span></span></p>\r\n<p>et voici mon chien</p>'),(9,9,'fr','Formulaire NON',''),(10,8,'fr','Formulaire OUI','<p>Formulaire &agrave; remplir, signer et renvoyer accompagn&eacute; d\'une photo &agrave; Blanca Li 7 rue des Petites Ecuries 75010 PARIS<br />(ou a renvoyer scann&eacute; par email avec photo en pi&egrave;ce jointe &agrave; production@blancali.com)</p>\r\n<p>&nbsp;</p>\r\n<p>Je soussign&eacute; <br />(Nom et pr&eacute;nom) <br /><br />domicili&eacute;<br />(adresse compl&egrave;te)</p>\r\n<p>&nbsp;</p>\r\n<p>repr&eacute;sentant l&eacute;gal du(des) mineur(s) (le cas &eacute;ch&eacute;ant)<br />(Nom(s), pr&eacute;nom(s) et &acirc;ge(s)) - (ne pas oublier de joindre une photo de chacun aussi !)</p>\r\n<p>&nbsp;</p>\r\n<p>donne mon consentement &agrave; l\'exploitation des images photographi&eacute;es ou film&eacute;es de ma personne<br />le cas &eacute;ch&eacute;ant : et des mineurs que je repr&eacute;sente<br />dans le cadre de la manifestation publique \"La F&ecirc;te de la Danse au Grand Palais\"</p>');

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INSERT INTO `page_i18n` VALUES (2,2,'fr','Biographie','<table style=\"width: 550px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td valign=\"top\" width=\"280px\">\r\n<p><img title=\"&copy;Ali Mahdavi 2011\" src=\"/files/image_111_image_fr.jpg\" alt=\"portrait de Blanca Li\" width=\"263px\" height=\"395px\" /></p>\r\n<p><em><span style=\"font-size: x-large;\">&ldquo;Une talentueuse<br />touche-&agrave;-tout&rdquo;</span></em></p>\r\n</td>\r\n<td width=\"270px\">\r\n<p>Blanca Li est chor&eacute;graphe, r&eacute;alisatrice de films, danseuse et com&eacute;dienne. Que ce soit pour sa compagnie, des &eacute;v&eacute;nements, une mise en sc&egrave;ne d&rsquo;op&eacute;ra, un film long m&eacute;trage ou une installation mus&eacute;ographique, elle invente et r&eacute;alise une multitude de projets : &laquo; J&rsquo;aime donner vie &agrave; tout ce que j&rsquo;ai en t&ecirc;te. &raquo; Adepte de nouveaut&eacute;, de m&eacute;tissages, et en constant renouvellement, elle prend ses sources d&rsquo;inspiration dans une large palette d&rsquo;expressions, depuis le flamenco au ballet classique en passant par les danses urbaines. Avec Blanca Li, tout d&eacute;bute et se termine dans l&rsquo;&eacute;nergie du mouvement et de la danse.</p>\r\n<p>N&eacute;e &agrave; Grenade (Espagne), elle devient gymnaste (GRS) dans l&rsquo;&eacute;quipe nationale &agrave; douze ans. &Agrave; dix-sept ans, elle part &agrave; New York o&ugrave; elle &eacute;tudie pendant cinq ans &agrave; l&rsquo;&eacute;cole de Martha Graham, tout en fr&eacute;quentant les &eacute;coles d&rsquo;Alvin Ailey, de Paul Sanasardo ou encore le Clark Center. Habitant Spanish Harlem, elle vit au quotidien la naissance du hip-hop, cr&eacute;ant au passage un groupe de flamenco-rap, las Xoxonees. De retour en Espagne, elle cr&eacute;e &agrave; Madrid sa premi&egrave;re compagnie de danse contemporaine, laquelle est s&eacute;lectionn&eacute;e pour le programme de l&rsquo;Exposition universelle de S&eacute;ville.</p>\r\n<p>La compagnie<br />&Eacute;tablie en France depuis 1992, Blanca Li fonde en 1993 sa compagnie &agrave; Paris, inscrivant depuis de nombreuses cr&eacute;ations &agrave; son r&eacute;pertoire. D&egrave;s 1998, elle ouvre ses propres studios de danse &agrave; Paris (les studios Calentito). La fusion entre les disciplines et les genres est fr&eacute;quente dans ses cr&eacute;ations, ainsi qu&rsquo;un sens de l&rsquo;humour tr&egrave;s latin (Alarme, Stress, Salom&eacute;). Macadam Macadam, spectacle chor&eacute;graphique hip-hop, ouvre en 1999 le Festival Suresnes Cit&eacute;s Danses. D&rsquo;Avignon aux USA en passant par l&rsquo;Op&eacute;ra-Comique de Paris, ce spectacle devient la r&eacute;f&eacute;rence du genre et re&ccedil;oit le Globe de Cristal 2007 dans la cat&eacute;gorie Meilleur op&eacute;ra/ballet. Son one-woman show Zap ! Zap ! Zap ! (1999) est pr&eacute;sent&eacute; notamment &agrave; Chaillot, puis &agrave; New York dans le cadre du festival France Moves. Elle aborde avec sa compagnie des th&egrave;mes tr&egrave;s vari&eacute;s, depuis les c&eacute;r&eacute;monies de transe des Gnawa de Marrakech (Nana et Lila, 1993), en passant par l&rsquo;art grec ancien (Le Songe du Minotaure, 1998), la folie du monde contemporain dans le contexte des attentats du 11 septembre 2001 (Borderline, 2002), les po&egrave;mes de Federico Garcia Lorca (Poeta en Nueva York, 2007) ou l&rsquo;&oelig;uvre de J&eacute;r&ocirc;me Bosch avec Le Jardin des d&eacute;lices, (2009) en ouverture du Festival Montpellier Danse. Coraz&oacute;n Loco (2007) m&ecirc;le aux danseurs de la compagnie les chanteurs lyriques de l&rsquo;Ensemble vocal Sequenza 9.3, sur une cr&eacute;ation musicale contemporaine d\'Edith Canat de Chizy. Pas &agrave; Pas, son second film pour le cin&eacute;ma est un documentaire sur le processus de cr&eacute;ation de ce spectacle. Elektro Kif (2010) met sur sc&egrave;ne pour la premi&egrave;re fois le style &eacute;lectro, une nouvelle danse urbaine n&eacute;e en banlieue parisienne dans les ann&eacute;es 2000 et qui conquiert le monde avec sa gestuelle ultra rapide et sophistiqu&eacute;e. ROBOT!, cr&eacute;&eacute; pour le Festival Montpellier Danse 2013 en collaboration avec les artistes japonais du collectif Maywa Denki et les robots NAO d&rsquo;Aldebaran Robotics, triomphe partout dans le monde depuis 2013 &agrave; l&rsquo;instar de D&eacute;esses &amp; D&eacute;mones, dans laquelle elle partage la sc&egrave;ne avec l&rsquo;&eacute;toile du Bolcho&iuml;, Maria Alexandrova.&nbsp;</p>\r\n<p>En 2017, la Compagnie Blanca Li pr&eacute;sente Solstice, une cr&eacute;ation habit&eacute;e et puissante sur la nature et les &eacute;l&eacute;ments au Th&eacute;&acirc;tre National de Chaillot. En 2018, elle pr&eacute;sente Elektrik, un nouveau spectacle de danse &eacute;lectro, au Festival Suresnes Cit&eacute;s Danse.</p>\r\n<p>Blanca Li cr&eacute;e, &agrave; l\'automne 2021 &agrave; Chaillot Le Bal de Paris de Blanca Li, un spectacle immersif original int&eacute;grant spectateurs et danseurs pour un bal qui se d&eacute;roule dans un univers en r&eacute;alit&eacute; virtuelle. Ce spectacle re&ccedil;oit le Lion de la meilleure exp&eacute;rience VR au Festival International du Film de Venise et est jou&eacute; au Palace de novembre 2021 &agrave; mars 2022.&nbsp;</p>\r\n<p>Casse Noisette de Blanca Li pour 8 danseurs de hip hop espagnols est cr&eacute;&eacute; &agrave; Suresnes Cit&eacute;s Danse en f&eacute;vrier 2022.&nbsp;</p>\r\n<p>Biographie d&eacute;taill&eacute;e ci-dessous (.pdf)<br /><br /></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p>&nbsp;</p>',''),(3,3,'fr','Prix & distinctions','<h3>Distinctions individuelles</h3>\r\n<p><strong>France</strong></p>\r\n<p>Membre &eacute;lue &agrave; l\'Acad&eacute;mie des Beaux-Arts (2019)<br />Chevalier de la L&eacute;gion d\'Honneur (promotion du 14 juillet 2014)<br />Officier des Arts et des Lettres (Minist&egrave;re de la Culture, 2007). <br />Chevalier de l&rsquo;Ordre national du M&eacute;rite (Minist&egrave;re des Affaires Europ&eacute;ennes, 2004).</p>\r\n<p><strong>Espagne<br /></strong>Directrice artistique des Teatros del Canal (2019)<strong><br /></strong>M&eacute;daille d&rsquo;Or du M&eacute;rite de la Ville de Grenade (2013)</p>\r\n<p>M&eacute;daille d\'Or du M&eacute;rite des Beaux-Arts (2009) <br />Le Roi d&rsquo;Espagne remet chaque ann&eacute;e cette distinction sur proposition du Ministre de la Culture &agrave; une vingtaine de personnalit&eacute;s &eacute;minentes de la culture et des arts.</p>\r\n<p>Prix Manuel de Falla (2004) <br />Remis par le Ministre de la Culture d&rsquo;Andalousie. <br />Attribu&eacute; &agrave; l&rsquo;unanimit&eacute; du jury, pour <em>&laquo;&nbsp;sa contribution innovatrice &agrave; la danse contemporaine, en reconnaissance de sa trajectoire professionnelle de cr&eacute;ation et de diffusion de la culture andalouse au niveau international&nbsp;&raquo;</em>.</p>\r\n<h3>Pi&egrave;ces chor&eacute;graphiques</h3>\r\n<p>&laquo;&nbsp;Poeta en Nueva York&nbsp;&raquo; (2007) <br /><a href=\"http://www.premiosmax.net/\" target=\"_blank\">Premio Max </a> de la Meilleure chor&eacute;graphie, f&eacute;vrier 2008 <br />(&eacute;quivalent en Espagne des Moli&egrave;re en France ou des Tony awards aux USA)</p>\r\n<p>&laquo;&nbsp;Macadam Macadam&nbsp;&raquo; (1999/2006) <br /><a href=\"http://www.globesdecristal.com/\" target=\"_blank\">Globe de Cristal</a> du meilleur spectacle dans la cat&eacute;gorie Op&eacute;ra /Danse, f&eacute;vrier 2007 <br />(prix d&eacute;cern&eacute; par un panel de 3000 journalistes de la presse fran&ccedil;aise &eacute;crite et t&eacute;l&eacute;visuelle)</p>\r\n<p>&laquo;&nbsp;Nana et Lila&nbsp;&raquo; (1993) <br />Prix \"Public Off\" du meilleur spectacle de danse au Festival d&rsquo;Avignon Off 1993.</p>\r\n<h3>Films</h3>\r\n<p><strong>Le D&eacute;fi</strong> (2002, long-m&eacute;trage) <br />Prix du Public au festival du Cin&eacute;ma de Toronto &ndash; Canada. <br /><em>Les principaux festivals internationaux dans lesquels le film a &eacute;t&eacute; s&eacute;lectionn&eacute;&nbsp;:</em> <br />Constallation Dance Screen Festival, Londres &ndash; Grande-Bretagne (2003) <br />Festival du film fran&ccedil;ais au &ldquo;Museum of Fine Arts&rdquo;, Boston - USA <br />Festival du Cin&eacute;ma, Toronto - Canada <br />Festival du Nouveau Cin&eacute;ma fran&ccedil;ais, Chicago - USA (2003) <br />Tribeca International Film Festival, New York - USA (2004) <br />Cin&eacute;ma Paradise, Honolulu, Hawa&iuml; &ndash; USA (2004) <br />Imago Film Festival, Lisbonne- Portugal (2004) <br />Dance on Screen, The place, Londres &ndash; Grande-Bretagne (2004)</p>\r\n<p><strong>Angoisse</strong> (1998, court-m&eacute;trage) <br />Prix du public au Festival europ&eacute;en du court-m&eacute;trage de Brest (1999). <br />Prix Fuji Film au Festival de court-m&eacute;trage de Grenoble (1999). <br />Prix du Meilleur court-m&eacute;trage et Prix du Public au Festival de Films de Femmes de Cr&eacute;teil (2000).</p>',''),(4,4,'fr','Institutionnel','<p>Centre chor&eacute;graphique national de Cr&eacute;teil et du Val-de-Marne<br />Mourad Merzouki directeur, Blanca Li artiste associ&eacute;</p>\r\n<div class=\"texte\">\r\n<p><strong>Communiqu&eacute; du Minist&egrave;re de la Culture (23 juin 2009)</strong></p>\r\n<p>En accord avec la ville de Cr&eacute;teil et le d&eacute;partement du Val-de-Marne, Christine Albanel, ministre de la Culture et de la Communication, a le plaisir d&rsquo;annoncer la nomination du chor&eacute;graphe Mourad Merzouki &agrave; la direction du Centre chor&eacute;graphique national de Cr&eacute;teil et du Val-de-Marne.</p>\r\n<p>Mourad Merzouki succ&egrave;de &agrave; la direction de la structure aux chor&eacute;graphes Jos&eacute; Montalvo et Dominique Hervieu, nomm&eacute;s l&rsquo;an dernier &agrave; la t&ecirc;te du Th&eacute;&acirc;tre national de Chaillot. Il d&eacute;veloppera &agrave; Cr&eacute;teil un projet artistique ouvert sur le monde et sur la pluralit&eacute; des langages chor&eacute;graphiques. La chor&eacute;graphe Blanca Li est d&eacute;sign&eacute;e artiste associ&eacute;e.</p>\r\n<p>Chor&eacute;graphe-phare de l&rsquo;esth&eacute;tique hip-hop, Mourad Merzouki est actuellement directeur artistique de la compagnie K&auml;fig et a contribu&eacute; au d&eacute;veloppement de cette danse en Rh&ocirc;ne-Alpes par le festival Karavel et le projet d&rsquo;un lieu-fabrique. Depuis 1996, ses pi&egrave;ces chor&eacute;graphiques ont permis de faire entendre la parole de la danse hip-hop sur toutes les sc&egrave;nes fran&ccedil;aises, et dans de tr&egrave;s nombreux th&eacute;&acirc;tres et festivals du monde entier.</p>\r\n<p>Chor&eacute;graphe plus europ&eacute;enne qu&rsquo;espagnole, Blanca Li a d&eacute;velopp&eacute; une carri&egrave;re &eacute;clectique entre danse, th&eacute;&acirc;tre et cin&eacute;ma. En r&eacute;sidence, elle collaborera au projet artistique du Centre chor&eacute;graphique national de Cr&eacute;teil et du Val de Marne.</p>\r\n<p><a href=\"/fr/e/72/residence-ccn\">La r&eacute;sidence de Blanca Li au CNN de Cr&eacute;teil</a></p>\r\n</div>',NULL),(5,5,'fr','Répertoire','<p>Blanca Li a cr&eacute;&eacute; en 1993 sa Compagnie de danse contemporaine &agrave; Paris, inscrivant depuis dix-sept pi&egrave;ces chor&eacute;graphiques &agrave; son r&eacute;pertoire.<br />Elle renouvelle ses sources d\'inspirations&nbsp; &agrave; chaque cr&eacute;ation, recrutant souvent une &eacute;quipe de cr&eacute;ation et d\'interpr&egrave;tes sp&eacute;cifiquement pens&eacute;e pour chacun des spectacles.</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_13_image_fr.jpg\" alt=\"nana et lila\" width=\"199\" height=\"138\" /><br /><br />1993 <a href=\"/fr/event/13/nana-et-lila\" target=\"_blank\">Nana et Lila</a>, Festival Trans Europe Express (Berlin) et Avignon off.</p>\r\n<p>Cr&eacute;&eacute; en avant-premi&egrave;re &agrave; l&rsquo;Exposition Universelle de S&eacute;ville en 1992, c&rsquo;est un spectacle en deux parties, pour neuf danseuses contemporaines et cinq musiciens Gnawa du Maroc. Pour Nana, j&rsquo;ai voulu transmettre l&rsquo;essence du flamenco tel que je le pratique, mais &agrave; travers une &eacute;criture compl&egrave;tement moderne. Au moment o&ugrave; j&rsquo;ai chor&eacute;graphi&eacute; cette partie, ma vie professionnelle &eacute;tait tellement stressante que j&rsquo;ai cherch&eacute; en contrepoint &agrave; installer dans cette pi&egrave;ce un peu de paix et de rigueur.<br />Lila est n&eacute;e d&rsquo;une invitation &agrave; r&eacute;aliser une cr&eacute;ation au Maroc en 1986. J&rsquo;y ai d&eacute;couvert la musique des gnawa pour ce premier spectacle. Devenue tr&egrave;s proche d&rsquo;eux, j&rsquo;ai voulu mettre en sc&egrave;ne les sensations qui &eacute;taient miennes lors des transes dans les Lilas : les femmes qui &eacute;clataient en sanglots, en cris ou en rires ; qui dansaient toute la nuit jusqu\'&agrave; l\'&eacute;puisement. Des moments de lib&eacute;ration o&ugrave; les sentiments les plus intimes jaillissaient de mani&egrave;re incontr&ocirc;l&eacute;e. C\'&eacute;tait le m&ecirc;me &eacute;panchement spontan&eacute; et massif d\'&eacute;nergie &eacute;motionnelle que j\'avais v&eacute;cu sur sc&egrave;ne en dansant le flamenco, mais dans un contexte totalement diff&eacute;rent. Sur sc&egrave;ne, la complicit&eacute; entre danseuses et musiciens est totale.<br />Ce spectacle regroupe deux esprits diff&eacute;rents : le premier, tr&egrave;s int&eacute;rieur, tr&egrave;s dur, avec beaucoup de retenue, alors que dans le second, l&rsquo;&eacute;nergie explose, le corps se vide. Il refl&egrave;te deux fa&ccedil;ons de danser et d\'arriver aux m&ecirc;mes extr&ecirc;mes. C&rsquo;est ce contraste qui m&rsquo;int&eacute;resse.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_11_image_fr.jpg\" alt=\"Salome\" width=\"199\" height=\"199\" /><br /><br />1995 <a href=\"/fr/event/11/salome\" target=\"_blank\">Salom&eacute;</a>, Quartz de Brest.</p>\r\n<p>C&rsquo;est un cocktail explosif de musique classique live, th&eacute;&acirc;tre dans&eacute; et ballet, sans n&eacute;gliger l&rsquo;&eacute;nergie du cabaret.<br />Aux sources du travail, il y a bien s&ucirc;r une multiplicit&eacute; d&rsquo;&oelig;uvres, de la Bible &agrave; Wilde, en passant par Flaubert, Mallarm&eacute; ou Huysmans, mais aussi Strauss, Gustave Moreau et Beardsley. Le personnage de Salom&eacute; me fascine depuis plusieurs ann&eacute;es car au-del&agrave; du clich&eacute; l&rsquo;associant &agrave; la s&eacute;duction ou au meurtre, c&rsquo;est aussi une tr&egrave;s jeune fille qui devient femme au terme d&rsquo;une exp&eacute;rience d&rsquo;une violence inou&iuml;e.<br />J&rsquo;ai souhait&eacute; mettre en sc&egrave;ne son aspect universel et terriblement contemporain &agrave; travers les diverses Salom&eacute; de ma chor&eacute;graphie. Chacune repr&eacute;sente un aspect particulier du personnage et de la femme en g&eacute;n&eacute;ral, en accord avec la personnalit&eacute; de chaque danseuse. Cette diversit&eacute; de Salom&eacute; est reprise au niveau des techniques employ&eacute;es. Il s&rsquo;agit bien s&ucirc;r de danse contemporaine, t&eacute;moin de l&rsquo;actualit&eacute; du th&egrave;me. J&rsquo;utilise cependant beaucoup les techniques flamencas pour leur sensualit&eacute;, leur violence et leur aspect dramatiques. Enfin, j&rsquo;ai choisi les techniques du cirque, et plus particuli&egrave;rement de la corde, pour leur douceur a&eacute;rienne, leur l&eacute;g&egrave;ret&eacute; mais aussi leur caract&egrave;re universel et intemporel.<br />Il en va de m&ecirc;me pour la musique. K&oelig;chlin m&rsquo;a sembl&eacute; servir parfaitement mon propos, car il s&rsquo;agit d&rsquo;un compositeur du d&eacute;but du si&egrave;cle mais extr&ecirc;mement moderne. Il aimait la musique comme un mode d&rsquo;exp&eacute;rience et d&rsquo;exploration, ce qui est un peu ma fa&ccedil;on d&rsquo;envisager la danse. Enfin, il y a dans son &oelig;uvre une bonne part d&rsquo;&eacute;nergie et de gaiet&eacute;, &eacute;l&eacute;ments importants du personnage de Salom&eacute;, trop souvent repr&eacute;sent&eacute;e selon moi, sous son seul aspect dramatique.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_10_image_fr.jpg\" alt=\"Stress\" width=\"199\" height=\"204\" /><br /><br />1997 <a href=\"/fr/event/10/stress\">Stress</a> - P&egrave;te pas les plombs, Th&eacute;&acirc;tre Jean Vilar de Suresnes.</p>\r\n<p>Cr&eacute;&eacute; en janvier 1997 au Th&eacute;&acirc;tre de Suresnes Jean Vilar, ce spectacle pour huit danseuses com&eacute;diennes s\'inspire de l&rsquo;utilisation d&eacute;tourn&eacute;e et paradoxale d&rsquo;objets urbains familiers. <br />Les danseuses &eacute;voluent dans un d&eacute;cor strictement urbain et en utilisent / affrontent les rep&egrave;res dans une tension grandissante r&eacute;solue par une all&egrave;gre folie. Peu &agrave; peu, l&rsquo;espace a priori contraignant devient extr&ecirc;mement ludique.<br />On retrouve ici l&rsquo;&eacute;nergie propre aux cr&eacute;ations de Blanca Li ainsi que son go&ucirc;t de la d&eacute;rision. La danse joue un r&ocirc;le essentiel mais l&rsquo;emprunt &agrave; d&rsquo;autres genres en fait, comme toujours chez cette chor&eacute;graphe, un spectacle difficilement classable, se jouant des cat&eacute;gories.<br />Ce spectacle est d&eacute;di&eacute; aux compagnies de danse ou aux artistes priv&eacute;s de moyens, confront&eacute;s chaque jour &agrave; des contraintes extr&ecirc;mes, et qui au lieu de d&eacute;sesp&eacute;rer, parviennent &agrave; tirer parti de l\'absurdit&eacute; de leur situation pour y trouver la source de leur inspiration: \"P&egrave;te pas les plombs\".</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_7_image_fr.jpg\" alt=\"Minotaure\" width=\"199\" height=\"149\" /><br /><br />1998 <a href=\"/fr/event/7/le-songe-du-minotaure\">Le Songe du Minotaure</a>, Biennale de la danse de Lyon.</p>\r\n<p>Au d&eacute;part, j&rsquo;ai eu l&rsquo;envie de faire une pi&egrave;ce chor&eacute;graphi&eacute;e, de danse pure, mettant en valeur la beaut&eacute; des corps presque nus.<br />C&rsquo;est naturellement la statuaire classique de la Gr&egrave;ce antique qui m&rsquo;a guid&eacute;e dans mon inspiration.<br />En y cherchant les images, les mouvements, j&rsquo;ai trouv&eacute; les mythes, les h&eacute;ros, une approche d&eacute;sinhib&eacute;e de la nature et du sexe, de la philosophie, de l&rsquo;humour, et surtout l&rsquo;esth&eacute;tique, le sens de la beaut&eacute; &agrave; la racine de toute cr&eacute;ation.<br />J&rsquo;ai ensuite tiss&eacute; plusieurs th&egrave;mes qui m&rsquo;ont inspir&eacute;e, le Minotaure et les rituels animaliers cr&eacute;tois de Cnossos, Narcisse, Pygmalion, les Amazones, Ath&eacute;na, les frises des temples et de la c&eacute;ramique grecque, les festivit&eacute;s dionysiaques, l&rsquo;amour, la guerre, la naissance olympique du sport.<br />Pour l&rsquo;atmosph&egrave;re, j&rsquo;ai aussi fait appel &agrave; mes souvenirs de paysages m&eacute;diterran&eacute;ens, &agrave; la lumi&egrave;re aveuglante du midi, au son des cigales et du vent dans les pins.<br />Pour sa puret&eacute; et son &eacute;l&eacute;gance, le blanc a &eacute;t&eacute; choisi pour les costumes et le d&eacute;cor. Pour la musique, j&rsquo;ai retrouv&eacute; dans l&rsquo;&oelig;uvre de certains compositeurs classiques et modernes l&rsquo;inspiration hell&eacute;nique qui a influenc&eacute; tant de talents contemporains (Satie, Debussy, Faur&eacute;, Ravel, K&oelig;chlin, Ted Shawn, Nijinski, Martha Graham, etc.).</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_9_image_fr.jpg\" alt=\"Zap zap zap\" width=\"199\" height=\"131\" /><br /><br />1999-2001 <a href=\"/fr/event/9/zap-zap-zap\" target=\"_blank\">Zap&nbsp;! Zap&nbsp;! Zap&nbsp;!</a> (One woman show), Maison de la Musique de Nanterre, Th&eacute;&acirc;tre de Nice, Th&eacute;&acirc;tre National de Chaillot, Festival France Moves de New York.</p>\r\n<p>Seule en sc&egrave;ne. Et pourtant tellement entour&eacute;e... Pour mettre un terme &agrave; la monotonie des spectacles &ldquo;&nbsp;vus &agrave; la t&eacute;l&eacute;&nbsp;&rdquo;, Blanca Li invite la t&eacute;l&eacute; sur sc&egrave;ne. Une pl&eacute;&iuml;ade d&rsquo;artistes, de l&rsquo;actualit&eacute; vraie, des interviews r&eacute;tives &agrave; la langue de bois, de l&rsquo;humour et de l&rsquo;humeur : ZAP! ZAP! ZAP! est un show t&eacute;l&eacute;sc&eacute;nique &agrave; l&rsquo;usage d&rsquo;une nouvelle g&eacute;n&eacute;ration de t&eacute;l&eacute;phages : les spectateurs.<br />Du retour d&rsquo;Hilda White, l&rsquo;&eacute;g&eacute;rie des sixties &agrave; l&rsquo;arriv&eacute;e de Cher Holliday de retour des Oscars, la pr&eacute;sentatrice Mona Dor&eacute;e, que tant de num&eacute;ros d&eacute;passent, tente d&rsquo;organiser une &eacute;mission de vari&eacute;t&eacute;s o&ugrave; Edith Search se prend les socquettes dans les arcanes de la danse contemporaine tandis que Scalopina Irma, la diva milanaise, nous balance un aria d&eacute;jant&eacute;. Les num&eacute;ros s&rsquo;emballent, flamenco, GRS, chanson fran&ccedil;aise, jusqu&rsquo;au moment o&ugrave; ... mais c&rsquo;est le charme du direct.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_5_image_fr.jpg\" alt=\"Macadam\" width=\"199\" height=\"133\" /><br /><br />1999 <a href=\"/fr/event/5/macadam-macadam\" target=\"_blank\">Macadam, Macadam,</a> Festival Suresnes Cit&eacute; Danse (recr&eacute;&eacute; en 2006 puis en 2011)</p>\r\n<p>Domin&eacute; par une rampe de roller, l&rsquo;univers de Macadam Macadam est celui de la rue, de la jeune g&eacute;n&eacute;ration &laquo;&nbsp;street culture&nbsp;&raquo;, qui s&rsquo;&eacute;clate dans une vari&eacute;t&eacute; de pratiques de glisse urbaine comme le skate, le roller, le bike, et se retrouve autour de nouvelles musiques et danses, sans cesse renouvel&eacute;es et r&eacute;invent&eacute;es. Talentueuse touche &agrave; tout, la curiosit&eacute; toujours en &eacute;veil, la chor&eacute;graphe espagnole Blanca Li fait se c&ocirc;toyer les rythmes hip-hop et le music-hall, la danse et le roller, le bike et l&rsquo;acrobatie. Allier hip-hop et cr&eacute;ation contemporaine, proposer une vision pleine de sensibilit&eacute; et d&rsquo;humour, pour que les artistes nous transportent par leur formidable &eacute;nergie et leur authentique plaisir de danser. <br />A l&rsquo;heure o&ugrave; le hip-hop, apr&egrave;s un travail d&rsquo;int&eacute;gration &agrave; la sc&egrave;ne effectu&eacute; depuis 10 ans, trouve sa pleine maturit&eacute; dans l&rsquo;expression, Macadam Macadam est rapidement devenu une r&eacute;f&eacute;rence du genre.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_8_image_fr.jpg\" alt=\"borderline\" width=\"199\" height=\"149\" /><br /><br />2002 <a href=\"/fr/event/8/borderline\" target=\"_blank\">Borderline</a>, Maison des Arts et de la Culture de Cr&eacute;teil.</p>\r\n<p>Au centre des recherches de l&rsquo;&eacute;quipe cr&eacute;atrice de BORDERLINE se trouvent les situations qui interpellent notre conscience au sein du flot continu d&rsquo;images et d&rsquo;informations g&eacute;n&eacute;r&eacute; par notre soci&eacute;t&eacute; moderne. L\'&eacute;quipe a travaill&eacute; sur le th&egrave;me des fronti&egrave;res au sens le plus large, en s\'appliquant notamment &agrave; transgresser avec humour la limite entre normalit&eacute; et folie.<br />Borderline se veut un reflet ludique et parfois grin&ccedil;ant des exc&egrave;s de la soci&eacute;t&eacute; moderne. Le spectacle interroge avec distance et d&eacute;rision notre tol&eacute;rance &agrave; la schizophr&eacute;nie g&eacute;n&eacute;rale du monde d\'aujourd\'hui, notamment au lendemain des attaques sur le world trade center de NY en septembre 2001.<br />La chor&eacute;graphie elle-m&ecirc;me se d&eacute;veloppe &agrave; partir des contraintes impos&eacute;es par les objets cr&eacute;&eacute;s par Jorge et Lucy Orta. D&egrave;s l\'&eacute;criture, la cr&eacute;ation des accessoires et des mouvements s\'est faite simultan&eacute;ment. Le th&egrave;me de la contrainte est d&eacute;clin&eacute; transversalement au cours des tableaux de ce spectacle total, structurant aussi bien la mati&egrave;re que le corps, et rythm&eacute; par des situations &agrave; la fois r&eacute;flectives et burlesques.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_12_image_fr.jpg\" alt=\"al andalus\" width=\"199\" height=\"129\" /><br /><br />2004 <a href=\"/fr/event/12/al-andalus-lamour-sorcier\" target=\"_blank\">Al Andal&uacute;s</a>, ballet en trois parties (Nana, Canciones Populares, l&rsquo;Amour Sorcier),Op&eacute;ra de Massy et Festival International de Grenade.</p>\r\n<p>C&rsquo;est une cr&eacute;ation tr&egrave;s personnelle, qui est comme un concentr&eacute; de ma relation avec l&rsquo;Andalousie, et avec le flamenco, cette musique et cette danse avec lesquelles j&rsquo;ai grandi. J&rsquo;ai beaucoup voyag&eacute; et mon travail a des sources d&rsquo;inspiration tr&egrave;s vari&eacute;es, puis&eacute;es un peu partout, de Martha Graham aux Gnawas de Marrakech, y compris dans les autres arts. Mais le flamenco revient presque toujours dans mes chor&eacute;graphies. Sa pr&eacute;sence s&rsquo;impose. C&rsquo;est comme un besoin de toujours revenir &agrave; cette partie de moi qui correspond &agrave; mon enfance, de retourner constamment aux sources m&ecirc;mes de mon amour de la danse. Les pi&egrave;ces &agrave; g&eacute;om&eacute;trie variable qui composent Al Andalus sont comme les multiples facettes des visions que m&rsquo;a inspir&eacute;es le flamenco &agrave; diff&eacute;rents moments de ma vie. Elles racontent beaucoup de moi.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_6_image_fr.jpg\" alt=\"alame\" width=\"199\" height=\"133\" /><br /><br />2004 <a href=\"/fr/event/6/alarme\" target=\"_blank\">Alarme</a>, Biennale internationale de la Danse de Lyon. Une succession de vignettes, des instantan&eacute;s de vie, un collage d&rsquo;&eacute;motions. La vie &hellip; comme un film.</p>\r\n<p>Blanca Li s&rsquo;adonne cette fois &agrave; la forme de pi&egrave;ces courtes, composant une mosa&iuml;que de petites histoires, des courts m&eacute;trages chor&eacute;graphi&eacute;s. <br />La chor&eacute;graphe puise son inspiration dans des instants, des images, des objets, des histoires, des musiques, des morceaux d&rsquo;actualit&eacute;, toutes ces rencontres impr&eacute;visibles qui font le tissu de sa vie quotidienne. <br />Quelques unes de ces id&eacute;es donnent ici naissance &agrave; des pi&egrave;ces ayant comme titre &eacute;vocateur Doblepaso, Alarme, Pochette Surprise&hellip;<br />La dur&eacute;e de ces pi&egrave;ces, tout comme leur forme (solos, duos, trios, chor&eacute;graphies de groupes&hellip;) refl&egrave;tent la l&eacute;g&egrave;ret&eacute;, la bri&egrave;vet&eacute; de ces flashes d&rsquo;inspiration. <br />Instants &eacute;ph&eacute;m&egrave;res transcrits avec humour, po&eacute;sie ou &eacute;nergie, ils r&eacute;pondent au besoin de donner libre cours &agrave; l&rsquo;inspiration vagabonde de la chor&eacute;graphe en dehors des contraintes d&rsquo;une dur&eacute;e impos&eacute;e.<br />De mani&egrave;re inhabituelle, Blanca Li avoue se sentir plus positive aujourd&rsquo;hui. &laquo;J&rsquo;ai envie de vivre&raquo;. De fait, le titre &laquo;&nbsp;Alarme&nbsp;&raquo;, v&eacute;cu &agrave; l&rsquo;origine comme une panique, une sensation d&rsquo;urgence face au monde en danger s&rsquo;est modifi&eacute;, les angles et les pointes se sont adoucis, arrondis. &laquo;J&rsquo;ai envie de me souvenir des belles choses&raquo;.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/image_380_image_fr.jpg\" alt=\"corazon loco\" width=\"199\" height=\"133\" /><br /><br />2007 <a href=\"/fr/event/4/corazon-loco\" target=\"_blank\">Coraz&oacute;n Loco</a>, Odyssud (Blagnac) et Th&eacute;&acirc;tre National de Chaillot &agrave; Paris.</p>\r\n<p>Coraz&oacute;n Loco permet &agrave; Blanca Li de renouer aussi avec le monde du chant apr&egrave;s ses d&eacute;buts chor&eacute;graphiques &agrave; l&rsquo;Op&eacute;ra de Paris. &laquo;&nbsp;Je voudrais pour cette cr&eacute;ation que le travail sur le corps et la voix ne fasse qu&rsquo;un. R&eacute;unissant danseurs et chanteurs, nous explorerons r&eacute;ciproquement les univers de chacun&nbsp;&raquo;, dit la belle Li. S&rsquo;inspirant du th&egrave;me universel de l&rsquo;amour, &laquo;&nbsp;source in&eacute;puisable de beaut&eacute;, sensualit&eacute; et fantaisie&nbsp;&raquo;, la chor&eacute;graphe a ralli&eacute; sur sc&egrave;ne une &eacute;quipe de six danseurs, huit chanteurs, l&rsquo;ensemble vocal Sequenza 9.3 sous la direction de Catherine Simonpietri, et une percussionniste. Quant &agrave; la partition originale d&rsquo;&Eacute;dith Canat de Chizy, compositrice en vue, Blanca Li la voit comme &laquo;&nbsp;un chant choral d&rsquo;amour, riche de po&eacute;sie et d&rsquo;humour&nbsp;&raquo;. Et nous promet sur le plateau de l&rsquo;or un peu partout&nbsp;: la sc&eacute;nographie de Pierre Attrait part de l&rsquo;id&eacute;e d&rsquo;anamorphose avec des parois textiles qui cachent autant qu&rsquo;elles d&eacute;couvrent. &laquo;&nbsp;Un d&eacute;cor sensuel donnant la part belle au corps.&nbsp;&raquo; En dire plus serait provocation&nbsp;: Blanca Li n&rsquo;est jamais vraiment l&agrave; o&ugrave; on l&rsquo;attend. Une fois de plus, elle entra&icirc;ne son public au-del&agrave; des songes et du mouvement. On ne peut r&ecirc;ver meilleur(e) guide.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/event_3_image_fr.jpg\" alt=\"poeta\" width=\"199\" height=\"133\" /><br /><br />2007 <a href=\"/fr/event/3/poete-a-new-york\" target=\"_blank\">Poeta en Nueva York</a>, Th&eacute;&acirc;tre du Generalife, Jardins de l&rsquo;Alhambra (Commande du programme Lorca et Granada, Minist&egrave;re de la Culture d\'Andalousie, Espagne).</p>\r\n<p>Ce spectacle s&rsquo;inspire des po&egrave;mes et de l&rsquo;exp&eacute;rience v&eacute;cue par Federico Garc&iacute;a Lorca de 1929 &agrave; 1930 &agrave; New York, lors de son s&eacute;jour &agrave; Columbia University.<br />Le spectacle est une &eacute;vocation du monde int&eacute;rieur de Lorca, qui se trouve alors immerg&eacute; dans un univers totalement &eacute;tranger &agrave; son Andalousie natale, &agrave; ses th&eacute;matiques habituelles et &agrave; ses points de rep&egrave;re, et qui donnera naissance &agrave; son &oelig;uvre future. La vague d&rsquo;&eacute;motions provoqu&eacute;es chez le po&egrave;te par cette ville impressionnante, en pleine crise &eacute;conomique et sociale, donne un c&ocirc;t&eacute; violent et obscur &agrave; sa po&eacute;sie. L&rsquo;imagerie de Lorca s&rsquo;exprime par m&eacute;taphores dans lesquelles les paysages et les personnages, baign&eacute;s de symbolisme, opposent la nature et la ville dans un processus passionn&eacute; pour exprimer son environnement.<br />Tant la chor&eacute;graphie que la musique partent de cet univers lorquien et visent &agrave; &eacute;voquer plus qu\'&agrave; d&eacute;crire. Un groupe de vingt danseurs, d&rsquo;horizons divers, vont &agrave; travers leurs mouvements donner corps aux images et aux mots, et exprimer le souffle du po&egrave;te. De m&ecirc;me, la musique va au-del&agrave; des mots &agrave; partir de ces deux langages&nbsp;: le flamenco en tant qu&rsquo;incarnation du po&egrave;te et de son pass&eacute;, et le jazz comme reflet &eacute;motionnel de la ville qui l&rsquo;entoure, New York.<br />Andr&eacute;s Mar&iacute;n est le fil conducteur de l&rsquo;&oelig;uvre, interpr&eacute;tant le po&egrave;te lors de sa rencontre avec ce nouveau monde tandis que Blanca Li incarne l&rsquo;inspiration et les mots qui surgissent dans l&rsquo;esprit du po&egrave;te. Un spectacle pluridisciplinaire et passionn&eacute;, dans un r&ecirc;ve sur Lorca, Grenade et New York r&eacute;unis.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"http://www.blancali.fr/files/image_18_image_fr.jpg\" alt=\"jardin\" width=\"199\" height=\"133\" /><br /><br />2009 L<a href=\"/fr/event/2/le-jardin-des-delices\">e Jardin des D&eacute;lices</a> d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre de J&eacute;r&ocirc;me Bosch, Festival Montpellier Danse.</p>\r\n<p>J&rsquo;entretiens une longue histoire avec le &laquo; Jardin des D&eacute;lices &raquo; de J&eacute;r&ocirc;me Bosch, une &oelig;uvre qui entrem&ecirc;le les r&egrave;gnes v&eacute;g&eacute;tal, min&eacute;ral, animal, et qui, au fantastique et &agrave; la fantasmagorie des images, allie le r&eacute;alisme d&rsquo;une d&eacute;marche qui quitte l&rsquo;iconographie classique pour confronter le religieux &agrave; une humanit&eacute; tourment&eacute;e.<br />J&rsquo;ai toujours &eacute;t&eacute; tent&eacute;e de mettre en mouvement cette expression picturale des agissements et aussi de l&rsquo;inconscient des hommes, de faire na&icirc;tre une chor&eacute;graphie de cette &oelig;uvre &laquo; sacril&egrave;ge &raquo; o&ugrave; l&rsquo;enfer se m&ecirc;le au paradis, le plaisir au vice, et le satirique &agrave; la morale, o&ugrave; l&rsquo;obsession du p&eacute;ch&eacute; atteint une force in&eacute;gal&eacute;e, se nourrit des peurs de l&rsquo;homme face &agrave; la mort omnipr&eacute;sente, et finalement invite chacun &agrave; trouver le chemin du salut et d&rsquo;un monde nouveau.<br />Le film d\'animation r&eacute;alis&eacute; sur l&rsquo;&oelig;uvre de J&eacute;r&ocirc;me Bosch par Eve Ramboz, m&rsquo;a finalement d&eacute;cid&eacute; &agrave; sauter le pas et &agrave; mettre en sc&egrave;ne ma propre interpr&eacute;tation du tableau. Choisissant une esth&eacute;tique d&eacute;lib&eacute;r&eacute;ment pop, j\'ai situ&eacute; mon spectacle au sein d\'un espace public contemporain, habit&eacute; d&rsquo;&ecirc;tres fantastiques inspir&eacute;s de notre monde actuel, en parall&egrave;le avec les images du tableau. Un lieu de tous les possibles o&ugrave; se croisent des personnages excentriques. Un bal fou et cependant lucide. O&ugrave; les genres se choquent et se m&ecirc;lent en se heurtant. La course effr&eacute;n&eacute;e au plaisir consum&eacute;riste, les exc&egrave;s, les vanit&eacute;s, les d&eacute;lices des perversions ordinaires... Un espace o&ugrave; s\'incarnent folie, passion, libert&eacute;, plaisir, perversions et fantasmes, un lieu o&ugrave; se nouent et se d&eacute;nouent les contradictions de notre temps. On y fait l\'amour, on y mange, on y danse, on y joue de la musique.</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"http://www.blancali.fr/files/event_1_thumbnail_fr.jpg\" alt=\"elektro kif\" width=\"199\" height=\"158\" /><br /><br />2010 <a href=\"/fr/event/1/elektro-kif\" target=\"_blank\">Elektro Kif</a> pi&egrave;ce pour 8 danseurs electro Festival Suresnes Cit&eacute; Danse 2011.</p>\r\n<p>Ce spectacle a surgi de mon envie de travailler avec cette nouvelle danse, appel&eacute;e &eacute;lectro. La premi&egrave;re fois que je l&rsquo;ai vue, il y a quelques ann&eacute;es, j&rsquo;&eacute;tais assise dans un jardin public lorsqu&rsquo;un groupe de lyc&eacute;ens est arriv&eacute; et s&rsquo;est mis &agrave; r&eacute;p&eacute;ter cette danse que je ne connaissais pas.<br />Il y avait quelque chose de tr&egrave;s frais, qui ne se rencontre que dans les premiers moments d&rsquo;une danse qui n&rsquo;est pas encore arriv&eacute;e &agrave; maturit&eacute;, dans la passion cr&eacute;atrice des interpr&egrave;tes qui inventent de nouveaux mouvements avec l&rsquo;excitation de la libert&eacute;.<br />Je savais &agrave; ce moment-l&agrave; que j&rsquo;&eacute;tais t&eacute;moin des premiers balbutiements pleins des promesses d&rsquo;un nouveau style de danse qui pourrait un jour r&eacute;unir des danseurs &agrave; travers le monde. J&rsquo;ai su imm&eacute;diatement qu&rsquo;un jour, j&rsquo;aurais envie de cr&eacute;er une chor&eacute;graphie &agrave; partir de ce moment unique que j&rsquo;avais v&eacute;cu.<br />J&rsquo;ai donc r&eacute;uni un groupe de huit danseurs &eacute;lectro, la plupart originaires du Val-de-Marne, o&ugrave; cette danse a fait na&icirc;tre ses premi&egrave;res manifestations.<br /><br /></p>\r\n<p><img src=\"http://www.blancali.com/files/event_99_thumbnail_fr.jpg?2020-02-28-19-45-51\" alt=\"\" width=\"200\" height=\"140\" /><br />2013 <a href=\"http://www.blancali.com/fr/event/99/Robot\">ROBOT!</a></p>\r\n<p>Apr&egrave;s trois ans de recherche et d&eacute;veloppement, Blanca Li a cr&eacute;&eacute; ROBOT, un spectacle innovant et contemporain, explorant habilement la relation entre humains et machines. Tr&egrave;s intelligent et humoristique, ROBOT est un spectacle accessible &agrave; tous publics, tout en satisfaisant les exigences le plus pointues des amateurs de danse ou de th&eacute;&acirc;tre contemporain.</p>\r\n<p>En collaboration avec le collectif d\'artistes plasticiens et musiciens japonais Maywa Denki et avec l\'entreprise fran&ccedil;aise Aldebaran Robotics, cette production multimedia met en sc&egrave;ne huit danseurs, un orchestre de dix instruments automatis&eacute;s jouant leur partition en direct sur sc&egrave;ne et sept robots NAO, humano&iuml;des craquants et &eacute;mouvants, chacun dot&eacute; de personnalit&eacute;s multiples.</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"http://www.blancali.com/files/event_121_thumbnail_fr.jpg?2020-02-28-19-48-27\" alt=\"\" width=\"200\" height=\"150\" /></p>\r\n<p>2015 <a href=\"http://www.blancali.com/fr/event/121/Deesses-Demones\">D&eacute;esses &amp; D&eacute;mones</a></p>\r\n<p>Blanca Li invite l&rsquo;étoile du Bolsho&iuml; Maria Alexandrova à partager une création sur des thèmes mythologiques.</p>\r\n<p>Comme au temps des dieux grecs, elles s&rsquo;allient et s&rsquo;affrontent, se transforment en démones ou en divinités bienfaisantes pour changer le destin des humains, semant autour d&rsquo;elles force, joie et énergie.<br /> Ces deux femmes qui dansent sont-elles les deux faces de la même médaille ?</p>\r\n<p>Elles sont le chaos et l&rsquo;harmonie.<br /> Ces deux forces de la nature, virtuoses et sensibles, déesses et démones sont à la fois semblables et dissemblables.</p>\r\n<p>Blanca Li, a choisi pour interprète la virtuose Maria Alexandrova, étoile au Ballet du Bolchoï. Ensemble, elles explorent dans cette chorégraphie leurs personnalités intimes, dans l&rsquo;harmonie comme dans la violence. Leurs différences et leurs ressemblances sont affirmées, célébrées. Différentes et égales à la fois.</p>\r\n<p>Avec une gestique très lyrique et puissante, la chorégraphie composée par Blanca Li pour ce duo hors norme évoque la force des figures mythologiques et totémiques.</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"http://www.blancali.com/files/event_142_thumbnail_fr.jpg?2020-02-28-19-49-26\" alt=\"\" width=\"200\" height=\"150\" /></p>\r\n<p>2017 <a href=\"http://www.blancali.com/fr/event/142/Solstice\">Solstice</a></p>\r\n<p>Cr&eacute;ation &agrave; Chaillot en septembre 2017 avec 14 danseurs et un musicien<br />&laquo;&nbsp;SOLSTICE&nbsp;&raquo; joue avec les &eacute;l&eacute;ments, le temps, la mati&egrave;re, le mouvement et la lumi&egrave;re. La nature s&rsquo;y r&eacute;v&egrave;le fantastique et belle, angoissante et lumineuse. Blanca Li propose au public un voyage fascinant et sensible dans un univers en mouvement pour dire la beaut&eacute; du monde, sa force, son &eacute;nergie et sa fragilit&eacute;. Les danseurs sont autant de guides pour le spectateur dans cet univers abstrait o&ugrave; le r&eacute;el et l&rsquo;illusion se confondent...</p>\r\n<p><img src=\"http://www.blancali.com/files/event_143_thumbnail_fr.jpg?2020-02-28-19-49-56\" alt=\"\" width=\"200\" height=\"150\" /></p>\r\n<p>2017 <a href=\"http://www.blancali.com/fr/event/143/Elektrik\">Elektrik</a></p>\r\n<p>Le nouveau spectacle &eacute;lectro de la compagnie Blanca Li pour 8 danseurs. Cr&eacute;ation 2018 pr&eacute;sent&eacute;e au Th&eacute;&acirc;tre du 13&egrave;me Art &agrave; Paris, du 27 mars au 14 avril 2018.<br />&laquo;&nbsp;Elektrik&nbsp;&raquo;, une cr&eacute;ation &eacute;clatante et d&eacute;cal&eacute;e o&ugrave; Blanca Li concentre toute la puissance et l&rsquo;&eacute;nergie de la danse &eacute;lectro.&nbsp;</p>',''),(6,6,'fr','Danseurs contemporains','<p><em>&laquo;&nbsp;Dans ma gestuelle, il y a du flamenco, du classique, du contemporain, de l&rsquo;africain. Le tout a fini par composer mon style. Il est si difficile &agrave; assimiler qu&rsquo;une fois que j&rsquo;ai trouv&eacute; mes interpr&egrave;tes, je n&rsquo;en change surtout pas.&nbsp;&raquo;</em> <br />Blanca Li (<em>Figaroscope</em>, 1997)</p>\r\n<p>Au travers des cr&eacute;ations, la Compagnie se compose de danseurs venus de tous horizons, qui partagent tous les qualit&eacute;s requises par le style de Blanca Li. A quoi il faut bien s&ucirc;r ajouter le go&ucirc;t du bonheur et de l&rsquo;humour...</p>\r\n<h3>Quelques biographies&nbsp;:</h3>\r\n<p><strong>Anthony Cazaux</strong> <br />Apr&egrave;s avoir men&eacute; une formation en danse classique, moderne et jazz &agrave; Toulouse aupr&egrave;s de S. Ducat (1999), il suit une formation sc&eacute;nique en 2000/2001 &agrave; EPSE DANSE (Anne-Marie Porras). Il participe en 2002 &agrave; deux com&eacute;dies musicales (R&eacute;dha). Interpr&egrave;te pour Sara Ducat (depuis 2000) Wayne Barbaste (2002), Yvann Alexandre (depuis 2004), M.&nbsp;Kelemenis, L. Scozzi (projet talents danse 2005 / Adami), C. Bastin (depuis 2005), Thomas Lebrun (depuis 2008). Par ailleurs, il fait ses premiers pas au th&eacute;&acirc;tre en 2008 dans \"Elvis n&rsquo;est pas mort (Marilyn non plus)\". B. Masocco.</p>\r\n<p><strong>Jean-G&eacute;rald Dorseuil</strong> <br />Apr&egrave;s avoir &eacute;t&eacute; boursier &agrave; l&rsquo;&eacute;cole de danse Paul et Yvonne Goube &agrave; Paris, au London Studio Centre puis &agrave; l&rsquo;&eacute;cole Princesse Grace de Monaco, Jean G&eacute;rald Dorseuil a particip&eacute; &agrave; de nombreux ballets en France et &agrave; l&rsquo;&eacute;tranger. Sa collaboration avec Blanca Li commence en 1997 (Le songe du Minotaure). Il l&rsquo;assiste &eacute;galement sur la chor&eacute;graphie de Borderline cr&eacute;&eacute; au Komische Oper de Berlin en 2001 ainsi que pour le film Le D&eacute;fi. Autres collaborations avec le Ballet Royal de Wallonie, Scottish Ballet, Gigi Caciuleanu, Ballet theatre de Hagen... Il collabore avec Raoul H&eacute;br&eacute;hard, plasticien, pour \"Round-Around (Appartement)\", film vid&eacute;o pr&eacute;sent&eacute; dans le cadre du festival d&rsquo;Art Contemporain de Nice et d&rsquo;Avignon. Il cr&eacute;e El Amor Brujo en 2008 pour l&rsquo;Op&eacute;ra de Nice. <br />Par ailleurs il m&egrave;ne une activit&eacute; de formateur de professionnels et participe &agrave; des missions p&eacute;dagogiques et culturelles centr&eacute;es sur la danse. Titulaire du D.E classique, il cr&eacute;e son &eacute;cole de danse &agrave; Hy&egrave;res, d&rsquo;o&ugrave; plusieurs de leurs &eacute;l&egrave;ves int&egrave;greront des centres de formation professionnelle et compagnies&nbsp;: Rudra B&eacute;jart Ballet et Compagnie, CNSMD de Lyon, London Studio Centre, Rosella Higthtower, Crazy Horse, Le G.U.I.D d&rsquo;Angelin Preljocaj... Ce vivier de talents lui permet de proposer son travail de recherche chor&eacute;graphique &agrave; plusieurs institutions et manifestations culturelles (\"Nuit des Mus&eacute;es 2006\", Maison de la photographie de Toulon). Il anime aussi r&eacute;guli&egrave;rement des stages et actions de sensibilisation.</p>\r\n<p><strong>Matthew Hawkins</strong> <br />Matthew Hawkins est londonien. Form&eacute; &agrave; la Royal Ballet School, il int&egrave;gre le Ballet Royal &agrave; l&rsquo;&acirc;ge de 17 ans et y reste pendant cinq ans. En 1980 commence son activit&eacute; de chor&eacute;graphe ind&eacute;pendant. Il danse &eacute;galement avec des groupes ind&eacute;pendants &eacute;mergents tels que Second Stride (1982/3) et Michael Clark and Company (1984-1992). <br />Matthew Hawkins re&ccedil;oit de nombreuses commandes de compagnies de danse (Rambert Dance Company - 1995), de festivals (Dance Umbrella - 1982/83/93/96), et de producteurs. Pendant 10 ans il se consacre &agrave; la direction de sa propre compagnie. <br />Le prix Jerwood de la chor&eacute;graphie lui est d&eacute;cern&eacute; en 2002. Il re&ccedil;oit &eacute;galement le prix d&rsquo;&eacute;criture chor&eacute;graphique Chris de Marigny ainsi qu&rsquo;une bourse d&rsquo;un an de la part de l&rsquo;Arts Council d&rsquo;Angleterre. La carri&egrave;re de Matthew est de plus en plus internationale&nbsp;: Chine, Ecosse, France, Slovaquie, Turquie et V&eacute;n&eacute;zuela r&eacute;cemment.</p>\r\n<p><strong>Ahmed Karetti</strong> <br />Autodidacte, Ahmed Karetti est influenc&eacute; tr&egrave;s t&ocirc;t par les com&eacute;dies musicales am&eacute;ricaines et la tap dance. Il danse en 1995 dans le spectacle Hieroglyphis chor&eacute;graphi&eacute; par Jean-Fran&ccedil;ois Duroure. En 1996, il cr&eacute;e sa propre compagnie avec laquelle il participe aux Rencontres de Cultures Urbaines la m&ecirc;me ann&eacute;e. Cette exp&eacute;rience va lui permettre de croiser le chemin de la chor&eacute;graphe Zaza Disdier avec laquelle il exp&eacute;rimente un travaille autour du texte et de la danse hip-hop. <br />Par ailleurs, il travaille en tant que danseur et com&eacute;dien avec diff&eacute;rentes compagnies telles que Melting Spot, le Studio Th&eacute;&acirc;tre de Stains &hellip; En 1999, il participe &agrave; la cr&eacute;ation &agrave; Surenes du spectacle de Blanca Li Macadam Macadam qu&rsquo;il reprend avec la compagnie en 2006. <br />Depuis 2000, Ahmed Karetti se forme &agrave; des disciplines de cirque telles que le trap&egrave;ze, le tissu a&eacute;rien ou encore le m&acirc;t chinois. Il donne &eacute;galement de nombreux stages et ateliers &agrave; l&rsquo;&eacute;chelle nationale et internationale.</p>\r\n<p><strong>Yohann T&eacute;t&eacute;</strong> <br />Form&eacute; au Conservatoire National Sup&eacute;rieur de Paris, Yohann T&eacute;t&eacute; re&ccedil;oit en 2004 le 1er prix du concours de chor&eacute;graphie de Haute-Normandie. Depuis cette date, il dirige la Compagnie Sankofa Y.TT. <br />Il a dans&eacute; par ailleurs pour de nombreuses compagnies&nbsp;: DCA de Philippe D&eacute;coufl&eacute; en 2004-2005, La Baraka d&rsquo;Abou Lagraa en 2005, Cie Georges Momboye depuis 2005, Pietragalla compagnie de 2005 &agrave; 2007, et Carolyn Carlson de 2008 &agrave; 2009. Il est &eacute;galement professeur de niveau international en danse contemporaine et hip hop (L.A. Style) sur divers workshops, en Isra&euml;l, Italie, Pologne, France...</p>\r\n<p><strong>Deborah Torres</strong> <br />N&eacute;e &agrave; Barcelone, Deborah Torres a &eacute;t&eacute; form&eacute;e en danse classique contemporaine et en flamenco &agrave; l&rsquo;Institut del Teatre de Barcelona, puis &agrave; l&rsquo;&eacute;cole de th&eacute;&acirc;tre Nancy Tu&ntilde;on. En 1993 elle quitte sa ville natale pour Paris ce qui lui permet de poursuivre sa formation en danse contemporaine. <br />Install&eacute;e en France, elle travaille successivement avec Jean Gaudin, Nathalie Bard, Alexis Manuel et Blanca Li, et participe &eacute;galement &agrave; diverses cr&eacute;ations &agrave; l&rsquo;Op&eacute;ra de Paris en tant qu&rsquo;interpr&egrave;te. Depuis 2004 et &agrave; la suite d&rsquo;une formation sp&eacute;cialis&eacute;e, elle partage son temps entre la danse et le son et travaille r&eacute;guli&egrave;rement comme assistante son et charg&eacute;e de post-production.</p>',''),(7,7,'fr','Equipe','<p><strong>Compagnie Blanca Li</strong><br />128 rue de la Bo&eacute;tie 75008 Paris <br />Tel&nbsp;: 01 53 34 04 05</p>\r\n<p><strong>Production</strong></p>\r\n<p>Etienne Li : administration &nbsp; e.li(at)blancali.com<br />St&eacute;phane Hivert : tourn&eacute;es &nbsp; s.hivert(at)blancali.com<br />Camille Denisty : production / communication&nbsp;&nbsp;&nbsp; c.denisty(at)blancali.com<br />Marylise Hergu&eacute; :&nbsp; production audiovisuelle, partneriats&nbsp; m.hergue(at)blancali.com</p>\r\n<p>&nbsp;</p>\r\n<h3>Presse et RP</h3>\r\n<p><strong>S&eacute;bastien d\'Assigny :</strong> <a href=\"http://www.sebastiendassigny.com/\" target=\"_blank\">S&eacute;bastien d\'Assigny</a> <br />sdapresse(at)gmail.com <strong>01 42 88 79 79 <br /></strong></p>\r\n<h3>Equipe artistique</h3>\r\n<p><img src=\"http://www.blancali.com/files/image_744_image_fr.png?2020-10-03-16-21-05\" alt=\"\" width=\"130\" height=\"130\" /></p>\r\n<p><strong>Vincent Chazal VISUAL CREATION DIRECTOR</strong><br /><a href=\"https://www.behance.net/horsujet\">https://www.behance.net/horsujet</a></p>\r\n<p>After graduating from Penninghen (ESAG) in artistic direction, Vincent Chazal has been working since 1992 as a graphic designer, VFX / AD and motion designer, notably in post-production, for Première Heure, St Louis and recently at Bizaroïd. As a multifaceted professional, he is curious about new technologies, he likes to &laquo;cook&raquo; images, experi- menting with a variety of techniques, media and software to get off the beaten track. He has collaborated with Jean-Paul Goude, Marc Caro, Tran Anh Hung, Barnaby Roper (The Dress, 2017), Eric Minh Cuong Castaing (L&rsquo;Âge d&rsquo;Or, Audi Talent Awards 2018), Jean-Vincent Puzos, etc. He has worked with Blanca Li on various projects in the past twenty years.</p>\r\n<p>&nbsp;</p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\"><strong><span style=\"color: #000000;\"><strong><span style=\"color: #000000;\"><img src=\"http://www.blancali.com/files/image_642_image_fr.jpeg?2017-01-20-15-33-52\" alt=\"Pierre Attrait\" width=\"120\" height=\"180\" /></span></strong></span></strong></p>\r\n<p><strong>Pierre Attrait, sc&eacute;nographe et dramaturge</strong> :</p>\r\n<p>Apr&egrave;s des &eacute;tudes de lettres Pierre Attrait collabore &agrave; de nombreuses productions th&eacute;&acirc;trales en tant qu\'assistant et com&eacute;dien aupr&egrave;s de Gabriel Monnet, Georges Lavaudant, Daniel Mesguich. Il devient assistant &agrave; l\'Op&eacute;ra de Paris et au Festival d\'Aix, puis r&eacute;alise ses propres spectacles. Au Canada, il met en sc&egrave;ne &laquo; Andr&eacute;a Ch&eacute;nier &raquo; puis &laquo; La Traviata &raquo;.<br /> <br /> Pierre Attrait collabore en tant que d&eacute;corateur &agrave; de nombreux films et t&eacute;l&eacute;films, dont &laquo; Pr&ecirc;t &agrave; Porter &raquo; de Robert Altman, &laquo; Le Petit Marguery &raquo; de Laurent B&eacute;n&eacute;gui, &laquo; Un Chat dans la Gorge&raquo; de Jacques Otmezguine, &laquo; C\'est la Tangente que je pr&eacute;f&egrave;re &raquo; de Charlotte Silvera, &laquo; Pas &agrave; pas &raquo; de Blanca Li... Dans le domaine du th&eacute;&acirc;tre, il sc&eacute;nographie notamment &laquo; Cahier du retour au pays natal &raquo; (Jacques Martial), &laquo; L\'Echange &raquo; (Sarah Sanders), &laquo; Liens de sang &raquo; (Jean-Michel Martial), &laquo; Folies Coloniales &raquo; (Dominique Lurcel). Il travaille comme sc&eacute;nographe et dramaturge sur les spectacles et &eacute;v&eacute;nements de Blanca Li : &laquo; Corazon Loco &raquo;, &laquo; Poeta en Nueva York &raquo;, &laquo; Le Jardin des D&eacute;lices &raquo;, &laquo; La F&ecirc;te de la Danse &raquo;, &laquo;&nbsp;Robot&nbsp;&raquo;, &laquo;&nbsp;D&eacute;esses et D&eacute;mones&nbsp;&raquo;, &laquo;&nbsp;Solstice&nbsp;&raquo;.<br /> Directeur artistique, Pierre Attrait collabore &agrave; la cr&eacute;ation d\'&eacute;v&eacute;nements (d&eacute;fil&eacute;s, lancement de parfums,... pr&eacute;sentation de collection de Haute Joaillerie, Festival de Cannes...), notamment pour le groupe LVMH, Bvlgari, Cartier, Van Cleef and Arpels &hellip;</p>\r\n<p>Depuis 1995 il collabore notamment avec Alfredo Arias, Karl Lagerfeld, Pedro Almodovar pour le &laquo;&nbsp;Bal de la Rose&nbsp;&raquo; &agrave; Monte-Carlo.<br /> Dans son travail d&rsquo;&eacute;criture, Pierre Attrait travaille essentiellement sur la m&eacute;moire.<br /> Auteur du &laquo;&nbsp;Retour d&rsquo;Henri&nbsp;&raquo; aux &eacute;ditions Delphine Montalant.<br /> Th&eacute;&acirc;tre&nbsp;: Sandra B.<br /> Et &agrave; part &ccedil;a<br /> Le Roman de Saint Christoly (travail sur la m&eacute;moire d&rsquo;un village en Gironde).</p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p style=\"margin-bottom: 0cm;\"><strong><img style=\"margin: 5px; vertical-align: text-bottom;\" src=\"/files/image_387_image_fr.jpg\" alt=\"\" width=\"100\" /><br />Charles Carcopino, video designer:<br /><a href=\"http://www.charlescarcopino.fr\">www.charlescarcopino.fr</a><br /></strong></p>\r\n<p>Apr&egrave;s des &eacute;tudes d&rsquo;audiovisuel - multim&eacute;dia, et de nombreuses exp&eacute;riences allant de plateaux de tournages aux centres d&rsquo;art contemporain, Charles Carcopino est depuis l&rsquo;ann&eacute;e 2000, le responsable artistique du Studio de la Maison des Arts et de la Culture de Cr&eacute;teil. Le Studio est un centre de cr&eacute;ation et de production d&rsquo;images d&eacute;di&eacute;es &agrave; la sc&egrave;ne de spectacles vivants. Dans ce contexte, Charles Carcopino travaille avec de nombreux artistes et metteurs en sc&egrave;ne de spectacles et con&ccedil;oit des installations vid&eacute;os et des dispositifs interactifs pour des sc&eacute;nographies.</p>\r\n<p>Il cr&eacute;e des vid&eacute;os et des installations pour de nombreux projets : des op&eacute;ras (Les contes d&rsquo;Hoffmann et les Bor&eacute;ades mis en sc&egrave;ne par Laurent Pelly ou Roland, de Stephan Gr&ouml;gler), des spectacles de danse avec Blanca Li (Borderline, Alarme, Corazon Loco, el Poeta en Nueva York, le jardin des d&eacute;lices), avec Christian Rizzo (Avant un mois...), des pi&egrave;ces de th&eacute;&acirc;tre multi-formes (Alice au pays des Merveilles de Laurent Pelly, Dead Set avec Big Art Group, Rentrons dans la rue ! de Marcel Bozonnet) ou encore des spectacles musicaux (avec Jorge Orta et Pierre Henry, ou Personal Music Computer de Fran&ccedil;ois-Eudes Chanfrault au Centre Georges Pompidou). Il con&ccedil;oit &eacute;galement des dispositifs visuels et des sc&eacute;nographies pour des &eacute;v&eacute;nements comme les f&ecirc;tes d&rsquo;ouverture et de cl&ocirc;ture de Lille 2004 (le bal blanc, Capitale europ&eacute;enne de la Culture Lille 2004), les festivals Exit &agrave; la Maison des Arts de Cr&eacute;teil depuis l\'ann&eacute;e 2000, le festival Territoire Electronique 2005 (Warp, Dalbin, Fondation Vasarely &agrave; Aix en Provence) ou encore la f&ecirc;te d\'inauguration de Louis Vuitton au petit Palais.</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\"><strong><span style=\"color: #000000;\"><img src=\"http://www.blancali.com/files/image_385_image_fr.jpg?2017-01-20-15-38-27\" alt=\"Tao Gutierrez\" width=\"120\" /><br />Tao Gutierrez, compositeur:</span></strong></p>\r\n<p>N&eacute; &agrave; Grenade, il &eacute;tudie &agrave; Madrid avant de partir pour New York pour s\'y perfectionner en Percussions, Musique Electronique et Composition, aupr&egrave;s de Bob Norton, Dan Carrillo, Ron Carter et bien d\'autres.</p>\r\n<p>Au cours des onze ann&eacute;es qu\'il a pass&eacute;es &agrave; New York avant de rentrer en Espagne, Tao Gutierrez a notamment pu collaborer avec les talentueux Don Cherry, Nana Vasconcellos, Angella Bofill ou encore Ed Blackwel.</p>\r\n<p>Il a compos&eacute; et produit de nombreuses musiques de films (Poniente, Le D&eacute;fi, Return to Hansala, Pas &agrave; Pas&hellip;), a enregistr&eacute; des productions pour divers artistes, et compos&eacute; puis interpr&eacute;t&eacute; de nombreuses cr&eacute;ations pour la Compagnie Blanca Li, parmi lesquelles la version flamenco jazz originale de la musique de Poeta en Nueva York. Son travail a &eacute;t&eacute; r&eacute;compens&eacute; par de nombreux prix&nbsp;: meilleure bande originale au Festival du Film de Montpellier, Malaga, Guadalajara, Cairo, Valladolid...</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;<img src=\"http://www.blancali.com/files/image_745_image_fr.png\" alt=\"\" width=\"100\" height=\"147\" /></p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\">&nbsp;<span style=\"color: #000000;\"><strong>Caty Olive</strong> lumi&egrave;re<br /></span></p>\r\n<p>Caty Olive partage son activit&eacute; entre les champs du spectacle chor&eacute;graphique et lyrique, de l\'architecture et celui des arts visuels. &Agrave; travers ces activit&eacute;s volontiers diversifi&eacute;es, elle poursuit en particulier une recherche sur les mouvements de la lumi&egrave;re. Son int&eacute;r&ecirc;t pour des questions largement ouvertes sur l&rsquo;espace la conduit &eacute;galement &agrave; intervenir ponctuellement aupr&egrave;s d&rsquo;&eacute;tudiants en &eacute;cole d&rsquo;art. Elle a particip&eacute; &agrave; des projets de la sc&egrave;ne contemporaine avec Marco Berrettini, Christophe Haleb, Martine Pisani, Myriam Gourfink, Emmanuelle Huynh, Claudia Triozzi Vera Mantero, Tiago Guedes, David Wampach, Donata D&rsquo;Urso, Cindy Van Acker, Joris Lacoste, Guy Cassiers, Sandrine Anglade. Actuellement, elle m&egrave;ne une collaboration particuli&egrave;re avec Guillaume Parent au sein de l&rsquo;agence Z&eacute;l&eacute;, avec Christian Rizzo dans les champ chor&eacute;graphique et lyrique, avec Samantha Barroero dans celui des arts visuels.</p>\r\n<p><span style=\"color: #000000;\"><img src=\"http://www.blancali.com/files/image_746_image_fr.jpg?2020-10-03-16-47-33\" alt=\"\" width=\"130\" height=\"189\" /></span></p>\r\n<p><strong>LAURENT MERCIER</strong> - COSTUMES</p>\r\n<p>Laurent Mercier is a fashion designer and costume designer born in Switzerland.<br /> He has designed couture fashion collections under his own label Laurent Mercier Deluxe for many years. After completing his studies as fashion designer at Studio Berçot in Paris, he becomes an assistant designer for Jean Paul Gaultier from 1989 to 1991, and for Escada from 1991 to 1993. After launching and designing his own Laurent Mercier Deluxe line of ready to wear fashion from 1999 to 2002, collecting awards from ANDAM, LVMH or the prestigious Yves St Laurent haute couture special prize, he pursues his personal designs under the name of Laurent Mercier Haute Couture , with fashion shows in Paris (Galliera Museum), Niamey (Niger), Luzern (Switzerland) or for the Tokyo fashion week.<br /> He was hired as artistic director of the Morgan ready to wear brand in 2001 and becomes the artistic director of the Balmain, first for ready to wear collections in 2001 then for haute couture collections after Oscar de la Renta retires, from 2002 until 2003.<br /> As a costume designer, he has designed the Lenny Kravitz stage costumes and been his stylist for all music videos and publications from 1993 to 1997. He is also responsible for the stylism and costume design of numerous CD covers, music videos or advertising campaigns by artists such as Blanca Li, Nina Hagen, Sylvie Vartan, Vanessa Paradis, Indochine, Lolo Ferrari, Blur, working regularly with photographers and directors such as Pierre et Gilles, Jean Baptiste Mondino, Don Cameron or Ali Mahdavi.<br /> He has been the costume designer for feature films such as &ldquo;Doberman&rdquo; by Jan Kounen, &ldquo;Le Défi&ldquo; and &ldquo;Pas à Pas&rdquo; by Blanca Li, or &ldquo;Une Chance sur Deux&rdquo; by Patrice Leconte.<br /> As stage costume designer, he has designed most of the shows of Compagnie Blanca Li, among which Macadam, Macadam, the Garden of Earthly Delights, Corazon Loco, and more recently, was hired as costume designer for the Opera Gianni Schicchi by Puccini at the Marinsky Theater in St Petersburg<br /> More recently, he has performed onstage in the Mugler Follies revue in Paris daily for more than one year.</p>',''),(8,8,'fr','Presse (english translations)','<h2 style=\"text-align: center;\">BLANCA LI - ROBOT PRESS QUOTES</h2>\r\n<p>&ldquo;With the ROBOT, Blanca Li brings humans &amp; robots on stage for a futuristic and hilariously exciting performance&rdquo;<br /><em>Le Parisien</em></p>\r\n<p>&ldquo;While delivering a multitude of brave experiments, Blanca Li did not forget her tremendous taste for kitsch and imagination&rdquo;<br /><em>Telerama</em></p>\r\n<p>&ldquo;ROBOT is a reflexion on our society, now so dependent on computerized and electronic devices. It talks about our addiction to technology, without being a brainy thesis. &hellip; Blanca Li offers a very powerful visual show filled with stage effects, playful choreographies and pungent humour &hellip; What really took the public by surprise, rising to a standing ovation at its premiere at the Montpellier Opera, is her showmanship and how artfully she blends this unbelievable mix of musical sculptures, robots, dancers and props.&rdquo;<br /><em>Omar Khan, El Pa&iacute;s 2013</em></p>\r\n<p>NOTHING IS HAPPIER THAN DANCE!<br />Blanca Li is a dancer and choreographer, but for the most part she is a whirlwind of energy and happiness, extremely joyful and full of kindness. She is an incredible artist, and for twenty years she and her company offered vivacious dance shows for children and grownups, her primary audience. &hellip; Her ballets incorporate a melting pot of cultures, welcoming and celebrating all kinds of dance styles with profound respect&hellip;. This Spanish born dancer, who has long ago settled in France, is equally interested in all types of dance. She was a pioneer in bringing hip-hop and urban dance to the most famous stages of the world. Today, she is presenting her latest show, ROBOT, an uncanny ballet with humans and machines&hellip;. When she is not working on her own creations, you may find her choreographing Beyonc&eacute;, or working on dance scenes for Pedro Almodovar or Michel Gondry movies, or staging a fashion show for one of her fashion designer friends&hellip;<br /><em>Sylvia Jorif, Elle 2013<br /><a href=\"http://www.blancali.com/files/pdf_114_file_fr.pdf\" target=\"_blank\">FULL FRENCH VERSION</a><br /><a href=\"http://www.blancali.com/files/pdf_115_file_fr.pdf\" target=\"_blank\">FULL ENGLISH TRANSLATION</a><br /></em></p>\r\n<p>A ROBOT FOR CHRISTMAS ?<br />The choreographer and stage director Blanca Li went shopping and chose eight uniquely hilarious musical machines and seven humanoids robots to create a mechanical corps de ballet for her piece named &ndash; simply &ndash; ROBOT!<br />&ldquo;When I start a piece, I don\'t ask myself who the audience would be&rdquo; tells Blanca Li. &ldquo;I\'m honest with my tastes and with what I want to tell. It\'s only when the show is finished that I realize it is a wide audience pleaser, as they say. Then, if the audience likes it, it becomes my best reward!&rdquo;<br />Blanca Li, from Andalusia, once a gymnast in her teens, settled in France in 1993, and became a specialist in choreographed comedies, often theatrical, with multimedia aspects at the cutting edge of show business.<br />With ROBOT, which required three years of robotic research and machine taming by the eight dancers on stage, Blanca Li becomes a central figure in this holiday season&rsquo;s entertainment with a sense for fashion and social trends &ldquo;Even more when I started working on the piece, we live daily surrounded by machines&rdquo; she quips. &ldquo;There are robots everywhere and the audience recognize themselves in the show&rdquo;. While the musical machines from Maywa Denki warm up the ambiance, the NAO robots, the height of a child and as sweet as kids can be, bend their knees, get up by themselves if they fall, and roll their eyes into amazing humanlike expression. At the MAC in Cr&eacute;teil, ROBOT even got a special show for children aged 4 to 14&hellip;<br /><em>Rosita Boisseau, Le Monde, 2013</em></p>\r\n<p>THE ROBOTS OF BLANCA LI STEP UP INTO THE DANCE<br />At Montpellier Danse festival, in front of an overwhelmed audience who gave the show a standing ovation, Blanca Li created the first show ever for dancers and robots. The casting for these is impressive: six NAO robots, small two-feet tall creatures who walk and dance. And the spectacular orchestra designed by Maywa Denki, made from automats who play music through electromechanical devices triggered by humans. Each is more poetic than the other. Seammons is a singing machine, Cylinder Recorder an automated panpipe, Marimca an edelweiss made from six marimbas.<br />&ldquo;I started to create robots because I was asking myself who am I&rdquo;, tells Tosa Mobumichi, president of Maywa Denki. &ldquo; After my musical machines, I created others that make light, and now I wish to create one inspired by Blanca Li : her way of moving is in my head. Meanwhile, I adapted and reinforced my automats so they could weather touring with Blanca Li: it\'s going to be rough !&rdquo;<br />Between Montpellier, Autumn in Normandy and Cr&eacute;teil, a series is planned for the Theater of Champs Elys&eacute;es in Paris for Christmas. While Maywa Denki has toured around the world, it was Japan where they met with Blanca Li in 2011. The beautiful Andalusian was searching partnership for her show on Robots &ldquo;They are everywhere in our lives. &ldquo;Who leads who?&rdquo; she asks herself; the creatures from Maywa Denki left her speechless. The scenography she has developed around them, magnifying their mysterious presence, tells a lot about her fascination.<br /><em>Ariane Bavelier, Le Figaro 2013</em></p>\r\n<p>Excerpts from a letter from Martial LEROUX, a musicologist and university professor,<br />It is an understatement to say that I liked, or even that I loved this breathtaking show which weaves poetry, fantasy, magic, and most importantly does not try to make us believe in an illusionary world, cleverly bringing us back to an interrogative wakefulness, a nearly philosophical awareness about the future of our world, bringing up the narrow relationship between man and machine, the impossibility for man to escape his destiny, and the ineffable future which mankind is reaching for.<br />There are incredible moments throughout this show, leaving you speechless and eyes wide open in front of so much formal beauty and incredible feats (including those of the lovable little robots, which becomes quite unsettling). The music is often written in minor key, with very simple chords, conveying a powerful and extremely refined and haunting energy. Some Japanese sounds, some augmented chords, and a polyphony which invades our brain little by little, draw us to the origin of the world. By the way, is there anything better than dance to tell us the story of mankind?<br />The dancers mingle with each other, like in an alchemical fusion, men and women coming together with an uncanny dexterity which makes us wonder about our own perceptions in this domain, and who seem to invent an asexual new strain of humanity determined to fight against the fate imposed on us by modern times.<br />The beginning of the show, heart-wrenching with emotion, is based on dichotomy (since this seems to be the key which Blanca Li chooses to open up her subject with) : robot versus man, shadow versus light, black and white versus color, reality versus dream&hellip; A music, in the manner of Steve Reich, made from heartbeats growing to a crescendo, evokes the medical science of the future and its challenging experiments&hellip; And what is to say about this magnificent duet between the little robot and the dancer ? Just stunning, mesmerizing &hellip;</p>\r\n<p><a href=\"http://blancali.com/files/pdf_109_file_fr.pdf\">full review kit </a></p>\r\n<p><a href=\"http://www.blancali.com/files/pdf_118_file_fr.pdf\">New Yorker by Luke Jennings (1997)</a></p>\r\n<p>&nbsp;</p>',''),(9,2,'en','Biography','<table style=\"width: 550px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td valign=\"top\" width=\"280px\">\r\n<p><img title=\"&copy; Ali Mahdavi 2011\" src=\"/files/image_111_image_fr.jpg\" alt=\"portrait of Blanca Li\" width=\"263px\" height=\"395px\" /></p>\r\n<p><em><span style=\"font-size: x-large;\"><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">&ldquo;A multi-sided talent&rdquo;</span></span></span></em></p>\r\n</td>\r\n<td width=\"270px\">\r\n<p>Blanca Li was born in Granada, Spain, where she was en route to becoming a world class gymnast before abandoning the sport to travel to New York City where she spent five years studying at the Martha Graham Dance Center. Li moved back to Europe to found her own contemporary dance company in Paris, which, in its 27 years, performed in over 1,200 venues world-wide with 17 creations.</p>\r\n<p>Her latest company works includes Elektrik for 8 electrodancers, Solstice for 14 contemporay dancers and a percussionist, focusing on the beauty of planet Earth and the need for its preservation produced by Chaillot, National Dance Theater in Paris; Goddesses &amp; Demonesses, a duet danced by the Etoile from Bolshoi Ballet Maria Alexandrova and Blanca Li, was performed for a 12 performance series at Theatre des Champs Elys&eacute;es in Paris in December 2015 and at New York City Center in March 2017. Robot&nbsp;! the first dance show combining choreographies for humanoid robot NAO and real dancers, has been touring Europe, North America (Brooklyn Academy of Music, Auditorio Nacional de Mexico) and Asia since 2013.</p>\r\n<p><br /> In addition to her numerous commercial film and fashion work, or choreographing for her own troupe of dancers, Li has choreographed dances for the Paris Opera Ballet and the Metropolitan Opera in New York. She was director and choreographer for the Berlin Ballet at the Komische Oper in 2001 and 2002, and director of the Centro Andaluz de Danza in Seville from 2006 until 2010.</p>\r\n<p>Her latest commission is the creation, staging and choreography of &ldquo;El Quijote del Plata&rdquo; for the National Ballet SODRE de Uruguay, which is touring worldwide.</p>\r\n<p>On April 24, 2019, she gets elected to the French Acad&eacute;mie des Beaux Arts, as one of three permanent members of the newly created choreography department. On October 15, 2019, she is nominated artistic director of los Teatros del Canal in Madrid, Spain, the largest stage space dedicated to contemprary creation in Spain.</p>\r\n<p>She has directed five feature films including The Dance Challenge (Le D&eacute;fi) that featured 150 hip hop dancers and was included in the 2004 Tribeca Film Festival, Pas &agrave; Pas, a documentary about the process of her creating her stage show, Corazon Loco and most recently Elektromathematrix a pure dance musical with electro dancers, released in movie theaters in France. At the moment she is developping and producing &ldquo;Le Bal de Paris, an immersive VR experience&rdquo; an ambitious project in realtime VR for an audience of 50 spectators, to be premiered during 2020-2021 season.</p>\r\n<p>She has been creating multimedia installations and events for Grand Palais in Paris, Guggenheim Museum in Bilbao, Noche en Blanca in Madrid, and many more. Many stars from the music industry like Coldplay, Beyonc&eacute;, Blur, Daft Punk, Paul McCartney, Kylie Minogue&hellip;, movie directors such as Pedro Almodovar, Jean-Jacques Annaud, Michel Gondry, Andrei Konchalovski, Jonas &Aring;kerlund&hellip; or fashion designers Jean-Paul Gaultier, Azzedine Ala&iuml;a, Stella McCartney, Iris Van Herpen, Cartier, Herm&egrave;s, Valentino&hellip; film world have counted on Blanca Li to bring her unique movement and dance touch to their productions.</p>\r\n<p><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">press links: </span></span><br /><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">NYT feature on Blanca Li (2017) \"A Ballerina and Choreographer Team Up to Be Goddesses\" </span></span><a href=\"https://nyti.ms/2oz7TNC\"><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">https://nyti.ms/2oz7TNC</span></span></a></p>\r\n<p><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">New York Magazine (The Cut) feature on Blanca Li (2015) </span></span><a href=\"http://thecut.io/2cYA6Nn\" rel=\"nofollow\"><span style=\"vertical-align: inherit;\"><span style=\"vertical-align: inherit;\">http://thecut.io/2cYA6Nn</span></span></a></p>\r\n<p>&nbsp;</p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p>&nbsp;</p>',''),(10,5,'en','Repertory','<p>Since the creation of her dance company in 1993, Blanca Li added <span>thirteen creations</span> to her repertory.<br />She renews her sources of inspiration for every new creation, recruiting most of the time a specific team to create the show and to perform it.</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_13_image_fr.jpg\" alt=\"nana et lila\" width=\"202\" height=\"139\" /><br /><br />1993 <a href=\"/en/event/13/nana-et-lila\" target=\"_blank\">Nana et Lila</a>, Trans Europe Express Festival (Berlin) and Avignon off</p>\r\n<p>Created for the World Exposition 1992 in Seville, it is a show composed of two parts for nine contemporary dancers and five Gnawa musicians from Marocco. For Nana, I wanted to communicate the essence of the flamenco that I love, but through a renewed writing, that would be definitely modern. When I was choreographing this play, my professional life was so stressful that I have been searching for a bit of peace and rigour as a counterpoint to introduce in this show.<br />Lila was born from an invitation to realise a creation in Marocco in 1986. That is where I discovered the Gnawa\'s music for this first show. We became very close, and I wanted to put on stage the feelings that were mine during trances in the lilacs : women breaking down into tears, shouting, laughing. They used to dance all night long, until they were exhausted. Those liberator moments let the most intimate and private feelings express in an uncontrollable way. It reminded me of the spontaneous and massive outpouring of emotional energy that I had lived on stage when I was dancing flamenco, but in another context. On stage, dancer and musicians work in a complete symbiosis.<br />The two parts of the show are characterised by two different intentions: the first part is internalized and done with restraint, whereas the second part lets a boundless energy explode. The whole show reflects two ways of dancing that lead to the same extreme outcomes. It is this kind of contrast that interests me.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_11_image_fr.jpg\" alt=\"Salome\" width=\"196\" height=\"194\" /><br /><br />1995 <a href=\"/en/event/11/salome\" target=\"_blank\">Salome</a>, Quartz de Brest.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p>This creation is an explosive cocktail of live classical music, danced theatre and ballet, plus the energy of the cabaret.<br />The sources of inspiration for this show come from a myriad of masterpieces, from the Bible to Wilde, Flaubert, Mallarm&eacute; and Huysmans, Strauss, Gustave Moreau and Beardsley. Salome has been fascinating me for years: beyond the usual clich&eacute;s about seduction or murder, she is also a very young girl becoming a woman after an extremely violent experience. <br />I wished to stage her character both universal and contemporary through the various faces of Salome in the choreography. Each one of them represents a particular aspect of the character and of women, in harmony with the dancers personality. This variety of Salome can also be seen in the various methods and processes used to realise the performance. Of course, I had to use contemporary dance: for me, Salome is a topical theme. However, I use many techniques from the flamenco because this dance expresses sensuality, violence and tragedy. I also used circus techniques, more specifically the rope, for their aerial softness, their lightness and their universality and timelessness.<br />So does the music. K&oelig;chlin seemed to be in line with my idea, because even if he composed at he beginning of the century, he was extremely modern. To him music had to be a kind of experiment and exploration, which is close to my vision of dance. Moreover, his work is full of energy and joy, which are part of the key elements of the character of Salome.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_10_image_fr.jpg\" alt=\"Stress\" width=\"196\" height=\"199\" /><br /><br />1997 <a href=\"/en/event/10/stress\" target=\"_blank\">Stress</a> - P&egrave;te pas les plombs, Th&eacute;&acirc;tre Jean Vilar, Suresnes.</p>\r\n<p>Created in January, 1997 in Suresnes Theatre Jean Vilar, this show for eight dancers and actors is inspired by misused urban familiar objects.<br />Dancers perform in an urban decor and use / face its elements, in a growing tension, ending by a real madness. Little by little, the space a priori constraining becomes playful.<br />As usual, this show is full of Blanca Li\'s energy and taste of derision. Of course, dance occupies an important place in the show, but Blanca Li also combines elements from other disciplines, creating, as always with this choreographer, a show that is hard to define, making the borders between categories move.<br />This show is dedicated to dance companies and artists deprived of means, facing every day extreme constraints but who are able to benefit from the absurdity of their situation and find the source of their inspiration : \"P&egrave;te pas les plombs\" (\"Don\'t freak out\").</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_7_image_fr.jpg\" alt=\"Minotaure\" width=\"197\" height=\"147\" /><br /><br />1998 <a href=\"/en/event/7/le-songe-du-minotaure\" target=\"_blank\">Le Songe du Minotaure</a>, Danse de Lyon biennial.</p>\r\n<p style=\"margin-bottom: 0cm;\">At the beginning, I wanted a choreography of pure dance, to enhance the beauty of nearly naked bodies. I was naturally guided in my inspiration by Greek statuary.<br />While I was looking for images and movements, I discovered myths, heroes, an uninhibited approach of nature and sex, philosophy, humour, and most of all an aesthetic, a sense for the beauty that is needed in any creation.<br />Then I crossed several themes that inspired me, the Minotaur and animals rituals from Crete, Knossos, Narcissus, Pygmalion, Amazons, Athena, figures from Greek temples and ceramics, Dyonisos festivities, love, war, the Olympic birth of sport.<br />For the ambiance, I recalled my childhood memories of Mediterranean landscapes, the blinding midday light, the sound of crickets and wind in pine trees. The show will be interpreted by 12 dancers. The white colour has been chosen for costumes and set, owing to its purity and elegance. For music, I found in some classical and modern composers&rsquo; work the Hellenic inspiration that has also inspired so many contemporary talents (Satie, Debussy, Faur&eacute;, Ravel, K&oelig;chlin, Ted Shawn, Nijinsky, Martha Graham, etc.).</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_9_image_fr.jpg\" alt=\"Zap zap zap\" width=\"201\" height=\"131\" /><br /><br />1999-2001 <a href=\"/en/event/9/zap-zap-zap\" target=\"_blank\">Zap&nbsp;! Zap&nbsp;! Zap&nbsp;!</a> (One woman show), Maison de la Musique de Nanterre, Th&eacute;&acirc;tre de Nice, Th&eacute;&acirc;tre National de Chaillot, Festival France Moves in New York.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\">In this scathing parody of TV talk shows and celebrity worship, Blanca Li zaps her way through a series of performance sketches in which she appears as the hostess and invited guests, including an ageing folk hippie, a pseudo-intellectual modern dancer, an over-achieving gymnast, a Brittany folk dancer, and many more. A hilarious tour de force by an ex-gymnast and flamenco dancer, trained at the Martha Graham and Alvin Ailey schools.</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_5_image_fr.jpg\" alt=\"Macadam\" width=\"202\" height=\"136\" /><br /><br />1999 <a href=\"/en/event/5/macadam-macadam\" target=\"_blank\">Macadam, Macadam,</a> Festival Suresnes Cit&eacute; Danse (recr&eacute;&eacute; en 2006 puis en 2011)</p>\r\n<p>The world of Macadam Macadam, a stage turned into a street and towered by a roller ramp, reflects the &ldquo;street culture&rdquo; generation. Thanks to her multifaceted talent, her energetic temperament and her insatiable curiosity, the Spanish choreographer Blanca Li is able to play with this culture, in a sensitive, provocative and elegant way. With 11 young virtuoso performers, she stages a successful combination of hip hop and contemporary creation, both intelligent and subtle. Hip hop rhythms meet music hall, and the choreographic pieces run from dancing to roller-skating, from biking to acrobatics. The performers&rsquo; spontaneity and sense of humour reach far beyond a simplified vision of reality and overwhelm us by their mere pleasure to dance.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_8_image_fr.jpg\" alt=\"borderline\" width=\"204\" height=\"152\" /><br /><br />2002 <a href=\"/en/event/8/borderline\" target=\"_blank\">Borderline</a>, Maison des Arts et de la Culture, Cr&eacute;teil.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\">Borderline is a choreographic project at the intersection of dance, music and art, which explores the thin line between normality and insanity. Deeply impressed by Lucy and Jorge Orta\'s project &ldquo;Life Nexus&ldquo; at the Psychiatric Clinic Robert Giffard in Quebec, Blanca Li managed to work with those two artists for her own creation. Their creative trio focused its research on a contemporary madness. Who is really crazy ? Lunatics walking in the street ? The world itself ? Always with humour and a great sense of comedy, Borderline explores the numerous ways of being \"different\" : from those who indulge in craziness to those who suffer from it. A tragic-comical dance evening, oscillating between dynamic fits and darker moments of despondency.<br />The choreography itself is developed from the constraint of objects created by Lucy and Jorge Orta. The accessories and moves were born at the same time, during the phase of writing. The theme of constraint is declined in various ways in every scene of this total performance, structuring the matter as well as the body, in the rhythm of burlesque and reflexive situations.</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_12_image_fr.jpg\" alt=\"al andalus\" width=\"204\" height=\"132\" /><br /><br />2004 <a href=\"/en/event/12/lamour-sorcier---al-andalus\" target=\"_blank\">Al Andal&uacute;s</a>, A play in three acts (Nana, Canciones Populares, l&rsquo;Amour Sorcier), Massy Opera and International Festival of Granada.</p>\r\n<p>It is a very personal creation, a sort of concentrate extract of my intimate relation with Andalusia and with flamenco, music and dance I grew up with. I have travelled a lot and my work draws its inspiration from a great variety of sources, from Martha Graham to the Gnawas of Marrakech, including from other art forms. But flamenco always reappears in my choreographic pieces. Its presence just seems necessary, as a mean to go back to this part of me rooted in my childhood, where lies the very origins of my passion for dancing. This adaptable program is like an illustration of the multifaceted vision flamenco has inspired me at different stages in my life. It reveals a lot about myself.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_6_image_fr.jpg\" alt=\"alame\" width=\"207\" height=\"137\" /><br /><br />2004 <a href=\"/en/event/6/alarme\" target=\"_blank\">Alarme</a>, Internationale de la Danse de Lyon biennial.</p>\r\n<p>A collection of snapshots, glimpses of real life, a collage of different emotions. Life&hellip; as a film. For this creation, Blanca Li has chosen to work on several short pieces, composing a patchwork of short stories, of short dance movies. The choreographer draws her inspiration from moments, images, objects, stories, music, fragments of actuality, from all those unpredictable encounters that make her daily life. Some of these ideas take form into pieces with evocative titles like, Doblepaso, Alarme, Round Midnight, Made in China, Game Over&hellip; The length of these pieces as well as their form (solos, duos, trios, group compositions) reflect the lightweight, the briefness of these flashes of inspiration. Ephemeral moments treated with humour, poetry or energy, they respond to the need of the choreographer to give freedom to her wandering inspiration without being constrained by duration.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/image_380_image_fr.jpg\" alt=\"corazon loco\" width=\"210\" height=\"139\" /><br /><br />2007 <a href=\"/en/event/4/corazon-loco\" target=\"_blank\">Coraz&oacute;n Loco</a>, Odyssud of Blagnac and Th&eacute;&acirc;tre National de Chaillot in Paris.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\">Coraz&oacute;n Loco has been an occasion for Blanca Li to reconnect with the world of music, after she started as a choreographer at the Paris Opera. &laquo; For this creation, I wanted the work of the voice to become one with the work of the body. Bringing dancers and singers all together, we explored both of those universes. &raquo; (Blanca Li) . Inspired by the universal topic of love, &laquo; never ending source of beauty, sensuality and fantasy &raquo;, the choreographer got together a team of six dancers, eight singers, the vocal ensemble Sequenza 9.3 under the direction of Catherine Simonpietri, and a drums player. According to Blanca Li, the manuscript of the score by &Eacute;dith Canat de Chizy, well-known composer, is a &laquo; choral performance of love, rich in poetry and humour &raquo;. She promised there would be gold everywhere on stage: the scenography by Pierre Attrait derives from the basis idea of anamorphosis, with walls made of textile, hiding and revealing the things behind at the same time. &laquo; A sensual background that gives pride to the body.&raquo; Blanca Li is always unexpected. Once more, she leads her audience beyond dreams and movement.</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_3_image_fr.jpg\" alt=\"poeta\" width=\"213\" height=\"143\" /><br /><br />2007 <a href=\"/en/event/3/poete-a-new-york\" target=\"_blank\">Poeta en Nueva York</a>, Generalife Theatre, Gardens of the Alhambra (program Lorca and Granada, Culture Ministry of Andalousia, Spain).</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\">Poeta en Nueva York is inspired by Federico Garc&iacute;a Lorca&rsquo;s poems and experience in New York from 1929 to 1930. He is confronted to a very different environment from his native Andalusia. It will be a decisive turn in his writing style. A group of twenty dancers, the soloist dancers Andr&eacute;s Mar&iacute;n and Blanca Li, singing by Carmen Linares or Encarnita Anillo, and by Rob-Li, and an original music by Tao Guti&eacute;rrez give life to the interior world of Lorca, his images and words, between jazz and flamenco... Andr&eacute;s Mar&iacute;n embodies the poet discovering a different place and Blanca Li is the inspiration and the words crossing the mind of the poet. A multidisciplinary and passionate performance: Granada and New York meeting in a dream about Lorca. <br />Around 60 000 people discovered the show during a series of representations at the International Festival of Granada.</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/image_18_image_fr.jpg\" alt=\"jardin\" width=\"213\" height=\"142\" /><br /><br />2009 <a href=\"/en/event/2/le-jardin-des-delices\" target=\"_blank\">The Garden of Delights</a> inspired by J&eacute;r&ocirc;me Bosch\'s painting, Festival Montpellier Danse.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\">J&eacute;r&ocirc;me Bosch\'s Garden of Delights and I have a long history. In this painting, the animal, vegetable and mineral reigns interweave. I have always wanted to give movement to this pictorial expression of a place where hell mingles with paradise, satire with morality, where the obsession of sins and salvation reaches an unequalled force. In my creations I like to mix various modes of expression. Here the work of Eve Ramboz, specialist in digital visual effects, who has already made two films on paintings by Bosch, will come in dialogue and interaction with my choreographic work. I chose the design of a pop aesthetic to place my creation in a contemporary space, where fantastic beings inspired by the real world and images from the painting sit well together. The Garden of Delights is a place where everything is possible.</p>\r\n<p style=\"margin-bottom: 0cm;\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_1_thumbnail_fr.jpg\" alt=\"elektro kif\" width=\"214\" height=\"141\" /><br /><br />2010 <a href=\"/en/event/1/elektro-kif\" target=\"_blank\">Elektro Kif</a> piece for 8 electro dancers, Suresnes Cit&eacute; Danse 2011 Festival.</p>\r\n<p>With &laquo;ELEKTRO KIF&raquo;, Blanca plunges once again back into the urban dance universe, with its diversity, its constantly renewed creative identity.<br />Blanca Li puts electro dance away from pure performance in order to install it on a theatre scene, through a contemporaneous choreographic project.<br />&laquo; I have always appreciated the stimulating and inventing exercise of submitting my creations to a musical or gestural constraint full of meaning and creativity, of creating a show at the edge of numerous universes in order to revive genres.&raquo;</p>',''),(11,6,'en','Dancers','<p>&laquo;<em>My creations draw their inspiration from flamenco, traditional dances from Africa, as well as classical ballet or contemporary dancing. My style is made of all these various influences. It is so difficult to take in that when I find the right performers, I do everything not to change my cast.</em>&raquo; Blanca Li, <em>Figaroscope</em>, 1997</p>\r\n<p>The dancers have very different backgrounds, but all share the skills Blanca Li&rsquo;s unique style requires - among which, of course, a common taste for happiness and a good sense of humour...</p>\r\n<p>&nbsp;</p>\r\n<h3>Dancers from the Blanca Li Company</h3>\r\n<p><strong>Jean-G&eacute;rald Dorseuil</strong> <br />After winning a scholarship to the Paul et Yvonne Goube school in Paris, the London Studio Centre and the Princesse Grace of Monaco school, Jean G&eacute;rald Dorseuil participated in numerous ballets in France and abroad. His collaboration with Blanca Li started in 1997 for the show Le songe du Minotaure . He also worked with her on the choregraphy of Borderline created at the Komische Oper in Berlin in 2001 as well as for the movie Le d&eacute;fi written by Blanca Li. He worked with Raoul H&eacute;br&eacute;ard, plastician, on \"Round-Around (Appartement)\", a short film presented at the Nice and Avignon Contemporary Art Festival. Jean-G&eacute;rald Dorseuil is also involved in professional training. In 1997 in Hy&egrave;res (South of France) he created his own dance school with Alexandra Cl&eacute;ment, his wife. Some of his students later entered renowned professional schools or companies : Rudra B&eacute;jart Ballet et Compagnie, Lyon CNSMD, London Studio Centre, Rosella Higthtower, Crazy Horse, Angelin Preljocaj&lsquo;s G.U.I.D... This ressource of talents allows him to offer the result of his choregraphic researches to various institutions and cultural events : \"Museum night 2006\", Maison de la photographie (Toulon), \"Autumn Choregraphic Meeting\" Pradet 2004-2006, \"Performance in a public garden\" for the no car days in Le Mourillon (Toulon), Installation and performance with Raoul H&eacute;br&eacute;ard, plastician, at the Fort of L&rsquo;Eguillette(La Seyne sur Mer) June 2006... Jean-G&eacute;rald Dorseuil also participates in many cultural and pedagogical missions around dance. Worked in collaboration with the following compagnies: Wallonie Royal Ballet, Scottish Ballet, Gigi Caciuleanu, Hagen Theatre Ballet, ...</p>\r\n<p><strong>Matthew Hawkins</strong> <br />Matthew Hawkins is a Londoner. He received his early training at the Royal Ballet School and joined the Royal Ballet at age 17, remaining there for a further five years. He began presenting choreography in 1980 and went freelance in order to pursue this interest. He also danced with emerging independent groups like Second Stride (1982/3) and Michael Clark and Company (1984 - 1992). Hawkins has received numerous commissions for choreography: from companies (i.e. Rambert Dance Company (UK)- 1995) from festivals (notably Dance Umbrella - 1982/83/93/96) and from various producers. For ten years (starting in 1986) he concentrated on directing his own troupe. The Jerwood Choreography Prize was awarded to Hawkins in 2002: he also received the Chris de Marigny Dance Writing award and, later, a year&rsquo;s fellowship with Arts Council England. Matthew&rsquo;s career is now an international enterprise : he has recently choreographed in Venezuela and he is making a significant body of work in France, Scotland, Slovakia, Turkey, and The People&rsquo;s Republic of China.</p>\r\n<p><strong>Ahmed Karetti</strong> <br />Ahmed Karetti is a self-taught dancer. American musicals and tap dancing have had a great influence on him ever since his early years. In 1995 he performs in the show Hieroglyphis choreographed by Jean-Fran&ccedil;ois Duroure. In 1996, he creates his own dance company which takes part in the Rencontres de Cultures Urbaines that same year. On this occasion he meets the choreographer Zaza Disdiers with whom he experiments working both on text and hip hop dancing. Meanwhile, he works as a dancer and an actor for various companies such as Melting Spot, The Studio Th&eacute;&acirc;tre of Stains &hellip; In 1999, he performs in Blanca Li&rsquo;s creation Macadam Macadam in Suresnes and he is also part of the 2006 cast. Since 2000, Ahmed Karetti has been learning different techniques from the circus such as the flying trapeze, the aerial silk ballet or the Chinese pole. He also organizes a number of workshops on both a national and international level.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p><strong>Yohann T&eacute;t&eacute;</strong><br />Trained at the Conservatoire National Sup&eacute;rieur of Paris, Yohann T&eacute;t&eacute; received the first prize of the Upper Normandy Choreography Competition in 2004. Since then, he has been leading the Sankofa Company Y.TT.<br />He has danced for numerous companies : Philippe D&eacute;coufl&eacute;\'s DCA in 2004-2005, Abou Lagraa\'s La Baraka in 2005, Cie Georges Momboye since 2005, Pietragalla company from 2005 to 2007, and Carolyn Carlson from 2008 to 2009. He is also a high-level and international teacher of contemporary dance and hip hop (LA style) working on various workshops in Israel, Italy, Poland, France...</p>\r\n<p><strong>Deborah Torres</strong> <br />Born in Barcelona, Deborah Torres was trained in classical ballet, contemporary dance and flamenco at the Institut del Teatre of Barcelona, then at the Nancy Tu&ntilde;on drama school. In 1993 she leaves her hometown for Paris where she carries on with her contemporary training. Having settled in France, she works successively with Jean Gaudin, Nathalie Bard, Alexis Manuel and Blanca Li, and also performs in various creations at the Paris Opera. Since 2004, after a specialized training, she shares her time between dancing and sound engineering and works regulary as a sound assistant or a post-production supervisor.</p>',''),(12,7,'en','Team','<p><strong>Compagnie Blanca Li</strong><br />128 rue de la Bo&eacute;tie 75008 Paris <br />Tel&nbsp;: 01 53 34 04 05</p>\r\n<p><strong>Administrative team</strong></p>\r\n<p>Etienne Li : administration &nbsp; e.li(at)blancali.com<br />St&eacute;phane Hivert : touring &nbsp;&nbsp; s.hivert(at)blancali.com<br />Camille Denisty : production / communication&nbsp;&nbsp;&nbsp; c.denisty(at)blancali.com<br />Marylise Hergu&eacute; : audivisual production, partnerships m.hergue(at)blancali.com</p>\r\n<p>&nbsp;</p>\r\n<h3>Press and RP</h3>\r\n<p><strong>S&eacute;bastien d\'Assigny :</strong> <a href=\"http://www.sebastiendassigny.com/\" target=\"_blank\">S&eacute;bastien d\'Assigny</a> <br />sdapresse(at)gmail.com <strong>01 42 88 79 79 <br /></strong></p>\r\n<h3>Artistic Team</h3>\r\n<p><strong><img src=\"http://www.blancali.com/files/image_744_image_fr.png?2020-10-03-16-21-05\" alt=\"\" width=\"130\" height=\"130\" /></strong></p>\r\n<p><strong>Vincent Chazal VISUAL CREATION DIRECTOR</strong><br /><a href=\"https://www.behance.net/horsujet\">https://www.behance.net/horsujet</a></p>\r\n<p>After graduating from Penninghen (ESAG) in artistic direction, Vincent Chazal has been working since 1992 as a graphic designer, VFX / AD and motion designer, notably in post-production, for Première Heure, St Louis and recently at Bizaroïd. As a multifaceted professional, he is curious about new technologies, he likes to &laquo;cook&raquo; images, experi- menting with a variety of techniques, media and software to get off the beaten track. He has collaborated with Jean-Paul Goude, Marc Caro, Tran Anh Hung, Barnaby Roper (The Dress, 2017), Eric Minh Cuong Castaing (L&rsquo;Âge d&rsquo;Or, Audi Talent Awards 2018), Jean-Vincent Puzos, etc. He has worked with Blanca Li on various projects in the past twenty years.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\"><strong><span style=\"color: #000000;\"><strong><span style=\"color: #000000;\"><img src=\"http://www.blancali.com/files/image_642_image_fr.jpeg?2017-01-20-15-33-52\" alt=\"Pierre Attrait\" width=\"120\" height=\"180\" /></span></strong><br />Pierre Attrait, stage designer:</span></strong></p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\"><span style=\"color: #000000;\">After studying literature and art history, Pierre Attrait collaborated on numerous theater productions as an assistant and actor with Gabriel Monnet, Georges Lavaudant, and Daniel Mesguich. He became an assistant at the Opéra de Paris and at the Aix-en-Provence festival, then began creating his own shows. In Canada, he received the award for best stage production in 1989 for Andréa Chénier and later for La Traviata. Pierre Attrait has contributed as a set designer to numerous films for the cinema and television, including Ready to wear, by Robert Altman, Le Petit Marguery, by Laurent Bénégui, Un chat dans la gorge, by Jacques Otmezguine, C\'est la tangente que je préfère, by Charlotte Silvera, Pas à pas, by Blanca Li... For the theater, he has designed, among others, Cahier du retour au pays natal, by Jacques Martial, L\'Échange, by Sarah Sanders, Liens de sang, by Jean-Michel Martial, and Folies coloniales, by Dominique Lurcel. He has worked several times previously on shows and events by Blanca Li: Corazón Loco, Poeta en Nueva York, Le Jardin des Délices, and La Fête de la danse. As the artistic director of the Marcadé agency, which is specialized in staging luxury events and in film, Pierre Attrait has collaborated in creating events (fashion shows, perfume launches, presentation of a luxury jewelry collection, Festival de Cannes...), notably for the LVMH group, Bvlgari, Cartier... He has also been the artistic director of the Bal de la Rose since 1995, collaborating in that position with Alfredo Arias, Karl Lagerfeld, Pedro Almodovar... </span></p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\">&nbsp;</p>\r\n<p style=\"margin-bottom: 0cm;\"><strong><img style=\"margin: 5px; vertical-align: text-bottom;\" src=\"/files/image_387_image_fr.jpg\" alt=\"\" width=\"100\" /><br />Charles Carcopino, video designer:</strong></p>\r\n<p>Charles Carcopino, a specialist in digital cultures, alternately curates exhibitions and creates visual work for the stage. He works as a videographer with directors from all horizons, and integrates his projected images with the visual conception of the stage space. Charles Carcopino was the artistic director of the Studio at the Créteil Maison des Arts et de la Culture, a centre for the creation and production of images for live performance and digital installations. In that context, he has worked with numerous artists and directors, designing video installations and interactive set-ups for many projects: operas, dance works, musical comedies, plays, concerts and festivals, video installations for exhibitions and mappings for events. He was also the curator for the international festivals EXIT (Maison des Arts in Créteil) and VIA (Maubeuge, Mons), and his exhibitions have travelled throughout France and abroad. He is also an independent curator for a number of events (Lille 2004, Expérience Pommery #9, the Croisement festival in China, Lille 3000, Mons 2015, and La Villette...). Firmly rooted in today&rsquo;s world, his exhibitions explore the effects of the acceleration of the post-internet society in every field of contemporary creativity.</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p style=\"text-indent: 0cm; margin-bottom: 0cm;\" align=\"JUSTIFY\"><strong><span style=\"color: #000000;\"><img src=\"http://www.blancali.com/files/image_385_image_fr.jpg?2017-01-20-15-38-27\" alt=\"Tao Gutierrez\" width=\"120\" /><br />Tao Gutierrez, composer:</span></strong></p>\r\n<p>Born in Granada, after studying in Madrid, he moved to New York and completed his music education in Percussion, Electronic Music and Composition in NYC, with Bob Norton, Dan Carrillo, Ron Carter among others.</p>\r\n<p>After 11 years in N.Y., where he had the chance to collaborate with very well known artists and musicians, he returned to Spain. There he has worked in a long list of Film scores, (Poniente, Le Défi, Return to Hansala, Pas à Pas...) He also has been producing and recording for various artists, and is responsible for the composition of the music in a long list of works for Blanca Li ́s Dance Company, that include Robot, Deesses et Demones, Poeta en Nueva York, Elektrokif and others. His career has received numerous awards, such as best Soundtrack, at Montpellier, Malaga, Guadalajara, Cairo, Valladolid film festivals and others.<br /> As well as his career in film, he has worked extensively in theatre, creating the music and songs for very succesful shows such as El Eunuco and Tito Andronico, for the Roman Theatre Festival of Merida, where it won Best Show of the season, Best Music, and made an all-time audience record. He also created El Interprete, a success in theaters all over Spain and Latin America that has been selling out for the last four years.</p>\r\n<p><strong><img src=\"http://www.blancali.com/files/image_745_image_fr.png\" alt=\"\" width=\"130\" height=\"192\" /></strong></p>\r\n<p><strong>Caty Olive lights design</strong></p>\r\n<p>Having trained in stage design at the École nationale supérieure des Arts décoratifs in Paris, Caty Olive creates luminous spaces. She works equally in dance and opera performance, architecture, and the visual arts. Through this preference for diverse activities, Caty Olive pursues highly specific investigations into the movements of light. Her interest in open questions about space has led her to work occasionally with art school students. She has participated in dance projects for the contemporary stage with Marco Berrettini, Christophe Haleb, Martine Pisani, Myriam Gourfink, Emmanuelle Huynh, Claudia Triozzi, Vera Mantero, Tiago Guedes, David Wampach, Donata D&rsquo;Urso, Cindy Van Acker, Joris Lacoste, and Christian Rizzo. She is engaged in ongoing collaborations with Guillaume Parent as part of the Zélé agency; Samantha Barroero/Hold on, who accompanies some of her projects; and Christian Rizzo and the association Fragile, since 2000, in the field of choreography and other various domains.</p>\r\n<p><strong><img src=\"http://www.blancali.com/files/image_746_image_fr.jpg\" alt=\"\" width=\"130\" height=\"189\" /></strong></p>\r\n<p><strong>Laurent Mercier costumes</strong></p>\r\n<p>Laurent Mercier is a fashion designer and costume designer born in Switzerland.<br /> He has designed couture fashion collections under his own label Laurent Mercier Deluxe for many years. After completing his studies as fashion designer at Studio Berçot in Paris, he becomes an assistant designer for Jean Paul Gaultier from 1989 to 1991, and for Escada from 1991 to 1993. After launching and designing his own Laurent Mercier Deluxe line of ready to wear fashion from 1999 to 2002, collecting awards from ANDAM, LVMH or the prestigious Yves St Laurent haute couture special prize, he pursues his personal designs under the name of Laurent Mercier Haute Couture , with fashion shows in Paris (Galliera Museum), Niamey (Niger), Luzern (Switzerland) or for the Tokyo fashion week.<br /> He was hired as artistic director of the Morgan ready to wear brand in 2001 and becomes the artistic director of the Balmain, first for ready to wear collections in 2001 then for haute couture collections after Oscar de la Renta retires, from 2002 until 2003.<br /> As a costume designer, he has designed the Lenny Kravitz stage costumes and been his stylist for all music videos and publications from 1993 to 1997. He is also responsible for the stylism and costume design of numerous CD covers, music videos or advertising campaigns by artists such as Blanca Li, Nina Hagen, Sylvie Vartan, Vanessa Paradis, Indochine, Lolo Ferrari, Blur, working regularly with photographers and directors such as Pierre et Gilles, Jean Baptiste Mondino, Don Cameron or Ali Mahdavi.<br /> He has been the costume designer for feature films such as &ldquo;Doberman&rdquo; by Jan Kounen, &ldquo;Le Défi&ldquo; and &ldquo;Pas à Pas&rdquo; by Blanca Li, or &ldquo;Une Chance sur Deux&rdquo; by Patrice Leconte.<br /> As stage costume designer, he has designed most of the shows of Compagnie Blanca Li, among which Macadam, Macadam, the Garden of Earthly Delights, Corazon Loco, and more recently, was hired as costume designer for the Opera Gianni Schicchi by Puccini at the Marinsky Theater in St Petersburg<br /> More recently, he has performed onstage in the Mugler Follies revue in Paris daily for more than one year.</p>\r\n<p>&nbsp;</p>',''),(13,4,'en','Institutional','<p><em>In 2010 Blanca Li was named associated  artist of the National Choreographic Centre of Creteil and Val-de-Marne  (CCN). She organized various territorial activities.</em></p>\r\n<p><strong>Dance classes</strong>, from February 2010 until May 2011 <br />Elementary school Paul Casalis of Creteil. <br /><em>148 hours of classes lead by dancers of the Company.</em></p>\r\n<p><strong>Interactive video installation</strong>, May 18-29 2010 <br />&ldquo;Ven  a bailar conmigo&rdquo; (Come to dance with me): created for the EXIT  festival of Cr&eacute;teil and inspired by the installation created for the  White Nights in Madrid in 2009.</p>\r\n<p><strong>Workshop &ldquo;How to film dance&rdquo;</strong>, November, 3rd &amp; 4th 2010 <br />Initiation  to film direction and post production by Blanca Li and Charles  Carcopino with the help of 5 dancers, a camera operator, a sound  engineer and an editor. <br /><em>21 participants and 3 films directed.</em></p>\r\n<p><strong>Dance &amp; Cinema festival</strong>, November 5-7 2010 <br />Festival  organized by Blanca Li and her company at the Maison des arts of  Creteil, French national scene, and the Museum of contemporary arts  (MAC/VAL). <br /><em>Films on screens, meetings, and workshops offered to the public.</em></p>\r\n<p><strong>Public rehearsals</strong>, from November 15th until November 19th 2010 <br />Rehearsals  of the new Blanca Li&rsquo;s creations, Elektro Kif, in public at the studio  of the National Choreographic Centre of Creteil.  <br /><em>200 young people came to the rehearsals to dance and discover Elektro Kif dancers.</em></p>\r\n<p><strong>&ldquo;Celebration day&rdquo;</strong>, annual event organized by the city of Creteil <br />Artistic conception of the vent (June 19th 2011).</p>',''),(14,3,'en','Prizes & distinctions','<div class=\"texte\">\r\n<h3>Dance</h3>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" />&nbsp;&laquo;Poeta en Nueva York&raquo; (2007) <br />Blanca Li has received the <a href=\"http://www.premiosmax.net/\" target=\"_blank\">Premio Max</a> award for best choreography (equivalent to the Tony awards in USA or Moliere award in France).</p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" />&nbsp;&laquo;Macadam Macadam&raquo; (1999/2006) <br /><a href=\"http://www.globesdecristal.com/\" target=\"_blank\">Globe de Cristal</a> for the best show in the Opera /Dance category in February 2007, by a panel of 3000 journalists of the French written press and television.</p>\r\n<p><img src=\"http://blancali.com/dist/puce.gif\" alt=\"-\" width=\"8\" height=\"11\" />&nbsp;&laquo;Nana and Lila&raquo; (1993) <br />\"Public Off\" award of the best dance show in the Avignon Festival Off - France 1993.</p>\r\n<h3>&nbsp;</h3>\r\n<h3>Cinema</h3>\r\n<p><strong>Le D&eacute;fi</strong> (2002, feature film) <br />Public Award at the Festival Moving Picture of Toronto - Canada. <br /><em>Main international festivals in which the film has been chosen :</em> <br />Constellation Dance Screen Festival, London - GB (2003) <br />Boston French Film Festival at Museum of Fine Arts, Boston - USA <br />Festival Moving picture, Toronto - Canada <br />Festival New French Cinema, Chicago - USA (2003) <br />Tribeca International Film Festival, New York - USA (2004) <br />Cinema Paradise, Honolulu, Hawa&iuml; - USA (2004) <br />Imago Film Festival, Lisbonne - Portugal (2004) <br />Dance on Screen, The place, London - GB (2004)</p>\r\n<p><strong>Angoisse</strong> (1998, short film ) <br />Public Award at the European Short Film Festival , Brest - France (1999). <br />Fuji Award at the Short Film Festival, Grenoble - France (1999). <br />Best short film award and Public award at the Women Films Festival, Cr&eacute;teil - France (2000).</p>\r\n<h3>&nbsp;</h3>\r\n<h3>Individual distinctions</h3>\r\n<p><strong>France<br /></strong>Elected at French Academy of fine Arts (2019)<strong><br /></strong>Named \"Chevalier de la L&eacute;gion d\'Honneur\" (14 th of July 2014)<strong><br /></strong>Named \"Officier des Arts et des Lettres\" by the Minister of Culture (2007) <br />Named&nbsp; \"Chevalier de l&rsquo;Ordre national du M&eacute;rite\" by the Minister of European Affairs (2004)</p>\r\n<p><strong>Spain</strong></p>\r\n<p>Artistic Director los Teatros del Canal (2019)<br />&laquo;Medalla de oro al m&eacute;rito de la ciudad de Granada&raquo; (2013)</p>\r\n<p><br />&laquo;Medalla de oro al m&eacute;rito en las Bellas Artes&raquo; (2009). <br />The King of Spain, upon proposal of Minister of Culture, gives annually this prestigious award (Gold Medal of Merit of Fine Arts) to major cultural and artistic figures.</p>\r\n<p>&laquo; Manuel de Falla &raquo; Award (2004) <br />In recognition for <em>&laquo; her innovating contribution to contemporary dance, to the creation and diffusion of the andalucian culture to the international level &raquo;</em>, given by the Minister of Culture of Andaloucia.</p>\r\n</div>',''),(15,2,'es','Biografía','<table style=\"width: 550px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td valign=\"top\" width=\"280px\">\r\n<p><img title=\"&copy;Ali Mahdavi 2011\" src=\"/files/image_111_image_fr.jpg\" alt=\"portrait de Blanca Li\" width=\"263px\" height=\"395px\" /></p>\r\n<p><em><span style=\"font-size: x-large;\">&ldquo;Talentosa y multifac&eacute;tica&rdquo;</span></em></p>\r\n</td>\r\n<td width=\"270px\">\r\n<p>Blanca Li es core&oacute;grafa, bailarina, actriz y directora de cine. En 2019 fue elegida miembro de la Academia de Bellas Artes de Francia, en la nueva secci&oacute;n de coreograf&iacute;a, y nombrada directora de los Teatros del Canal de la Comunidad de Madrid.</p>\r\n<p>Nacida en Granada en 1964, integra al equipo nacional de gimnasia r&iacute;tmica a los 12 a&ntilde;os y se muda a Nueva York a los 17 para estudiar con Martha Graham. All&iacute; tambi&eacute;n descubre el hip hop y se nutre del bullicio de las culturas del mundo, forjando su identidad como bailarina y core&oacute;grafa contempor&aacute;nea, antes de regresar a Europa. Tras un breve paso por Madrid, donde estudia tambi&eacute;n flamenco en la escuela Amor de Dios con maestras como Carmen Cortes, y tras realizar una creaci&oacute;n coreogr&aacute;fica contempor&aacute;nea para la Expo Universal de Sevilla, decide acudir a Par&iacute;s y all&iacute; funda su compa&ntilde;&iacute;a en 1992. Sus espect&aacute;culos giran por el mundo desde entonces, reuniendo a un p&uacute;blico numeroso, fiel y entusiasta. Sus creaciones a lo largo de los a&ntilde;os son innovadoras, espectaculares y sensibles, con un sentido del humor muy latino, manifestando la diversidad y el mestizaje que son la firma de la artista: se inspira en las ceremonias de trance de los Gnawas de Marruecos en &ldquo;Nana y Lila&rdquo; (1992); en el arte griego antiguo en &ldquo;Le songe du Minotaure&rdquo; (1998); &ldquo;Macadam, Macadam&rdquo; (1999) marca la consagraci&oacute;n del hip hop en los escenarios de los teatros y festivales p&uacute;blicos; &ldquo;Zap! Zap! Zap!&rdquo; (2000) es un one woman show donde da libre albedr&iacute;o a su humor f&iacute;sico; &ldquo;Borderline&rdquo; (2002) cuestiona la locura del mundo despu&eacute;s de los atentados del 11-S; &ldquo;Coraz&oacute;n Loco&rdquo; (2003) combina cantantes y bailarines sobre una composici&oacute;n original contempor&aacute;nea y una escenograf&iacute;a fascinante; &ldquo;Poeta en Nueva York&rdquo; (2008), producido para el Festival Lorca y Granada, reinterpreta el viaje de Lorca a Nueva York con una coreograf&iacute;a contempor&aacute;nea para Andr&eacute;s Mar&iacute;n y Carmen Linares;&nbsp;&ldquo;El Jard&iacute;n de las Delicias&rdquo; (2009) anima el cuadro ic&oacute;nico de El Bosco; en &ldquo;Electro Kif&rdquo; (2011) lleva un nuevo estilo de danza urbana, la danza electro, sobre los escenarios teatrales; &ldquo;Robot&rdquo; (2013) consigue emocionar el p&uacute;blico con la relaci&oacute;n entre el ser humano y los robots o &ldquo;Solstice&rdquo; (2017), donde pone en escena la relaci&oacute;n de la humanidad con el planeta.</p>\r\n<p>En 2021, crea \"Le Bal de Paris de Blanca Li\" en el Theatre Chaillot, galardonado con el Le&oacute;n a la mejor experiencia de realidad virtual en el 78&ordm; Festival Internacional de Cine de Venecia. Este espect&aacute;culo en vivo de realidad virtual sumerge a los espectadores en contacto con bailarines reales en un universo fant&aacute;stico, y se presenta en el teatro le Palace de Par&iacute;s antes de salir de gira mundial, entre otros teatros al Barbican londinense. Cont&oacute; con la colaboraci&oacute;n y el mecenazgo de CHANEL que cre&oacute; el vestuario virtual de esta obra totalmente innovadora.</p>\r\n<p>En febrero de 2022, crea para el Suresnes Cit&eacute;s Danse Festival un &ldquo;Cascanueces&rdquo; festivo de hip hop con ocho virtuosos bailarines espa&ntilde;oles que combinan breaking, popping y ra&iacute;ces hispanas.</p>\r\n<p>Blanca Li ha coreografiado y dirigido numerosos ballets, &oacute;peras y musicales, entre ellos &ldquo;Les Indes Galantes&rdquo; en la &Oacute;pera de Par&iacute;s, &ldquo;Sh&eacute;h&eacute;razade&rdquo; para el ballet de la &Oacute;pera de Par&iacute;s, &ldquo;Very Gentle&rdquo; y &ldquo;Un Parque&rdquo; de Luis de Pablo, en los Teatros del Canal, &ldquo;Treemonisha&rdquo; en el Th&eacute;&acirc;tre du Ch&acirc;telet parisino, &ldquo;El Quijote del Plata&rdquo; para el ballet nacional Sodre de Uruguay y recientemente, &ldquo;Pulcinella&rdquo; para la Compa&ntilde;&iacute;a Nacional de Danza de Espa&ntilde;a. Tambi&eacute;n el musical &ldquo;Enamorados An&oacute;nimos&rdquo; (2008) para el Teatro Movistar+ Gran V&iacute;a, sobre el mundo de la copla. A principios de 2023 estrena, junto a William Christie y Les Arts Florissants, su versi&oacute;n de &ldquo;Dido y Eneas&rdquo;, la &oacute;pera barroca de Henry Purcell.</p>\r\n<p>&nbsp;</p>\r\n<p><br />Ha dirigido tres largometrajes: el musical hip hop &ldquo;Le D&eacute;fi&rdquo; (2002), el documental &ldquo;Pas &agrave; Pas&rdquo; (2010) y el filme experimental &ldquo;Elektro Mathematrix&rdquo; (2019) y numerosos cortometrajes, anuncios comerciales y v&iacute;deo-clips.</p>\r\n<p>Ha sido escogida como core&oacute;grafa para el cine por grandes directores internacionales como Pedro Almod&oacute;var, Jean-Jacques Annaud, Anne Fontaine o Michel Gondry. Ha coreografiado v&iacute;deo-clips para personalidades como Daft Punk, Paul McCartney, Beyonc&eacute;, Blur, Goldfrapp, Kanye West o Coldplay. Y ha realizado acciones, anuncios y desfiles para firmas de moda y lujo como Jean-Paul Gaultier, Azzedine Ala&iuml;a, Cartier, Perrier, H&amp;M, Lanc&ocirc;me, Prada o Stella McCartney, y acontecimientos como el Baile de la Rosa en M&oacute;naco.</p>\r\n<p>As&iacute; mismo, Blanca Li dirigi&oacute; el Centro Andaluz de Danza de 2006 a 2010, y anteriormente el Berl&iacute;n Ballet de la Komische Oper, en 2001 y 2002. Ha creado eventos e instalaciones participativas basadas en la danza para el Grand Palais de Par&iacute;s, el MUSAC de Le&oacute;n, el museo Guggenheim de Bilbao o la Noche en Blanco de Madrid.</p>\r\n<p>Entre m&uacute;ltiples premios y condecoraciones por su contribuci&oacute;n a las artes y la danza, fue nombrada Chevalier de la L&eacute;gion d\'Honneur por el presidente Fran&ccedil;ois Hollande; tambi&eacute;n fue nombrada Commandeur de la Orden de las Artes y Letras de Francia, y recibi&oacute; la Medalla de Oro al M&eacute;rito de las Bellas Artes del Rey Juan Carlos en Espa&ntilde;a. Ha recibido tambi&eacute;n el Premio Manuel de Falla de la Junta de Andaluc&iacute;a.</p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p>&nbsp;</p>',''),(73,27,'es','Bailarines Elektro Kif','<div class=\"text wysiwyg\"><!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } 		H3 { margin-bottom: 0.21cm } 		H3.ctl { font-family: \"Arial Unicode MS\" } -->\r\n<p>Le spectacle<em> Elektro Kif</em> a &eacute;t&eacute; cr&eacute;&eacute; &agrave; l\'automne 2010 en r&eacute;sidence au CCN de Cr&eacute;teil;<br />La Compagnie <em>Elektro Kif</em> n&deg;1 a &eacute;t&eacute; recrut&eacute;e parmi les danseurs historiques de la sc&egrave;ne &eacute;lectro de la r&eacute;gion parisienne.<br />Face au succ&egrave;s du spectacle, la Compagnie Elektro Kif n&deg; 2, constitu&eacute;e de danseurs encore plus jeunes a pris la rel&egrave;ve &agrave; partir de janvier 2012, alternant avec la Compagnie n&deg;1</p>\r\n<h3 class=\"western\">&nbsp;</h3>\r\n<h3 class=\"western\">Compagnie Elektro Kif n&deg; 2 (reprise) :</h3>\r\n<p><strong>Kevin Bago</strong><br />Ag&eacute; de 22 ans, Kevin commence l\'&eacute;lectro &agrave; 17 ans et s\'approprie tr&egrave;s vite cette discipline, qu\'il personnalise et pratique &agrave; sa mani&egrave;re. D&egrave;s ses d&eacute;buts, il participe &agrave; plusieurs tournois en groupe avec l\'Alliance Crew qui lui permettent de &agrave; se faire conna&icirc;tre. A 19 ans, il int&egrave;gre une formation de danse et collabore avec Alain Gruttadauria, la compagnie Vanessa Darras, Kamel Ouali, Kfog, Tokyo ou encore Gilles Roman. Form&eacute; au hip-hop pour son plaisir, Kevin entre dans la troupe des \"Misfits\" et arrive 3&egrave;me au Championnat du monde 2011 de hip-hop chor&eacute;graphique. Danseur polyvalent, il rejoint la Compagnie Blanca Li en 2012 pour Elektro Kif.</p>\r\n<p><strong>Mamadou Bathily</strong><br />Ag&eacute; de 21 ans, Mamadou Bathily s\'est d\'abord form&eacute; seul, s\'inspirant de vid&eacute;os trouv&eacute;es sur internet. Il commence la danse &eacute;lectro en 2007 et pratique le bone break depuis 2009. Mamadou a &eacute;t&eacute; r&eacute;compens&eacute; par plusieurs titres : il remporte la battle Ghetto Land en 2012, vainqueur du Championnat du monde de danse &eacute;lectro en 2011, est Vice Champion du monde en 2012, et pr&eacute;sente le meilleur show au Championnat de France en 2009. Mamadou donne des cours de danse &agrave; l\'&eacute;tranger, en particulier en Bi&eacute;lorussie et en Russie.</p>\r\n<p><strong>J&eacute;r&ocirc;me Fidelin, <em>alias GOKU</em></strong><br />Ag&eacute; de 19 ans, Goku a toujours &eacute;t&eacute; passionn&eacute; de musique et de danse, qu\'il ne pratiquait que chez lui jusqu\'&agrave; l\'arriv&eacute;e de la mode Tecktonik. Il prend part au tout premier championnat Vertifight (il est sacr&eacute; Champion de France en 2010) et &agrave; tous les suivants en 5 contre 5. C\'est par un grand \"battle\" dont la vid&eacute;o est mise en ligne qu\'il se fait conna&icirc;tre du grand public. Suite au succ&egrave;s de cette vid&eacute;o, Goku est invit&eacute; dans le monde entier pour donner des cours et &ecirc;tre membre de jury. Il a ainsi &eacute;t&eacute; amen&eacute; &agrave; se d&eacute;placer une quinzaine de fois entre la Russie, l\'Ukraine, l\'Italie, la Suisse, et le Mexique. Depuis 1 an, il &eacute;largit ses influences en s\'adonnant au hip-hop et &agrave; la house dance. Goku est membre de la Compagnie Blanca Li depuis d&eacute;cembre 2011.</p>\r\n<p><strong>Romain Guillermic, <em>alias SKIPS</em></strong><br />Romain Guillermic est n&eacute; le 11 novembre 1994. C\'est au d&eacute;but de l\'ann&eacute;e 2007 qu\'il d&eacute;couvre la danse &eacute;lectro. Il d&eacute;cide d\'y consacrer la majeure partie de son temps&nbsp; deux ans plus tard, en int&eacute;grant le groupe phare du moment, la RythmiK. Avec son groupe, gagne le titre de Champion de France en 2008 puis celui de Meilleur show chor&eacute;graphique avec la team Electro Street en 2009. Durant deux ans, il participe r&eacute;guli&egrave;rement &agrave; des battles solo et autres shows chor&eacute;graphiques &agrave; travers la France, ce qui lui a permis de se faire conna&icirc;tre et de partir enseigner sa passion a l\'&eacute;tranger. Fin 2011, il participe &agrave; une audition lui permettant d\'int&eacute;grer la troupe \"Elektro Kif\" de la compagnie Blanca li.</p>\r\n<p><strong>Th&eacute;ophile Landji</strong><br />Th&eacute;ophile Landji est membre du groupe Aliance Crew. Il a particip&eacute; &agrave; de nombreuses comp&eacute;titions et a &eacute;t&eacute; r&eacute;compens&eacute; &agrave; plusieurs reprises : 3eme meilleur show &agrave; cinq au Championnat de France Vertifight 2010 , Champion de France (Vertifight 2012), Champion du monde (Vertifight 2012, en Italie). Le bin&ocirc;me qu\'il forme avec le danseur Phil a &eacute;galement &eacute;t&eacute; &eacute;lu meilleur bin&ocirc;me de danse &eacute;lectro.</p>\r\n<p><strong>Adrien Larrazet,<em> alias VEXUS</em></strong><br />Adrien &laquo;VEXUS&raquo; Larrazet a commenc&eacute; la danse dans l&rsquo;&eacute;cole Martine Mocoeur puis a int&eacute;gr&eacute; l&rsquo;&eacute;cole de formation Harmonic. A la fin de son cursus, il rejoint la compagnie J.P. Chandler ainsi que le crew C-OIM. Sa polyvalence l\'am&egrave;ne &agrave; s&rsquo;ouvrir &agrave; l&rsquo;&eacute;lectro et &agrave; danser aux cot&eacute;s de groupes tels que Electro Addict et Artifice Style. C\'est dans cette continuit&eacute;, qu\'il est recrut&eacute; par la Compagnie Blanca Li pour son spectacle Elektro Kif.</p>\r\n<p><strong>Lenny Louves, <em>alias STARSKY</em></strong><br />&Acirc;g&eacute; de 18 ans, Lenny Louves est danseur &eacute;lectro depuis cinq ans. Depuis deux ans, il s\'adonne &agrave; la danse hip hop en parall&egrave;le de sa pratique de l\'&eacute;lectro. Cette double appartenance conf&egrave;re &agrave; son style des aspects techniques et acrobatiques. Son travail a &eacute;t&eacute; r&eacute;compens&eacute; en 2010 par un titre de Champion de France de danse &eacute;lectro par &eacute;quipe (Vertifight). Danseur pour des concerts (Metronomy en 2012), il a aussi particip&eacute; &agrave; des &eacute;missions t&eacute;l&eacute;vis&eacute;es (You Can Dance) et &agrave; des festivals. Starsky a un go&ucirc;t prononc&eacute; pour la cr&eacute;ation. Il est membre de la compagnie Blanca Li depuis mars 2012.</p>\r\n<p><strong>Ismaila Ndiaye</strong> <br />Ismaila Ndiaye a 20 ans et pratique la danse &eacute;lectro depuis 5 ans. En 2010, il est titr&eacute; Champion de France de danse &eacute;lectro par &eacute;quipe (Vertifight) et a notamment dans&eacute; pour des artistes (Metronomy en 2012) et lors d\'&eacute;missions t&eacute;l&eacute;vis&eacute;es (You Can Dance en 2012). Ismaila est danseur pour Blanca Li depuis d&eacute;cembre 2011</p>\r\n<h3 class=\"western\">&nbsp;</h3>\r\n<h3 class=\"western\">Compagnie Elektro Kif n&deg;1 (cr&eacute;ation) :</h3>\r\n<p><strong>Khaled Abdulahi , <em>alias CERIZZ</em></strong><br />Khaled Abdulahi Idriss (alias Cerizz) a depuis toujours nourri une r&eacute;elle passion pour la danse et plus particuli&egrave;rement pour la chor&eacute;graphie. Ses mod&egrave;les sont Wade Robson et Dave Scott mais son idole est Michael Jackson. Il est sp&eacute;cialis&eacute; dans la danse &eacute;lectro depuis f&eacute;vrier 2007 et a cr&eacute;&eacute; le groupe RythmiK la m&ecirc;me ann&eacute;e. Cerizz a cr&eacute;&eacute; son propre style, en s\'inspirant de danseurs comme Mamson (dont les groupes sont Wanted Posse et Serial Stepperz) et Bboy Cloud (dont le groupe est Skill Methodz). Depuis 2008, il a eu l\'occasion de travailler avec divers groupes, a particip&eacute; &agrave; des &eacute;missions t&eacute;l&eacute;vis&eacute;es, &agrave; des clips video et a &eacute;t&eacute; r&eacute;compens&eacute; par plusieurs prix : le championnat de France Vertifight 2008, le championnat de France Vertifight 2009 (meilleure performance de danse &eacute;lectro), le championnat du monde Vertifight 2010. En 2009, il rencontre Blanca Li durant le tournage de la Noche en Blanco &agrave; Madrid. Elle lui a offert l\'opportunit&eacute; de vivre sa passion et de la partager &agrave; travers le projet Elektro Kif.</p>\r\n<p><strong>Jeremy Alberge,  <em>alias JEREM</em></strong><br />Jeremy Alberge est n&eacute; en 1992 et s\'est passionn&eacute; pour la danse en d&eacute;couvrant la danse &eacute;lectro en 2007. Au d&eacute;part uniquement int&eacute;ress&eacute; par l\'&eacute;lectro, il s\'est ouvert aux danses contemporaine et classique en 2009. Il a gagn&eacute; le championnat de France 2009 de danse &eacute;lectro (organis&eacute; par Vertifight), a enseign&eacute; dans le cadre de masterclasses de danse, et fut membre de jury sur des &eacute;v&eacute;nements de danse &agrave; Moscou, Montr&eacute;al, Paris, La Rochelle, Milan, Saint-P&eacute;tersbourg, Turin et Kiev. En 2010, il a &eacute;galement dans&eacute; pour une publicit&eacute; pour Orange Rockcorps. Jeremy s\'int&eacute;resse tout particuli&egrave;rement au m&eacute;lange des diff&eacute;rents styles de danses, et s\'attache &agrave; travailler cet aspect dans ses cours de perfectionnement, se sp&eacute;cialisant en danse classique, au jazz et en danse contemporaine. Il est aujourd\'hui convaincu que la culture &eacute;lectro a acquis une place l&eacute;gitime sur sc&egrave;ne gr&acirc;ce &agrave; Blanca Li qui a su d&eacute;montrer au monde de la danse et aux m&eacute;dias sa v&eacute;ritable valeur.</p>\r\n<p><strong>Arnaud Bacharach , <em>alias NINO</em></strong><br />Arnaud Bacharach est n&eacute; en 1992 &agrave; B&eacute;ziers. Il arrive &agrave; Paris en 1999 et commence &agrave; prendre de cours de danse &agrave; l\'&eacute;cole, en 2001. En arrivant &agrave; Bobigny, il int&egrave;gre une &eacute;cole de danse afin d\'apprendre les danses classique, contemporaine et jazz. En 2007, il d&eacute;couvre la danse &eacute;lectro en bo&icirc;te de nuit et d&eacute;cide de faire sien ce nouveau type de langage corporel. Il a ainsi &eacute;t&eacute; amen&eacute; &agrave; rencontrer d\'autres danseurs &eacute;lectro et &agrave; rejoindre diff&eacute;rents groupes de danse lui permettant de prendre part &agrave; des \"battles\" (championnat de France et du monde en 2010). En septembre 2010, il rejoint la compagnie de danse Blanca Li et danse dans Elektro Kif.</p>\r\n<p><strong>Roger Bepet,  alias BIG JAY</strong><br />Roger Bepet (alias Big Jay) est n&eacute; en 1990. Sa premi&egrave;re vocation &eacute;tait de devenir footballeur professionnel, mais ce plan initial a &eacute;t&eacute; perturb&eacute; quand, adolescent, il s\'est pris de passion pour la danse. En effet, le langage corporel &eacute;tait le seul &agrave; lui permettre de s\'exprimer comme il le souhaitait et de d&eacute;velopper sa cr&eacute;ativit&eacute;. Par la suite, il a rejoint le groupe Mafia Electro et a particip&eacute; au premier championnat mondial de danse &eacute;lectro en 2010. Aujourd\'hui Big Jay est membre du groupe Alliance Crew et a particip&eacute; &agrave; plusieurs comp&eacute;titions et &eacute;missions t&eacute;l&eacute;vis&eacute;es. Son premier objectif est de s\'entrainer autant qu\'il le faudra, atteindre un niveau professionnel et devenir c&eacute;l&egrave;bre afin de vivre de sa passion. En tant que membre de la compagnie Blanca Li, il esp&egrave;re voyager dans le monde entier pour partager sa passion et sa d&eacute;termination avec la plus large audience possible.</p>\r\n<p><strong>William Falla,  <em>alias TREAXY</em></strong><br />William Falla (alias Treaxy) est l\'&eacute;g&eacute;rie de la marque Tecktonik et un des pionniers du mouvement de danse &eacute;lectro. La carri&egrave;re de Treaxy comprend tant des apparitions dans des vid&eacute;os de chanteurs fran&ccedil;ais (Yelle, Lorie) que des &eacute;missions t&eacute;l&eacute;vis&eacute;es (Feel the Hardrock, CNN News, Star Academy). Treaxy a &eacute;galement assur&eacute; la direction de masterclasses de danse et des performances autour du monde dans le cadre du d&eacute;veloppement de la culture &eacute;lectro. Apr&egrave;s une tourn&eacute;e de trois ans, il a rejoint la Compagnie Blanca Li pour la cr&eacute;ation d\'Elektro Kif en 2010.</p>\r\n<p><strong>Slate Hemedi, <em> alias CRAZY</em></strong><br />Slate Hemedi est n&eacute; &agrave; Paris en 1988. Il a eu son premier contact avec la danse &agrave; l\'&acirc;ge de trois ans &agrave; travers une vid&eacute;o de James Brown, qui l\'a durablement marqu&eacute;. Cependant, ce n\'est qu\'&agrave; l\'&acirc;ge de 17 ans qu\'il eut l\'id&eacute;e de former son propre groupe de danse avec des danseurs talentueux qui partageaient sa passion. Aujourd\'hui surnomm&eacute; &ldquo;Crazy&rdquo;, il est le leader d\'Alliance, un groupe de danseurs &eacute;lectro dont les caract&eacute;ristiques sont la souplesse et la cr&eacute;ativit&eacute;. Crazy a gagn&eacute; de nombreuses \"battles\", a travaill&eacute; autour du monde pour des &eacute;missions t&eacute;l&eacute;vis&eacute;es, des vid&eacute;os et des publicit&eacute;s. L\'objectif actuel de Crazy est d\'am&eacute;liorer le style de danse &eacute;lectro dans le but de le faire respecter, au m&ecirc;me titre que le hip-hop et le classique. Il danse dans Elektro Kif depuis septembre 2010.</p>\r\n<p><strong>Alou Sidibe, <em> alias KYRRA</em></strong><br />Alou Sidibe (alias Kyrra) a commenc&eacute; &agrave; danser il y a quatre ans, quand le mouvement &eacute;lectro est apparu. Depuis 2007, il s\'est principalement produit dans des \"battles\", en particulier dans Vertifight. Il a gagn&eacute; plusieurs prix, dont &ldquo;le meilleur spectacle &eacute;lectro fran&ccedil;ais 2009&rdquo; et plusieurs concours : le \"Vertifight kingz 4\" 2010 (qui opposait 2 groupes de 2 danseurs &eacute;lectro dans une battle) et le Championnat du monde de danse &eacute;lectro Vertifight 2011. Il a aussi dans&eacute; pour l\'&eacute;mission de t&eacute;l&eacute;-r&eacute;alit&eacute; G&eacute;n&eacute;ration Mannequin sur NRJ12 en 2008. Depuis 2010, il danse dans Elektro Kif pour Blanca Li. Il est influenc&eacute; par le travail au sol du danseur de hip-hop Dedson du groupe Wanted Posse, ainsi que par la gr&acirc;ce du danseur BBoy Cloud de Skill Methode et par l\'approche technique de Mike Song. Pour &ecirc;tre &agrave; m&ecirc;me de s\'exprimer comme il le souhaite, Kyrra compl&egrave;te sa formation par des cours de hip-hop et de danse moderne.</p>\r\n<p><strong>Adrien Sissoko,  <em>alias FIASCO</em></strong><br />Le surnom d\'Adrien est Fiasco. Il est danseur &eacute;lectro depuis quatre ans. Fiasco est un membre actif du groupe de danse Electro Street depuis 2008 et a gagn&eacute; plusieurs prix : il s\'est qualifi&eacute; lors de la premi&egrave;re &eacute;dition du championnat fran&ccedil;ais &ldquo;crew vs crew&rdquo; en juin 2008, &ldquo;meilleure performance chor&eacute;graphique fran&ccedil;aise 2009&rdquo;, Champion du monde de la battle \"5 vs 5\", Vertifight 2010. De juillet 2008 &agrave; avril 2009 Adrien a dirig&eacute; des master classes de danse pour diverses organisation &agrave; but non-lucratif venant en aide aux enfants. En d&eacute;cembre 2009, il a &eacute;t&eacute; invit&eacute; au concours international \"Express Yourself\". En 2010, il a particip&eacute; &agrave; plusieurs tourn&eacute;es en France, &agrave; des &eacute;missions de t&eacute;l&eacute;vision et in clip vid&eacute;o produit par Blanca Li (\"Let the Love In\" de Jeremy Hills). Il danse dans Elektro Kif depuis septembre 2010.</p>\r\n</div>',''),(16,5,'es','Repertorio','<p>Desde la creaci&oacute;n de su compa&ntilde;&iacute;a en 1993, Blanca Li ha inscrito <span>trece obras</span> en su repertorio.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\"><img style=\"vertical-align: text-bottom;\" src=\"/files/event_13_image_fr.jpg\" alt=\"nana et lila\" width=\"199\" height=\"138\" /><br /><br />1993 <a href=\"http://blancali.com/es/event/13/nana-et-lila\" target=\"_blank\">Nana et Lila</a>, Festival Trans Europe Express (Berlin) y Avignon off.</p>\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\"><br />Antes de la presentaci&oacute;n oficial : durante la Exposici&oacute;n Universal de Sevilla en 1992. <br />Es un espect&aacute;culo en dos partes, para nueve bailarinas contempor&aacute;neas y cinco m&uacute;sicos Gnawas de Marrueco. Para Nana, quer&iacute;a transmitir lo esencial del&nbsp; flamenco, a trav&eacute;s de una escritura muy moderna.<br />Lila fue inspirada por un viaje que hice en Marrueco en 1986, donde descubr&iacute; la m&uacute;sica de los Gnawas que utilic&eacute; para ese espect&aacute;culo. <br />Ese obra es una reflexi&oacute;n en cinco peque&ntilde;as piezas sobre la energ&iacute;a y el trance, a trav&eacute;s de una interpretaci&oacute;n contempor&aacute;nea del flamenco y de los rituales Gnawa. <br />El espect&aacute;culo se compone de dos partes : la primera es muy interiorizada, muy dura, con mucha restrinjo, mientras que la en segunda es llena de energ&iacute;a.<br />Recibi&oacute; el premio &ldquo;Coup de c&oelig;ur du Off&rdquo; en el festival de Avignon 1993. Gir&oacute; en Alemania, Holanda, Italia, Espa&ntilde;a, Tunez, Marruecos, Croacia, Suiza y Francia : 150 representaciones en total, para aproximadamente 80 000 espectadores.<br /><br /></p>\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\">&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_11_image_fr.jpg\" alt=\"Salome\" width=\"199\" height=\"199\" /><br /><br />1995 <a href=\"http://blancali.com/es/event/11/salome\" target=\"_blank\">Salom&eacute;</a>, Quartz de Brest.</p>\r\n<p>Espect&aacute;culo musical y coreogr&aacute;fico en cinco actos para 8 bailarines, un actor, 2 trapecistas, una soprano, 5 m&uacute;sicos.<br />Salom&eacute; es una evocaci&oacute;n ir&oacute;nica de la violencia del sentimiento amoroso. <br />El espect&aacute;culo mezcla las t&eacute;cnicas a&eacute;reas del circo - trapecio,telas y cuerda - con las de la danza contempor&aacute;nea y del flamenco.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_10_image_fr.jpg\" alt=\"Stress\" width=\"199\" height=\"204\" /><br /><br />1997 <a href=\"http://blancali.com/es/event/10/stress\">Stress</a> - No pierdas la cabeza, Teatro Jean Vilar de Suresnes.</p>\r\n<p>Este obra creada en enero de 1997 en el Teatro de Suresnes Jean Vilar, para ocho bailarinas-actrices se inspira del estr&eacute;s de la vida cotidiana y de la utilizaci&oacute;n deformada y parad&oacute;jica de objetos de la vida diaria. Las bailarinas evolucionan en un decorado estrictamente urbano y utilizan/afrontan los limites en una creciente tensi&oacute;n resuelta por una alegre locura. Encontramos la energ&iacute;a propia de la las creaciones de Blanca Li as&iacute; como su gusto por la iron&iacute;a.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_7_image_fr.jpg\" alt=\"Minotaure\" width=\"199\" height=\"149\" /><br /><br />1998 <a href=\"http://blancali.com/es/event/7/ensueno-de-un-minotauro\">Ensue&ntilde;o de un Minotauro</a>, Bienal de Lyon.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\">Al comienzo, las ganas de hacer una pieza coreogr&aacute;fica, con danza pura, poniendo en valor la belleza de los cuerpos casi desnudos me gui&oacute; naturalmente hacia la estatua cl&aacute;sica de la antigua Grecia. Buscando las im&aacute;genes, los movimientos, encontr&eacute; los mitos, los h&eacute;roes, una mirada desinhibida de la naturaleza y del sexo, de la filosof&iacute;a, del humor, y sobretodo de la est&eacute;tica. Enseguida hil&eacute; varios temas que me inspiraron, el Minotauro y los rituales con animales en Creta, Narciso, Pygmalion, las Amazonas, Athenas, los frisos de templos y de la cer&aacute;mica griega, las festividades dionis&iacute;acas, el amor, la guerra, el nacimiento ol&iacute;mpico del deporte. Para la atm&oacute;sfera, fui hasta mis recuerdos de los paisajes mediterr&aacute;neos, de la luz cegadora del mediod&iacute;a. El espect&aacute;culo ser&aacute; interpretado por tres chicas y tres chicos. El decorado quedar&aacute; depurado al igual que el vestuario. Para la m&uacute;sica, he encontrado en algunos compositores cl&aacute;sicos y modernos la inspiraci&oacute;n hel&eacute;nica que influenci&oacute; tantos talentos contempor&aacute;neos (Satie, Debussy, Faur&eacute;, Ravel, K&oelig;chlin, Ted Shawn, Nijinsky, Martha Graham, etc.).<br /><br /></p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_9_image_fr.jpg\" alt=\"Zap zap zap\" width=\"199\" height=\"131\" /><br /><br />1999-2001 <a href=\"http://blancali.com/es/event/9/zap-zap-zap\" target=\"_blank\">Zap&nbsp;! Zap&nbsp;! Zap&nbsp;!</a> (One woman show), Maison de la Musique de Nanterre, Teatro de Nice, Teatro Nacional de Chaillot, Festival France Moves de Nueva York.</p>\r\n<p>Sola en escena. Sin embargo rodeada...Para ponerle fin a la monoton&iacute;a de los espect&aacute;culos que pasan en la televisi&oacute;n, Blanca Li invita a la tele al escenario. Una constelaci&oacute;n de artistas de todos los g&eacute;neros, de entrevistas, de verdadera actualidad, de sentido del humor. ZAP! ZAP! ZAP! es un show \"telesc&eacute;nico\" para una nueva generaci&oacute;n de adictos a la tele: los espectadores.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_5_image_fr.jpg\" alt=\"Macadam\" width=\"199\" height=\"133\" /><br /><br />1999 <a href=\"http://blancali.com/es/event/5/macadam-macadam\" target=\"_blank\">Macadam, Macadam,</a> Festival Suresnes Cit&eacute; Danse.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\">Talentosa y multifac&eacute;tica, con la curiosidad siempre alerta, la coreograf&iacute;a espa&ntilde;ola Blanca Li crea el encuentro de los ritmos hip-hop, music-hall, la danza y el roller, el bike y la acrobacia. Consigue aliar con inteligencia y fineza el universo urbano de la generaci&oacute;n \"street culture\" y la creaci&oacute;n contempor&aacute;nea. Guiados por su visi&oacute;n llena de sensibilidad y de humor, los 10 j&oacute;venes y virtuosos artistas nos transportan por su formidable energ&iacute;a y su aut&eacute;ntico placer de bailar...<br /><br /></p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/event_8_image_fr.jpg\" alt=\"borderline\" width=\"199\" height=\"149\" /><br /><br />2002 <a href=\"http://blancali.com/es/event/8/borderline\" target=\"_blank\">Borderline</a>, Maison des Arts et de la Culture de Cr&eacute;teil.</p>\r\n<p>Borderline explora la frontera entre la normalidad y la locura, ese borde peligroso que, siguiendo el lugar donde uno caiga, hace de nosotros un demente aceptable o un loco perfectamente intratable. Borderline se presenta como un reflejo l&uacute;dico y a veces chirriante de los excesos de la sociedad moderna. <br />Tem&aacute;tica actual, trabajo esc&eacute;nico contempor&aacute;neo. Una creaci&oacute;n musical, de esculturas textiles imaginadas por Lucy Orta y una escenograf&iacute;a luminosa de Jorge Orta. Blanca Li propone aqu&iacute; un espect&aacute;culo total, que interroga con distancia e iron&iacute;a nuestra tolerancia a la esquizofrenia general del mundo de hoy.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" title=\"al andalus\" src=\"/files/event_12_image_fr.jpg\" alt=\"al andalus\" width=\"199\" height=\"129\" /><br /><br />2004 <a href=\"http://blancali.com/es/event/12/el-amor-brujo---al-andalus\" target=\"_blank\">Al Andal&uacute;s</a>, ballet en tres partes (Nana, Canciones Populares, El Amor Brujo), Opera de Massy y Festival Internacional de Granada.</p>\r\n<p>Este programa se integra a un repertorio de ballets de estilo neocl&aacute;sico y moderno, inspirados en Andaluc&iacute;a y sus lazos, la cultura &aacute;rabe, llamada Al Andal&uacute;s, que se compone de (seg&uacute;n las configuraciones) Nana y Lila, El Amor Brujo y la creaci&oacute;n de Blanca Li, Canciones Populares, sobre una m&uacute;sica de Carmen Linares. <br />En su versi&oacute;n m&aacute;s magistral, toda la m&uacute;sica es interpretada por una orquesta sinf&oacute;nica, una cantante de flamenco, un guitarrista de flamenco y el grupo de Gnawa Halwa de Marrakech.</p>\r\n<p>&nbsp;</p>\r\n<p><img style=\"vertical-align: text-bottom;\" title=\"alarme\" src=\"/files/event_6_image_fr.jpg\" alt=\"\" width=\"199\" height=\"133\" /><br /><br />2004 <a href=\"http://blancali.com/es/event/6/alarme\" target=\"_blank\">Alarme</a>, Biennal internacional de Lyon.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p>Blanca Li se entrega esta vez a las piezas cortas, componiendo un mosaico de peque&ntilde;as historias, des cortometrajes coreogr&aacute;ficos. <br />La core&oacute;grafa extrae su inspiraci&oacute;n de instantes, de im&aacute;genes, de objetos, de historias, de m&uacute;sicas, de pedazos de actualidad, todos sus encuentros imprevisibles que forman el tejido de su vida cotidiana. Algunas de estas ideas dan lugar al nacimiento de piezas que llevan por titulo evocador \"Doble Paso\", \"Alarma\", \"Round Midnight\", \"Game Over\"&hellip; <br />La duraci&oacute;n de estas piezas , as&iacute; como su forma (solos, d&uacute;os, tr&iacute;os, coreograf&iacute;as de grupo&hellip;) reflejan la ligereza, la brevedad de estos flashes de inspiraci&oacute;n. Instantes ef&iacute;meros transcritos con humor, poes&iacute;a o energ&iacute;a, que responden a la necesidad de dar libre curso a la inspiraci&oacute;n vagabunda de la core&oacute;grafa fuera de los limites de una duraci&oacute;n determinada.<br />Por su contenido, este programa cuestiona nuestra capacidad de sorprendernos ante los detalles de nuestro cotidiano. En un medio ambiente cada vez m&aacute;s tecnol&oacute;gico, cada vez m&aacute;s civilizado, lo natural del hombre y del ni&ntilde;o se hace cada vez m&aacute;s incongruente e incontrolable cuando nuestra espontaneidad sale a relucir de improviso. Al acecho de estos momentos en los que el cuerpo retoma la superficie, donde los sentimientos se liberan de los limites sociales, donde el adulto encuentra el ni&ntilde;o que lleva en &eacute;l, Blanca Li selecciona im&aacute;genes fuertes y evocadoras. Poni&eacute;ndolas en un cuadro esc&eacute;nico, les da toda una nueva nobleza, belleza y valor humano, sin perder el sentido ir&oacute;nico que acompa&ntilde;a siempre su observaci&oacute;n sobre nuestra condici&oacute;n humana.</p>\r\n<p><br /><br /><img src=\"/files/image_380_image_fr.jpg\" alt=\"corazon loco\" width=\"199\" height=\"133\" /><br /><br />2007 <a href=\"http://blancali.com/es/event/4/corazon-loco\" target=\"_blank\">Coraz&oacute;n Loco</a>, Odyssud (Blagnac) y Teatro Nacional de Chaillot en Par&iacute;s.</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\">Con Coraz&oacute;n Loco, Blanca Li vuelve a conectar con el mundo del canto, que conoci&oacute; al principio de su carrera coreogr&aacute;fica, al Opera de Par&iacute;s. &laquo; En esa creaci&oacute;n, quer&iacute;a que el trabajo del cuerpo fuera uno con &eacute;l de la voz.&raquo; (Blanca Li). Inspir&aacute;ndose en el tema del amor, la coreografia reuni&oacute; 6 bailarines, 8 cantantes, el grupo Sequenza 9.3 (dir. Catherine Simonpietri), y una percusionista. La escenograf&iacute;a de Pierre Attrait se inspira del tema de la anamorfosis : los muros son de tejido, escondiendo y descubriendo los cuerpos a la vez.<br /><br /></p>\r\n<p><img style=\"vertical-align: text-bottom;\" title=\"poeta\" src=\"/files/event_3_image_fr.jpg\" alt=\"\" width=\"199\" height=\"133\" /><br /><br />2007 <a href=\"http://blancali.com/es/event/3/poeta-en-nueva-york\" target=\"_blank\">Poeta en Nueva York</a>, Teatro de Generalife, Jardines de la Alhambra (programo Lorca y Granada, Ministerio de la Cultura de Andalousia).</p>\r\n<!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<p style=\"margin-bottom: 0cm;\" lang=\"es-ES\">Poeta en Nueva York fue inspirado por los poemas de Federico Garc&iacute;a Lorca y sus experiencias en Nueva York, entre 1929 y 1930. Se est&aacute; enfrentando a un entorno muy diferente de su Andaluc&iacute;a natal. Eso se puede percibir en un cambio de estilo en sus escritos. 20 bailarines y bailarines solistas Andr&eacute;s Mar&iacute;n y Blanca Li, los cantos de Carmen Linares o Encarnita Anillo y Rob-Li, y una composici&oacute;n musical de Tao Guti&eacute;rrez animan el mundo interior de Lorca, sus im&aacute;genes y palabras, entre jazz y flamenco... Andr&eacute;s Mar&iacute;n personifica el poeta descubriendo un otro lugar y Blanca Li es su inspiraci&oacute;n y las palabras en la cabeza del poeta.&nbsp;<br />Unas 60 000 personas descubrieron el espect&aacute;culo durante una serie al Festival internacional de Granada.<br /><br /></p>\r\n<p><img style=\"vertical-align: text-bottom;\" src=\"/files/image_18_image_fr.jpg\" alt=\"jardin\" width=\"213\" height=\"142\" /><br /><br />2009 <a href=\"http://blancali.com/es/event/2/el-jardin-de-las-delicias\" target=\"_blank\">El Jard&iacute;n de las Delicias</a>&nbsp;(pintura de J&eacute;r&ocirc;me Bosch), Festival Montpellier Danse.</p>\r\n<p><span>Siempre he tenido la tentaci&oacute;n de poner en movimiento esta expresi&oacute;n pict&oacute;rica, que nazca un ballet de esta obra &laquo; sacr&iacute;lega &raquo; donde el infierno se mezcla con el para&iacute;so, lo sat&iacute;rico con la moral, donde la obsesi&oacute;n del pecado y de la salvaci&oacute;n alcanza una fuerza inigualable. En mis creaciones, siempre intento mezclar distintos universos y utilizar esa uni&oacute;n para tejer la trama de una aventura art&iacute;stica. En esta nueva creaci&oacute;n coreogr&aacute;fica colabor&eacute; con Eve Ramboz, realizadora y especialista reconocida de efectos visuales digitales, y que realiz&oacute; dos pel&iacute;culas sobre trabajos de El Bosco.<br /><br /></span></p>\r\n<p><img style=\"vertical-align: text-bottom;\" title=\"macadam\" src=\"/files/event_1_thumbnail_fr.jpg\" alt=\"\" width=\"199\" height=\"132\" /><br /><br />2010&nbsp;<a href=\"http://blancali.com/es/event/1/elektro-kif\" target=\"_blank\">Elektro Kif</a>&nbsp;obra para 8 bailarines electro, Festival Suresnes Cit&eacute; Danse 2011 Festival.</p>\r\n<p><span>Despu&eacute;s de&nbsp;</span><em>Macadam Macadam</em><span>, y mas recientemente &ldquo;&iexcl;Que circo!&rdquo;, pionero del movimiento jazz-rock en Francia (ambos espect&aacute;culos producidos por el Festival &ldquo;Suresnes Cit&eacute; Danse&rdquo;), Blanca Li contin&uacute;a a poner en escena formas de la cultura street.<br /></span>Con su nueva creaci&oacute;n, Blanca Li aparta la danza electro de la prestaci&oacute;n pura para instalarla en la escena de un teatro a trav&eacute;s un proyecto coreogr&aacute;fico contempor&aacute;neo.<br /><em>&ldquo;</em>Siempre me ha gustado el ejercicio estimulante y creativo de someter una de mis creaciones a una obligaci&oacute;n musical o gestual proveedora de sentido y de creatividad, engendrar un espect&aacute;culo en el l&iacute;mite de universos diferentes, susceptible de renovar g&eacute;neros a priori separados.&rdquo;&nbsp;(Blanca Li).</p>',''),(17,6,'es','Los bailarines','<p>&laquo;<em>En mi gestualidad, hay algo de flamenco, cl&aacute;sico, contempor&aacute;neo, africano. El \"todo\" ha terminado por definir mi estilo. Es tan dif&iacute;cil de asimilar, que una vez que he encontrado a mis int&eacute;rpretes no los cambio m&aacute;s.</em>&raquo; Blanca Li, <em>Figaroscope</em>, 1997</p>\r\n<p>La Compa&ntilde;&iacute;a Blanca Li se compone de bailarines llegados de todos los horizontes, reunen todas las calidades requeridas por el estilo Blanca Li. A lo que hay que agregar por supuesto el buen humor y el sentido del humor ...</p>\r\n<h3>&nbsp;</h3>\r\n<h3>Bailarines de la Compa&ntilde;&iacute;a Blanca Li</h3>\r\n<p><strong>Jean-G&eacute;rald Dorseuil</strong> <br />Luego de estar becado en la escuela de danza Paul et Yvonne Goube en Paris, en el London Studio Center y luego en la escuela Princesse Grace de Monaco, Jean G&eacute;rald Dorseuil ha participado en numerosos ballets en Francia y en el extranjero. Su colaboraci&oacute;n con Blanca Li comienza en 1997 para el espect&aacute;culo Le songe du Minotaure (Ensue&ntilde;o de un Minotauro). La asiste tambi&eacute;n en la coreograf&iacute;a Borderline creada en el Berlin Ballet (Komische Oper) en 2001, as&iacute; como para la pel&iacute;cula Le D&eacute;fi (El Desaf&iacute;o) realizada por Blanca Li. Colabora con Raoul H&eacute;br&eacute;hard, artista pl&aacute;stico, para \"Round-Around (Appartement)\", video presentado para el festival de Arte Contempor&aacute;neo : de Niza y de Avignon. Por otro lado, tiene actividades como profesor formando a profesionales y participa en misiones pedag&oacute;gicas y culturales centradas en la danza. Con el t&iacute;tulo de profesor(D.E ), crea su escuela de danza con Alexandra Cl&eacute;ment, su esposa, en 1997 en Hy&egrave;res (Var), en la que varios de sus alumnos integrar&aacute;n luego centros profesionales de formaci&oacute;n y compa&ntilde;&iacute;as: Rudra B&eacute;jart Ballet et Compagnie, CNSMD de Lyon, London Studio Centre, Rosella Higthtower, Crazy Horse, Le G.U.I.D d&rsquo;Angelin Preljocaj... Este vivero de talentos le permite proponer su trabajo de investigaci&oacute;n coreogr&aacute;fica a varias instituciones y manifestaciones culturales : \"Nuit des Mus&eacute;es 2006(Noche de Museos 2006)\", Casa de la Fotograf&iacute;a (Toulon), \"Encuentros Choreogr&aacute;ficos de oto&ntilde;o\" de Pradet 2004-2006, \"Performance en jard&iacute;n p&uacute;blico\" con ocasi&oacute;n de Journ&eacute;es sans voiture(D&iacute;as sin autom&oacute;vil) (Le Mourillon -Toulon), \"Instalaci&oacute;n y performance\" con Raoul H&eacute;br&eacute;hard, artista pl&aacute;stico, en Fort de l&rsquo;Eguillette (La Seyne sur Mer) en junio 2006. Jean-G&eacute;rald DORSEUIL participa adem&aacute;s regularmente en cursos y acciones de sensibilizaci&oacute;n. Ha colaborado con las siguientes compa&ntilde;&iacute;as : Ballet Royal de Wallonie, Scottish Ballet, Gigi Caciuleanu, Ballet theatre de Hagen, ...</p>\r\n<p><strong>Matthew Hawkins</strong> <br />Matthew Hawkins es londinense. Formado en el Royal Ballet School, integra el Ballet Royal los 17 a&ntilde;os y permanece durante 5 a&ntilde;os. En 1980 comienza su actividad como core&oacute;grafo independiente. Baila tambi&eacute;n con nuevas compa&ntilde;&iacute;as independientes como Second Stride (1982/3) y Michael Clark and Company (1984-1992). Numerosas compa&ntilde;&iacute;as le encargan la creaci&oacute;n de piezas coreogr&aacute;ficas (Rambert Dance Company - 1995), es solicitado tambi&eacute;n por festivales (Dance Umbrella - 1982/83/93/96), y productores. Durante 10 a&ntilde;os se dedica a la direcci&oacute;n de su propia compa&ntilde;&iacute;a. Recibe el premio Jerwood a la coreograf&iacute;a en 2002. Recibe igualmente el premio de la escritura coreogr&aacute;fica Chris de Marigny as&iacute; como un beca de un a&ntilde;o por parte del Arts Council de Inglaterra. La carrera de Matthew se vuelve cada vez m&aacute;s internacional : China, Escosia, Francia, Slovaquia, Turqu&iacute;a y recientemente Venezuela.</p>\r\n<p><strong>Ahmed Karetti</strong> <br />Autodidacta, Ahmed Karetti est&aacute; influenciado desde muy joven por las comedias musicales americanas y la tap dance. Baila en 1995 en el espect&aacute;culo Hieroglyphis coreografedo por Jean-Fran&ccedil;ois Duroure. En 1996, crea su propia compa&ntilde;&iacute;a con la que participa en los Rencontres de Cultures Urbaines (Encuentros de culturas urbanas) ese mismo a&ntilde;o. Esta experiencia le permite cruzar el camino de la core&oacute;grafa Zaza Disdier con la que experimenta un trabajo basado en el texto y en el hip hop. De otro lado, partcipa como bailar&iacute;n y actor en diversas compa&ntilde;&iacute;as como Melting Spot, el Studio Th&eacute;&acirc;tre de Stains &hellip; En 1999, participa en la creaci&oacute;n en Surenes del espect&aacute;culo de Blanca Li Macadam Macadam que retoma luego la compa&ntilde;&iacute;a en 2006. Desde el a&ntilde;o 2000, Ahmed Karetti se forma en dicplinas de circo tales como el trapecio, las telas a&eacute;reas o el mat chino. Dicta adem&aacute;s varios cursos y talleres a nivel nacional.</p>\r\n<p><strong>Yohann T&eacute;t&eacute;</strong> <br />Yohann T&eacute;t&eacute; termin&oacute; el Conservatorio Nacional Superior de Par&iacute;s y recibi&oacute; en 2004 el primer premio del concurso de coreografi&aacute; de Alta Normand&iacute;a en Francia. A partir de esa fecha, dirige la Compa&ntilde;ia Sankofa y fue miembro de varias compa&ntilde;ias como DCA de Philippe D&eacute;coufl&eacute; en 2004-2005, La Baraka d&rsquo;Abou Lagraa en 2005, Compa&ntilde;ia Georges Momboye desde 2005, Compa&ntilde;ia Pietragalla de 2005 a 2007, y Carolyn Carlson de 2008 a 2009. Tambi&eacute;n es profesor de nivel internacional en danza contempor&aacute;nea e hip hop (estilo de LA) en numerosos workshops, en Israel, Italia, Polonia, Francia...</p>\r\n<p><strong>Deborah Torres</strong> <br />Nacida en Barcelona, Deborah Torres se form&oacute; en ballet cl&aacute;sico, danza contempor&aacute;nea y flamenco en el Instituto del Teatro de Barcelona y luego en la escuela de teatro Nancy Tu&ntilde;on. En 1993 deja su ciudad natal para instalarse en Par&iacute;s lo que le permite seguir su formaci&oacute;n en danza contempor&aacute;nea. Ya en Francia,trabaja regularmente con Jean Gaudin, Nathalie Bard, Alexis Manuel y Blanca Li, participa igualmente en diversas creaciones de la Opera de Par&iacute;s como int&eacute;rprete. Desde 2004, luego de haber seguido una formaci&oacute;n especializada, comparte su tiempo entre la danza y su trabajo como asistente de sonido y encargada de postproducci&oacute;n.</p>',''),(18,7,'es','Equipo','<h3>Compa&ntilde;&iacute;a Blanca Li</h3>\r\n<p>128 rue de la Bo&eacute;tie 75008 Paris <br />Tel&nbsp;: 01 53 34 04 05</p>\r\n<p><strong>Equipo de producci&oacute;n</strong></p>\r\n<p>Etienne Li : administraci&oacute;n &nbsp; e.li(at)blancali.com<br />St&eacute;phane Hivert : responsable proyectos / venta de epectaculos&nbsp;&nbsp;&nbsp; s.hivert(at)blancali.com<br />Camille Denisty : producci&oacute;n / communicaci&oacute;n&nbsp;&nbsp;&nbsp; c.denisty(at)blancali.com<br />Marylise Hergu&eacute; : producci&oacute;n audivisual, partenariados&nbsp; m.hergue(at)blancali.com</p>\r\n<p><strong>Prensa y RP</strong><br />S&eacute;bastien d\'Assigny : S&eacute;bastien d\'Assigny <br />sdapresse(at)gmail.com +33 1 42 88 79 79</p>\r\n<h3>Equipo artistico</h3>\r\n<p><strong><img src=\"http://www.blancali.com/files/image_744_image_fr.png\" alt=\"\" width=\"130\" height=\"130\" /></strong></p>\r\n<p><strong>Vincent Chazal VISUAL CREATION DIRECTOR</strong><br /><a href=\"https://www.behance.net/horsujet\">https://www.behance.net/horsujet</a></p>\r\n<p>After graduating from Penninghen (ESAG) in artistic direction, Vincent Chazal has been working since 1992 as a graphic designer, VFX / AD and motion designer, notably in post-production, for Première Heure, St Louis and recently at Bizaroïd. As a multifaceted professional, he is curious about new technologies, he likes to &laquo;cook&raquo; images, experi- menting with a variety of techniques, media and software to get off the beaten track. He has collaborated with Jean-Paul Goude, Marc Caro, Tran Anh Hung, Barnaby Roper (The Dress, 2017), Eric Minh Cuong Castaing (L&rsquo;Âge d&rsquo;Or, Audi Talent Awards 2018), Jean-Vincent Puzos, etc. He has worked with Blanca Li on various projects in the past twenty years.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"http://www.blancali.com/files/image_386_image_fr.jpeg\" alt=\"\" width=\"120\" height=\"180\" /><br /><strong>Pierre Attrait, stage designer:</strong></p>\r\n<p>After studying literature and art history, Pierre Attrait collaborated on numerous theater productions as an assistant and actor with Gabriel Monnet, Georges Lavaudant, and Daniel Mesguich. He became an assistant at the Opéra de Paris and at the Aix-en-Provence festival, then began creating his own shows. In Canada, he received the award for best stage production in 1989 for Andréa Chénier and later for La Traviata. Pierre Attrait has contributed as a set designer to numerous films for the cinema and television, including Ready to wear, by Robert Altman, Le Petit Marguery, by Laurent Bénégui, Un chat dans la gorge, by Jacques Otmezguine, C\'est la tangente que je préfère, by Charlotte Silvera, Pas à pas, by Blanca Li... For the theater, he has designed, among others, Cahier du retour au pays natal, by Jacques Martial, L\'Échange, by Sarah Sanders, Liens de sang, by Jean-Michel Martial, and Folies coloniales, by Dominique Lurcel. He has worked several times previously on shows and events by Blanca Li: Corazón Loco, Poeta en Nueva York, Le Jardin des Délices, and La Fête de la danse. As the artistic director of the Marcadé agency, which is specialized in staging luxury events and in film, Pierre Attrait has collaborated in creating events (fashion shows, perfume launches, presentation of a luxury jewelry collection, Festival de Cannes...), notably for the LVMH group, Bvlgari, Cartier... He has also been the artistic director of the Bal de la Rose since 1995, collaborating in that position with Alfredo Arias, Karl Lagerfeld, Pedro Almodovar...</p>\r\n<p>&nbsp;</p>\r\n<p><img src=\"http://www.blancali.com/files/image_387_image_fr.jpg\" alt=\"\" width=\"130\" height=\"172\" /><br /><strong>Charles Carcopino, video designer:</strong><br /><a href=\"http://www.charlescarcopino.fr\">www.charlescarcopino.fr</a></p>\r\n<p>Charles Carcopino, a specialist in digital cultures, alternately curates exhibitions and creates visual work for the stage. He works as a videographer with directors from all horizons, and integrates his projected images with the visual conception of the stage space. Charles Carcopino was the artistic director of the Studio at the Créteil Maison des Arts et de la Culture, a centre for the creation and production of images for live performance and digital installations. In that context, he has worked with numerous artists and directors, designing video installations and interactive set-ups for many projects: operas, dance works, musical comedies, plays, concerts and festivals, video installations for exhibitions and mappings for events. He was also the curator for the international festivals EXIT (Maison des Arts in Créteil) and VIA (Maubeuge, Mons), and his exhibitions have travelled throughout France and abroad. He is also an independent curator for a number of events (Lille 2004, Expérience Pommery #9, the Croisement festival in China, Lille 3000, Mons 2015, and La Villette...). Firmly rooted in today&rsquo;s world, his exhibitions explore the effects of the acceleration of the post-internet society in every field of contemporary creativity.</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;<img src=\"http://www.blancali.com/files/image_385_image_fr.jpg\" alt=\"\" width=\"130\" height=\"196\" /><br /><strong>Tao Gutierrez, composer:</strong></p>\r\n<p>Born in Granada, after studying in Madrid, he moved to New York and completed his music education in Percussion, Electronic Music and Composition in NYC, with Bob Norton, Dan Carrillo, Ron Carter among others.</p>\r\n<p>After 11 years in N.Y., where he had the chance to collaborate with very well known artists and musicians, he returned to Spain. There he has worked in a long list of Film scores, (Poniente, Le Défi, Return to Hansala, Pas à Pas...) He also has been producing and recording for various artists, and is responsible for the composition of the music in a long list of works for Blanca Li ́s Dance Company, that include Robot, Deesses et Demones, Poeta en Nueva York, Elektrokif and others. His career has received numerous awards, such as best Soundtrack, at Montpellier, Malaga, Guadalajara, Cairo, Valladolid film festivals and others.<br /> As well as his career in film, he has worked extensively in theatre, creating the music and songs for very succesful shows such as El Eunuco and Tito Andronico, for the Roman Theatre Festival of Merida, where it won Best Show of the season, Best Music, and made an all-time audience record. He also created El Interprete, a success in theaters all over Spain and Latin America that has been selling out for the last four years.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_745_image_fr.png\" alt=\"\" width=\"130\" height=\"192\" /></p>\r\n<p><strong>Caty Olive lights design</strong></p>\r\n<p>Having trained in stage design at the École nationale supérieure des Arts décoratifs in Paris, Caty Olive creates luminous spaces. She works equally in dance and opera performance, architecture, and the visual arts. Through this preference for diverse activities, Caty Olive pursues highly specific investigations into the movements of light. Her interest in open questions about space has led her to work occasionally with art school students. She has participated in dance projects for the contemporary stage with Marco Berrettini, Christophe Haleb, Martine Pisani, Myriam Gourfink, Emmanuelle Huynh, Claudia Triozzi, Vera Mantero, Tiago Guedes, David Wampach, Donata D&rsquo;Urso, Cindy Van Acker, Joris Lacoste, and Christian Rizzo. She is engaged in ongoing collaborations with Guillaume Parent as part of the Zélé agency; Samantha Barroero/Hold on, who accompanies some of her projects; and Christian Rizzo and the association Fragile, since 2000, in the field of choreography and other various domains.</p>\r\n<p><img src=\"http://www.blancali.com/files/image_746_image_fr.jpg\" alt=\"\" width=\"130\" height=\"189\" />&nbsp;</p>\r\n<p><strong>Laurent Mercier costumes</strong></p>\r\n<p>Laurent Mercier is a fashion designer and costume designer born in Switzerland.<br /> He has designed couture fashion collections under his own label Laurent Mercier Deluxe for many years. After completing his studies as fashion designer at Studio Berçot in Paris, he becomes an assistant designer for Jean Paul Gaultier from 1989 to 1991, and for Escada from 1991 to 1993. After launching and designing his own Laurent Mercier Deluxe line of ready to wear fashion from 1999 to 2002, collecting awards from ANDAM, LVMH or the prestigious Yves St Laurent haute couture special prize, he pursues his personal designs under the name of Laurent Mercier Haute Couture , with fashion shows in Paris (Galliera Museum), Niamey (Niger), Luzern (Switzerland) or for the Tokyo fashion week.<br /> He was hired as artistic director of the Morgan ready to wear brand in 2001 and becomes the artistic director of the Balmain, first for ready to wear collections in 2001 then for haute couture collections after Oscar de la Renta retires, from 2002 until 2003.<br /> As a costume designer, he has designed the Lenny Kravitz stage costumes and been his stylist for all music videos and publications from 1993 to 1997. He is also responsible for the stylism and costume design of numerous CD covers, music videos or advertising campaigns by artists such as Blanca Li, Nina Hagen, Sylvie Vartan, Vanessa Paradis, Indochine, Lolo Ferrari, Blur, working regularly with photographers and directors such as Pierre et Gilles, Jean Baptiste Mondino, Don Cameron or Ali Mahdavi.<br /> He has been the costume designer for feature films such as &ldquo;Doberman&rdquo; by Jan Kounen, &ldquo;Le Défi&ldquo; and &ldquo;Pas à Pas&rdquo; by Blanca Li, or &ldquo;Une Chance sur Deux&rdquo; by Patrice Leconte.<br /> As stage costume designer, he has designed most of the shows of Compagnie Blanca Li, among which Macadam, Macadam, the Garden of Earthly Delights, Corazon Loco, and more recently, was hired as costume designer for the Opera Gianni Schicchi by Puccini at the Marinsky Theater in St Petersburg<br /> More recently, he has performed onstage in the Mugler Follies revue in Paris daily for more than one year.</p>\r\n<p>&nbsp;</p>',''),(68,27,'fr','Danseurs Elektro Kif','<div class=\"text wysiwyg\"><!-- 		@page { margin: 2cm } 		P { margin-bottom: 0.21cm } 		H3 { margin-bottom: 0.21cm } 		H3.ctl { font-family: \"Arial Unicode MS\" } -->\r\n<p>Le spectacle<em> Elektro Kif</em> a &eacute;t&eacute; cr&eacute;&eacute; &agrave; l\'automne 2010 en r&eacute;sidence au CCN de Cr&eacute;teil;<br />La Compagnie <em>Elektro Kif</em> n&deg;1 a &eacute;t&eacute; recrut&eacute;e parmi les danseurs historiques de la sc&egrave;ne &eacute;lectro de la r&eacute;gion parisienne.<br />Face au succ&egrave;s du spectacle, la Compagnie Elektro Kif n&deg; 2, constitu&eacute;e de danseurs encore plus jeunes a pris la rel&egrave;ve &agrave; partir de janvier 2012, alternant avec la Compagnie n&deg;1</p>\r\n<h3 class=\"western\">Compagnie Elektro Kif n&deg; 2 (reprise) :</h3>\r\n<p><strong>Kevin Bago, <em>alias SIREZ</em></strong><br />Kevin commence l\'&eacute;lectro &agrave; 17 ans et s\'approprie tr&egrave;s vite cette discipline, qu\'il personnalise et pratique &agrave; sa mani&egrave;re. D&egrave;s ses d&eacute;buts, il participe &agrave; plusieurs tournois en groupe avec l\'Alliance Crew qui lui permettent de &agrave; se faire conna&icirc;tre. A 19 ans, il int&egrave;gre une formation de danse et collabore avec Alain Gruttadauria, la compagnie Vanessa Darras, Kamel Ouali, Kfog, Tokyo ou encore Gilles Roman. Form&eacute; au hip-hop pour son plaisir, Kevin entre dans la troupe des \"Misfits\" et arrive 3&egrave;me au Championnat du monde 2011 de hip-hop chor&eacute;graphique. Danseur polyvalent, il rejoint la Compagnie Blanca Li en 2012 pour Elektro Kif.</p>\r\n<p><strong>Mamadou Bathily, <em>alias BATS</em></strong><br />Mamadou Bathily s\'est d\'abord form&eacute; seul, s\'inspirant de vid&eacute;os trouv&eacute;es sur internet. Il commence la danse &eacute;lectro en 2007 et pratique le bone break depuis 2009. Mamadou a &eacute;t&eacute; r&eacute;compens&eacute; par plusieurs titres : il remporte la battle Ghetto Land en 2012, vainqueur du Championnat du monde de danse &eacute;lectro en 2011, est Vice Champion du monde en 2012, et pr&eacute;sente le meilleur show au Championnat de France en 2009. Mamadou donne des cours de danse &agrave; l\'&eacute;tranger, en particulier en Bi&eacute;lorussie et en Russie.</p>\r\n<p><strong>J&eacute;r&ocirc;me Fidelin, <em>alias GOKU</em></strong><br />Goku a toujours &eacute;t&eacute; passionn&eacute; de musique et de danse, qu\'il ne pratiquait que chez lui jusqu\'&agrave; l\'arriv&eacute;e de la mode Tecktonik. Il prend part au tout premier championnat Vertifight (il est sacr&eacute; Champion de France en 2010) et &agrave; tous les suivants en 5 contre 5. C\'est par un grand \"battle\" dont la vid&eacute;o est mise en ligne qu\'il se fait conna&icirc;tre du grand public. Suite au succ&egrave;s de cette vid&eacute;o, Goku est invit&eacute; dans le monde entier pour donner des cours et &ecirc;tre membre de jury. Il a ainsi &eacute;t&eacute; amen&eacute; &agrave; se d&eacute;placer une quinzaine de fois entre la Russie, l\'Ukraine, l\'Italie, la Suisse, et le Mexique. Depuis 1 an, il &eacute;largit ses influences en s\'adonnant au hip-hop et &agrave; la house dance. Goku est membre de la Compagnie Blanca Li depuis d&eacute;cembre 2011.</p>\r\n<p><strong>Romain Guillermic, <em>alias SKIPS</em></strong><br />Romain Guillermic est n&eacute; le 11 novembre 1994. C\'est au d&eacute;but de l\'ann&eacute;e 2007 qu\'il d&eacute;couvre la danse &eacute;lectro. Il d&eacute;cide d\'y consacrer la majeure partie de son temps&nbsp; deux ans plus tard, en int&eacute;grant le groupe phare du moment, la RythmiK. Avec son groupe, gagne le titre de Champion de France en 2008 puis celui de Meilleur show chor&eacute;graphique avec la team Electro Street en 2009. Durant deux ans, il participe r&eacute;guli&egrave;rement &agrave; des battles solo et autres shows chor&eacute;graphiques &agrave; travers la France, ce qui lui a permis de se faire conna&icirc;tre et de partir enseigner sa passion a l\'&eacute;tranger. Fin 2011, il participe &agrave; une audition lui permettant d\'int&eacute;grer la troupe \"Elektro Kif\" de la compagnie Blanca li.</p>\r\n<p><strong>Th&eacute;ophile Landji, <em>alias KAZIX</em></strong><br />Th&eacute;ophile Landji est membre du groupe Aliance Crew. Il a particip&eacute; &agrave; de nombreuses comp&eacute;titions et a &eacute;t&eacute; r&eacute;compens&eacute; &agrave; plusieurs reprises : 3eme meilleur show &agrave; cinq au Championnat de France Vertifight 2010 , Champion de France (Vertifight 2012), Champion du monde (Vertifight 2012, en Italie). Le bin&ocirc;me qu\'il forme avec le danseur Phil a &eacute;galement &eacute;t&eacute; &eacute;lu meilleur bin&ocirc;me de danse &eacute;lectro.</p>\r\n<p><strong>Adrien Larrazet,<em> alias VEXUS</em></strong><br />Adrien &laquo;VEXUS&raquo; Larrazet a commenc&eacute; la danse dans l&rsquo;&eacute;cole Martine Mocoeur puis a int&eacute;gr&eacute; l&rsquo;&eacute;cole de formation Harmonic. A la fin de son cursus, il rejoint la compagnie J.P. Chandler ainsi que le crew C-OIM. Sa polyvalence l\'am&egrave;ne &agrave; s&rsquo;ouvrir &agrave; l&rsquo;&eacute;lectro et &agrave; danser aux cot&eacute;s de groupes tels que Electro Addict et Artifice Style. C\'est dans cette continuit&eacute;, qu\'il est recrut&eacute; par la Compagnie Blanca Li pour son spectacle Elektro Kif.</p>\r\n<p><strong>Lenny Louves, <em>alias STARSKY</em></strong><br />&Acirc;g&eacute; de 18 ans, Lenny Louves est danseur &eacute;lectro depuis cinq ans. Depuis deux ans, il s\'adonne &agrave; la danse hip hop en parall&egrave;le de sa pratique de l\'&eacute;lectro. Cette double appartenance conf&egrave;re &agrave; son style des aspects techniques et acrobatiques. Son travail a &eacute;t&eacute; r&eacute;compens&eacute; en 2010 par un titre de Champion de France de danse &eacute;lectro par &eacute;quipe (Vertifight). Danseur pour des concerts (Metronomy en 2012), il a aussi particip&eacute; &agrave; des &eacute;missions t&eacute;l&eacute;vis&eacute;es (You Can Dance) et &agrave; des festivals. Starsky a un go&ucirc;t prononc&eacute; pour la cr&eacute;ation. Il est membre de la compagnie Blanca Li depuis mars 2012.</p>\r\n<p><strong>Ismaila Ndiaye, <em>alias ISMA</em></strong><br />Ismaila Ndiaye pratique la danse &eacute;lectro depuis 5 ans. En 2010, il est titr&eacute; Champion de France de danse &eacute;lectro par &eacute;quipe (Vertifight) et a notamment dans&eacute; pour des artistes (Metronomy en 2012) et lors d\'&eacute;missions t&eacute;l&eacute;vis&eacute;es (You Can Dance en 2012). Ismaila est danseur pour Blanca Li depuis d&eacute;cembre 2011.</p>\r\n<p><strong>Florian Vandenaweele, </strong><em><strong>alias PHIL</strong><br /></em>Depuis toujours int&eacute;ress&eacute; par la danse, Phil d&eacute;couvre le ph&eacute;nom&egrave;ne &eacute;lectro en 2006. Devenu danseur &eacute;lectro, il participe &agrave; de nombreux shows et battles avec des collectifs tels que Plein Tarif, Alliance Crew, Elite Def Jam. Phil a re&ccedil;u les titres de Champion de France par &eacute;quipe en 2011 puis de Champion du monde en 2012. Il a remport&eacute; le Vertifight Kingz International en 2012 en bin&ocirc;me avec Kazix. C\'est en septembre 2012 que Phil int&egrave;gre la Compagnie Blanca Li.</p>\r\n<h3 class=\"western\">Compagnie Elektro Kif n&deg;1 (cr&eacute;ation) :</h3>\r\n<p><strong>Khaled Abdulahi , <em>alias CERIZZ</em></strong><br />Khaled Abdulahi Idriss (alias Cerizz) a depuis toujours nourri une r&eacute;elle passion pour la danse et plus particuli&egrave;rement pour la chor&eacute;graphie. Ses mod&egrave;les sont Wade Robson et Dave Scott mais son idole est Michael Jackson. Il est sp&eacute;cialis&eacute; dans la danse &eacute;lectro depuis f&eacute;vrier 2007 et a cr&eacute;&eacute; le groupe RythmiK la m&ecirc;me ann&eacute;e. Cerizz a cr&eacute;&eacute; son propre style, en s\'inspirant de danseurs comme Mamson (dont les groupes sont Wanted Posse et Serial Stepperz) et Bboy Cloud (dont le groupe est Skill Methodz). Depuis 2008, il a eu l\'occasion de travailler avec divers groupes, a particip&eacute; &agrave; des &eacute;missions t&eacute;l&eacute;vis&eacute;es, &agrave; des clips video et a &eacute;t&eacute; r&eacute;compens&eacute; par plusieurs prix : le championnat de France Vertifight 2008, le championnat de France Vertifight 2009 (meilleure performance de danse &eacute;lectro), le championnat du monde Vertifight 2010. En 2009, il rencontre Blanca Li durant le tournage de la Noche en Blanco &agrave; Madrid. Elle lui a offert l\'opportunit&eacute; de vivre sa passion et de la partager &agrave; travers le projet Elektro Kif.</p>\r\n<p><strong>Jeremy Alberge,  <em>alias JEREM</em></strong><br />Jeremy Alberge est n&eacute; en 1992 et s\'est passionn&eacute; pour la danse en d&eacute;couvrant la danse &eacute;lectro en 2007. Au d&eacute;part uniquement int&eacute;ress&eacute; par l\'&eacute;lectro, il s\'est ouvert aux danses contemporaine et classique en 2009. Il a gagn&eacute; le championnat de France 2009 de danse &eacute;lectro (organis&eacute; par Vertifight), a enseign&eacute; dans le cadre de masterclasses de danse, et fut membre de jury sur des &eacute;v&eacute;nements de danse &agrave; Moscou, Montr&eacute;al, Paris, La Rochelle, Milan, Saint-P&eacute;tersbourg, Turin et Kiev. En 2010, il a &eacute;galement dans&eacute; pour une publicit&eacute; pour Orange Rockcorps. Jeremy s\'int&eacute;resse tout particuli&egrave;rement au m&eacute;lange des diff&eacute;rents styles de danses, et s\'attache &agrave; travailler cet aspect dans ses cours de perfectionnement, se sp&eacute;cialisant en danse classique, au jazz et en danse contemporaine. Il est aujourd\'hui convaincu que la culture &eacute;lectro a acquis une place l&eacute;gitime sur sc&egrave;ne gr&acirc;ce &agrave; Blanca Li qui a su d&eacute;montrer au monde de la danse et aux m&eacute;dias sa v&eacute;ritable valeur.</p>\r\n<p><strong>Arnaud Bacharach , <em>alias NINO</em></strong><br />Arnaud Bacharach est n&eacute; en 1992 &agrave; B&eacute;ziers. Il arrive &agrave; Paris en 1999 et commence &agrave; prendre de cours de danse &agrave; l\'&eacute;cole, en 2001. En arrivant &agrave; Bobigny, il int&egrave;gre une &eacute;cole de danse afin d\'apprendre les danses classique, contemporaine et jazz. En 2007, il d&eacute;couvre la danse &eacute;lectro en bo&icirc;te de nuit et d&eacute;cide de faire sien ce nouveau type de langage corporel. Il a ainsi &eacute;t&eacute; amen&eacute; &agrave; rencontrer d\'autres danseurs &eacute;lectro et &agrave; rejoindre diff&eacute;rents groupes de danse lui permettant de prendre part &agrave; des \"battles\" (championnat de France et du monde en 2010). En septembre 2010, il rejoint la compagnie de danse Blanca Li et danse dans Elektro Kif.</p>\r\n<p><strong>Roger Bepet,  <em>alias BIG JAY</em></strong><br />Roger Bepet (alias Big Jay) est n&eacute; en 1990. Sa premi&egrave;re vocation &eacute;tait de devenir footballeur professionnel, mais ce plan initial a &eacute;t&eacute; perturb&eacute; quand, adolescent, il s\'est pris de passion pour la danse. En effet, le langage corporel &eacute;tait le seul &agrave; lui permettre de s\'exprimer comme il le souhaitait et de d&eacute;velopper sa cr&eacute;ativit&eacute;. Par la suite, il a rejoint le groupe Mafia Electro et a particip&eacute; au premier championnat mondial de danse &eacute;lectro en 2010. Aujourd\'hui Big Jay est membre du groupe Alliance Crew et a particip&eacute; &agrave; plusieurs comp&eacute;titions et &eacute;missions t&eacute;l&eacute;vis&eacute;es. Son premier objectif est de s\'entrainer autant qu\'il le faudra, atteindre un niveau professionnel et devenir c&eacute;l&egrave;bre afin de vivre de sa passion. En tant que membre de la compagnie Blanca Li, il esp&egrave;re voyager dans le monde entier pour partager sa passion et sa d&eacute;termination avec la plus large audience possible.</p>\r\n<p><strong>William Falla,  <em>alias TREAXY</em></strong><br />William Falla (alias Treaxy) est l\'&eacute;g&eacute;rie de la marque Tecktonik et un des pionniers du mouvement de danse &eacute;lectro. La carri&egrave;re de Treaxy comprend tant des apparitions dans des vid&eacute;os de chanteurs fran&ccedil;ais (Yelle, Lorie) que des &eacute;missions t&eacute;l&eacute;vis&eacute;es (Feel the Hardrock, CNN News, Star Academy). Treaxy a &eacute;galement assur&eacute; la direction de masterclasses de danse et des performances autour du monde dans le cadre du d&eacute;veloppement de la culture &eacute;lectro. Apr&egrave;s une tourn&eacute;e de trois ans, il a rejoint la Compagnie Blanca Li pour la cr&eacute;ation d\'Elektro Kif en 2010.</p>\r\n<p><strong>Slate Hemedi, <em> alias CRAZY</em></strong><br />Slate Hemedi est n&eacute; &agrave; Paris en 1988. Il a eu son premier contact avec la danse &agrave; l\'&acirc;ge de trois ans &agrave; travers une vid&eacute;o de James Brown, qui l\'a durablement marqu&eacute;. Cependant, ce n\'est qu\'&agrave; l\'&acirc;ge de 17 ans qu\'il eut l\'id&eacute;e de former son propre groupe de danse avec des danseurs talentueux qui partageaient sa passion. Aujourd\'hui surnomm&eacute; &ldquo;Crazy&rdquo;, il est le leader d\'Alliance, un groupe de danseurs &eacute;lectro dont les caract&eacute;ristiques sont la souplesse et la cr&eacute;ativit&eacute;. Crazy a gagn&eacute; de nombreuses \"battles\", a travaill&eacute; autour du monde pour des &eacute;missions t&eacute;l&eacute;vis&eacute;es, des vid&eacute;os et des publicit&eacute;s. L\'objectif actuel de Crazy est d\'am&eacute;liorer le style de danse &eacute;lectro dans le but de le faire respecter, au m&ecirc;me titre que le hip-hop et le classique. Il danse dans Elektro Kif depuis septembre 2010.</p>\r\n<p><strong>Alou Sidibe, <em> alias KYRRA</em></strong><br />Alou Sidibe (alias Kyrra) a commenc&eacute; &agrave; danser il y a quatre ans, quand le mouvement &eacute;lectro est apparu. Depuis 2007, il s\'est principalement produit dans des \"battles\", en particulier dans Vertifight. Il a gagn&eacute; plusieurs prix, dont &ldquo;le meilleur spectacle &eacute;lectro fran&ccedil;ais 2009&rdquo; et plusieurs concours : le \"Vertifight kingz 4\" 2010 (qui opposait 2 groupes de 2 danseurs &eacute;lectro dans une battle) et le Championnat du monde de danse &eacute;lectro Vertifight 2011. Il a aussi dans&eacute; pour l\'&eacute;mission de t&eacute;l&eacute;-r&eacute;alit&eacute; G&eacute;n&eacute;ration Mannequin sur NRJ12 en 2008. Depuis 2010, il danse dans Elektro Kif pour Blanca Li. Il est influenc&eacute; par le travail au sol du danseur de hip-hop Dedson du groupe Wanted Posse, ainsi que par la gr&acirc;ce du danseur BBoy Cloud de Skill Methode et par l\'approche technique de Mike Song. Pour &ecirc;tre &agrave; m&ecirc;me de s\'exprimer comme il le souhaite, Kyrra compl&egrave;te sa formation par des cours de hip-hop et de danse moderne.</p>\r\n<p><strong>Adrien Sissoko,  <em>alias FIASCO</em></strong><br />Le surnom d\'Adrien est Fiasco. Il est danseur &eacute;lectro depuis quatre ans. Fiasco est un membre actif du groupe de danse Electro Street depuis 2008 et a gagn&eacute; plusieurs prix : il s\'est qualifi&eacute; lors de la premi&egrave;re &eacute;dition du championnat fran&ccedil;ais &ldquo;crew vs crew&rdquo; en juin 2008, &ldquo;meilleure performance chor&eacute;graphique fran&ccedil;aise 2009&rdquo;, Champion du monde de la battle \"5 vs 5\", Vertifight 2010. De juillet 2008 &agrave; avril 2009 Adrien a dirig&eacute; des master classes de danse pour diverses organisation &agrave; but non-lucratif venant en aide aux enfants. En d&eacute;cembre 2009, il a &eacute;t&eacute; invit&eacute; au concours international \"Express Yourself\". En 2010, il a particip&eacute; &agrave; plusieurs tourn&eacute;es en France, &agrave; des &eacute;missions de t&eacute;l&eacute;vision et in clip vid&eacute;o produit par Blanca Li (\"Let the Love In\" de Jeremy Hills). Il danse dans Elektro Kif depuis septembre 2010.</p>\r\n</div>',''),(19,4,'es','Institucional','<p>Centre chor&eacute;graphique national de Cr&eacute;teil et du Val-de-Marne<br />Mourad Merzouki directeur, Blanca Li artiste associ&eacute;</p>\r\n<div class=\"texte\">\r\n<p><strong>Communiqu&eacute; du Minist&egrave;re de la Culture (23 juin 2009)</strong></p>\r\n<p>En accord avec la ville de Cr&eacute;teil et le d&eacute;partement du Val-de-Marne, Christine Albanel, ministre de la Culture et de la Communication, a le plaisir d&rsquo;annoncer la nomination du chor&eacute;graphe Mourad Merzouki &agrave; la direction du Centre chor&eacute;graphique national de Cr&eacute;teil et du Val-de-Marne.</p>\r\n<p>Mourad Merzouki succ&egrave;de &agrave; la direction de la structure aux chor&eacute;graphes Jos&eacute; Montalvo et Dominique Hervieu, nomm&eacute;s l&rsquo;an dernier &agrave; la t&ecirc;te du Th&eacute;&acirc;tre national de Chaillot. Il d&eacute;veloppera &agrave; Cr&eacute;teil un projet artistique ouvert sur le monde et sur la pluralit&eacute; des langages chor&eacute;graphiques. La chor&eacute;graphe Blanca Li est d&eacute;sign&eacute;e artiste associ&eacute;e.</p>\r\n<p>Chor&eacute;graphe-phare de l&rsquo;esth&eacute;tique hip-hop, Mourad Merzouki est actuellement directeur artistique de la compagnie K&auml;fig et a contribu&eacute; au d&eacute;veloppement de cette danse en Rh&ocirc;ne-Alpes par le festival Karavel et le projet d&rsquo;un lieu-fabrique. Depuis 1996, ses pi&egrave;ces chor&eacute;graphiques ont permis de faire entendre la parole de la danse hip-hop sur toutes les sc&egrave;nes fran&ccedil;aises, et dans de tr&egrave;s nombreux th&eacute;&acirc;tres et festivals du monde entier.</p>\r\n<p>Chor&eacute;graphe plus europ&eacute;enne qu&rsquo;espagnole, Blanca Li a d&eacute;velopp&eacute; une carri&egrave;re &eacute;clectique entre danse, th&eacute;&acirc;tre et cin&eacute;ma. En r&eacute;sidence, elle collaborera au projet artistique du Centre chor&eacute;graphique national de Cr&eacute;teil et du Val de Marne.</p>\r\n<p><a href=\"/fr/e/72/residence-ccn\">La r&eacute;sidence de Blanca Li au CNN de Cr&eacute;teil</a></p>\r\n</div>',NULL),(20,8,'es','Prensa (english translations)','<h2>BLANCA LI - ROBOT PRESS QUOTES, English translation</h2>\r\n<p>&ldquo;With the ROBOT, Blanca Li brings humans &amp; robots on stage for a futuristic and hilariously exciting performance&rdquo; &nbsp;<br /><em>Le Parisien</em> <br /><br />&ldquo;While delivering a multitude of brave experiments, Blanca Li did not forget her tremendous taste for kitsch and imagination&rdquo; <br /><em>Telerama</em><br /><br />&ldquo;ROBOT is a reflexion on our society, now so dependent on computerized and electronic devices. It talks about our addiction to technology, without being a brainy thesis. &hellip;&nbsp; Blanca Li offers a very powerful visual show filled with stage effects, playful choreographies and pungent humour &hellip; What really took the public by surprise, rising to a standing ovation at its premiere at the Montpellier Opera, is her showmanship and how artfully she blends this unbelievable mix of musical sculptures, robots, dancers and props.&rdquo; <br /><em>Omar Khan, El Pa&iacute;s 2013</em><br /><br /><br />NOTHING IS HAPPIER THAN DANCE!<br />Blanca Li is a dancer and choreographer, but for the most part she is a whirlwind of energy and happiness, extremely joyful and full of kindness. She is an incredible artist, and for twenty years she and her company offered vivacious dance shows for children and grownups, her primary audience. &hellip; Her ballets incorporate a melting pot of cultures, welcoming and celebrating all kinds of dance styles with profound respect&hellip;. This Spanish born dancer, who has long ago settled in France, is equally interested in all types of dance. She was a pioneer in bringing hip-hop and urban dance to the most famous stages of the world. Today, she is presenting her latest show, ROBOT, an uncanny ballet with humans and machines&hellip;. When she is not working on her own creations, you may find her choreographing Beyonc&eacute;, or working on dance scenes for Pedro Almodovar or Michel Gondry movies, or staging a fashion show for one of her fashion designer friends&hellip;<br /><em>Sylvia Jorif,&nbsp; Elle 2013</em><br /><em><a href=\"http://www.blancali.com/files/pdf_114_file_fr.pdf\" target=\"_blank\">FULL FRENCH VERSION</a><br /><a href=\"http://www.blancali.com/files/pdf_115_file_fr.pdf\" target=\"_blank\">FULL ENGLISH TRANSLATION</a></em></p>\r\n<p>A ROBOT FOR CHRISTMAS&nbsp;?<br />The choreographer and stage director Blanca Li went shopping and chose eight uniquely hilarious musical machines and seven humanoids robots to create a mechanical corps de ballet for her piece named &ndash; simply &ndash; ROBOT!<br />&ldquo;When I start a piece, I don\'t ask myself who the audience would be&rdquo; tells Blanca Li. &ldquo;I\'m honest with my tastes and with what I want to tell. It\'s only when the show is finished that I realize it is a wide audience pleaser, as they say. Then, if the audience likes it, it becomes my best reward!&rdquo;<br />Blanca Li, from Andalusia, once a gymnast in her teens, settled in France in 1993, and became a specialist in choreographed comedies, often theatrical, with multimedia aspects at the cutting edge of show business. <br />With ROBOT, which required three years of robotic research and machine taming by the eight dancers on stage, Blanca Li becomes a central figure in this holiday season&rsquo;s entertainment with a sense for fashion and social trends &ldquo;Even more when I started working on the piece, we live daily surrounded by machines&rdquo; she quips.&nbsp; &ldquo;There are robots everywhere and the audience recognize themselves in the show&rdquo;.&nbsp; While the musical machines from Maywa Denki warm up the ambiance,&nbsp; the NAO robots,&nbsp; the height of a child and as sweet as kids can be, bend their knees, get up by themselves if they fall, and roll their eyes into amazing humanlike expression. At the MAC in Cr&eacute;teil, ROBOT even got a special show for children aged 4 to 14&hellip; <br /><em>Rosita Boisseau, Le Monde, 2013</em><br /><br />THE ROBOTS OF BLANCA LI STEP UP INTO THE DANCE<br />At Montpellier Danse festival, in front of an overwhelmed audience who gave the show a standing ovation,&nbsp; Blanca Li created the first show ever for dancers and robots. The casting for these is impressive: six NAO robots, small two-feet tall creatures who walk and dance. And the spectacular orchestra designed by Maywa Denki, made from automats who play music through electromechanical devices triggered by humans. Each is more poetic than the other. Seammons is a singing machine, Cylinder Recorder an automated panpipe, Marimca an edelweiss made from six marimbas.<br />&ldquo;I started to create robots because I was asking myself who am I&rdquo;, tells Tosa Mobumichi, president of Maywa Denki. &ldquo; After my musical machines, I created others that make light, and now I wish to create one inspired by Blanca Li&nbsp;: her way of moving is in my head.&nbsp; Meanwhile, I adapted and reinforced my automats so they could weather touring with Blanca Li: it\'s going to be rough&nbsp;!&rdquo;<br />Between Montpellier, Autumn in Normandy and Cr&eacute;teil,&nbsp; a series is planned for the Theater of Champs Elys&eacute;es in Paris for Christmas. While Maywa Denki has toured around the world, it was Japan where they met with Blanca Li in 2011. The beautiful Andalusian was searching partnership for her show on Robots&nbsp; &ldquo;They are everywhere in our lives. &ldquo;Who leads who?&rdquo; she asks herself; the creatures from Maywa Denki left her speechless. The scenography she has developed around them, magnifying their mysterious presence, tells a lot about her fascination.<br /><em>Ariane Bavelier, Le Figaro 2013</em><br /><br /><br />Excerpts from a letter from Martial LEROUX, a musicologist and university professor, <br />It is an understatement to say that I liked, or even that I loved this breathtaking show which weaves poetry, fantasy, magic, and most importantly does not try to make us believe in an illusionary world, cleverly bringing us back to an interrogative wakefulness, a nearly philosophical awareness about the future of our world, bringing up the narrow relationship between man and machine, the impossibility for man to escape his destiny, and the ineffable future which mankind is reaching for.<br />There are incredible moments throughout this show, leaving you speechless and eyes wide open in front of so much formal beauty and incredible feats (including those of the lovable little robots, which becomes quite unsettling). The music is often written in minor key, with very simple chords,&nbsp; conveying a powerful and extremely refined and haunting energy. Some Japanese sounds, some augmented chords, and a polyphony which invades our brain little by little, draw us to the origin of the world. By the way, is there anything better than dance to tell us the story of mankind?<br />The dancers mingle with each other, like in an alchemical fusion, men and women coming together with an uncanny dexterity which makes us wonder about our own perceptions in this domain, and who seem to invent an asexual new strain of humanity determined to fight against the fate imposed on us by modern times. <br />The beginning of the show, heart-wrenching with emotion, is based on dichotomy (since this seems to be the key which Blanca Li chooses to open up her subject with)&nbsp;: robot versus man, shadow versus light, black and white versus color, reality versus dream&hellip;&nbsp; A music, in the manner of Steve Reich, made from heartbeats growing to a crescendo, evokes the medical science of the future and its challenging experiments&hellip; And what is to say about this magnificent duet between the little robot and the dancer&nbsp;? Just stunning, mesmerizing &hellip;</p>\r\n<p><a href=\"http://blancali.com/files/pdf_109_file_fr.pdf\">full review kit in French and spanish</a></p>',''),(21,8,'en','Press','<h2 style=\"text-align: center;\">BLANCA LI - ROBOT PRESS QUOTES</h2>\r\n<p>&ldquo;With the ROBOT, Blanca Li brings humans &amp; robots on stage for a futuristic and hilariously exciting performance&rdquo;<br /><em>Le Parisien</em></p>\r\n<p>&ldquo;While delivering a multitude of brave experiments, Blanca Li did not forget her tremendous taste for kitsch and imagination&rdquo;<br /><em>Telerama</em></p>\r\n<p>&ldquo;ROBOT is a reflexion on our society, now so dependent on computerized and electronic devices. It talks about our addiction to technology, without being a brainy thesis. &hellip; Blanca Li offers a very powerful visual show filled with stage effects, playful choreographies and pungent humour &hellip; What really took the public by surprise, rising to a standing ovation at its premiere at the Montpellier Opera, is her showmanship and how artfully she blends this unbelievable mix of musical sculptures, robots, dancers and props.&rdquo;<br /><em>Omar Khan, El Pa&iacute;s 2013</em></p>\r\n<p>NOTHING IS HAPPIER THAN DANCE!<br />Blanca Li is a dancer and choreographer, but for the most part she is a whirlwind of energy and happiness, extremely joyful and full of kindness. She is an incredible artist, and for twenty years she and her company offered vivacious dance shows for children and grownups, her primary audience. &hellip; Her ballets incorporate a melting pot of cultures, welcoming and celebrating all kinds of dance styles with profound respect&hellip;. This Spanish born dancer, who has long ago settled in France, is equally interested in all types of dance. She was a pioneer in bringing hip-hop and urban dance to the most famous stages of the world. Today, she is presenting her latest show, ROBOT, an uncanny ballet with humans and machines&hellip;. When she is not working on her own creations, you may find her choreographing Beyonc&eacute;, or working on dance scenes for Pedro Almodovar or Michel Gondry movies, or staging a fashion show for one of her fashion designer friends&hellip;<br /><em>Sylvia Jorif, Elle 2013<br /><a href=\"http://www.blancali.com/files/pdf_114_file_fr.pdf\" target=\"_blank\">FULL FRENCH VERSION</a><br /><a href=\"http://www.blancali.com/files/pdf_115_file_fr.pdf\" target=\"_blank\">FULL ENGLISH TRANSLATION</a><br /></em></p>\r\n<p>A ROBOT FOR CHRISTMAS ?<br />The choreographer and stage director Blanca Li went shopping and chose eight uniquely hilarious musical machines and seven humanoids robots to create a mechanical corps de ballet for her piece named &ndash; simply &ndash; ROBOT!<br />&ldquo;When I start a piece, I don\'t ask myself who the audience would be&rdquo; tells Blanca Li. &ldquo;I\'m honest with my tastes and with what I want to tell. It\'s only when the show is finished that I realize it is a wide audience pleaser, as they say. Then, if the audience likes it, it becomes my best reward!&rdquo;<br />Blanca Li, from Andalusia, once a gymnast in her teens, settled in France in 1993, and became a specialist in choreographed comedies, often theatrical, with multimedia aspects at the cutting edge of show business.<br />With ROBOT, which required three years of robotic research and machine taming by the eight dancers on stage, Blanca Li becomes a central figure in this holiday season&rsquo;s entertainment with a sense for fashion and social trends &ldquo;Even more when I started working on the piece, we live daily surrounded by machines&rdquo; she quips. &ldquo;There are robots everywhere and the audience recognize themselves in the show&rdquo;. While the musical machines from Maywa Denki warm up the ambiance, the NAO robots, the height of a child and as sweet as kids can be, bend their knees, get up by themselves if they fall, and roll their eyes into amazing humanlike expression. At the MAC in Cr&eacute;teil, ROBOT even got a special show for children aged 4 to 14&hellip;<br /><em>Rosita Boisseau, Le Monde, 2013</em></p>\r\n<p>THE ROBOTS OF BLANCA LI STEP UP INTO THE DANCE<br />At Montpellier Danse festival, in front of an overwhelmed audience who gave the show a standing ovation, Blanca Li created the first show ever for dancers and robots. The casting for these is impressive: six NAO robots, small two-feet tall creatures who walk and dance. And the spectacular orchestra designed by Maywa Denki, made from automats who play music through electromechanical devices triggered by humans. Each is more poetic than the other. Seammons is a singing machine, Cylinder Recorder an automated panpipe, Marimca an edelweiss made from six marimbas.<br />&ldquo;I started to create robots because I was asking myself who am I&rdquo;, tells Tosa Mobumichi, president of Maywa Denki. &ldquo; After my musical machines, I created others that make light, and now I wish to create one inspired by Blanca Li : her way of moving is in my head. Meanwhile, I adapted and reinforced my automats so they could weather touring with Blanca Li: it\'s going to be rough !&rdquo;<br />Between Montpellier, Autumn in Normandy and Cr&eacute;teil, a series is planned for the Theater of Champs Elys&eacute;es in Paris for Christmas. While Maywa Denki has toured around the world, it was Japan where they met with Blanca Li in 2011. The beautiful Andalusian was searching partnership for her show on Robots &ldquo;They are everywhere in our lives. &ldquo;Who leads who?&rdquo; she asks herself; the creatures from Maywa Denki left her speechless. The scenography she has developed around them, magnifying their mysterious presence, tells a lot about her fascination.<br /><em>Ariane Bavelier, Le Figaro 2013</em></p>\r\n<p>Excerpts from a letter from Martial LEROUX, a musicologist and university professor,<br />It is an understatement to say that I liked, or even that I loved this breathtaking show which weaves poetry, fantasy, magic, and most importantly does not try to make us believe in an illusionary world, cleverly bringing us back to an interrogative wakefulness, a nearly philosophical awareness about the future of our world, bringing up the narrow relationship between man and machine, the impossibility for man to escape his destiny, and the ineffable future which mankind is reaching for.<br />There are incredible moments throughout this show, leaving you speechless and eyes wide open in front of so much formal beauty and incredible feats (including those of the lovable little robots, which becomes quite unsettling). The music is often written in minor key, with very simple chords, conveying a powerful and extremely refined and haunting energy. Some Japanese sounds, some augmented chords, and a polyphony which invades our brain little by little, draw us to the origin of the world. By the way, is there anything better than dance to tell us the story of mankind?<br />The dancers mingle with each other, like in an alchemical fusion, men and women coming together with an uncanny dexterity which makes us wonder about our own perceptions in this domain, and who seem to invent an asexual new strain of humanity determined to fight against the fate imposed on us by modern times.<br />The beginning of the show, heart-wrenching with emotion, is based on dichotomy (since this seems to be the key which Blanca Li chooses to open up her subject with) : robot versus man, shadow versus light, black and white versus color, reality versus dream&hellip; A music, in the manner of Steve Reich, made from heartbeats growing to a crescendo, evokes the medical science of the future and its challenging experiments&hellip; And what is to say about this magnificent duet between the little robot and the dancer ? Just stunning, mesmerizing &hellip;</p>\r\n<p><a href=\"http://blancali.com/files/pdf_109_file_fr.pdf\">full review kit </a></p>\r\n<p>&nbsp;</p>',''),(24,3,'es','Premios & distinciones','<h3>Danza</h3>\r\n<p><br /> &laquo;Poeta en Nueva York&raquo; (2007) <br />Blanca Li recibio Premio Max a la mejor coreografia (equivalent to the Tony awards in USA or Moliere award in France).</p>\r\n<p>&laquo;Macadam Macadam&raquo; (1999/2006) <br />Globe de Cristal for the best show in the Opera /Dance category in February 2007, by a panel of 3000 journalists of the French written press and television.</p>\r\n<p>&nbsp;&laquo;Nana and Lila&raquo; (1993) <br />\"Public Off\" award of the best dance show in the Avignon Festival Off - France 1993.</p>\r\n<p>&nbsp;<br /><strong>Cinema</strong><br />Le D&eacute;fi (2002, feature film) <br />Public Award at the Festival Moving Picture of Toronto - Canada. <br />Main international festivals in which the film has been chosen : <br />Constellation Dance Screen Festival, London - GB (2003) <br />Boston French Film Festival at Museum of Fine Arts, Boston - USA <br />Festival Moving picture, Toronto - Canada <br />Festival New French Cinema, Chicago - USA (2003) <br />Tribeca International Film Festival, New York - USA (2004) <br />Cinema Paradise, Honolulu, Hawa&iuml; - USA (2004) <br />Imago Film Festival, Lisbonne - Portugal (2004) <br />Dance on Screen, The place, London - GB (2004)</p>\r\n<p><strong>Angoisse (1998, short film )</strong> <br />Public Award at the European Short Film Festival , Brest - France (1999). <br />Fuji Award at the Short Film Festival, Grenoble - France (1999). <br />Best short film award and Public award at the Women Films Festival, Cr&eacute;teil - France (2000).</p>\r\n<p>&nbsp;<br /><strong>Premios individuales</strong><br /><strong>Francia</strong><br />Elegida en la Academia de Bellas Artes (2019)<br />Nombrada \"Chevalier de la L&eacute;gion d\'Honneur\" (14 de Julio 2014)<br />Nombrada \"Officier des Arts et des Lettres\" por el Ministerio de Culturea (2007) <br />Nombrada \"Chevalier de l&rsquo;Ordre national du M&eacute;rite\" por el&nbsp; Ministerio de Asuntos Europeos (2004)</p>\r\n<p>Espa&ntilde;a</p>\r\n<p>Directora&nbsp;Artistica de los Teatros del Canal (2019)<br />&laquo;Medalla de oro al m&eacute;rito de la ciudad de Granada&raquo; (2013)</p>\r\n<p>&laquo;Medalla de oro al m&eacute;rito en las Bellas Artes&raquo; (2009). <br />The King of Spain, upon proposal of Minister of Culture, gives annually this prestigious award (Gold Medal of Merit of Fine Arts) to major cultural and artistic figures.</p>\r\n<p>Premio &laquo; Manuel de Falla &raquo; (2004) <br />In recognition for &laquo; her innovating contribution to contemporary dance, to the creation and diffusion of the andalucian culture to the international level &raquo;, given by the Minister of Culture of Andalucia.</p>',''),(25,9,'fr','Studio Calentito 134','<h1>CALENTITO 134 - NOUVELLES</h1>\r\n<p>Mauvaise nouvelle : Nous avons d&ucirc; fermer en janvier 2019 notre studio de Paris 19&egrave;me, &agrave; grand regret. <br />Bonne nouvelle : Nous allons ouvrir un nouvel espace similaire, en mieux, &agrave; proximit&eacute; de Paris et du m&eacute;tro, au d&eacute;but 2020.</p>\r\n<p>Revenez nous visiter de temps &agrave; autres, nous mettrons en ligne les images de ce nouveau projet d&egrave;s qu\'elles seront disponibles</p>\r\n<p>Pour toute information : info(a)calentito.fr</p>\r\n<p><a title=\"CALENTITO 134\" href=\"http://calentito.fr/\" target=\"_blank\"><img src=\"http://www.blancali.com/files/image_701_image_fr.jpg?2017-04-13-15-57-29\" alt=\"Studio Calentito 134\" width=\"600\" height=\"450\" /></a></p>',''),(26,10,'fr','Fiche technique','<h3>DIMENSIONS UTILES</h3>\r\n<p>(hors sanitaires et vestiaires) <br /> <br />Esther Williams&nbsp;: 15m x 11m <br />Lola Montes&nbsp; : 11m x 9,50m&nbsp; - un poteau<br />Carmen Miranda&nbsp;: 9m x 8,50m <br />Hauteur sous plafond&nbsp;: 3,60m&nbsp;; Barres de sout&egrave;nement &agrave; 2,80m</p>\r\n<h3>PLANCHER</h3>\r\n<p>\"L&rsquo;Air Floor System TM\" <br />Tapis bleu Klein</p>\r\n<h3>MIROIRS</h3>\r\n<p>Dans les 3 studios&nbsp;: <br />un mur de miroirs de 2m30 de haut <br />(occultables pour le th&eacute;&acirc;tre et le cin&eacute;ma)</p>\r\n<h3>EQUIPEMENT</h3>\r\n<p>3 studios sonoris&eacute;s <br />Esther Williams&nbsp;: piano quart-de-queue <br />Carmen Miranda&nbsp;: piano droit <br />Lola Montes&nbsp;:&nbsp; st&eacute;r&eacute;o</p>\r\n<p>&nbsp;</p>\r\n<h3>VESTIAIRES/SANITAIRES</h3>\r\n<p>Esther Williams et Carmen Miranda&nbsp;: <br />douches et toilettes carrel&eacute;es bleu Klein <br />Lola Montes&nbsp;: lavabo et toilettes</p>\r\n<hr />\r\n<p>Monte-charge</p>\r\n<hr />\r\n<p>Puissance &eacute;lectrique&nbsp;: 54 KW</p>',''),(27,11,'fr','Références','<p>Un aper&ccedil;u des organismes, artistes et productions qui ont utilis&eacute; les studios Calentito pour leurs cr&eacute;ations&nbsp;:</p>\r\n<h3>ORGANISMES</h3>\r\n<p>L&rsquo;Agence, Atelier Th&eacute;&acirc;tre Actuel, BBD Productions, BMG  Music, CCN de Caen, CCN de Grenoble, CCN de Tours, CDDB de Lorient, CDN  Alpes, le CND, Chez Wam, Columbia, Gilbert Coullier Organisation, D&eacute;mons  Productions, DMLSTV, EC7 (Elie Chouraqui), EMI Music, Films Alain  Sarde, Films de Mai, Films Penelope, Franco American films, Glem, Groupe  TSE, Leda Productions, Le Lido, Mandarin Films, M6 Events, Nelka Films,  Neneka Th&eacute;&acirc;tre, Nodo Productions, Notoire, No Work &amp; No Play  Production, Opens, Pandora, Perform&rsquo;art, Phare Ouest, PM Film, Polydor,  Premi&egrave;re Heure, Stage Entertainment, Telfrance, Telema, Universal, Why Not Teatros&nbsp;: Antoine, Bastille, Chaillot, Cit&eacute; Internationale, La Cri&eacute;e,  Fontaine, Montparnasse, Palais Royal, La Renaissance, Vidy-Lausanne...</p>\r\n<h3>ARTISTES</h3>\r\n<p>Mathieu Amalric, Peter Beard, Richard Berry, Patrick  Braoud&eacute;,  Jean-Claude Brialy, Castafiore, Cl&eacute;mentine C&eacute;lari&eacute;,  Richard Cocciante, Doushka, Patrick Dupond, C&eacute;cile de France, Jos&eacute;  Garcia, Hippolyte Girardot, Sam Karmann, L&acirc;am, Max Laure, Daniel Lavoie,  Lorie, Monique Loudi&egrave;res, Val&eacute;rie Mairesse, Compagnie Marcel Marceau,  Marilu Marini, Kylie Minogue, Fran&ccedil;ois Morel, Luc Plamondon, R&eacute;gine,  Line Renaud, Muriel Robin, les Robins des Bois, Karine Saporta, Mario  Testino...</p>\r\n<h3>TITRES</h3>\r\n<p>Les Bonnes, DJ Le D&eacute;fi,&nbsp; Cabaret, Cindy, Clinique, Concha Bonita,  Cyrano de Bergerac, Des Chim&egrave;res en automne, La Confiance r&egrave;gne,  L&rsquo;Eventail de Lady Windermere, Feu la m&egrave;re de Madame, Frankie et Johnny,  Gladiateur, La Griffe, Hoffmanniana, Iphig&eacute;nie, People (Jet Set 2),  Madame Sans G&ecirc;ne, Mais n&rsquo;te prom&egrave;ne donc pas toute nue, La Nuit chante,  Peines de c&oelig;ur d&rsquo;une chatte anglaise, Les Paravents, Le Petit Prince,  Piaf je t&rsquo;aime, Poste Restante, Quasimodo, Quelqu&rsquo;un de bien, RRRrrrr,  Retour au d&eacute;sert, Richard II, Le Roi nu, Rois et Reine, Soucis de  famille, Tintin Le Temple du soleil, Trois versions de la vie...</p>\r\n<h3>METTEURS EN SCENE ET CHOREGRAPHES</h3>\r\n<p>Jean-Jacques Annaud, Alfredo Arias, Jean-Damien Barbin,  Fr&eacute;d&eacute;ric Belier-Garcia, Annick Blancheteau, Etienne Chatilliez, Gilles  Cohen, Arnaud Desplechin, Fattoumi/ Lamoureux, Lewis Furey, Brigitte  Jaques, Daniel Jeanneteau, Ann Teresa De Keersmaeker, Patrice Kerbrat,  Daniel Larrieu, Didier Long, Jean-Louis Martinoty, Eric Metayer, Martin  Michel, Jacques Oginski, Fran&ccedil;ois Orsini, Fabien Oteniente, Laurent  Pelly, Thierry de Peretti, Jean-Fran&ccedil;ois Peyret, Daniel Roussel, Alain  Sachs, Karine Saporta, Jean-Baptiste Sastre, Tilly, Dietrich Sagert,  Patrick Timsit, Franck Van Laecke, Jacques Weber...</p>',''),(28,12,'fr','Les Cours','<p><strong>2012-2013</strong><br /> <strong>Pour toute information et inscription s&rsquo;adresser directement &agrave; l&rsquo;enseignant.</strong></p>\r\n<h3>AFRIP-HOP</h3>\r\n<p>un samedi par mois, de 19h &agrave; 21h<br />AGNES COPIN<br /><a href=\"mailto:tirgroupe@hotmail.fr\" target=\"_blank\">tirgroupe@hotmail.fr</a></p>\r\n<h3>BARRE AU SOL / DANSE AU SOL</h3>\r\n<p>lundi de 19h00 &agrave; 20h30<br />MAGALI LESUEUR<br />t&eacute;l : 06 25 54 56 52<br /><a class=\"userlink\" href=\"mailto:info@dancesol.org\"><span class=\"text-class-28\">info@dancesol.org</span></a><br /><a href=\"http://www.dancesol.org/\" target=\"_blank\">www.dancesol.org</a></p>\r\n<h3>BIODANZA</h3>\r\n<p>lundi de 19h30 &agrave; 22h<br />SILVIA MACHAL<br />t&eacute;l : 06 20 16 94 60<br /><a href=\"mailto:silvia.machal@yahoo.fr\" target=\"_blank\">silvia.machal@yahoo.fr</a><br /><a href=\"http://www.biodanza-corazon.com\" target=\"_blank\">http://www.biodanza-conrazon.com</a></p>\r\n<h3>CLASSIQUE</h3>\r\n<p>du lundi au vendredi de 11h &agrave; 13h<br />samedi de 12h &agrave; 14h<br />dimanche de 11h &agrave; 13h<br />ANTONIO ALVARADO <br />t&eacute;l&nbsp;: 01 42 54 50 39<br />ou bien : 06 19 94 05 90</p>\r\n<h3>DANSE DE CARACTERE</h3>\r\n<p>mardi de 19h &agrave; 20h30<br />NADEJDA L. LOUJINE<br />t&eacute;l : 09 65 01 25 43<br /><a href=\"http://www.dansedecaractere.com/\" target=\"_blank\">http://www.dansedecaractere.com</a></p>\r\n<h3>DANSE DES 5 RYTHMES</h3>\r\n<p>jeudi de 20h &agrave; 22h <br />LUCIE NEROT <br />t&eacute;l&nbsp;: 01 78 68 91 46 <br /><a href=\"mailto:Dancingacrossborders@yahoo.com\">Dancingacrossborders@gmail.com</a><br /><a href=\"http://www.dancingacrossborders.com/\" target=\"_blank\">www.dancingacrossborders.com</a></p>\r\n<h3>DANSE IRLANDAISE</h3>\r\n<p>mercredi de 16h30 &agrave; 22h, <br />vendredi de 18h30 &agrave; 22h <br />SARAH CLARK / CATHERINE VAN DE PUTTE <br />t&eacute;l&nbsp;: 06 11 32 34 98 <br /><a href=\"mailto:attchoodtw@wanadoo.fr\">attchoodtw@wanadoo.fr</a> <br /><a href=\"http://www.sarah-clark-academy.com/\" target=\"_blank\">http://www.sarah-clark-academy.com</a></p>\r\n<h3>DANSE ORIENTALE</h3>\r\n<p>mardi de 20h30 &agrave; 21h30<br /> mercredi de 20h30 &agrave; 21h30 <br />KAOUTHER BEN AMOR <br />t&eacute;l&nbsp;: 06 26 20 07 25 <br /><a href=\"mailto:kaouthertunis@yahoo.fr\">kaouthertunis@yahoo.fr</a><br /><a href=\"http://www.kaoutherdanse.com\" target=\"_blank\">http://www.kaoutherdanse.com</a></p>\r\n<h3>DANSE ORIENTALE FUSION</h3>\r\n<p>mardi de 20h30 &agrave; 21h30<br />stages : se renseigner aupr&egrave;s du professeur<br />MARTINE LA ROCCA<br />t&eacute;l : 06 43 97 91 24<br /><a href=\"http://www.samrha-danse-orientale.com\" target=\"_blank\">http://www.samrha-danse-orientale.com</a></p>\r\n<h3>DANSE ORIENTALE TRIBALE</h3>\r\n<p>jeudi de 19h30 &agrave; 22h (minimum 2 ans de danse orientale) <br />JULIE DE SAINT BLANQUAT <br />t&eacute;l&nbsp;: 06 99 54 93 59 <br /><a href=\"mailto:contact@etoiledessables.com\">contact@etoiledessables.com</a> <br /><a href=\"http://www.etoiledessables.com/\" target=\"_blank\">www.etoiledessables.com</a></p>\r\n<h3>HIP-HOP</h3>\r\n<p>samedi de 17h30 &agrave; 19h<br />CORINNE \"COCO\" DUFLO<br />t&eacute;l : 06 66 66 63 66<br /><a href=\"mailto:sika.coco@hotmail.fr\" target=\"_blank\">sika.coco@hotmail.fr</a><br /><a href=\"http://www.newstyle-n-co.com\" target=\"_blank\">http://www.newstyle-n-co.com</a></p>\r\n<h3>HULA-HOOP</h3>\r\n<p>vendredi de 19h30 &agrave; 20h30<br />LORENE CLEMENT<br />t&eacute;l : 06 84 57 01 68</p>\r\n<h3>MODERN JAZZ</h3>\r\n<p>samedi de 15h &agrave; 16h30 <br />MALIK LEWIS <br />t&eacute;l&nbsp;: 06 72 15 20 94</p>\r\n<h3>WECANDANCE</h3>\r\n<p>les lundi et mardi de 18h &agrave; 19h<br />CHRISTOPHE LEFEVRE-MALMANCHE<br />t&eacute;l : 06 63 15 14 26</p>\r\n<h3>YOGA</h3>\r\n<p>Yoga : lundi de 18h &agrave; 19h<br /> LAURENCE SCHROEDER<br />t&eacute;l : 06 01 73 29 00<br /><a href=\"http://www.balancezone.org\" target=\"_blank\">contact@balancezone.org<br />http://www.balancezone.org</a></p>\r\n<h3>YOGA et CONTEMPORAIN</h3>\r\n<p>mercredi de 19h &agrave; 20h30, tous niveaux <br />DOUSCHKA LANGHOFER <br />t&eacute;l&nbsp;: 06 86 26 41 25<a href=\"http://www.balancezone.org\" target=\"_blank\"><br /></a></p>\r\n<h3>ZUMBA</h3>\r\n<p>samedi de 16h30 &agrave; 17h30<br />OLIVIER BELLILI<br />t&eacute;l : 06 50 73 81 20<br /><a href=\"http://www.zumbasite.fr/\" target=\"_blank\">http://www.zumbasite.fr</a></p>',''),(67,25,'fr','Cabaret Latino','<h3>Une Com&eacute;die Musicale de Blanca Li</h3>\r\n<p>Cabaret Latino est un projet de com&eacute;die musicale pour la sc&egrave;ne et pour le cin&eacute;ma &eacute;crite par Blanca Li.<br />Trois femmes espagnoles, jou&eacute;es par Blanca Li, Victoria Abril et Rossy de Palma en pleine remise en question de leur existence, prennent en main leur destin autour d\'un cabaret en ruine, y cr&eacute;ant avec leur seule &eacute;nergie une revue improbable.</p>\r\n<p>Le drame,&nbsp; la com&eacute;die et l\'amour lient une tragicom&eacute;die humoristique, pr&eacute;texte &agrave; remettre sous un jour r&eacute;solument contemporain les chansons latines du r&eacute;pertoire traditionnel ainsi que les danses qui lui sont associ&eacute;es. Au passage, un commentaire acide sur la condition f&eacute;minine assassine les pr&eacute;jug&eacute;s sur l\'&acirc;ge ou la s&eacute;duction.</p>\r\n<p>Ce projet doit &ecirc;tre d&eacute;velopp&eacute; pour la sc&egrave;ne et pour le cin&eacute;ma en 2013.</p>\r\n<p><strong>CV de Blanca Li</strong><a href=\"/fr/e/4/blanca/2/biographie\"> biographie g&eacute;n&eacute;rale</a></p>\r\n<p>Voir dans la section <a href=\"#FILMs\">FILMS&nbsp; </a>des extraits et bandes annonces du travail audiviosuel de Blanca Li (mot de passe n&eacute;cessaire pour ouvrir certains films : prt64rmn)</p>\r\n<p><strong>collaborations et coproductions</strong><br /> Pierre Attrait : sc&eacute;nographie <img style=\"display: block; margin-left: auto; margin-right: auto; float: right;\" src=\"/files/image_121_image_fr.jpg\" alt=\"\" width=\"200\" /><br /> <strong>com&eacute;diennes</strong><br />Blanca Li<br />Victoria Abril<br /> Rossy de Palma</p>\r\n<p>FILMOGRAPHIE de BLANCA LI</p>\r\n<h3>R&eacute;alisations :</h3>\r\n<p><strong>Fictions :</strong><br />● 2009 Pour Elle, court m&eacute;trage avec Victoria Abril (Canal Plus s&eacute;rie X-Femmes, 23 min)<br />● 2007 Home Fitness. Court m&eacute;trage avec Blanca Li, Rafa Linares (MUSAC L&eacute;on, 3 min)<br />● 2002 Le Poulet. Court m&eacute;trage avec Blanca Li (2 min)<br />● 2002 Le D&eacute;fi. Long-m&eacute;trage avec Blanca Li, Sofia Boutella, Benji Chaouat, et 100 danseurs hip hop. Com&eacute;die musicale hip-hop &eacute;crite, r&eacute;alis&eacute;e, chor&eacute;graphi&eacute;e par Blanca Li. Direction de la photographie : Manuel Teran (SPI Jean-Claude Fleury, 35 mm 1h34).<br />● 2000 La Paella. Court m&eacute;trage de Blanca Li avec Blanca Li et Lola Mercier (vid&eacute;o 7 min)<br />● 1998 Angoisse. Court-m&eacute;trage avec Blanca Li.Direction de la photographie : John Mathieson (Premi&egrave;re Heure, 35 mm couleur 5 min). Projet&eacute; dans le spectacle &ldquo;Zap ! Zap ! Zap !&rdquo;.<br />&nbsp;<br /><strong>Documentaires :</strong><br />● 2009 Pas &agrave; Pas &ndash; Documentaire de Blanca Li sur la gestation et la cr&eacute;ation du spectacle Coraz&oacute;n Loco - Sortie en salles le 6 janvier 2010 (production Film Addict, 1h30).<br />● 2006 Al Andal&uacute;s, Chor&eacute;graphie film&eacute;e pour ARTE, r&eacute;alisation, mise en sc&egrave;ne et chor&eacute;graphie de Blanca Li ( Les Films d\'ici, 26 min)<br />&nbsp;<br /><br /><strong>Art Video :</strong><br />● 2011 Viens danser avec moi, vingt installations multimedia pour la Fete de la Danse au Grand Palais, (Paris 23,24,25 septembre 2011)<br />● 2010 Ven a bailar conmigo une installation pour l\'exposition itin&eacute;rante Dancing machine, (EXIT Cr&eacute;teil, VIA Maubeuge et St Sauveur Lille)<br />● 2009 Ven a bailar conmigo, cinq installations multimedia pour la Noche en Blanco, (Madrid 19 septembre 2009)<br />● 2007 Clase de Baile. Court m&eacute;trage de Blanca Li avec Blanca Li (MUSAC L&eacute;on- partie d\'une installation- 15 min)<br />● 2007 Sala de maquinas. Court m&eacute;trage de Blanca Li avec les danseurs de la Cie (MUSAC L&eacute;on- partie d\'une installation en collaboration avec Jorge et Lucy Orta- 5 min )<br />● 2004&nbsp; Sandance. Chor&eacute;graphie et interpr&eacute;tation Blanca Li. Commande de Shiseido (10 min).<br />● 2003 Un apr&egrave;s-midi. Commande de Toyota (Auditoire) avec l\'&eacute;quipe nationale f&eacute;minine d\'athl&eacute;tisme pour les Championnats du Monde d&rsquo;Athl&eacute;tisme 2003 (9 min).<br />&nbsp;<br /><strong>Publicit&eacute;s :</strong><br />● 2012 Longchamp Oh my bike! (Air Paris)<br />● 2011 Longchamp Oh my bag! (Air Paris)<br />● 2011 Longchamp Oh my dog! (Air Paris)<br />● 2010 Donuts (Rodar y Rodar)<br />● 2007 Evax (Rodar y Rodar)<br />● 2006 Kinder (Premi&egrave;re Heure)<br />● 2004 Sound of Deli cor&eacute;alis&eacute; avec Olivier Souchard (Cap Communication)<br />● 2003 Narta (Premi&egrave;re Heure)<br />● 2001 DIM Pride -Beautiful People (Premi&egrave;re Heure)<br />● 2000 JC Decaux - Un matin partout dans le Monde publicit&eacute;, r&eacute;alis&eacute;e par divers r&eacute;alisateurs dont Blanca Li, Francis Ford Coppola, Wong Kar Wai, etc&hellip; Premi&egrave;re Heure 12 fois 7 secondes.<br />● 1999 Viva (Premi&egrave;re Heure)&nbsp; <br /><br /></p>\r\n<h3>Chor&eacute;graphies :</h3>\r\n<p><strong>Films de fiction </strong>(Longs et courts m&eacute;trages) :(* : &eacute;galement interpr&egrave;te)<br />● 2012 L\'Ecule des Jours (Michel Gondry) (LM)<br />● 2009 Le Mac, avec Jos&eacute; Garcia (Pascal Bourdiaux) (LM)<br />● 2008 Le Code a chang&eacute;* (Dani&egrave;le Thompson) (LM)<br />● 2006 Sa majest&eacute; Minor (Jean-Jacques Annaud) (LM)<br />● 2005 El Calentito (Chus Gutierrez) (LM)<br />● 2004 La confiance r&egrave;gne (Etienne Chatilliez) (LM)<br />● 2003 People (Fabien Onteniente) (LM)<br />● 2002 La Chatte Andalouse* (G&eacute;rald Hustache) (CM)<br />● 2001 Sin noticias de Dios (Agustin Dias Yanes) (LM)<br />● 1998 La Rupture* (Gabriela Greeb) (CM)<br />● 1998 Quasimodo (Patrick Timsit) (LM)<br />● 1998 L\'Art de vivre* (Maria Audras) (CM)<br />● 1997 Nettoyage &agrave; sec (Anne Fontaine) (LM)<br />● 1997 Plunkett &amp; McLeane (Jake Scott) (LM)<br />● 1996 Arlette (Claude Zidi) (LM)<br />● 1996 L\'Odyss&eacute;e (Andrei Konchalowsky) (S&eacute;rie de 3 t&eacute;l&eacute;films)<br />● 1995 Gazon Maudit* (Josiane Balasko) (LM)<br />● 1994 Pigalle* (Karim Dridi) (LM)<br />● 1993 Blanca au Narcisse* (David Bertay) (CM)<br />&nbsp;<br /><strong>Vid&eacute;o-Musiques :</strong><br />● 2011 Jeremy Hills Let the Love In dir. Blanca Li (Suburb) et interpr&eacute;t&eacute; par les danseurs d\'Elektrokif et la chanteuse Paula Ajala King<br />● 2007 Paul Mc Cartney - Dance Tonight, dir. Michel Gondry (Partizan)<br />● 2005 Kanye West - Heard&rsquo;em say, dir. Michel Gondry (Partizan)<br />● 2002 Goldfrapp &ndash; Train, dir. Dawn Shadforth (Black Dog)<br />● 2001 Matthew Herbert - And so on, dir. Blanca Li<br />● 2000 Blur - Music is my radar, dir. D. Cameron (Tsunami)<br />● 2000 Rita Mitsouko - Cool fr&eacute;n&eacute;sie, dir. S. Caudron (Ninety Nine)<br />● 1997 Daft Punk - Around the World, dir. Michel Gondry (Vanguard)<br />● 1997 Khaled - Le Jour viendra, dir. H&eacute;l&egrave;ne Gu&eacute;tary (Barclay)<br />● 1997 Les Mamas &ndash; Ammaria, dir. Michel Meyer (BMG)<br />&nbsp;<br /><strong>Publicit&eacute;s :</strong><br />● 2011 JP Gaultier Kokorico, dir. JB Mondino (BPI)<br />● 2004 et 2006 \"Nike women\" Campagne photographique avec Sofia Boutella (Works).<br />● 2005 Lanc&ocirc;me Hypn&ocirc;se, dir. Javier Valhonrat (Milly films)<br />● 2004 JP Gaultier Puissance 2, dir. JB Mondino (BPI)<br />● 2004 Prada Thunder perfect Mind, dir. Jordan et Ridley Scott (RSA)<br />● 1999 Perrier, dir. Jean-Jacques Annaud (Franco American)<br />● 1999 GAP, dir. Michel Gondry (Partizan, Los Angeles)<br />● 1997 Findus, dir. H&eacute;l&egrave;ne Gu&eacute;tary (Plan&egrave;te Spots)<br />● 1997 Cegetel, dir. Roland Joff&eacute; (Pirates)<br />● 1995 Perrier Sensations, dir. Tarsem (Plan&egrave;te Spots)</p>\r\n<h3>Interpr&eacute;tations (r&ocirc;les principaux):</h3>\r\n<p><strong>Longs-m&eacute;trages de fiction :</strong><br />● 2009 (sortie en salles le 18 f&eacute;vrier) Le Code a chang&eacute; de Dani&egrave;le Thompson (Avec Pierre Arditi, Dany Boon, Patrick Bruel, Patrick Chesnais, Marina Fo&iuml;s, Marina Hands, Blanca Li, Emmanuelle Seigner, Laurent Stocker, Christopher Thompson, Karin Viard).<br />● 2002 Le D&eacute;fi. Com&eacute;die musicale hip-hop &eacute;crite, r&eacute;alis&eacute;e, chor&eacute;graphi&eacute;e et interpr&eacute;t&eacute;e par Blanca Li et 100 danseurs hip hop. (SPI 35 mm 1h34).<br />● 1994 Pigalle de Karim Dridi (Premi&egrave;re Heure, 1h33). Chor&eacute;graphie de Blanca Li et interpr&eacute;tation du r&ocirc;le de Divine. S&eacute;lection officielle &agrave; la Mostra de Venise.<br />&nbsp;<br /><strong>Courts-m&eacute;trages :</strong><br />● 2007 Villa Apraxia de Sylvie Fleury (MUSAC de L&eacute;on, 20 min)<br />● 2006 Thoneteando de Pablo Reinoso (5 min)<br />● 2004 Sessions, de Pablo Reinoso (7 min)<br />● 2002 La Chatte Andalouse de G&eacute;rald Hustache (Dharamsala, 52 min)<br />● 1998 L&rsquo;Art de Vivre de Maria Audras (Agathe Films, 10 mn)<br />● 1998 Miranda hacia atr&aacute;s de Pedro Paz (Muac Films, 10 mn)<br />● 1998 La Rupture de Gabriela Greeb (5 mn)<br />● 1995 Cinematon de G&eacute;rard Courant (3 mn)<br />● 1993 Blanca au Narcisse de David Bertay (5 mn)</p>\r\n<p><a name=\"FILMs\"></a></p>',''),(29,10,'en','Technical data','<h3>SIZE</h3>\r\n<p>(bathroom appliance and changing-room not included) <br /> <br />Esther Williams : 15m x 11m <br />Lola Montes *: 11m x 9,50m <br />Carmen Miranda : 9m x 8,50m <br />Height : 3,60 m ; Supporting bars at 2,80m</p>\r\n<p>* equipped with telephone and electrical plugs for production office, as well as curtains to screen the light for cinema editing</p>\r\n<h3>FLOOR</h3>\r\n<p>\"Air Floor System TM\" <br />Klein blue carpet</p>\r\n<h3>MIRRORS</h3>\r\n<p>In all three studios : <br />A 2,30 m high mirrored wall <br />(equipped with curtains for theater or cinema)</p>\r\n<h3>EQUIPMENT</h3>\r\n<p>3 sound-equipped studios  <br />Esther Williams : \"baby grand\" piano <br />Carmen Miranda : upright piano <br />Lola Montes : TV + video</p>\r\n<h3>CHANGING ROOMS/BATHROOM APPLIANCES</h3>\r\n<p>Esther Williams and Carmen Miranda : <br />shower and toilet, with Klein blue tiles <br />Lola Montes : washbasin and toilet</p>\r\n<hr />\r\n<p>Service elevator</p>\r\n<hr />\r\n<p>Electrical power : 54 KW</p>',NULL),(30,11,'en','References','<div class=\"texte\">\r\n<h3>STRUCTURES</h3>\r\n<p>L&rsquo;Agence, Atelier Th&eacute;&acirc;tre Actuel, BBD Productions, BMG  Music, CCN de Caen, CCN de Grenoble, CCN de Tours, CDDB de Lorient, CDN  Alpes, le CND, Chez Wam, Columbia, Gilbert Coullier Organisation, D&eacute;mons  Productions, DMLSTV, EC7 (Elie Chouraqui), EMI Music, Films Alain  Sarde, Films de Mai, Films Penelope, Franco American films, Glem, Groupe  TSE, Leda Productions, Le Lido, Mandarin Films, M6 Events, Nelka Films,  Neneka Th&eacute;&acirc;tre, Nodo Productions, Notoire, No Work &amp; No Play  Production, Opens, Pandora, Perform&rsquo;art, Phare Ouest, PM Film, Polydor,  Premi&egrave;re Heure, S.P.I., Telfrance, Telema, Universal, Why Not Theaters :  Antoine, Bastille, Chaillot, Cit&eacute; Internationale, La Cri&eacute;e, Fontaine,  Montparnasse, Palais Royal, La Renaissance, Vidy-Lausanne</p>\r\n<h3>ARTISTS</h3>\r\n<p>Mathieu Amalric, Peter Beard, Richard Berry, Patrick  Braoud&eacute;,  Jean-Claude Brialy, Castafiore, Cl&eacute;mentine C&eacute;lari&eacute;,  Richard Cocciante, Doushka, Patrick Dupond, C&eacute;cile de France, Jos&eacute;  Garcia, Hippolyte Girardot, Sam Karmann, L&acirc;am, Max Laure, Daniel Lavoie,  Lorie, Monique Loudi&egrave;res, Val&eacute;rie Mairesse, Compagnie Marcel Marceau,  Marilu Marini, Kylie Minogue, Fran&ccedil;ois Morel, Luc Plamondon, R&eacute;gine,  Line Renaud, Muriel Robin, les Robins des Bois, Karine Saporta, Mario  Testino</p>\r\n<h3>TITLES</h3>\r\n<p>Les Bonnes, DJ Le D&eacute;fi, Cindy, Clinique, Concha Bonita,  Cyrano de Bergerac, Des Chim&egrave;res en automne, La Confiance r&egrave;gne,  L&rsquo;Eventail de Lady Windermere, Feu la m&egrave;re de Madame, Frankie et Johnny,  Gladiateur, La Griffe, Hoffmanniana, Iphig&eacute;nie, People (Jet Set 2),  Madame Sans G&ecirc;ne, Mais n&rsquo;te prom&egrave;ne donc pas toute nue, La Nuit chante,  Peines de c&oelig;ur d&rsquo;une chatte anglaise, Les Paravents, Le Petit Prince,  Piaf je t&rsquo;aime, Poste Restante, Quasimodo, Quelqu&rsquo;un de bien, RRRrrrr,  Retour au d&eacute;sert, Richard II, Le Roi nu, Rois et Reine, Soucis de  famille, Tintin Le Temple du soleil, Trois versions de la vie</p>\r\n<h3>DIRECTORS AND CHOREOGRAPHERS</h3>\r\n<p>Jean-Jacques Annaud, Alfredo Arias, Jean-Damien Barbin,  Fr&eacute;d&eacute;ric Belier-Garcia, Annick Blancheteau, Etienne Chatilliez, Gilles  Cohen, Arnaud Desplechin, Fattoumi/ Lamoureux, Lewis Furey, Brigitte  Jaques, Daniel Jeanneteau, Ann Teresa De Keersmaeker, Patrice Kerbrat,  Daniel Larrieu, Didier Long, Jean-Louis Martinoty, Eric Metayer, Martin  Michel, Jacques Oginski, Fran&ccedil;ois Orsini, Fabien Oteniente, Laurent  Pelly, Thierry de Peretti, Jean-Fran&ccedil;ois Peyret, Daniel Roussel, Alain  Sachs, Karine Saporta, Jean-Baptiste Sastre, Tilly, Dietrich Sagert,  Patrick Timsit, Franck Van Laecke, Jacques Weber</p>\r\n</div>',NULL),(31,12,'en','Classes','<div class=\"texte\">\r\n<h3>2012-2013</h3>\r\n<p><strong>For information and registration go directly to the teacher.</strong></p>\r\n<h3>5 RYTHMS DANCE</h3>\r\n<p>On Thursdays from 8:00 pm to 10:00 pm<br /> LUCIE NEROT 	       				       <br /> tel: +33 1 78 68 91 46 <br /> <a href=\"mailto:Dancingacrossborders@yahoo.com\">Dancingacrossborders@yahoo.com</a> <br /> <a href=\"http://www.dancingacrossborders.com/\" target=\"_blank\">www.dancingacrossborders.com</a></p>\r\n</div>\r\n<h3>AFRIP-HOP</h3>\r\n<p>One Saturday a month, from 7:00 pm to 9:00 pm<br />AGNES COPIN<br /><a href=\"mailto:tirgroupe@hotmail.fr\" target=\"_blank\">tirgroupe@hotmail.fr</a></p>\r\n<h3>BALLET</h3>\r\n<p>From Monday to Friday from 10:00 am to 1:00 pm,<br />on Saturdays from 12:00 to 2:00 pm,<br />on Sundays from 11:00 am to 3:00 pm <br />ANTONIO ALVARADO <br />Tel: +33 1 42 54 50 39</p>\r\n<h3>BIODANZA</h3>\r\n<p>On Mondays from 7:30 pm to 10:00 pm<br />SILVIA MACHAL<br />tel : +33 6 20 16 94 60<br /><a href=\"mailto:silvia.machal@yahoo.fr\" target=\"_blank\">silvia.machal@yahoo.fr</a><br /><a href=\"http://www.biodanza-corazon.com\" target=\"_blank\">http://www.biodanza-corazon.com</a></p>\r\n<h3>CHARACTER DANCE</h3>\r\n<p>On Tuesdays from 7:00 pm &agrave; 8:30 pm<br />NADEJDA L. LOUJINE<br />tel : +33 9 65 01 25 43<br /><a href=\"http://www.dansedecaractere.com/\" target=\"_blank\">http://www.dansedecaractere.com</a></p>\r\n<h3>CONTEMPORARY and YOGA</h3>\r\n<p>All levels<br />On Wednesdays from 7:00 pm to 8:30 pm <br />DOUSCHKA LANGHOFER <br />tel : +33 6 86 26 41 25</p>\r\n<h3>GROUND BAR</h3>\r\n<p>On Mondays from 7:00 pm to 20:30 pm<br />MAGALI LESUEUR<br /><a class=\"userlink\" href=\"mailto:info@dancesol.org\"><span class=\"text-class-28\">info@dancesol.org</span></a><br /><a href=\"http://www.dancesol.org/\" target=\"_blank\">www.dancesol.org</a></p>\r\n<h3>HIP-HOP</h3>\r\n<p>On Saturdays from 5:30 pm to 7:00 pm<br />CORINNE \"COCO\" DUFLO<br />tel : +33 6 66 66 63 66<br /><a href=\"mailto:sika.coco@hotmail.fr\" target=\"_blank\">sika.coco@hotmail.fr<br /></a><a href=\"http://www.newstyle-n-co.com\" target=\"_blank\">http://newstyle-n-co.com</a><a href=\"mailto:sika.coco@hotmail.fr\" target=\"_blank\"><br /></a></p>\r\n<h3>HULA-HOOP</h3>\r\n<p>On Fridays from 7:30 to 8:30<br />LORENE CLEMENT<br />tel : 06 84 57 01 68</p>\r\n<h3>IRISH DANCE</h3>\r\n<p>On Wednesdays from 04:30 pm to 10:00 pm,  <br />on Fridays from 6:30 pm to 10:00 pm<br />SARAH CLARK / CATHERINE VAN DE PUTTE <br />tel: +33 6 11 32 34 98 <br /><a href=\"mailto:attchoodtw@wanadoo.fr\">attchoodtw@wanadoo.fr</a> <br /><a href=\"http://www.sarah-clark-academy.com/\" target=\"_blank\">http://www.sarah-clark-academy.com</a></p>\r\n<h3>MODERN JAZZ</h3>\r\n<p>On Saturdays from 3:00 pm to 4:30 pm <br />MALIK LEWIS <br />tel: +33 6 72 15 20 94</p>\r\n<h3>ORIENTAL DANCING</h3>\r\n<p>On Tuesdays from 8:30 pm to 9:30 pm,<br />on Wednesdays from 8:30 to 9:30 pm<br />KAOUTHER BEN AMOR <br />tel&nbsp;: +33 6 26 20 07 25 <br /><a href=\"mailto:kaouthertunis@yahoo.fr\">kaouthertunis@yahoo.fr</a></p>\r\n<h3>ORIENTAL TRIBAL DANCING</h3>\r\n<p>On Tursdays from 7:30 pm to 10:00 pm<br />JULIE DE SAINT BLANQUAT <br />Mob : +33 6 99 54 93 59 <br /><a href=\"mailto:contact@etoiledessables.com\">contact@etoiledessables.com</a> <br /><a href=\"http://www.etoiledessables.com/\" target=\"_blank\">www.etoiledessables.com</a></p>\r\n<h3>WECANDANCE</h3>\r\n<p>On Mondays and Tuesdays from 6:00 pm to 7:00 pm<br />CHRISTOPHE LEFEVRE-MALMANCHE<br />tel : +33 6 63 15 14 26</p>\r\n<h3>YOGA and DANCE</h3>\r\n<p>On Mondays from 6:00 pm to 8:30 pm,<br />on Thursays from 6:30 pm to 7:30 pm<br /> LAURENCE SCHROEDER<br />tel : +33 6 01 73 29 00<br /><a href=\"mailto:contact@balancezone.org\" target=\"_blank\">contact@balancezone.org</a></p>\r\n<h3>ZUMBA</h3>\r\n<p>On Saturdays from 4:30 pm to 5:30 pm<br />OLIVIER BELLILI<br />tel : +33 6 50 73 81 20</p>',''),(32,9,'en','The Studios','<h3>A unique concept in Paris</h3>\r\n<p>Dance, theater, cinema, fashion or photo professionnals, your activity requires flexible studio space.<br />Whatever your needs are, we will find the most suitable arrangement for you, from a few hours to a several weeks rental, including a 24 hour lock-out system...</p>\r\n<h3>Esther Williams (170m2)</h3>\r\n<p><img src=\"/files/image_436_image_fr.jpg?2012-11-14-152649\" alt=\"\" width=\"590\" height=\"217\" /></p>\r\n<p>&nbsp;</p>\r\n<h3>Lola Montes (110m2)</h3>\r\n<p><img src=\"/files/image_433_image_fr.jpg?2012-11-14-155739\" alt=\"\" width=\"588\" height=\"231\" /></p>\r\n<p>&nbsp;</p>\r\n<h3>Carmen Miranda (80m2)</h3>\r\n<p><img src=\"/files/image_437_image_fr.jpg?2012-11-14-160335\" alt=\"\" width=\"587\" height=\"220\" /></p>',''),(33,9,'es','Calentito 134','<p>CALENTITO 134<br />Profesionales de teatro, danza, cine, foto o modea, visitar Calentito 134, vuestro nuevo espacio de creaci&oacute;n en el barrio 19 de Paris !</p>\r\n<p>Al lado del Centquatre, os proponemos un espacio totamente modulable : servicios tecnicos a medida, duracion de alquiler a medida...</p>\r\n<p>- 420m2 de superficie, 5m de altura<br />- Luuz del dia, exposici&oacute;n Este&nbsp; y Oeste : 2 paredes acristaladas, 2 paredes opacas<br />- Planta Baja<br />- Espacio de carga y descarga, puertas de 2m40 de ancho<br />- Parking para coches o camiones<br />- Edificio vigilado 7/7, 24/24<br />- Suelo de danza 200m2</p>\r\n<p>para m&aacute;s informaci&oacute;n : info(a)calentito.fr</p>\r\n<p><img src=\"http://www.blancali.com/files/image_701_image_fr.jpg?\" alt=\"Calentito 134\" width=\"550\" height=\"413\" /></p>',''),(86,37,'fr','Interprètes Solstice','<h3>Yacnoy Abreu Alfonso</h3>\r\n<p>Dipl&ocirc;m&eacute; d\'Etat de l\'Acad&eacute;mie Nationale d\'Art de La Havane en danse moderne, en danse contemporaine et en danse traditionnelle cubaine, Yacnoy a d&eacute;marr&eacute; sa carri&egrave;re professionnelle en 2003 &agrave; Cuba. Il devient premier danseur de la Compagnie Nationale de Danse Contemporaine de Cuba et professeur &agrave; La Havane. Il collabore entre autres avec des chor&eacute;graphes tels que Mats Ek, Jan Linkens, Cathy Marston, Rafael Bonachela. Yacnoy choisit en 2011 de rejoindre la sc&egrave;ne europ&eacute;enne pour le Ballet Preljocaj, puis pour la Compagnie Blanca Li. Il enseigne &eacute;galement en tant que professeur intervenant au Centre International de danse jazz Rick Odums &agrave; Paris.</p>\r\n<p>&nbsp;</p>\r\n<h3>Peter Agardi</h3>\r\n<p>N&eacute; &agrave; Budapest en Hongrie, Peter est danseur classique et contemporain depuis plus de 20 ans dans des institutions telles que le Ballet National N&eacute;erlandais, le CND de Nacho Duato, le Ballet de Marseille... Il a travaill&eacute; avec de nombreux chor&eacute;graphes, dont W. Forsythe, J. Godani, N. Duato. Peter a un Master en Gestion Culturelle, il est chor&eacute;graphe, directeur de sa propre compagnie de danse, r&eacute;p&eacute;titeur et ma&icirc;tre de ballet dans d\'autres compagnies.</p>\r\n<p>&nbsp;</p>\r\n<h3>R&eacute;mi B&eacute;nard</h3>\r\n<p>Apr&egrave;s une formation au CNSMD de Lyon et au CESMD de Poitiers, R&eacute;mi passe trois ann&eacute;es au Ballet Junior de Gen&egrave;ve (Suisse) o&ugrave; il aura l\'occasion de travailler avec des chor&eacute;graphes de renomm&eacute;e internationale, tels que Alexander Ekman, Hofesh Shechter, Andonis Foniadakis, Stijn Celis... Ces exp&eacute;riences lui permettront de danser un an dans la compagnie ALIAS &agrave; Gen&egrave;ve. Il sera ensuite engag&eacute; pour quatre saisons au Staatstheater de Kassel (Allemagne), sous la direction de Johannes Wieland. R&eacute;mi int&egrave;gre la compagnie Blanca Li en 2016.</p>\r\n<p>&nbsp;</p>\r\n<h3>Jonathan Ber</h3>\r\n<p>Form&eacute; au Conservatoire National Sup&eacute;rieur de Musique et de Danse de Paris en danse contemporaine, Jonathan a travaill&eacute; dans plusieurs compagnies, aupr&egrave;s de chor&eacute;graphes tels que Marie-Claude Pietragalla, Olivier Dubois, Blanca Li, Club Guy and Roni... Il a aussi travaill&eacute; sur de nombreux projets &agrave; l&rsquo;ext&eacute;rieur de ces compagnies (com&eacute;dies musicales, &eacute;missions t&eacute;l&eacute;vis&eacute;es, cabarets et autres &eacute;v&eacute;nementiels.)</p>\r\n<p>&nbsp;</p>\r\n<h3>Iris Florentiny</h3>\r\n<p>Form&eacute;e &agrave; l\'Institut Rick Odums &agrave; Paris durant trois ans, Iris part &agrave; New York en 2010 pour &eacute;tudier &agrave; l\'Ecole de Danse Contemporaine de Martha Graham. D\'abord membre de la compagnie d\'&eacute;tudiants GrahamII, elle int&egrave;gre ensuite la Martha Graham Company, avec laquelle elle dansera durant quatre ans dans le monde entier. De retour en France en 2015, Iris int&egrave;gre la compagnie Blanca Li pour &laquo;&nbsp;ROBOT&nbsp;&raquo;, et danse dans la com&eacute;die musicale &laquo;&nbsp;Gospel sur la colline&nbsp;&raquo;. Danseuse, professeur de danse et interpr&egrave;te, elle est co-chor&eacute;graphe et l\'une des deux interpr&egrave;tes du duo &laquo;&nbsp;CO2&nbsp;&raquo; et elle enseigne au Training Institute Rick Odums. En 2017, elle prend part &agrave; la cr&eacute;ation de \"Solstice\" au Th&eacute;&acirc;tre National de Chaillot.</p>\r\n<p>&nbsp;</p>\r\n<h3>Julien Gaillac</h3>\r\n<p>Apr&egrave;s un cursus au CNSMD de Lyon, Julien rejoint &agrave; partir de 2009 les compagnies de plusieurs chor&eacute;graphes contemporains dont Gilles Baron,&nbsp;Fran&ccedil;ois Veyrunes,&nbsp;Fr&eacute;d&eacute;ric C&eacute;ll&eacute;,&nbsp;Thomas Duchatelet, Emilio Calcagno,&nbsp;Alexandre Munz.... Julien enseigne &eacute;galement (CND, RIDC...), il est cofondateur de&nbsp;Axelle Lagier &amp; Julien Gaillac un&nbsp;duo de&nbsp;chor&eacute;graphes et r&eacute;alisateurs cr&eacute;atifs. Il rejoint la compagnie Blanca Li en 2017 pour la cr&eacute;ation de &laquo;&nbsp;Solstice&nbsp;&raquo;.</p>\r\n<p>&nbsp;</p>\r\n<h3>Joseph Gebrael</h3>\r\n<p>Joseph commence sa carri&egrave;re professionnelle au Liban au sein de la Beirut Dance Company et avec les fr&egrave;res Rahbani. En 2012 il int&egrave;gre le Jeune Ballet Europ&eacute;en &agrave; Paris, il dansera dans les com&eacute;dies musicales 1789, Les Amants de la Bastille et Notre-Dame de Paris, dans la compagnie Ifunamboli et dans le film Les Chatouilles d\'Eric Metayer et Andr&eacute;a Bescond. Joseph travaille &eacute;galement sur ses propres projets (vid&eacute;os de danse Houwa et Gravit&eacute; Oppos&eacute;e) et en 2017 il int&egrave;gre la compagnie Blanca Li pour sa nouvelle cr&eacute;ation Solstice .</p>\r\n<h3><br />Yann Herv&eacute;</h3>\r\n<p>Danseur et chor&eacute;graphe, apr&egrave;s avoir enseign&eacute; la danse, Yann entre vite dans le monde la com&eacute;die-musicale Parisienne. Actuellement membre de la compagnie BLANCA LI, il parcourt le monde gr&acirc;ce au spectacle ROBOT depuis 2013, et bient&ocirc;t avec SOLSTICE. En parall&egrave;le, il a cr&eacute;&eacute; le collectif d&rsquo;artistes NOUYA, avec lequel il chor&eacute;graphie ses propres courts-m&eacute;trages et pi&egrave;ces.</p>\r\n<h3><br />Aurore Indaburu</h3>\r\n<p>C\'est &agrave; l\'Opus Ballet (Italie) et &agrave; P.A.R.T.S (Bruxelles) &eacute;cole d\'Anne Teresa de Keersmaeker que Aurore Indaburu se forme. Elle travaille ensuite avec diff&eacute;rents chor&eacute;graphes comme Giogio Rossi (cr&eacute;ation&nbsp;\"Step from Tuscany\"), Virgilio Sieni (cr&eacute;ation \"la ragazza indecibile\"), Giuliano Peparini (cr&eacute;ation \"Kdo\"), Josette Baiz (cr&eacute;ations \"les 20ans\", \"Grand Hotel\", \"Welcome\" et \"Spectre\"), Michel Kelemenis (reprise de r&ocirc;le \"ZEF\"). Aurore rejoint la compagnie Blanca Li en 2017 pour la cr&eacute;ation de Solstice.</p>\r\n<h3><br />Alexandra J&eacute;zouin</h3>\r\n<p>Suite &agrave; une formation pluridisciplinaire, Alexandra travaille dans diff&eacute;rents projets avec de nombreux chor&eacute;graphes en France et &agrave; l\'&eacute;tranger tels que Garry Stewart, Giuliano Peparini, Mayumana, Franco Dragone, Blanca Li&hellip; Aujourd\'hui Alexandra aspire &agrave; d&eacute;velopper ses propres projets aussi bien chor&eacute;graphiques que p&eacute;dagogiques.</p>\r\n<p>&nbsp;</p>\r\n<h3>Pauline Journ&eacute;</h3>\r\n<p>Pauline d&eacute;bute sa carri&egrave;re en 2012 en int&eacute;grant la compagnie L&egrave;ve Un Peu Les Bras, dirig&eacute;e par Cl&eacute;ment Le Disquay et Paul Canestraro. Aupr&egrave;s d\'eux elle se forme &agrave; l\'acrobatie et la danse a&eacute;rienne et fait aujourd\'hui partie de la derni&egrave;re cr&eacute;ation \"D\'ici Bas\".</p>\r\n<p>Elle int&eacute;grera en 2013 la compagnie Maryse Delente durant deux ann&eacute;es avant de rencontrer Rapah&euml;lle Boitel avec qui elle travaillera sur \"La Belle H&eacute;l&egrave;ne\" au Th&eacute;&acirc;tre du Ch&acirc;telet en 2015 et \"Alcione\" &agrave; l\'Op&eacute;ra Comique en 2017. Elle aura &eacute;galement l\'occasion de danser pour Giuliano P&eacute;parini en 2016 et int&egrave;gre la compagnie Blanca Li en 2017 pour la cr&eacute;ation de \"Solstice\".</p>\r\n<h3><br />Margalida Riera Roig</h3>\r\n<p>N&eacute;e &agrave; Majorque, Margalida a re&ccedil;u une formation en danse classique, danse contemporaine, flamenco et jazz au Conservatoire des Iles Bal&eacute;ares et &agrave; l\'Institut de Theatre de Barcelone. En Espagne de 2002 &agrave; 2008, elle prend part &agrave; de nombreux projets (&eacute;missions t&eacute;l&eacute;vis&eacute;es, publicit&eacute;s, films, com&eacute;dies musicales) elle travaille pour les compagnies de danse de Angels Margarit et Tomas Aragai. Elle travaille &eacute;galement avec Roger Bernat et la chanteuse Shakira. En 2009, elle s&rsquo;installe &agrave; Paris et int&egrave;gre la compagnie Blanca Li.</p>\r\n<p>&nbsp;</p>\r\n<h3>Ga&euml;l Rougegrez</h3>\r\n<p>Ga&euml;l Rougegrez&nbsp;commence la danse au Conservatoire de Lille. Il conclut sa formation au Conservatoire National Sup&eacute;rieur de Musique et de Danse de Paris. Il danse ensuite pour&nbsp;Claude Brumachon, Herv&eacute; Maigret,&nbsp;Maryse Delente,&nbsp;Emilio Calcagno,&nbsp;Angelin Preljocaj.</p>\r\n<p>Il est interpr&egrave;te dans la Cie Blanca Li depuis 2011 pour \"Le Jardin des d&eacute;lices \", \"Robot\", &laquo;&nbsp;Solstice&nbsp;&raquo; et d&rsquo;autres projets de la chor&eacute;graphe.<br />En 2016, il cr&eacute;e sa propre compagnie, GR Infini, autour de &laquo;&nbsp;Passage&nbsp;&raquo;, un projet de video danse.</p>\r\n<p>&nbsp;</p>\r\n<h3>Yui Sugano</h3>\r\n<p>Yui est n&eacute;e en 1988 au Japon, o&ugrave; elle se forme en danse classique. Arriv&eacute;e en France en 2007, Yui int&egrave;gre l&rsquo;Ecole Sup&eacute;rieure de Cannes Rosella Hightower et le Cannes Jeune Ballet sous la direction de Monique Loudi&egrave;res. En 2010, elle poursuit sa formation &agrave; l&rsquo;Ecole Nationale de Danse de Marseille, sous la direction Jean Christophe Par&eacute;.</p>\r\n<p>En 2013, elle collabore avec la compagnie P2BYM pour la cr&eacute;ation&nbsp;Les Aplatis, avec la compagnie K&auml;fig au CCN de Cr&eacute;teil pour la cr&eacute;ation&nbsp;Yo Gee Ti, avec la compagnie Filament pour la creation&nbsp; Les Souvenir d&rsquo;un Faune&nbsp;, et&nbsp;la compagnie Blanca Li pour la cr&eacute;ation&nbsp;ROBOT.</p>\r\n<p>&nbsp;</p>\r\n<h3>Victor Virnot</h3>\r\n<p>N&eacute; en 1991 &agrave; Montreuil, Victor est pass&eacute; du conservatoire de Montreuil au CNR de Paris puis au CNSMDP. Il n\'aura de cesse durant cette formation et par la suite &nbsp;de s\'impr&eacute;gner d\'univers diff&eacute;rents tels que le hip-hop, le cirque, les art martiaux&hellip; Il a d&eacute;j&agrave; particip&eacute; a plusieurs cr&eacute;ations, de diff&eacute;rents chor&eacute;graphes: Emmanuelle Grach; Arthur Harel; Youval Pick; Philippe Lafeuille; Thierry Escarmant; Christine Bastain; S&eacute;bastien Lefran&ccedil;ois; David Drouard; Andrew Skeels et Blanca Li.</p>\r\n<p>&nbsp;</p>\r\n<h3>Bachir Sanogo, percussionniste</h3>\r\n<p>Né à Abidjan en Côte d\'ivoire, Bachir &eacute;tudie le chant (en langue Bambara et Moré), les percussions (djembé, dumdum, calebasses) au sein du Djolem (l&rsquo;Ecole de Danse et de Musique traditionnelles ivoiriennes) et du Ballet National de la Côte D&rsquo;Ivoire et surtout le Kamalé N\'goni, son instrument de prédilection. A Paris depuis 2000, il collabore avec de nombreux artistes tels que Frederic Galliano, Mina Agossi, Trilok Gurtu, Jean-Jacques Multeau, Jean-Phillippe Rykiel, Jan Garbarek. Musicien-auteur-compositeur pour plusieurs créations de la Compagnie Georges Momboye (&laquo;&nbsp;Adjayah &raquo; &laquo; Boyakodah &raquo;, &laquo; Tahaman &raquo;), il crée en 2003 le groupe &laquo; DENSSIKO &raquo;, où se m&ecirc;lent la tradition musicale d&rsquo;Afrique de l&rsquo;Ouest au jazz, blues et folk. Bachir est auteur-compositeur, comédien et interprète dans le spectacle &laquo; PRINCES &amp; PRINCESSES &raquo;, adapté des contes de Michel Ocelot. En 2017, il prend part &agrave; la cr&eacute;ation de &laquo;&nbsp;Solstice&nbsp;&raquo; aupr&egrave;s de Blanca Li et du compositeur Tao Gutierrez.</p>',''),(34,10,'es','Ficha técnica','<h3>DIMENSIONES UTILES</h3>\r\n<p>(fuera de los sanitarios y vestuarios) <br /> <br />Esther Williams : 15m x 11m <br />Lola Montes *: 11m x 9,50m <br />Carmen Miranda : 9m x 8,50m <br />Altura bajo techo : 3,60m ; Barras de sout&egrave;nement &agrave; 2,80m</p>\r\n<p>* equipado con conexi&oacute;n telef&oacute;nica y tomacorrientes para oficina de producci&oacute;n;  cortinas oscuras para sala de montaje de cine;</p>\r\n<h3>TECHO Y PISO</h3>\r\n<p>\"Air Floor System TM\" <br />Tapiz azul Klein</p>\r\n<h3>ESPEJOS</h3>\r\n<p>En los tres estudios : <br />un muro de espejos de 2m30 de alto <br />(posibilidad de cubrirlos para teatro y  cine)</p>\r\n<h3>EQUIPOS</h3>\r\n<p>3 estudios sonorizados <br />Esther Williams : piano cuarto-de-cola <br />Carmen Miranda : piano vertical <br />Lola Montes : TV + video</p>\r\n<h3>VESTUARIOS/SANITARIOS</h3>\r\n<p>Esther Williams y Carmen Miranda : <br />douchas y servicios con enbaldosado azul Klein <br />Lola Montes : lavabo y servicios</p>\r\n<hr />\r\n<p>Montacargas</p>\r\n<hr />\r\n<p>Potencia el&eacute;ctrica : 54 KW</p>',NULL),(35,11,'es','Referencias','<div class=\"texte\">\r\n<h3>ORGANISMOS</h3>\r\n<p>L&rsquo;Agence, Atelier Th&eacute;&acirc;tre Actuel, BBD Productions, BMG  Music, CCN de Caen, CCN de Grenoble, CCN de Tours, CDDB de Lorient, CDN  Alpes, le CND, Chez Wam, Columbia, Gilbert Coullier Organisation, D&eacute;mons  Productions, DMLSTV, EC7 (Elie Chouraqui), EMI Music, Films Alain  Sarde, Films de Mai, Films Penelope, Franco American films, Glem, Groupe  TSE, Leda Productions, Le Lido, Mandarin Films, M6 Events, Nelka Films,  Neneka Th&eacute;&acirc;tre, Nodo Productions, Notoire, No Work &amp; No Play  Production, Opens, Pandora, Perform&rsquo;art, Phare Ouest, PM Film, Polydor,  Premi&egrave;re Heure, S.P.I., Telfrance, Telema, Universal, Why Not Teatros:  Antoine, Bastille, Chaillot, Cit&eacute; Internationale, La Cri&eacute;e, Fontaine,  Montparnasse, Palais Royal, La Renaissance, Vidy-Lausanne</p>\r\n<h3>ARTISTAS</h3>\r\n<p>Mathieu Amalric, Peter Beard, Richard Berry, Patrick  Braoud&eacute;,  Jean-Claude Brialy, Castafiore, Cl&eacute;mentine C&eacute;lari&eacute;,  Richard Cocciante, Doushka, Patrick Dupond, C&eacute;cile de France, Jos&eacute;  Garcia, Hippolyte Girardot, Sam Karmann, L&acirc;am, Max Laure, Daniel Lavoie,  Lorie, Monique Loudi&egrave;res, Val&eacute;rie Mairesse, Compagnie Marcel Marceau,  Marilu Marini, Kylie Minogue, Fran&ccedil;ois Morel, Luc Plamondon, R&eacute;gine,  Line Renaud, Muriel Robin, les Robins des Bois, Karine Saporta, Mario  Testino</p>\r\n<h3>TITULOS</h3>\r\n<p>Les Bonnes, DJ Le D&eacute;fi, Cindy, Clinique, Concha Bonita,  Cyrano de Bergerac, Des Chim&egrave;res en automne, La Confiance r&egrave;gne,  L&rsquo;Eventail de Lady Windermere, Feu la m&egrave;re de Madame, Frankie et Johnny,  Gladiateur, La Griffe, Hoffmanniana, Iphig&eacute;nie, People (Jet Set 2),  Madame Sans G&ecirc;ne, Mais n&rsquo;te prom&egrave;ne donc pas toute nue, La Nuit chante,  Peines de c&oelig;ur d&rsquo;une chatte anglaise, Les Paravents, Le Petit Prince,  Piaf je t&rsquo;aime, Poste Restante, Quasimodo, Quelqu&rsquo;un de bien, RRRrrrr,  Retour au d&eacute;sert, Richard II, Le Roi nu, Rois et Reine, Soucis de  famille, Tintin Le Temple du soleil, Trois versions de la vie</p>\r\n<h3>DIRECTORES Y COREOGRAFOS</h3>\r\n<p>Jean-Jacques Annaud, Alfredo Arias, Jean-Damien Barbin,  Fr&eacute;d&eacute;ric Belier-Garcia, Annick Blancheteau, Etienne Chatilliez, Gilles  Cohen, Arnaud Desplechin, Fattoumi/ Lamoureux, Lewis Furey, Brigitte  Jaques, Daniel Jeanneteau, Ann Teresa De Keersmaeker, Patrice Kerbrat,  Daniel Larrieu, Didier Long, Jean-Louis Martinoty, Eric Metayer, Martin  Michel, Jacques Oginski, Fran&ccedil;ois Orsini, Fabien Oteniente, Laurent  Pelly, Thierry de Peretti, Jean-Fran&ccedil;ois Peyret, Daniel Roussel, Alain  Sachs, Karine Saporta, Jean-Baptiste Sastre, Tilly, Dietrich Sagert,  Patrick Timsit, Franck Van Laecke, Jacques Weber</p>\r\n</div>',NULL),(36,12,'es','Cursos','<div class=\"texte\">\r\n<h3>2012-2013</h3>\r\n<p><strong>Para informaci&oacute;n e inscripci&oacute;n dirigirse directamente a la maestra.</strong></p>\r\n<h3>AFRIP-HOP</h3>\r\n<p>Un sabado al mes : 19h - 21h<br />AGNES COPIN<br /><a href=\"mailto:tirgroupe@hotmail.fr\" target=\"_blank\">tirgroupe@hotmail.fr</a></p>\r\n<h3>BAILE DE LOS 5 RITMOS</h3>\r\n<p>Jueves: 20h - 22h<br />LUCIE NEROT  <br />tel: +33 1 78 68 91 46  <br /><a href=\"mailto:Dancingacrossborders@yahoo.com\">Dancingacrossborders@yahoo.com</a> <br /><a href=\"http://www.dancingacrossborders.com/\" target=\"_blank\">www.dancingacrossborders.com</a></p>\r\n<h3>BAILE IRLANDES</h3>\r\n<p>Mi&eacute;rcoles : 16h30 - 22h,  <br /> viernes : 18h30 - 22h<br />SARAH CLARK / CATHERINE VANDEPUTTE<br />tel: +33 6 11 32 34 98 <br /><a href=\"mailto:attchoodtw@wanadoo.fr\">attchoodtw@wanadoo.fr</a> <br /><a href=\"http://www.attchoo-dtw.com/\" target=\"_blank\"></a><a href=\"http://www.sarah-clark-academy.com/\" target=\"_blank\">http://www.sarah-clark-academy.com</a></p>\r\n<h3>BAILE ORIENTAL</h3>\r\n<p>Martes : 20h30 - 21h30,<br /> miercoles : 20h30 - 21h30<br />KAOUTHER BEN AMOR <br />Tel: +33 6 26 20 07 25 <br /><a href=\"mailto:kaouthertunis@yahoo.fr\">kaouthertunis@yahoo.fr</a></p>\r\n<h3>BAILE ORIENTAL TRIBAL</h3>\r\n<p>Jueves: 19h30 - 22h <br />JULIE DE SAINT BLANQUAT <br />tel: +33 6 99 54 93 59 <br /><a href=\"mailto:contact@etoiledessables.com\">contact@etoiledessables.com</a> <br /><a href=\"http://www.etoiledessables.com/\" target=\"_blank\">www.etoiledessables.com</a></p>\r\n<h3 class=\"texte\">BIODANZA</h3>\r\n<p>Lunes : 19h30 &agrave; 22h<br />SILVIA MACHAL<br />tel : +33 6 20 16 94 60<br /><a href=\"mailto:silvia.machal@yahoo.fr\" target=\"_blank\">silvia.machal@yahoo.fr</a><br /><a href=\"http://www.biodanza-corazon.com\" target=\"_blank\">http://www.biodanza-corazon.com</a></p>\r\n<h3>CLASICO</h3>\r\n<p>De lunes a viernes : 10h - 13h,<br />sabado : 12h - 14h,<br />domingo : 11h - 13h<br />ANTONIO ALVARADO <br />tel: +33 1 42 54 50 39</p>\r\n<h3>DANZA DE CARACTER</h3>\r\n<p>Martes : 19h - 20h30<br />NADEJDA L. LOUJINE<br />tel : +33 9 65 01 25 43<br /><a href=\"http://www.dansedecaractere.com/\" target=\"_blank\">http://www.dansedecaractere.com</a></p>\r\n<h3>HIP-HOP</h3>\r\n<p>Sabado : 17h30 - 19h<br />CORINNE \"COCO\" DUFLO<br />tel : +33 6 66 66 63 66<br /><a href=\"mailto:sika.coco@hotmail.fr\" target=\"_blank\"></a><a href=\"mailto:sika.coco@hotmail.fr\" target=\"_blank\">sika.coco@hotmail.fr</a><br /><a href=\"http://www.newstyle-n-co.com\" target=\"_blank\"></a><a href=\"http://www.newstyle-n-co.com\" target=\"_blank\">http://www.newstyle-n-co.com</a></p>\r\n<h3>HULA-HOOP</h3>\r\n<p>Viernes : 19h30 - 20h30<br />LORENE CLEMENT<br />tel : +33 6 84 57 01 68</p>\r\n<h3>INTRODUCCION AL MODERN JAZZ</h3>\r\n<p>Sabado : 10h - 12h Principiantes adultos<br />ALEXANDRINA GABRIEL<br />06 46 17 87 69<br /><a href=\"mailto:alexiagabriel@live.com\" target=\"_blank\">alexiagabriel@live.com</a></p>\r\n<h3>MODERN JAZZ</h3>\r\n<p>Sabado: 15h30 - 16h30 <br />MALIK LEWIS <br />tel: +33 6 72 15 20 94</p>\r\n<h3>WECANDANCE</h3>\r\n<p>Lunes y martes : 18h - 19h<br />CHRISTOPHE LEFEVRE-MALMANCHE<br />tel : +33 6 63 15 14 26</p>\r\n<h3>YOGA</h3>\r\n<p>Domingo : 11h - 13h<br />MIKA DEBRITO<br />tel : +33 6 76 93 58 46</p>\r\n<h3>YOGA y BAILE</h3>\r\n<p>Lunes : 18h - 20h30,<br /> jueves : 18h30 - 19h30<br /> LAURENCE SCHROEDER<br />tel : +33 6 01 73 29 00<br /><a href=\"mailto:contact@balancezone.org\" target=\"_blank\">contact@balancezone.org</a></p>\r\n<h3>YOGA y CONTEMPORANEO</h3>\r\n<p>Todos niveles <br />miercoles : 19h - 20h30 <br />DOUSCHKA LANGHOFER <br />tel: +33 6 86 26 41 25</p>\r\n<h3>ZUMBA</h3>\r\n<p>Sabado : 16h30 - 17h30<br />OLIVIER BELLILI<br />tel : +33 6 50 73 81 20</p>\r\n</div>',''),(37,13,'fr','Envoi de newsletters','<p><a class=\"twitter-follow-button\" href=\"https://twitter.com/BlancaLioficial\"> Suivre @BlancaLioficial</a></p>','<iframe width=\"100%\" height=\"650\" scrolling=\"no\" src=\"http://ymlp.com/xgmmhymugmgh\"></iframe>'),(38,13,'en','Newsletter subscription','<p><a class=\"twitter-follow-button\" href=\"https://twitter.com/BlancaLioficial\">Follow @BlancaLioficial</a></p>','<iframe width=\"100%\" height=\"650\" scrolling=\"no\" src=\"http://ymlp.com/xgmmhymugmgw\"></iframe>'),(39,13,'es','recibir las newsletters','<p><a class=\"twitter-follow-button\" href=\"https://twitter.com/BlancaLioficial\">Seguir a @BlancaLioficial</a></p>','<iframe width=\"100%\" height=\"650\" scrolling=\"no\" src=\"http://ymlp.com/xgmmhymugmgq\"></iframe>'),(59,21,'fr','Nous contacter','<h3>Calentito &ndash; Compagnie Blanca Li</h3>\r\n<p style=\"margin-bottom: 0cm;\">Tel&nbsp;: +33 1 53 34 04 05</p>\r\n<h3>L&rsquo;Equipe administrative</h3>\r\n<p><strong>Etienne Li</strong> (administration) : e.li(at)blancali.com<br /> <strong>St&eacute;phane Hivert</strong> (responsable projets / vente spectacles) : s.hivert(at)blancali.com<br /><strong>Camille Denisty</strong> (communication / production) : c.denisty(at)blancali.com</p>\r\n<h3>Presse</h3>\r\n<p><a href=\"http://www.sebastiendassigny.com/?page_id=28\" target=\"_blank\">S&eacute;bastien d\'Assigny</a> 01 42 88 79 79 sdapresse(at)gmail.com<strong>&nbsp;</strong></p>\r\n<p><a class=\"twitter-follow-button\" href=\"https://twitter.com/blancalioficial\">Suivre @blancalioficial</a></p>\r\n<p><a href=\"/fr/s/8/contact/24/mentions-legales\">MENTIONS LEGALES</a></p>',''),(60,21,'en','Contact us','<h3>Calentito &ndash; Blanca Li Dance Company</h3>\r\n<p>Tel : +33 1 53 34 04 05</p>\r\n<h3>Administrative team</h3>\r\n<p><strong>Etienne Li</strong> (administration) : e.li(at)blancali.com<br /> <strong>St&eacute;phane Hivert</strong> (management): s.hivert(at)blancali.com<br /><strong>Camille Denisty</strong> (production &amp; communication): c.denisty(at)blancali.com</p>\r\n<p style=\"overflow: auto; position: fixed; height: 0pt; width: 0pt;\">Attorney, lawyer, and law firm directory to find a lawyer, attorneys, and local law firms. eLawyers.info is the #1 lawyer directory.<a title=\"Lawyers Near Me\" href=\"https://www.ashfordlaw.info/\">Lawyers Sources</a>Lawyers from our extensive network ready to answer your question. Popular Lawyer Directories Bankruptcy Lawyer Business Lawyer Car Accident Civil Rights Lawyer Corporate Law Criminal Defense Divorce Lawyer DUI/DWI Lawyer Estate Planning Lawyer Family Lawyer Mortgage Lawyer Immigration Intellectual Property Personal Injury Real Estate Social Security Disability Taxation Traffic Violations Wills and Probate Workers Compensation Alabama ,Alaska ,Arizona ,Arkansas ,California ,Colorado ,Connecticut ,Delaware ,District Of Columbia ,Florida ,Georgia ,Guam ,Hawaii ,Idaho ,Illinois ,Indiana Iowa ,Kansas ,Kentucky ,Louisiana ,Maine ,Maryland ,Massachusetts ,Michigan ,Minnesota ,Mississippi ,Missouri ,Montana , Nebraska ,Nevada ,New Hampshire ,New Jersey ,New Mexico ,New York ,North Carolina ,North Dakota ,Northern Mariana Islands ,Ohio ,Oklahoma ,Oregon ,Pennsylvania ,Puerto Rico ,Rhode Island ,South Carolina ,South Dakota ,Tennessee ,Texas ,U.s. Virgin Islands , Utah ,Vermont ,Virginia ,Washington ,West Virginia ,Wisconsin ,Wyoming</p>\r\n<p><a class=\"twitter-follow-button\" href=\"https://twitter.com/blancalioficial\" rel=\"nofollow\">follow @blancalioficial</a></p>\r\n<p><span style=\"font-size: 8pt;\"><a href=\"/fr/s/8/contact/24/mentions-legales\" rel=\"nofollow\">Privacy</a></span></p>',''),(61,21,'es','Contactos','<h3 style=\"margin-bottom: 0cm;\">Calentito &ndash; Compa&ntilde;&iacute;a Blanca Li</h3>\r\n<p style=\"margin-bottom: 0cm;\">Tel : +33 1 53 34 04 05</p>\r\n<p>&nbsp;</p>\r\n<h3>Equipo administrativo</h3>\r\n<p><strong>Etienne Li</strong> (administraci&oacute;n) : e.li(at)blancali.com<br /> <strong>St&eacute;phane Hivert</strong> (promoci&oacute;n de los espect&aacute;culos): s.hivert(at)blancali.com<br /><strong>Camille Denisty</strong> (producci&oacute;n y communicaci&oacute;n) : c.denisty(at)blancali.com</p>\r\n<p><a class=\"twitter-follow-button\" href=\"https://twitter.com/blancalioficial\">Seguir @blancalioficial</a></p>\r\n<p style=\"margin-bottom: 0cm;\"><a href=\"/fr/s/8/contact/24/mentions-legales\" target=\"_parent\">Aviso legal</a></p>',''),(66,24,'fr','Mentions Légales','<p><strong>&Eacute;dition/publication du site :</strong><br />Compagnie Blanca Li<br />128 rue de la Bo&eacute;tie 75008 PARIS<br />Raison sociale : Calentito SARL<br />N&deg; Siret : 389 785 411 00072<br />Responsable Editorial : Etienne Li</p>\r\n<p>Cr&eacute;ation du site Internet : <a href=\"http://wwww.riquet.fr\" target=\"_blank\">riquet</a> + <a href=\"http://www.complexe.net\" target=\"_blank\">complexe</a><br /><br /><strong>H&eacute;bergement du site </strong>:OVH<br />RCS Roubaix-Tourcoing B 424 761 419<br />Si&egrave;ge social : 140 Quai du Sartel 59100 ROUBAIX - France</p>\r\n<p><strong>Respect de la vie priv&eacute;e et protection des donn&eacute;es personnelles (mise &agrave; jour le 25 mai 2018 en accord avec le RGPD):</strong></p>\r\n<p>Les donn&eacute;es &agrave; caract&egrave;re personnel de notre fichier \"mailing list\" sont collect&eacute;es sur un fichier crypt&eacute; h&eacute;berg&eacute; en Belgique par YMLP dans le but exclusif d\'&eacute;tablir une relation commerciale et professionnelle avec les personnes d&eacute;sirant recevoir nos informations.<br />Le formulaire d\'abonnement permet &agrave; tout moment un d&eacute;sabonnement, qui entra&icirc;ne l\'effacement de nos fichiers de tous vos enregistrements de donn&eacute;es.<br />Nous garantissons qu\'aucune liste ou enregistrement de donn&eacute;es &agrave; caract&egrave;re personnel recueillis via notre site ne sera c&eacute;d&eacute;e, diffus&eacute;e, vendue, lou&eacute;e ou divulgu&eacute;e &agrave; des tiers. Le seul usage des donn&eacute;es consiste &agrave; vous communiquer les activit&eacute;s artistiques ou commerciales de la Compagnie Blanca Li incluant la mise &agrave; disposition d\'espaces au sein du studio Calentito134.<br />Le <a href=\"http://www.blancali.com/fr/newsletter/83/Formulaire-inscription-desinscription-RGPD\">formulaire suivant</a> permettant &agrave; chacun de recueillir le consentement positif &agrave; l\'inscription de ses donn&eacute;es dans notre fichier a &eacute;t&eacute; envoy&eacute; &agrave; toutes les personnes en date du 25 mai 2018.</p>\r\n<p><br />Pour plus de pr&eacute;cisions, voyez la politique de confidentialit&eacute; de notre h&eacute;bergeur de fichier de donn&eacute;es sur : <a href=\"http://www.ymlp.com/fr/privacy_policy.html\">http://www.ymlp.com/fr/privacy_policy.html</a><br />YMLP, B.P. 25<br />B-8970 Poperinge, Belgique <br />et les <a href=\"https://www.ymlp.com/fr/conditions-d-utilisation.html\">conditions g&eacute;n&eacute;rales d\'utilisation</a> qui respectent le RGPD<br /><br />Conform&eacute;ment au <a href=\"https://www.cnil.fr/professionnel\">RGPD adopt&eacute; par la Communaut&eacute; Europ&eacute;enne</a>, la collecte, l\'enregistrement et la conservation automatis&eacute;s d\'informations nominatives s\'effectuent sur ce site Internet de fa&ccedil;on crypt&eacute;e. Les donn&eacute;es recueillies ne sont que des donn&eacute;es de contact (nom, pr&eacute;nom, email, organisation, adresse, pays) et la qualit&eacute; (professionnel ou particulier) ainsi que les pr&eacute;f&eacute;rences de langue de communication ou de domaine d\'int&eacute;r&ecirc;t. <br />Aucune donn&eacute;e &agrave; l\'exception de l\'email n\'est obligatoire pour recevoir nos informations et chaque personne peut rectifier, mettre &agrave; jour ou effacer tout ou partie des donn&eacute;es enregistr&eacute;es <a href=\"http://www.blancali.com/fr/s/12/Sabonner/23/Envoi-postal\">ici</a><br />Les droits d\'acc&egrave;s, de portabilit&eacute; et de rectification de vos donn&eacute;es personnelles pr&eacute;vus par le RGPD s\'exercent par courrier &agrave; l\'adresse suivante: <br />Blanca Li, 134 rue d\'Aubervilliers, Immeuble M&eacute;tropole 19, 75019 PARIS, FRANCE. <br />Vous pouvez aussi nous contacter par e-mail : <a href=\"mailto:diffusion@blancali.com\">diffusion@blancali.com</a> en mentionnant dans l\'objet du mail \"requ&ecirc;te RGPD\".</p>\r\n<p><strong>Droits de reproduction :</strong><br />L\'ensemble de ce site rel&egrave;ve de la l&eacute;gislation fran&ccedil;aise et internationale sur le droit d\'auteur et la propri&eacute;t&eacute; intellectuelle. Tous les droits de reproduction sont r&eacute;serv&eacute;s, y compris les repr&eacute;sentations iconographiques, photographiques ou anim&eacute;es. La reproduction de tout ou partie de ce site sur un support quel qu\'il soit est formellement interdite, sauf autorisation expresse du directeur de la publication.</p>',''),(69,27,'en','Elektro Kif Dancers','<div class=\"text wysiwyg\">\r\n<p>Elektro Kif was created in december, 2010 (National Choreographic Center of Cr&eacute;teil).<br />The Elektro Kif Company N&deg;1 groups some of the pioneers of the electro dance movement.<br />The show was a great succes, so we decided to create a Elektro Kif Company N&deg;2, composed of younger dancers who took the show over since January, 2012.</p>\r\n<h3>&nbsp;</h3>\r\n<h3>Elektro Kif Company N&deg;2 (reprise of the show) :</h3>\r\n<p><strong>Kevin Bago, aka SIREZ</strong><br />Aged 23, Kevin started electro dance 5 years ago. He has been working on creating his own style. He has been working since his begins with the Alliance Crew, a group of electro dancers famous for their flexibility and creativity. When he was 19, he started learning dance and collaborated with Alain Gruttadauria, the Vanessa Darras Company, Kamel Ouali, Kfog, Tokyo and Gilles Roman. Kevin is a hip-hop dancer too: as a mamber of the Misfits, he got the 3rd prize at the choreographed hip-hop wolrd Championship in 2011. He is a member of the Blanca Li Company since 2012.</p>\r\n<p><strong>Mamadou Bathily, aka BATS</strong><br />Mamadou Bathily is 21 years old and taught himself how to dance by watching videos on the internet. He has been practising electro dance since 2007 and bone break since 2009. Mamadou won several prizes: he won the battle Ghetto Land in 2012, was finalist of the World Championship of electro dance in 2011 and Number two World Champion in 2012, and one of his shows was rewarded as the best show of France in 2009. Mamadou gives dance lessons in Belarus and Russia.</p>\r\n<p><strong>J&eacute;r&ocirc;me Fidelin, aka GOKU</strong><br />Aged 20, Goku has always been a music and dance addict. He took part to the 1st Vertifight championship (he was sacred France Champion in 2010) and to all the others since then in \"5 vs 5\". He got famous thanks to a great battle filmed and put online. After that video, Goku started traveling the world, invited to give dance lessons and to be member of jury for championships. He strated hip-hop and house dance one year ago. He is part of the Blanca Li Company since December 2011.</p>\r\n<p><strong>Romain Guillermic, aka SKIPS<br /></strong>Romain discovered electro dance in 2007. In 2009, he became a member of the group \"la RythmiK\". With his crew, he wins the France Championship in 2008 and the \"Best choreographic show\" with the \"Electro Street\" team in 2009. During two years, he takes part to various battles and other choreographic shows in France. In 2011, he becomes a member of the Blanca Li Company.</p>\r\n<p><strong>Th&eacute;ophile Landji, aka KAZIX</strong><br />Th&eacute;ophile Landji is a member of the Aliance Crew. He took part in several competitions and was rewarded several times: 3rd best five dancers show at the French Championship Vertifight 2010, France Champion (Vertifight 2012), World Champion (Vertifight 2012, in Italie). His duo with the dancer Phil was named best duo of electro dance.</p>\r\n<p><strong>Adrien Larrazet, aka VEXUS</strong><br /> <span style=\"letter-spacing: 0.0px;\">Adrien \"VEXUS\" Larrazet started dancing at Martine Mocoeur\'s school, and then went on improving in a school nammed Harmonic. At the end of his program, he joined JP Chandler\'s Company and the crew C-OIM. As a versatile dancer, he discovers electro dance and dances with groups such as Electro Addict and Artifice Style. He then joined Blanca Li\'s dance company to perform in Elektro Kif.<br /></span></p>\r\n<p><strong>Lenny Louves, aka STARSKY</strong><br />Lenny Louves was born in 1993. He has been an electro dancer for five years and a hip-hop Newstyle dancer for two years. In 2010, he won the France Championship Vertifight 2010 with his electro crew. He has been dancing for singers (Metronomy in 2012), in dance festivals and for a French TV show. He joined Blanca Li\'s Company in 2012.</p>\r\n<p><strong>Ismaila Ndiaye , aka ISMA</strong><br />Ismaila Ndiaye is 20 years old and started learning electro dance five years ago. He won the French Championship of electro dance for teams (Vertifight, 2010) and also performed for artists (Metronomy, 2012) and French TV shows (You Can Dance, 2012). Ismaila dances for Blanca Li since December, 2011.</p>\r\n<p><strong>Florian Vandenaweele, aka Phil</strong><br />Phil has always been interested in dance. He discovered electro dance in 2006 and started dancing in shows and battles with crews as \"Plein Tarif\", \"Alliance Crew\", \"Elite Def Jam\". Phil was France Champion with a team in 2011 and world champion in 2012. He won the Vertifight Kingz International contest in 2012 with Kazix. In 2012, he became a member of our Company.</p>\r\n<h3>Elektro Kif Company N&deg;1 (creation of the show) :</h3>\r\n<p><strong>Khaled Abdulahi , aka CERIZZ</strong><br />Khaled Abdulahi Idriss (aka Cerizz) has always had a real passion for dance and more specifically for choreography. His models are Wade Robson and Dave Scott but his idol is Michael Jackson. Since February 2007 he has specialised in electro dance and created the group RythmiK in the same year. Cerizz has created his own style drawing his inspiration from dancers like Mamson (whose crews are Wanted Posse and Serial Stepperz) and Bboy Cloud (whose crew is Skill Methodz). Since 2008, he has worked with various bands, participated in TV shows, video clips and won several prizes: France championship Vertifight 2008, France championship Vertifight 2009 (best electro dance show), World championship 2010 Vertifight. In 2009 he met Blanca Li during the shooting of the Noche en Blanco in Madrid and she offered him the opportunity to live and share his passion through the project Elektro Kif.</p>\r\n<p><strong>Jeremy Alberge , aka JEREM</strong><br />Jeremy Alberge was born in 1992 and became a real dance addict when he discovered electro dance in 2007. At the beginning he was only interested in electro dance but he opened his mind to contemporary dance and classical ballet in 2009. He won the French championship of electro dance in 2009 (organized by Vertifight), taught dance masterclasses, was a member of the jury during dance events in Moscow, Montreal, Paris, La Rochelle, Milan, Saint-Petersbourg, Turin and Kiev. In 2010 he also danced in a commercial for Orange Rockcorps. Jeremy really appreciates the mixing of different types of dance styles and is working on this aspect in his training courses specialising in classical ballet, jazz and contemporary dance. Today he is convinced that electro culture has a real place on stage thanks to Blanca Li who has proved to dancers and the media its real value.</p>\r\n<p><strong>Arnaud Bacharach , aka NINO</strong><br />Arnaud Bacharach was born in 1992 in B&eacute;ziers, in the south of France. He arrived in Paris in 1999 and started dance classes at his school in 2001. When he moved to Bobigny, a suburb next to Paris, he enrolled in the Bobigny Academy in order to perform in classical ballet, contemporary dance and jazz. In 2007 he discovered electro dance in a club and decided to learn this new type of body language. That&rsquo;s how he met with other electro dancers and joined different dance crews that offered him the opportunity to participate in dance battles (world championship and championship of France in 2010). In September 2010 he joined Blanca Li&rsquo;s dance company to perform in Elektro Kif.</p>\r\n<p><strong>Roger Bepet,  aka BIG JAY</strong><br />Roger Bepet was born in 1990. He started a football career but his passion for dance rapidly emerged when he was an teenager because it was the only way he found to express himself and develop his creativity. He then joined a dance crew called Mafia Electro and participated to the first Word Electro Dance Championship in 2010. Today he is a member of the crew Alliance Crew and has participated in various contests and TV shows. His first objective is to train a lot, reach a professional level and become famous in order to live off his passion. As one of the members of Blanca Li&rsquo;s company he hopes to travel all around the world in order to share his passion and his determination with the widest audience.</p>\r\n<p><strong>William Falla,  aka TREAXY</strong><br />William Falla (aka Treaxy) is the fashion icon of the brand Tecktonik 2007 and one of the pioneers of the electro dance movement. Treaxy&rsquo;s career includes appearing in videos for French singers such as Yelle and Lorie, TV shows (Feel the Hardrock, CNN News, Star Academy), leading dance master classes and performing internationally through the development of electro culture. After a 3 years tour, he joined Blanca Li&rsquo;s company for the creation of Elektro Kif in 2010.</p>\r\n<p><strong>Slate Hemedi,  aka CRAZY</strong><br />Slate Hemedi was born in Paris in 1988. At the age of three, he had his first contact with dance when he saw a video of James Brown and loved it immediately. But it&rsquo;s only at the age of 17 that he had the idea to form his own dance crew with talented dancers who shared his passion. Today his artistic name is &ldquo;Crazy&rdquo; and he is the leader of Alliance, a group of electro dancers whose characteristics are suppleness and creativity. Crazy has won a lot of battles, travelled internationally for TV shows, videos and commercials. Today, Crazy&rsquo;s objective is to improve electro dance style in order to convert it in a respected one like hip-hop or classical ballet. He has been dancing in Elektro Kif since September 2010.</p>\r\n<p><strong>Alou Sidibe,  aka KYRRA</strong><br />Alou Sidibe (aka Kyrra) is an electro dancer who has started dancing four years ago when the electro dance movement first appeared. Since 2007, he has been mainly performing in battles, especially in Vertifight. He has won several prizes including &ldquo;best electro French show 2009&rdquo; and several contests: the Vertifight kingz 4 2010 (opposing 2 groups of 2 electro dancers in a battle) and the Vertifight World Electro Dance Championship 2011. He has also danced for the French TV reality show NRJ12 model generation in 2008. Since 2010, he has been dancing in Blanca Li&rsquo;s Elektro Kif. His main influences are the hip-hop dancer Dedson of the dance crew Wanted Posse for his floor work, the dancer BBoy Cloud of the dance crew Skill Methode for his grace and the dancer Mike Song for his technical approach. In order to be an all-round artist and to be able to express himself in the most complete way, Kyrra also takes hip-hop and modern dance classes.</p>\r\n<p><strong>Adrien Sissoko,  aka FIASCO</strong><br />Adrien&rsquo;s nickname is Fiasco and he has been an electro dancer for four years. He has been an active member of the dance crew Electro Street since 2008 and won several prizes: qualifiying for the first edition of the French championship &ldquo;crew vs crew&rdquo; in June 2008, &ldquo;best choreographic show of France 2009&rdquo;, World Champion of the battle 5 vs 5, Vertifight 2010. From July 2008 to April 2009 Adrien has led dance master classes for different non-profit organisations helping children. In December 2009, he was invited to the international tournament Express Yourself. In 2010, he participated in several tours around France, TV shows and a video clip produced by Blanca Li (&ldquo;Let the Love In&rdquo; by Jeremy Hills). He has been dancing in Elektro Kif since September 2010.</p>\r\n</div>',''),(77,34,'fr','Aidez ROBOT à la BAM','<h2>Participez au financement de la s&eacute;rie de ROBOT &agrave; la BAM, Howard Gilman Opera House en Juin 2015!</h2>\r\n<p><img style=\"margin: 5px auto; display: block;\" title=\"title Robot\" src=\"http://www.blancali.com/files/image_583_image_fr.jpg\" alt=\"\" width=\"500\" height=\"169\" /></p>\r\n<p>La Compagnie Blanca Li accepte les contributions &agrave; travers la Fondation FACE (French American Culture Exchange) et la BAM (Brooklyn Academy of Music), toutes deux officiellement&nbsp; organisations \"non-profit\" 501(c)(3). Les contributions sont \"tax deductibles\" dans les limites l&eacute;gales.<br /><br />Nous vous remercions d\'avance de votre soutien au spectacle Robot &agrave; New York !<br /><br />avec mes meilleurs sentiments<br />Blanca <br />&nbsp;<br />Afin de permettre &agrave; notre production de se r&eacute;aliser en gardant un prix de places mod&eacute;r&eacute;, votre contribution aidera &agrave; financer une partie du budget des sept repr&eacute;sentations de&nbsp; ROBOT &agrave; la&nbsp; BAM :<br /><br />Voyages de la compagnie<br />Location du th&eacute;&acirc;tre<br />salaires des &eacute;quipes technique et location de mat&eacute;riel sur place<br />Publicit&eacute; et mat&eacute;riel de communication&nbsp; <br /><br />Rejoignez notre liste de contributeurs dans une des cat&eacute;gories ci dessous:<br />(Vous pouvez contacter Etienne Li, e.li(at)blancali.com pour plus d\'informations)<br /><br />Sponsor- M&eacute;c&egrave;ne (25 000 dollars et plus)<br />Les donateurs de ce niveau recevront:<br />20 Si&egrave;ges VIP pour une repr&eacute;sentation de leur choix<br />Invitation &agrave; une r&eacute;p&eacute;tition de la compagnie<br />Insertion publicitaire dans une page du programme<br />rencontre avec Blanca Li, Chor&eacute;graphe et Directrice artistique<br />D&eacute;monstration et explication des NAOs et de leur fonctionnement avec les ing&eacute;nieurs programmeurs <br /><br />Bienfaiteur (de 10 000 dollars &agrave; 24 999 dollars)<br />Les donateurs de ce niveau recevront:<br />10 Si&egrave;ges VIP pour une repr&eacute;sentation de leur choix<br />Invitation &agrave; une r&eacute;p&eacute;tition de la compagnie<br />Insertion publicitaire&nbsp; d\'une demi page du programme<br />rencontre avec Blanca Li, Chor&eacute;graphe et Directrice artistique<br />D&eacute;monstration et explication des NAOs et de leur fonctionnement avec les ing&eacute;nieurs programmeurs</p>\r\n<p>Patron (5 000 dollars -&nbsp; 9 999 dollars)<br />Les donateurs de ce niveau recevront:<br />4 Entr&eacute;es pour une repr&eacute;sentation de leur choix<br />Invitation &agrave; une r&eacute;p&eacute;tition de la compagnie<br />Mention honorable dans le programme <br /><br />Les ch&egrave;que &agrave; l\'ordre de FACE Foundation (montant minimum 5000 dollars) ou de la BAM (pas de montant minimum) <strong>mentionnant Blanca Li en memo</strong> peuvent &ecirc;tre envoy&eacute;s &agrave;:<br />Compagnie Blanca Li<br />444 East 82nd St #27A<br />New York, NY 10028</p>\r\n<p>La Compagnie Blanca Li remercie chaleureusement pour leur soutien pour cette production</p>\r\n<p>-ACCESS Industries<br />-<a href=\"http://face-foundation.org/index.html\">FACE Foundation</a></p>\r\n<p><img style=\"margin: 5px;\" src=\"http://www.blancali.com/files/image_579_image_fr.jpg?2015-02-04-19-35-15\" alt=\"logo FACE\" width=\"30\" height=\"30\" /></p>',''),(80,36,'fr','Robot à la BAM','<p style=\"text-align: center;\"><img src=\"http://www.blancali.com/files/image_580_image_fr.jpg\" alt=\"\" width=\"560\" height=\"173\" /></p>\r\n<h2 style=\"text-align: center;\">FROM PARIS WITH ROBOTS<br />BLANCA LI&rsquo;S &lsquo;ROBOT&rsquo; MAKES U.S. DEBUT AT BAM HOWARD GILMAN OPERA HOUSE, JUNE 9-14<br />June 9,&nbsp; June 11-12 at 8:00pm<br />June 13 at 2:00 pm and 8:00 pm<br />June 14 at 1:00 Pm and 5:00 pm</h2>\r\n<h3 style=\"text-align: center;\">To buy tickets on BAM\'s page <a href=\"http://www.bam.org/robot-blancali\">here</a></h3>\r\n<p style=\"text-align: justify;\">The music, dance, visual arts extravaganza features seven dancing robots along with eight human dancers</p>\r\n<p style=\"text-align: justify;\">If teaching a human to dance isn&rsquo;t difficult enough, try a robot. Then try seven of them, each with a distinct personality and temperament, unique learning curve and different coordination issues. But as performers in Blanca Li&rsquo;s &ldquo;ROBOT&rdquo;, all seven share a single passion: the determination to dance.</p>\r\n<p style=\"text-align: justify;\">Meet Pierre, Jean, Alex, Lou, Dominique, Sacha and Ange, who, along with their spectacular eight human dancers counterparts, are the stars of Blanca Li&rsquo;s hit show, &ldquo;ROBOT&rdquo;, which arrives from Paris to take over BAM&rsquo;s Howard Gilman Opera House stage, June 9-14, where all 15 performers will make their American debuts.</p>\r\n<p style=\"text-align: justify;\">The brain child of choreographer/filmmaker/dancer/director Blanca Li whose credits include creating music videos for Daft Punk, fashion videos for Beyonc&eacute;, dances for films by Pedro Almodovar, runway shows for Jean-Paul Gaultier, commissions from the Paris Opera Ballet and Metropolitan Opera in New York, countless television videos, &ldquo;ROBOT&rdquo; is a magical, hope-filled world where gender is malleable, humans and robots fall in and out of love, learn to walk and then to sing and dance, to care for each other, and poke fun at life&rsquo;s topsy turvy-ness.</p>\r\n<p style=\"text-align: justify;\">The dancing in &ldquo;ROBOT&rdquo; is accompanied by a 10-member mechanical orchestra whose instruments double as witty and riveting art installations created by the award-winning Japanese designer team Maywa Denki. Influenced by kinetic art and techno-pop, Maywa Denki&rsquo;s back-to-the-future musical objects, created from resin, aluminum and feathers, are complex electro-mechanical devices, which play music only when activated by humans. Sorry, robots.</p>\r\n<p style=\"text-align: justify;\">Embedded in the funny, exuberant and deeply touching 90-minute show are profound questions about what it is to be human; to be a robot; what our future holds for us as we grow more and more dependent on inanimate objects to run our lives. Will there be a time when man and robot become interchangeable?</p>\r\n<p style=\"text-align: justify;\">Given its sweeping imagination, it&rsquo;s no wonder that &ldquo;ROBOT&rdquo; has been playing to sold-out houses in more than 60 cities throughout France, Belgium, Spain, Portugal and Italy since its world premiere at the Montpellier Dance Festival in Montpellier, France in 2013. It has also been the subject of two French national telecasts, the film of one had been selected for showing at 2015 Dance Film Festival at the Walter Reade Theater at Lincoln Center.</p>\r\n<p style=\"text-align: justify;\">This event is presented by Blanca Li Productions.</p>\r\n<p>More about about the show\'s creative team and process&nbsp; <a href=\"http://www.blancali.com/fr/event/99/Robot\">here</a></p>\r\n<h5>TICKET INFORMATION</h5>\r\n<p>Tickets to &ldquo;ROBOT&rdquo; range between and and are available by calling 718-636-4100 or online on <a href=\"http://www.BAM.org/robot-blancali\">BAM.org/robot-blancali</a></p>\r\n<p>students and senior rush discounts are available 90 minutes before the show at the box office.</p>\r\n<p>The BAM box office is located at 30 Lafayette Avenue, Brooklyn, NY. <br />This event is presented by Blanca Li Productions. BAM house and ticketing policies may not apply.</p>','<iframe src=\"//player.vimeo.com/video/73267626\" width=\"720\" height=\"403\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(78,34,'en','Support ROBOT at BAM','<h2>Help support the production of ROBOT at BAM&rsquo;s Howard Gilman Opera House in June 2015!</h2>\r\n<p style=\"text-align: center;\"><img style=\"margin: 5px;\" src=\"http://www.blancali.com/files/image_583_image_fr.jpg\" alt=\"Robot at BAM\" width=\"500\" height=\"169\" /></p>\r\n<p>The Blanca Li Dance Company graciously accepts donations through the French American Culture Exchange (FACE) and the Brooklyn Academy of Music (BAM), both official 501(c)(3) organizations. Contributions for the purposes of the Blanca Li Dance Company are tax-deductible to the extent permitted by law.<br /><br />We greatly appreciate your support in bringing our show to New York, which would not be possible without your participation! <br /><br />Warmest regards,<br />Blanca <br />&nbsp;<br />To make Robot at BAM possible, your generous donation will cover a portion of the production budgets of the seven ROBOT performances at BAM including:<br /><br />Travel expenses for the performers<br />Theater rental &nbsp;<br />Sound and Lighting crews and equipment<br />Publicity and marketing materials &nbsp;<br /><br />Please join the list of our Categories of Giving below:<br />(For further inquiries, please contact Etienne Li of the Blanca Li Dance Company, at e.li(at)blancali.com)</p>\r\n<p><br />Sponsor (25,000 dollars&nbsp; and above)<br />Donors at this level will receive:<br />-20 VIP seats at a performance<br />-Invitations to a dance rehearsal <br />-A full page advertisement in the program<br />-A meeting with Blanca Li, Choreographer and Director<br />-An introduction to NAOs and their programming engineers with a guided and up-close tutorial to show how the robots operate<br /><br /></p>\r\n<p>Benefactor (10,000 dollars - 24,999 dollars)<br />Donors at this level will receive:<br />-10 VIP seats at a performance<br />-Invitations to a dance rehearsal <br />-An half page advertisement in the program<br />-A meeting with Blanca Li, Choreographer and Director<br />-A backstage introduction to NAOs and their programming engineers<br /><br />Patron (5,000 dollars - 9,999 dollars)<br />Donors at this level will receive:<br />-4 Tickets to a performance<br />-Invitations to a dance rehearsal <br />-Acknowledgement in the program <br /><br />Please make checks payable to FACE (with a minimum amount of 5,000 dollars) or BAM (no minimum amount) and note in the memo line \"<strong>Blanca Li</strong>.\" Checks can be sent to:<br />Blanca Li Dance Company<br />444 East 82nd St #27A<br />New York, NY 10028</p>\r\n<p>Blanca Li Dance Company warmy thanks for their support of this production</p>\r\n<p>-ACCESS industries<br />-<a href=\"http://face-foundation.org/index.html\" target=\"_blank\">FACE Foundation</a></p>\r\n<p><img style=\"margin: 5px;\" src=\"http://www.blancali.com/files/image_579_image_fr.jpg?2015-02-04-19-35-15\" alt=\"logo FACE\" width=\"30\" height=\"30\" /></p>',''),(81,34,'es','Contribuir','<h2>Ayuda a financiar la producci&oacute;n de ROBOT en BAM&rsquo;s Howard Gilman Opera House en Junio 2015!</h2>\r\n<p style=\"text-align: center;\"><img style=\"margin: 5px;\" src=\"http://www.blancali.com/files/image_583_image_fr.jpg\" alt=\"Robot en la BAM\" width=\"500\" height=\"169\" /></p>\r\n<p>La Compa&ntilde;&iacute;a de Danza Blanca Li acepta donaciones via la Fondaci&oacute;n FACE (French American Culture Exchange)&nbsp; y via la BAM (Brooklyn Academy of Music),&nbsp; organizaciones registradas oficialmente como \"non profit\" (501(c)(3) organizations). <br /><br />Agradecemos su apoyo en traer el espectac&uacute;lo en Nueva York! <br /><br />Gracias mil<br />Blanca <br />&nbsp;<br />Para hacer posible nuestra producci&oacute;n, sus donaciones pueden participar en pagar una parte del presupuesto de produccion para las siete representaciones de ROBOT en la BAM incluyendo:<br /><br />Gastos de viaje y transporte de la Compa&ntilde;&iacute;a<br />Alquiler del teatro<br />Salarios y alquileres t&eacute;cnicos<br />Publicidad and material de comunicaci&oacute;n<br /><br />Pueden entrar en las siguientes categorias de donadores:<br />Para cualquier oferta particular de participaci&oacute;n o mas informaci&oacute;n, pongase en contacto con<br />Etienne Li e.li(at)blancali.com</p>\r\n<p><br />Sponsor- mecena (25,000 dollars o m&aacute;s)<br />Donadores a este nivel recibir&aacute;n:<br />20 asientos VIP para la actuaci&oacute;n de su elecci&oacute;n<br />Invitaci&oacute;n a un ensayo de la compa&ntilde;&iacute;a<br />Inserci&oacute;n de una publicidad de plena pagina en el programa<br />Encuentro con Blanca Li, Cor&eacute;ografa y Directora<br />Encuentro con los NAOs y sus ingenieros de programaci&oacute;n con una demostrac&iacute;on de su funcionamiento y capacidades<br /><br /></p>\r\n<p>Benefactor (10,000 dollars - 24,999 dollars)<br />Donadores a este nivel recibir&aacute;n:<br />10 asientos VIP para la actuaci&oacute;n de su elecci&oacute;n<br />Invitaci&oacute;n a un ensayo de la compa&ntilde;&iacute;a<br />Inserci&oacute;n de una publicidad de media pagina en el programa<br />Encuentro con Blanca Li, Cor&eacute;ografa y Directora<br />Encuentro con los NAOs y sus ingenieros de programaci&oacute;n con una demostrac&iacute;on de su funcionamiento y capacidades</p>\r\n<p>&nbsp;</p>\r\n<p>Patron (5,000 dollars - 9,999 dollars)<br />Donadores a este nivel recibir&aacute;n:<br />Entradas&nbsp;para la actuaci&oacute;n de su elecci&oacute;n<br />Invitaci&oacute;n a un ensayo de la compa&ntilde;&iacute;a<br />menci&oacute;n en el programa <br /><br />Cheques al orden de FACE (con m&iacute;nimo de 5,000 dolars) o de BAM (sin m&iacute;nimo) y menci&oacute;n de <strong>Blanca Li en memo</strong> pueden ser enviados a:<br />Blanca Li<br />444 East 82nd St #27A<br />New York, NY 10028</p>\r\n<p>La Compa&ntilde;&iacute;a Blanca Li agardece por su apoyo en esta producc&iacute;on</p>\r\n<p>- ACCESS Industries<br />- <a href=\"http://face-foundation.org/\">FACE Foundation</a><br /><img style=\"margin: 5px;\" src=\"http://www.blancali.com/files/image_579_image_fr.jpg\" alt=\"\" width=\"30\" height=\"30\" /></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>',''),(85,36,'es','Robot en la BAM','<p style=\"text-align: center;\"><img src=\"http://www.blancali.com/files/image_580_image_fr.jpg\" alt=\"\" width=\"560\" height=\"173\" /></p>\r\n<h2 style=\"text-align: center;\">FROM PARIS WITH ROBOTS<br />BLANCA LI&rsquo;S &lsquo;ROBOT&rsquo; MAKES U.S. DEBUT AT BAM HOWARD GILMAN OPERA HOUSE, JUNE 9-14<br />June 9, 11-12 at 8:00 pm<br />June 13 at 2:00 pm and 8:00 pm<br />June 14 at 1:00 pm and 5:00 pm<br /><br />Buy Tickets on BAM\'s site <a href=\"http://www.bam.org/robot-blancali\">here</a></h2>\r\n<p style=\"text-align: justify;\">The music, dance, visual arts extravaganza features seven dancing robots along with eight human dancers</p>\r\n<p style=\"text-align: justify;\">If teaching a human to dance isn&rsquo;t difficult enough, try a robot. Then try seven of them, each with a distinct personality and temperament, unique learning curve and different coordination issues. But as performers in Blanca Li&rsquo;s &ldquo;ROBOT&rdquo;, all seven share a single passion: the determination to dance.</p>\r\n<p style=\"text-align: justify;\">Meet Pierre, Jean, Alex, Lou, Dominique, Sacha and Ange, who, along with their spectacular eight human dancers counterparts, are the stars of Blanca Li&rsquo;s hit show, &ldquo;ROBOT&rdquo;, which arrives from Paris to take over BAM&rsquo;s Howard Gilman Opera House stage, June 9-14, where all 15 performers will make their American debuts.</p>\r\n<p style=\"text-align: justify;\">The brain child of choreographer/filmmaker/dancer/director Blanca Li whose credits include creating music videos for Daft Punk, fashion videos for Beyonc&eacute;, dances for films by Pedro Almodovar, runway shows for Jean-Paul Gaultier, commissions from the Paris Opera Ballet and Metropolitan Opera in New York, countless television videos, &ldquo;ROBOT&rdquo; is a magical, hope-filled world where gender is malleable, humans and robots fall in and out of love, learn to walk and then to sing and dance, to care for each other, and poke fun at life&rsquo;s topsy turvy-ness.</p>\r\n<p style=\"text-align: justify;\">The dancing in &ldquo;ROBOT&rdquo; is accompanied by a 10-member mechanical orchestra whose instruments double as witty and riveting art installations created by the award-winning Japanese designer team Maywa Denki. Influenced by kinetic art and techno-pop, Maywa Denki&rsquo;s back-to-the-future musical objects, created from resin, aluminum and feathers, are complex electro-mechanical devices, which play music only when activated by humans. Sorry, robots.</p>\r\n<p style=\"text-align: justify;\">Embedded in the funny, exuberant and deeply touching 90-minute show are profound questions about what it is to be human; to be a robot; what our future holds for us as we grow more and more dependent on inanimate objects to run our lives. Will there be a time when man and robot become interchangeable?</p>\r\n<p style=\"text-align: justify;\">Given its sweeping imagination, it&rsquo;s no wonder that &ldquo;ROBOT&rdquo; has been playing to sold-out houses in more than 60 cities throughout France, Belgium, Spain, Portugal and Italy since its world premiere at the Montpellier Dance Festival in Montpellier, France in 2013. It has also been the subject of two French national telecasts, the film of one had been selected for showing at 2015 Dance Film Festival at the Walter Reade Theater at Lincoln Center.</p>\r\n<p style=\"text-align: justify;\">This event is presented by Blanca Li Productions.</p>\r\n<p style=\"text-align: justify;\">More information about the show and creative team <a href=\"http://www.blancali.com/es/event/99/Robot\">here</a></p>\r\n<h5>TICKET INFORMATION</h5>\r\n<p>Tickets to &ldquo;ROBOT&rdquo; range between and and are available by calling 718-636-4100 or online at <a href=\"http://www.BAM.org/robot-blancali\" target=\"_blank\">www.BAM.org/robot-blancali.</a></p>\r\n<p>students and senior rush discounts are available 90 minutes before the show at the box office.</p>\r\n<p>The BAM box office is located at 30 Lafayette Avenue, Brooklyn, NY. This event is presented by Blanca Li Productions. BAM house and ticketing policies may not apply.</p>','<iframe src=\"//player.vimeo.com/video/73267626\" width=\"720\" height=\"403\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(84,36,'en','Robot at BAM','<p style=\"text-align: center;\"><img src=\"http://www.blancali.com/files/image_580_image_fr.jpg\" alt=\"\" width=\"560\" height=\"173\" /></p>\r\n<h2 style=\"text-align: center;\">FROM PARIS WITH ROBOTS<br />BLANCA LI&rsquo;S &lsquo;ROBOT&rsquo; MAKES U.S. DEBUT AT BAM HOWARD GILMAN OPERA HOUSE, JUNE 9-14<br />June 9, 11-12 at 8:00pm<br />June 13 at 2:00 pm and 8:00 pm<br />June 14 at 1:00 pm and 5:00 pm</h2>\r\n<h2 style=\"text-align: center;\">Buy tickets on BAM\'s page <a href=\"http://www.bam.org/robot-blancali\">here</a></h2>\r\n<p>&nbsp;</p>\r\n<p style=\"text-align: justify;\">The music, dance, visual arts extravaganza features seven dancing robots along with eight human dancers</p>\r\n<p style=\"text-align: justify;\">If teaching a human to dance isn&rsquo;t difficult enough, try a robot. Then try seven of them, each with a distinct personality and temperament, unique learning curve and different coordination issues. But as performers in Blanca Li&rsquo;s &ldquo;ROBOT&rdquo;, all seven share a single passion: the determination to dance.</p>\r\n<p style=\"text-align: justify;\">Meet Pierre, Jean, Alex, Lou, Dominique, Sacha and Ange, who, along with their spectacular eight human dancers counterparts, are the stars of Blanca Li&rsquo;s hit show, &ldquo;ROBOT&rdquo;, which arrives from Paris to take over BAM&rsquo;s Howard Gilman Opera House stage, June 9-14, where all 15 performers will make their American debuts.</p>\r\n<p style=\"text-align: justify;\">The brain child of choreographer/filmmaker/dancer/director Blanca Li whose credits include creating music videos for Daft Punk, fashion videos for Beyonc&eacute;, dances for films by Pedro Almodovar, runway shows for Jean-Paul Gaultier, commissions from the Paris Opera Ballet and Metropolitan Opera in New York, countless television videos, &ldquo;ROBOT&rdquo; is a magical, hope-filled world where gender is malleable, humans and robots fall in and out of love, learn to walk and then to sing and dance, to care for each other, and poke fun at life&rsquo;s topsy turvy-ness.</p>\r\n<p style=\"text-align: justify;\">The dancing in &ldquo;ROBOT&rdquo; is accompanied by a 10-member mechanical orchestra whose instruments double as witty and riveting art installations created by the award-winning Japanese designer team Maywa Denki. Influenced by kinetic art and techno-pop, Maywa Denki&rsquo;s back-to-the-future musical objects, created from resin, aluminum and feathers, are complex electro-mechanical devices, which play music only when activated by humans. Sorry, robots.</p>\r\n<p style=\"text-align: justify;\">Embedded in the funny, exuberant and deeply touching 90-minute show are profound questions about what it is to be human; to be a robot; what our future holds for us as we grow more and more dependent on inanimate objects to run our lives. Will there be a time when man and robot become interchangeable?</p>\r\n<p style=\"text-align: justify;\">Given its sweeping imagination, it&rsquo;s no wonder that &ldquo;ROBOT&rdquo; has been playing to sold-out houses in more than 60 cities throughout France, Belgium, Spain, Portugal and Italy since its world premiere at the Montpellier Dance Festival in Montpellier, France in 2013. It has also been the subject of two French national telecasts, the film of one had been selected for showing at 2015 Dance Film Festival at the Walter Reade Theater at Lincoln Center.</p>\r\n<p style=\"text-align: justify;\">This event is presented by Blanca Li Productions.</p>\r\n<p style=\"text-align: justify;\">More on the creative team and show <a href=\"http://www.blancali.com/en/event/99/Robot\" target=\"_blank\">here</a></p>\r\n<h5>TICKET INFORMATION</h5>\r\n<p>Tickets to &ldquo;ROBOT&rdquo; range between and and are available by calling 718-636-4100 or online at <a href=\"http://www.BAM.org/robot-blancali\" target=\"_blank\">www.BAM.org/robot-blancali</a>.</p>\r\n<p>students and senior rush discounts are available 90 minutes before the show at the box office.</p>\r\n<p>The BAM box office is located at 30 Lafayette Avenue, Brooklyn, NY. This event is presented by Blanca Li Productions. BAM house and ticketing policies may not apply.</p>\r\n<p>&nbsp;</p>','<iframe src=\"//player.vimeo.com/video/73267626\" width=\"720\" height=\"403\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> '),(87,38,'fr','Teatros del Canal','<p><a href=\"https://www.teatroscanal.com/teatros-del-canal/\">https://www.teatroscanal.com/teatros-del-canal/</a></p>\r\n<p><img src=\"http://www.blancali.com/files/image_747_image_fr.png\" alt=\"\" width=\"274\" height=\"90\" />&nbsp;</p>',''),(88,39,'fr','générique Le Bal de Paris de Blanca Li','<h3>La Compagnie Blanca Li pr&eacute;sente</h3>\r\n<h1>Le Bal de Paris de Blanca Li</h1>\r\n<h3><br />Conception, livret, r&eacute;alisation et chor&eacute;graphie : Blanca Li</h3>\r\n<h3>Musiques originales et direction musicale : Tao Gutierrez</h3>\r\n<h3>Direction de la cr&eacute;ation visuelle&nbsp; :Vincent Chazal</h3>\r\n<h3><br />Costumes : Chanel <br />avec la participation d&rsquo;Aim&eacute;e Moreni</h3>\r\n<h3><br />D&eacute;veloppement en R&eacute;alit&eacute; Virtuelle : BackLight Studio</h3>\r\n<h2>Produit par Blanca Li (Calentito- Film Addict)</h2>\r\n<h3>En coproduction avec <br />&nbsp;&nbsp;&nbsp; BackLight Studio<br />&nbsp;&nbsp;&nbsp; Fabrique d\'Images (Luxembourg)<br />&nbsp;&nbsp;&nbsp; Actrio Studio (Allemagne)<br />&nbsp;&nbsp;&nbsp; Chaillot &ndash; Th&eacute;&acirc;tre national de la Danse (France)<br />&nbsp;&nbsp;&nbsp; Teatros del Canal (Espagne)<br />&nbsp;&nbsp;&nbsp;</h3>\r\n<h3>Avec le soutien et la participation de<br />&nbsp;&nbsp;&nbsp; Centre national du cin&eacute;ma et de l&rsquo;image anim&eacute;e CNC (France)<br />&nbsp;&nbsp;&nbsp; Film Fund Luxembourg (Luxembourg)<br />&nbsp;&nbsp;&nbsp; Epic MegaGrants&nbsp; (USA)<br />&nbsp;&nbsp;&nbsp; HTC : partenaire officiel r&eacute;alit&eacute; virtuelle<br />&nbsp;&nbsp;&nbsp; Programme Europe Cr&eacute;ative - MEDIA de l&rsquo;Union Europ&eacute;enne <br />&nbsp;&nbsp;&nbsp; Ville de Paris (France)<br />&nbsp;&nbsp;&nbsp; Medienboard Berlin Brandenburg (Allemagne)<br />&nbsp;&nbsp;&nbsp; DICR&eacute;AM (France)<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;</h3>\r\n<h3>Partenaire exclusif<br />&nbsp;&nbsp;&nbsp; CHANEL</h3>\r\n<p>avec</p>\r\n<h3>&Eacute;QUIPE DE CR&Eacute;ATION</h3>\r\n<h3>Chor&eacute;graphie</h3>\r\n<p>Chor&eacute;graphe : Blanca Li</p>\r\n<p>Assistants chor&eacute;graphes<br />&nbsp;&nbsp;&nbsp; Glyslein Lefever<br />&nbsp;&nbsp;&nbsp; Rafael Linares Torres<br />&nbsp;&nbsp;&nbsp; Jonathan Ber</p>\r\n<p>Danseurs cr&eacute;ation et motion capture<br />&nbsp;&nbsp;&nbsp; Ga&euml;l Rougegrez<br />&nbsp;&nbsp;&nbsp; Margarita Riera Roig <br />&nbsp;&nbsp;&nbsp; Antonio Carbonero<br />&nbsp;&nbsp;&nbsp; Jonathan Ber <br />&nbsp;&nbsp;&nbsp; Yacnoy Abreu Alfonso <br />&nbsp;&nbsp;&nbsp; Sandrine Chapuis<br />&nbsp;&nbsp;&nbsp; Joseph Gebrael</p>\r\n<p>Personnages motion capture<br />&nbsp;&nbsp; Arnaud Caizergues - acrobatie &amp; p&ocirc;le dance<br />&nbsp;&nbsp; Marine Veirun, alias Sucre d&rsquo;Orge - Effeuillage, burlesque <br />&nbsp;&nbsp; Nicolas Moya - Danses de couple<br />&nbsp;&nbsp; Vaiki Tamagna - Danses de couple<br />&nbsp;&nbsp; Slate Hemedi - Electro <br />&nbsp;&nbsp; Mamadou Bathily - Electro&nbsp;</p>\r\n<h3><br />Musique&nbsp;</h3>\r\n<p>Composition : Tao Gutierrez</p>\r\n<p>Livret:&nbsp; Blanca Li</p>\r\n<p>Traductions : Etienne Li, Blanca Li et Tao Gutierrez</p>\r\n<p>Orchestres<br />&nbsp;&nbsp; Babelsberg Film Orchestra (Berlin)<br />&nbsp;&nbsp; Gipsy band&nbsp; (Madrid)<br />&nbsp;&nbsp; Omniversal Earkestra&nbsp; (Berlin)</p>\r\n<p>Voix<br />Version fran&ccedil;aise, enregistr&eacute;e au Studio Caverne, Paris <br />&nbsp;&nbsp;&nbsp; Moniek Boersma - Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; David Jean - Richard de la Rivi&egrave;re <br />&nbsp;&nbsp;&nbsp; Julien Mior - Pierre <br />&nbsp;&nbsp;&nbsp; J&eacute;r&eacute;my Petit - James <br />&nbsp;&nbsp;&nbsp; Sofia Mountassir - M&egrave;re d&rsquo;Ad&egrave;le <br />&nbsp;&nbsp;&nbsp; Ga&eacute;tan Borg - P&egrave;re d\'Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; Ka&iuml;na Blada - choeurs <br />&nbsp;&nbsp;&nbsp; Marina Pangos - choeurs&nbsp;</p>\r\n<p>Version anglaise, enregistr&eacute;e au Studio Caverne, Paris <br />&nbsp;&nbsp;&nbsp; Moniek Boersma - Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; Scott Emerson - Pierre<br />&nbsp;&nbsp;&nbsp; Jeffrey Cohen -&nbsp; James, Groom <br />&nbsp;&nbsp;&nbsp; Sofia Mountassir - M&egrave;re d&rsquo;Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; Ga&eacute;tan Borg - P&egrave;re d\'Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; Ka&iuml;na Blada - Choeurs<br />&nbsp;&nbsp;&nbsp; Marina Pangos - Choeurs</p>\r\n<p>Version espagnole : <br />&nbsp;&nbsp;&nbsp; Lorena Calero - Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; Gonzalo Alcain - Pierre<br />&nbsp;&nbsp;&nbsp; Tomy Alvarez - James<br />&nbsp;&nbsp;&nbsp; Vivian Siles - M&egrave;re d&rsquo;Ad&egrave;le <br />&nbsp;&nbsp;&nbsp; Dani Reus - P&egrave;re d&rsquo;Ad&egrave;le <br />&nbsp;&nbsp;&nbsp; Nando Gonzalez - Groom<br />&nbsp;&nbsp;&nbsp; Karolina - Choeurs<br />&nbsp;&nbsp;&nbsp; Bastian - Choeurs</p>\r\n<p>&nbsp;&nbsp;&nbsp; Dialogues<br />&nbsp;&nbsp;&nbsp; Julia Piera - Ad&egrave;le<br />&nbsp;&nbsp;&nbsp; Rafa Ramos - Pierre</p>\r\n<h3>TECHNIQUE</h3>\r\n<p>Informatique, VR/Game Mastering <br />&nbsp;&nbsp;&nbsp; Oliver Pajić <br />&nbsp;&nbsp;&nbsp; Nicolas Huertas <br />&nbsp;&nbsp;&nbsp; Eddy Besse <br />&nbsp;&nbsp;&nbsp; Francisco Carbajo de Tomas <br />&nbsp;&nbsp;&nbsp; Alexis Mathoux</p>\r\n<p>R&eacute;gie g&eacute;n&eacute;rale cr&eacute;ation<br />&nbsp;&nbsp;&nbsp; Olivier Georges<br />&nbsp;&nbsp;&nbsp; Thomas Leblanc<br />&nbsp;&nbsp;&nbsp; Maxime Robert<br />&nbsp;&nbsp;&nbsp; Quique Gutierrez</p>\r\n<h3>BACKLIGHT STUDIO</h3>\r\n<p>Producteur : Jonathan Tamene&nbsp;</p>\r\n<p>Chef de projet : K&eacute;vin Rault&nbsp;</p>\r\n<p>Assistant chef de projet : J&eacute;r&eacute;my Ouvry&nbsp;</p>\r\n<p>Directeur technique :&nbsp; Fr&eacute;d&eacute;ric Plantard</p>\r\n<p>Responsable d&eacute;ploiement : Darrin Taylor&nbsp;</p>\r\n<p>Responsable informatique : Fr&eacute;d&eacute;ric Lanchais&nbsp;</p>\r\n<p>Responsable image &amp; communication : &Eacute;lodie Maizeray</p>\r\n<p>Responsable programmation : Alexis Feldmar&nbsp;</p>\r\n<p>Programmeurs body awareness : Ma&euml;lyss Farges et&nbsp; Alexis Lemmen</p>\r\n<p>Programmeur r&eacute;seau : Paul-Etienne Duclos</p>\r\n<p>Programmeur UI : Dylan-John Mindar&nbsp;&nbsp;</p>\r\n<p>Programmeur outils : Vincent Fouquet&nbsp;</p>\r\n<p>Superviseur 3D : Florian Lebordais&nbsp;</p>\r\n<p>Lead artist : Flavien Galliot&nbsp;</p>\r\n<p>Light &amp; environment artist : Justine Cannarella&nbsp;</p>\r\n<p>Technical artist : Margot Mangenot&nbsp;</p>\r\n<p>Character artists : Louis Somson et Vincent Dufour&nbsp;</p>\r\n<p>Superviseur VR / layout artist / character artist : Aymeric Favre&nbsp;</p>\r\n<p>Cloth artist / FX artist : Antoine Thonon&nbsp;</p>\r\n<p>Lead environment artist : Corentin Baillot&nbsp;</p>\r\n<p>Environment artists : Alexis Jardin et Irina R&eacute;jaumont&nbsp;</p>\r\n<p>Superviseur animation : S&eacute;bastien Parent&nbsp;</p>\r\n<p>animateur-rice-s :&nbsp; La&euml;titia Chadeffaud, Paul Gueguen et Willis Gbaguidi&nbsp;</p>\r\n<p>Rig &amp; set up artists : Marie Albold et Louis Clemenceau&nbsp;</p>\r\n<p>Testeurs : Filip Nikolic et Martin Lepr&ecirc;tre</p>\r\n<h3>FABRIQUE d\'IMAGES (Mod&eacute;lisation 3D)</h3>\r\n<p>Producers / Producteurs<br />&nbsp;&nbsp; Jean-Marie Musique<br />&nbsp;&nbsp; Christine Parisse<br />&nbsp;&nbsp; Mark Mertens</p>\r\n<p>Production Manager / Responsable de production : Yannick Czukor</p>\r\n<p>CG Supervisor: Guillaume Vialaneix</p>\r\n<p>Technical Director / Directeur Technique : Quentin Mirioni</p>\r\n<p>Lead character modeling / Chef d\'unit&eacute; design &amp; modeling 3D : Guillaume Dubois<br />Character modeling artist / Modelers 3D personnages : Maxime Jerome</p>\r\n<p>Lead Texturing / Chef d\'unit&eacute; texturing 3D : Elodie Legros</p>\r\n<p>Lead set modeling / Chef d\'unit&eacute; d&eacute;cors : Jean-Luc Robert<br />Set modeling artist / Modelers 3D d&eacute;cors : Paul Burton<br />Set modeling artist / Modelers 3D d&eacute;cors : Thomas Saussus</p>\r\n<p>Accountant / Comptable: Amandine Ugolini<br />Production administrator / Administrateur de production: Ana&iuml;s Woltrager</p>\r\n<p>CFO / Directeur administratif &amp; Financier: David Maroko<br />Asset manager: R&eacute;my Guillaume<br />Business development director: Christelle Debaudre<br />Studio manager / Directeur de studio: David Dubuis</p>\r\n<h3>ACTRIO STUDIO</h3>\r\n<p>Michael Geidel</p>\r\n<h3>CIE BLANCA LI <br />Producteur d&eacute;l&eacute;gu&eacute; - Etienne Li (Film Addict - Calentito)</h3>\r\n<p>Administrateurs de production<br />&nbsp;&nbsp;&nbsp; Fakhrya Fakhry<br /><strong> &nbsp; &nbsp; </strong>Camille Denisty<br /> &nbsp;&nbsp;&nbsp; Marylise Hergu&eacute;<br />&nbsp;&nbsp;&nbsp; Fabrice Verrier<br />&nbsp;&nbsp;&nbsp; Jeanne Gascon</p>\r\n<p>avec la Collaboration sp&eacute;ciale de<br />&nbsp;&nbsp;&nbsp; Nicolas Corman<br />&nbsp;&nbsp;&nbsp; Coline Delbaere</p>\r\n<p>Assistantes de production<br />&nbsp;&nbsp;&nbsp; Charlotte Marcellesi<br />&nbsp;&nbsp;&nbsp; Man&egrave;k&eacute; Som<br />&nbsp;&nbsp;&nbsp; Mathilde Pailley</p>\r\n<p>costumes danseurs VR<br />&nbsp;&nbsp;&nbsp; Melissa Leoni</p>\r\n<p>couture et accessoires<br />&nbsp;&nbsp;&nbsp; Leila Martinez- Atelier de couture au f&eacute;minin</p>\r\n<h3>Int&eacute;gration et spatialisation du son &nbsp;</h3>\r\n<p>Tape</p>\r\n<h3>Motion Capture</h3>\r\n<p>Alive VFX and Design - Elamedia Estudios (Madrid)<br />&nbsp;&nbsp;&nbsp; Roberto Butrague&ntilde;o <br />&nbsp;&nbsp;&nbsp; Ra&uacute;l Bernab&eacute;<br />&nbsp;&nbsp;&nbsp; Pilar Rodr&iacute;guez<br />&nbsp;&nbsp;&nbsp; Emilio Ferrari<br />&nbsp;&nbsp;&nbsp; David Aguilera<br />&nbsp;&nbsp;&nbsp; Adri&aacute;n N&uacute;&ntilde;ez Sa&aacute;<br />&nbsp;&nbsp;&nbsp; I&ntilde;aki Gil \"Ketxu\"<br />&nbsp;&nbsp;&nbsp; Enrique Calatayud Garc&iacute;a-Saavedra<br />&nbsp;&nbsp;&nbsp; Leandro Zerial Torre<br />&nbsp;&nbsp;&nbsp; Alba Temi&ntilde;o</p>\r\n<p><br />Mocaplab (Paris)<br />&nbsp;&nbsp;&nbsp; R&eacute;mi Brun<br />&nbsp;&nbsp;&nbsp; Guillaume Collin<br />&nbsp;&nbsp;&nbsp; Mathilde Renet<br />&nbsp;&nbsp;&nbsp; Christophe Cheul<br />&nbsp;&nbsp;&nbsp; Charles Fougeront</p>\r\n<h2><strong>&Eacute;QUIPE CIE BLANCA LI <br />au Th&eacute;&acirc;tre de Chaillot et au Palace</strong></h2>\r\n<p><strong>ARTISTIQUE</strong><br />DANSEURS ET DANSEUSES<br />&nbsp;&nbsp; J&eacute;r&ocirc;me Albert<br />&nbsp;&nbsp; Jonathan Ber<br />&nbsp;&nbsp; Thibault Carr&eacute;<br />&nbsp;&nbsp; Martina Consoli<br />&nbsp;&nbsp; Melissa Cosseta<br />&nbsp;&nbsp; Aliz&eacute;e Duvernois<br />&nbsp;&nbsp; Yan Giraldou<br />&nbsp;&nbsp; Genci Hasa<br />&nbsp;&nbsp; Slate Hemedi<br />&nbsp;&nbsp; Charlotte Kah<br />&nbsp;&nbsp; Rafael Linares Torres<br />&nbsp;&nbsp; Julien Marie-Anne<br />&nbsp;&nbsp; Baptiste Martinez<br />&nbsp;&nbsp; Rina Murakami<br />&nbsp;&nbsp; Elisa Ribes<br />&nbsp;&nbsp; Margalida Riera Roig<br />&nbsp;&nbsp; Lisa Robert<br />&nbsp;&nbsp; Gael Rougegrez<br />&nbsp;&nbsp; L&eacute;a Salomon<br />&nbsp;&nbsp; Victor Virnot</p>\r\n<p>ASSISTANTS CHORÉGRAPHIE<br />&nbsp;&nbsp; Jonathan Ber<br />&nbsp;&nbsp; Rafael Linares Torres<br />&nbsp;&nbsp; Gael Rougegrez</p>\r\n<p>DÉCORATION FLEURS <br />&nbsp;&nbsp; Patricia Oumedjkane</p>\r\n<p><strong>TECHNIQUE</strong><br />DIRECTION INFORMATIQUE <br />&nbsp;&nbsp; Oliver Pajić</p>\r\n<p>DIRECTION TECHNIQUE <br />&nbsp;&nbsp; J&eacute;r&eacute;mie Oler</p>\r\n<p>REGIE GENERALE<br />&nbsp;&nbsp; Romuad Vervin</p>\r\n<p>RÉGISSEURS INFORMATIQUES<br />&nbsp;&nbsp; H&eacute;loise Boursier<br />&nbsp;&nbsp; Simon Frezel<br />&nbsp;&nbsp; Toyo Fujiyama<br />&nbsp;&nbsp; Nicolas Huertas<br />&nbsp;&nbsp; Neil Lebigre<br />&nbsp;&nbsp; Joseph Marshall<br />&nbsp;&nbsp; Victor Panangatte<br />&nbsp;&nbsp; Julien Pannetier<br />&nbsp;&nbsp; Jun Partington<br />&nbsp;&nbsp; Sam Selvakumar</p>\r\n<p>RÉGISSEURS PLATEAU<br />&nbsp;&nbsp; Tom Chiappalone<br />&nbsp;&nbsp; Flavia Dilman<br />&nbsp;&nbsp; Pierre Fourchard<br />&nbsp;&nbsp; Antonin Hopley<br />&nbsp;&nbsp; Lola Kil<br />&nbsp;&nbsp; Tim Lawson<br />&nbsp;&nbsp; Artur L&eacute;ger<br />&nbsp;&nbsp; Deborah Lombardo<br />&nbsp;&nbsp; Julie Mar&eacute;chaux<br />&nbsp;&nbsp; Julien Marrant<br />&nbsp;&nbsp; Gustavo Morais<br />&nbsp;&nbsp; Mathea Rafini<br />&nbsp;&nbsp; Tristan Sicard<br />&nbsp;&nbsp; Natacha Tongaharitina<br />&nbsp;&nbsp; Elisabetta Vernier</p>\r\n<p>APPRENTI REGISSEUR<br />&nbsp;&nbsp; Rayan Ben Lazreg</p>\r\n<p>RÉGISSEURS DÉCORATION FLEURS <br />&nbsp;&nbsp; François Léger <br />&nbsp;&nbsp; Artur Léger</p>\r\n<p><strong>COMMUNICATION, PRESSE, MARKETING et ADMINISTRATION</strong><br /> ATTACH&Eacute; de PRESSE <br />Agence S&eacute;bastien d\'Assigny<br /><br />ADMINISTRATION, COMMUNICATION et DIFFUSION:<br />&nbsp;&nbsp; Etienne Li <br />&nbsp;&nbsp; Flore Defossemont,<br />&nbsp;&nbsp; Camille Denisty<br />assist&eacute;s de <br />&nbsp;&nbsp; Charlotte Marcellesi</p>\r\n<p>St&eacute;phane Hivert</p>\r\n<p>Editeurs videos : Raphael Lubczansky et Sarah Eyraud</p>\r\n<p>Page Internet : Agence Stargraf <br />&nbsp;&nbsp; Jean Fran&ccedil;ois Borfiga<br />&nbsp;&nbsp; Gregory Moreira<br /><br />Adapatation, design, communication print<br />&nbsp;&nbsp; Jean-Baptiste Carcopino<br />&nbsp;&nbsp; Marion Leduc</p>\r\n<p>MARKETING<br />Agence Gigz <br />&nbsp;&nbsp; Abdoulaye Sambe<br />&nbsp;&nbsp; Maxime Bert</p>\r\n<h3>Remerciements &agrave;&nbsp;</h3>\r\n<p>&nbsp;&nbsp;&nbsp; l\'Institut Fran&ccedil;ais<br />&nbsp;&nbsp;&nbsp; Rencontres de Coproduction du Film Francophone (Luxembourg)<br />&nbsp;&nbsp;&nbsp; Festival New Images (Paris, France) <br />&nbsp;&nbsp;&nbsp; Festival International de Film de Gen&egrave;ve (Suisse)<br />&nbsp;&nbsp;&nbsp; Festival International de Film de Venise (Italie)<br />&nbsp;&nbsp;&nbsp; The Stereopsia awards (Belgique)<br />&nbsp;&nbsp;&nbsp; VR Days (Pays-Bas)<br />&nbsp;&nbsp;&nbsp; Cannes XR (France)<br />&nbsp;&nbsp;&nbsp; Kaleidoscope (USA)<br />&nbsp;&nbsp;&nbsp; Centre Phi (Canada)<br />&nbsp;&nbsp;&nbsp; Th&eacute;&acirc;tre de Li&egrave;ge</p>\r\n<p>Au Palace<br />&nbsp;&nbsp;&nbsp; Hazis Vardar<br />&nbsp;&nbsp;&nbsp; Ghazal Kabil<br /><br />A Venise, Zuecca Projects<br />&nbsp;&nbsp;&nbsp; Alessandro Possati<br />&nbsp;&nbsp;&nbsp; Marica Denora<br />&nbsp;&nbsp;&nbsp; Maria Cristina Bastante</p>\r\n<p>Section VR du Festival International du Film de Venise<br />&nbsp;&nbsp; Michel Reilhac<br />&nbsp;&nbsp; Liz Rosenthal</p>\r\n<p>NextDance<br /> &nbsp; Maxime Fleuriot et Alexandrine Stehelin<br />&nbsp;&nbsp; <br />et &agrave;<br />&nbsp;&nbsp; Voyelle Acker&nbsp;&nbsp; <br />&nbsp;&nbsp; Anne Sophie Braud<br />&nbsp;&nbsp; Pauline Augrain</p>\r\n<p>sans oublier<br /> &nbsp; PERRIER JOU&Euml;T</p>\r\n<p>et bien s&ucirc;r nos remerciements tr&egrave;s particuliers &agrave;<br />&nbsp; toute l\'&eacute;quipe de CHANEL</p>\r\n<p>La Compagnie Blanca Li est accueillie en r&eacute;sidence par la Fondation FIMINCO &agrave; Romainville</p>\r\n<p>&nbsp;</p>','');

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